Items where School is "School of Literature, Drama and Creative Writing

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Number of items: 101.

A

Adeyemi, Adesola (2022) Single-authored entries on Nigerian directors. In: Cambridge Encyclopaedia of Stage Directors and Directing. Cambridge University Press.

Ashman, Nathan ORCID: https://orcid.org/0000-0002-4065-6253 (2022) Wolverines, Werewolves and Demon Dogs:Animality, Criminality and Classification in James Ellroy’s L.A. Quartet. In: Animals in Detective Fiction. Palgrave Studies in Animals and Literature (PSAAL) . Springer, pp. 65-82. ISBN 978-3-031-09241-1

Azzopardi, Trezza (2022) Short Works: Wrecking Ball Swing. UNSPECIFIED.

B

Bacon, Helena K. (2022) Once a Wood, Always a Wood: Woodland, witchery and rewilding in Sylvia Townsend Warner’s Lolly Willowes. Green Letters: Studies in Ecocriticism, 25 (2: Enchanted Environments). pp. 169-180. ISSN 1468-8417

Benn, Tom (2022) Oxblood:or, Our Ladies of the Good Death. Bloomsbury Publishing PLC. ISBN 9781526639486

Benson, Stephen ORCID: https://orcid.org/0000-0001-7175-9979 (2022) Dusty's Answer, or, Pop Song for Ali Smith. In: The Routledge Companion to Music and Modern Literature. Routledge, pp. 359-368. ISBN 9780367237240

Benson, Stephen (2022) Dusty’s Answer, or, Pop Song for Ali Smith. In: The Routledge Companion to Music and Modern Literature. Routledge Music Companions . Routledge, pp. 359-368. ISBN 978-0-367-23724-0

Boase-Beier, Jean ORCID: https://orcid.org/0000-0003-0446-6230 (2022) Translated Holocaust poetry and the reader. In: The Routledge Handbook of Translation and Memory. Routledge Handbooks in Translation and Interpreting Studies (1). Routledge, Abingdon, pp. 109-122. ISBN 9780815372158

Brown, Rosalind (2022) The Courtyard. Propel Magazine.

C

Corfield Carr, Holly (2022) Less, less, less, less, less: on listening to shells. In: Artica Writings. Artica Svalbard, pp. 26-37.

Corfield Carr, Holly (2022) “That sunny dome! those caves of ice!”: Hunting Bison in Modernist Caves:Reading Modernism in the Sixth Extinction. Modernism/modernity, 7 (2). ISSN 1071-6068

Cowan, Andrew ORCID: https://orcid.org/0000-0003-2320-8907 (2022) Against Creative Writing. Routledge. ISBN 9781138593572

D

Donnell, Alison ORCID: https://orcid.org/0000-0001-8722-6974 (2022) Caribbean Nationalisms. In: The Cambridge Companion to Twentieth-Century Literature and Politics. Cambridge Companions to Literature and Classics . Cambridge University Press, Cambridge, pp. 180-194. ISBN 9781108814195

Dosani, Sabina (2022) Flesh and Blood (A Memoir) and Products of Conception, Imaging and Imagining the Maternal-Foetal Relationship (A Critical Analysis). Doctoral thesis, University of East Anglia.

E

Epstein, B. J. (2022) The Portrayal of Breastfeeding in Literature. Anthem Press. ISBN 9781785274008

Epstein, B. J. (2022) Translation and Genre. Cambridge University Press. ISBN 9781108926331

Epstein, B. J. (2022) We're Here! A Practical Guide to Becoming an LGBTQ+ Parent. Praeclarus.

G

Geary, Paul ORCID: https://orcid.org/0000-0002-5954-9247 (2022) Dining in Prison: Sensory framing and performative perception in Rideout’s Past Time. Performance Research, 26 (3). pp. 66-73. ISSN 1352-8165

Geary, Paul (2022) Experimental Dining: Performance, Experience and Ideology in Contemporary Creative Restaurants. Intellect. ISBN 978-1-78938-343-0

Gould, Thomas (2022) The Hatred of Speech and the Poetics of Silence. In: Silence and its Derivatives. Palgrave Macmillan, pp. 199-213. ISBN 9783031065224

Gould, Thomas (2022) Legerdemain/Gaucherie: Doodle Theory with Barthes and Beckett. Paragraph, 45 (2). pp. 233-247. ISSN 0264-8334

Gould, Thomas (2022) The The: Stevens's Neighborliness. In: Wallace Stevens in Theory. Liverpool University Press. (In Press)

Gould, Thomas and Tan, Ian (2022) Introduction: The Pure Good of Theory. In: Wallace Stevens in Theory. Liverpool University Press. ISBN 9781837645145 (In Press)

H

Heal, Olivia (2022) I Say to You: World & Sometimes the Writer is also the Mother: Writing Maternal Subjectivity. Doctoral thesis, University of East Anglia.

Hunt, Katherine ORCID: https://orcid.org/0000-0002-8395-5288 (2022) What did didactic literature teach? Change-ringing manuals, printed miscellanies, and forms of active reading. Renaissance Studies, 36 (5). pp. 686-704. ISSN 0269-1213

J

Jowitt, Claire ORCID: https://orcid.org/0000-0001-5232-7003 (2022) The last voyage of the Gloucester (1682): The politics of a royal shipwreck. English Historical Review, 137 (586). 728–762. ISSN 0013-8266

K

Karshan, Thomas (2022) The Problem of a Name:The Essay and Its Titles. In: The Edinburgh Companion to the Essay. Edinburgh University Press, Edinburgh, pp. 50-68. ISBN 978 1 4744 8602 6

Kelbert, Eugenia ORCID: https://orcid.org/0000-0002-6585-7588 (2022) Appearances: Character description as a network of signification in Russian translations of Jane Eyre. Target, 34 (2). pp. 219-250. ISSN 0924-1884

Kitson, Peter ORCID: https://orcid.org/0000-0001-8947-4859 (2022) David Duff, ed. The Oxford Handbook of British Romanticism. Oxford: Oxford University Press, 2018. Pp. xxi + 792. 14 illus. B&W. £110.00. ISBN 978-0-19-966089-6. BARS Bulletin, 58 (1). pp. 1-4. ISSN 2049-7881

Kitson, Peter ORCID: https://orcid.org/0000-0001-8947-4859 (2022) Emily Sun, On the Horizon of World Literature: Forms of Modernity in Romantic England and Republican China. New York: Fordham University Press, 2021. 176 pp. US$33.00. The Wordsworth Circle, 53 (4). 516–523. ISSN 0043-8006

L

Large, Duncan ORCID: https://orcid.org/0000-0001-6555-7334 (2022) Joyous Conquest?:On Retranslating Nietzsche’s Die fröhliche Wissenschaft. Existenz: An International Journal in Philosophy, Religion, Politics, and the Arts, 15 (2). pp. 55-59. ISSN 1932-1066

Large, Duncan ORCID: https://orcid.org/0000-0001-6555-7334 (2022) Translating poetry, translating philosophy: Comparisons and contrasts. Études de lettres, 318. pp. 27-45. ISSN 2296-5084

Large, Duncan ORCID: https://orcid.org/0000-0001-6555-7334 (2022) Translation and Philosophy. In: The Cambridge Handbook of Translation. Cambridge Handbooks in Language and Linguistics . Cambridge University Press, Cambridge, pp. 258-276. ISBN 9781108480406

Lincoln, Peter (2022) A Deluge of Doubt: William Buckland and the establishment of geological science at Oxford. Doctoral thesis, University of East Anglia.

M

Maffía, Mónica and Stevens, Sophie (2022) Complete Sex. Inti Press, London. ISBN 978-1-8383244-6-9

Marshall, Emma, Murray, Grace and Hunt, Katherine ORCID: https://orcid.org/0000-0002-8395-5288 (2022) An EMROC satellite: An institution-specific, interdisciplinary approach to transcribing early modern manuscript recipes. Early Modern Studies Journal, 8. pp. 96-100.

McDermott, James (2022) Green Apple Red. Broken Sleep Books. ISBN 978-1-915079-40-4

Mccaul, Kathleen (2022) Something rotten in the state of São Paulo: politics and style in Latin America’s biggest megacity. Doctoral thesis, University of East Anglia.

Mullett, Matthew ORCID: https://orcid.org/0009-0009-5009-3587 (2022) A Very Modern Addiction: Tobacco in F. Scott Fitzgerald's The Great Gatsby and Thank You for the Light. In: New Work in Modernist Studies Conference 2022, 2022-12-09, Loughborough.

Musgrave, Ben ORCID: https://orcid.org/0000-0002-4154-9978 (2022) Vital Signs. [Performance]

N

Nikolaou, Paschalis and Rossi, Cecilia ORCID: https://orcid.org/0000-0002-3621-5383 (2022) Translating Poetry. In: The Cambridge Handbook of Translation. Cambridge University Press, pp. 480-498. ISBN 9781108616119

Noel-Tod, Jeremy ORCID: https://orcid.org/0000-0002-0772-1770 (2022) Get in Line: Poetry and the Flow of Form. The Stinging Fly, 2 (46). pp. 197-204. ISSN 1393-5690

Noel-Tod, Jeremy ORCID: https://orcid.org/0000-0002-0772-1770 (2022) How The Waste Land became the most quotable book of the last 100 years:on three new books about T.S. Eliot. Prospect Magazine.

Noel-Tod, Jeremy ORCID: https://orcid.org/0000-0002-0772-1770 (2022) Lost in the concrete jungle:Revisiting the avant-garde poetic movement that had TLS readers up in arms. In: UNSPECIFIED UNSPECIFIED.

Noel-Tod, Jeremy ORCID: https://orcid.org/0000-0002-0772-1770 (2022) Loyal incoherence: the Queen in verse:Why no great poems have ever been written about Britain’s constitutional monarchs. Prospect Magazine.

Noel-Tod, Jeremy ORCID: https://orcid.org/0000-0002-0772-1770 (2022) No, Philip Larkin is not being “cancelled” by schools:The culture war against teachers and academics is manufactured by right-wing newspapers and rent-a-quote reactionaries. The New Statesman.

Noel-Tod, Jeremy ORCID: https://orcid.org/0000-0002-0772-1770 (2022) Why James Joyce’s Ulysses appeals to the amateur reader in us all:One hundred years on, James Joyce’s great novel still has a high-definition freshness and intimacy. Prospect Magazine.

Noel-Tod, Jeremy ORCID: https://orcid.org/0000-0002-0772-1770 (2022) A life without peace:Review of Robert Lowell's Memoirs (Faber and Faber, 2022). The New Statesman.

Noel-Tod, Jeremy ORCID: https://orcid.org/0000-0002-0772-1770, Nowell Smith, David ORCID: https://orcid.org/0000-0001-9840-2507 and Balfour, Sandy ORCID: https://orcid.org/0000-0002-7559-7994 (2022) BBC 100 Collection:Celebrating 100 years of poetry on the BBC. UNSPECIFIED.

Nowell Smith, David ORCID: https://orcid.org/0000-0001-9840-2507 (2022) Parsing Time in the Lyric. Critical Quarterly, 64 (4). pp. 138-154. ISSN 0011-1562

Nowell Smith, David ORCID: https://orcid.org/0000-0001-9840-2507 (2022) Teaching Attunement. In: Teaching the New English. Palgrave. (In Press)

Nowell Smith, David ORCID: https://orcid.org/0000-0001-9840-2507 (2022) W.S. Graham: The Poem as Art Object. Oxford University Press. ISBN 9780192842909

Nowell Smith, David (2022) Poem/Concept. In: The Cambridge Companion to the Poem. Cambridge University Press.

P

Pinner, Rebecca ORCID: https://orcid.org/0000-0003-0887-9884 (2022) The Saint and the Sea: The Maritime Rhetoric of John Lydgate’s Life of St Edmund and BL Harley 2278. Medieval Ecocriticisms, 2 (2). pp. 20-52. ISSN 2769-7363

Potter, Rachel ORCID: https://orcid.org/0000-0001-5508-000X and Hadjiyiannis, Christos (2022) The Cambridge Companion to Twentieth Century Literature and Politics. Cambridge University Press, Cambridge.

R

Racine, Jean and Wertenbaker, Timberlake (2022) Britannicus. Faber & Faber. ISBN 978-0-571-28397-2

Roebuck, Thomas ORCID: https://orcid.org/0000-0002-1791-6539 (2022) 'Ancient Rabbis Inspired by God': Robert Sheringham’s Surprising Edition of Mishnah Tractate Yoma (1648). In: The Mishnaic Moment. Oxford University Press, Oxford, pp. 193-214. ISBN 9780192898906

Rossi, Cecilia ORCID: https://orcid.org/0000-0002-3621-5383 (2022) At the Intersection of the Writing of Translations and Memory:Bridging Communities Affected by Past Conflict. In: The Routledge Handbook of Translation and Memory. Routledge, pp. 90-105. ISBN 9780815372158

Rossi, Cecilia ORCID: https://orcid.org/0000-0002-3621-5383 (2022) Writers and translators working together: The ethical dimension of the translation of post conflict literature. The Translator, 27 (Issue 4: Translation and The Ethics of Diversity). pp. 384-399. ISSN 1355-6509

Rossiter, Will ORCID: https://orcid.org/0000-0003-3312-5814 (2022) From thowght to thowght:How Thomas Wyatt Read (and Heard) His Petrarch. In: Petrarch Commentary and Exegesis in Italy, c.1450-1650. Legenda, Oxford. (In Press)

S

Schaller, Karen (2022) Feeling Political:Elizabeth Bowen in the 1940s. In: The 1940s: A Decade of Modern British Fiction. Bloomsbury Academic, pp. 139-162. ISBN 9781350143012

Schaller, Karen (2022) Not in the Mood: Reading Love in 21st Century Humanities Scholarship. In: Love and the Politics of Care: Methods, Pedagogies, Institutions. Bloomsbury Academic. ISBN 1501387642

Schaller, Karen Ann (2022) The True Heart: Sylvia Townsend Warner’s Impolitics of Love. Textual Practice, 36 (7). pp. 1029-1049. ISSN 0950-236X

Sebald, W. G. and Catling, Jo (2022) Silent Catastrophes:Essays on Literature, 1972-1989. Penguin Books Ltd.. ISBN 9780241144190

Smith, Andrea ORCID: https://orcid.org/0000-0002-6700-8280 (2022) The Beeb and the Bard:Actor Samuel West is joined by Dr Andrea Smith to chronicle 100 years (nearly) of Shakespeare on the radio. BBC Radio 3.

Smith, Andrea (2022) Cathleen Nesbitt: Britain’s First Radio Drama Producer. Women's History Today, 3 (5). p. 32. ISSN 2752-6704

Smith, Andrea ORCID: https://orcid.org/0000-0002-6700-8280 (2022) Free Thinking: Shakespeare, history, pathology and dissonant sound. UNSPECIFIED.

Smith, Andrea ORCID: https://orcid.org/0000-0002-6700-8280 (2022) ‘More fair than black’: Othellos on British radio. Shakespeare Survey, 75. pp. 49-59. ISSN 0080-9152

Smith, Andrea (2022) Reviews of Shakespeare’s Othello (Directed by Emma Harding), BBC Radio 3, 19 April 2020 and Henry IV, Part 1 (Directed by Sally Avens), BBC Radio 3, 26 April 2020. Shakespeare, 18 (2). pp. 246-254. ISSN 1745-0918

Smith, Jos ORCID: https://orcid.org/0000-0002-3826-6416 (2022) Literature and Environmental Rights. In: Cambridge Companion to Literature and Politics. Cambridge University Press.

Smith, Andrea (2022) Making Early Modern drama with a mattress and a microphone. In: All The World's A Stage, 2022-04-23 - 2022-04-24, University of Liverpool/online.

Smith, Andrea ORCID: https://orcid.org/0000-0002-6700-8280 (2022) Radio Plays. In: Forgotten Treasures. West Midlands History Limited. ISBN 978-1-905036-85-1

Smith, Andrea ORCID: https://orcid.org/0000-0002-6700-8280 (2022) Reversing the tradition of the boy player. In: Britgrad, 2022-06-23 - 2022-06-25, Shakespeare Institute.

Smyth, Karen ORCID: https://orcid.org/0000-0002-7101-2397 and Parker, Emily (2022) Paston Heritage Trails Website. UNSPECIFIED.

Smyth, Karen ORCID: https://orcid.org/0000-0002-7101-2397 and Trust, Dereham (2022) The Fenns of Hill House and the Paston Letters. [Show/Exhibition]

Stevens, Sophie (2022) Uruguayan Theatre in Translation: Theory and Practice. Transcript . Legenda, Cambridge. ISBN 978-1-781883-11-2

Stevens, Sophie, Boyle, Catherine, Dunne, Ella and Vargas, Mary Ann (2022) Translation Acts:The multiple possibilities of the imagination. In: Language Acts and Worldmaking. Language Acts and Worldmaking . John Murray Press, London, pp. 68-101. ISBN 9781529372304

Sutton, Henry ORCID: https://orcid.org/0000-0003-3041-1727 and Sabinski, Johannes (2022) Eine Aussicht zum Sterben:Der Hotel-Inspektor in New York. Kampa Verlag, Zurich. ISBN 978 3 311 12546 4

Szeman, Ioana (2022) Entries on Romanian Directors. In: Cambridge Encyclopedia of Stage Directors and Directing. Cambridge University Press, Cambridge.

T

Tandon, Bharat ORCID: https://orcid.org/0000-0002-9994-4823 (2022) Foreword. In: Withnail and I by Kevin Jackson. BFI Modern Classics (2). Bloomsbury.

Tandon, Bharat (2022) Caste Away:A Bildungsroman of a twenty-first-century India. In: UNSPECIFIED UNSPECIFIED, p. 16.

Taunton, Matthew ORCID: https://orcid.org/0000-0002-9764-7809 (2022) Communism. In: The Cambridge Companion to Literature and Poltics. Cambridge University Press, pp. 36-53. ISBN 9781108886284

Taunton, Matthew ORCID: https://orcid.org/0000-0002-9764-7809 (2022) The London Consortium and me: Memoir of an experiment in doctoral education. Critical Quarterly, 64 (4). pp. 20-26. ISSN 0011-1562

Taunton, Matthew ORCID: https://orcid.org/0000-0002-9764-7809 (2022) Orwell and the Politics of Culture. In: The Oxford Handbook of George Orwell. Oxford University Press. (In Press)

Thomson, Ian (2022) The Captain’s Apprentice — Ralph Vaughan Williams’ creative awakening:An account of a pivotal episode in the composer's life dispels myths about the man and his music. Financial Times.

Thomson, Ian (2022) Una conversazione a Palermo con Leonardo Sciascia. Rubbettino Editore, Soveria Mannelli, Sicily. ISBN 978-88-498-7337-5

Thomson, Ian (2022) The invisible man: The Glass Pearls, by Emeric Pressburger, reviewed:A meek, self-effacing German refugee in 1960s London turns out to be a very different individual. In: UNSPECIFIED UNSPECIFIED.

Thomson, Ian (2022) Camp or Gulag?:A wartime reckoning in Finland. In: UNSPECIFIED UNSPECIFIED, p. 17.

Thomson, Ian (2022) Celebrating Konstantin Paustovsky — hailed as ‘the Russian Proust’. Spectator.

Thomson, Ian (2022) Naples will never escape the shadow of Vesuvius. In: UNSPECIFIED UNSPECIFIED.

Thomson, Ian (2022) Reggae on Film: from the streets to the dancehall to the screen:A Season marking 60 years of Jamaican independence brings movies, music and personalities famous and forgotten to the BFI. Financial Times. p. 10.

Thomson, Ian (2022) Twenty-four-hour party person:The success of Tony Wilson, visionary founder of the Haçienda nightclub in Manchester. In: UNSPECIFIED UNSPECIFIED.

Thomson, Ian (2022) 'The Writer and the Bricklayer':Remembering the Holocaust. The Tablet. pp. 10-11.

Thomson, Ian (2022) A Yalie at Sea:Rediscovering a Lost Beckettian novel of the 1930s. In: UNSPECIFIED UNSPECIFIED, ?.

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Valdez, Jessica R. ORCID: https://orcid.org/0000-0001-5347-6465 (2022) Victorian Studies, Literature, and the Global Nineteenth Century. Global Nineteenth-Century Studies, 1 (1). pp. 37-42. ISSN 2752-6623

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Waters, Steve ORCID: https://orcid.org/0000-0001-9265-8122 (2022) Song of the Reed: Bittern. [Performance]

Williams, Joseph ORCID: https://orcid.org/0000-0003-0621-4811 (2022) ‘Literature is for everyman’? Critical Quarterly’s democratic literary culture. In: Raymond Williams @ 100: A Centenary Conference, 2022-04-22 - 2022-04-23, Friends Meeting House, 6 Mount Street, Manchester, M2 5NS.

Williams, Joseph ORCID: https://orcid.org/0000-0003-0621-4811 (2022) Rebuild and restore: A footballer’s vision for the future of the game:Gary Neville, The People's Game: A View from a Front Seat in Football. In: UNSPECIFIED UNSPECIFIED.

Williams, Nonia ORCID: https://orcid.org/0000-0001-9666-2823 (2022) (Re)turning to Quin: An Introduction. Women: A Cultural Review, 33 (1). pp. 2-17. ISSN 0957-4042

Williams, Joe (2022) Talking to the Stasi about Poetry:Philip Oltermann, The Stasi Poetry Circle. In: UNSPECIFIED UNSPECIFIED.

Williams, Nonia (2022) Gendered Experiments: Beyond the Realist/Experimental Divide: Carole Sweeney, Vagabond Fictions: Gender and Experiment in British Women’s Writing, 1945-1970, Edinburgh, Edinburgh University Press, 2020, 304 pp., HB 9781474426176. Women: A Cultural Review, 33 (1). pp. 149-152. ISSN 0957-4042

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