Items where School is "School of Art, Media and American Studies (former - to 2024)

Published

Hartnell, Jack, ed. (2020) Continuous Page: Scrolls and Scrolling from Papyrus to Hypertext. Courtauld Books Online, London. ISBN 978-1-907485-10-7

Hand, Richard and McRoy, Jay, eds. (2020) Gothic Film:An Edinburgh Companion. Gothic Studies, 1 (1st). Edinburgh University Press, Edinburgh. ISBN 9781474448048

(2020) Introduction: Queer subjectivities and the contemporary United States. Comparative American Studies, 17 (1). pp. 1-5. ISSN 1477-5700

Petrie, Duncan, Williams, Melanie and Mayne, Laura, eds. (2020) Sixties British Cinema Reconsidered. Edinburgh University Press. ISBN 9781474443890

Mistry, Kaeten and Gurman, Hannah, eds. (2020) Whistleblowing Nation:The History of National Security Disclosures and the Cult of State Secrecy. Columbia University Press, New York.

Abdulmalik, Abdulmalik Abdulrahman ORCID: https://orcid.org/0000-0002-1791-6010, Baduku, Anthonia Silas and Daniel, Nuala Hassana (2020) YouTube: A veritable platform for the promotion and preservation of Africa's heritage. Zaria Archaeology Paper (ZAP), 13 (1). pp. 125-135. ISSN 2736-0563

Arnold, Dana (2020) Architecture and Ekphrasis:Space, Time and the Embodied Description of the Past. Manchester University Press, Manchester. ISBN 9780719099502

Arnold, Dana (2020) Art History: A very short introduction. Oxford University Press, Oxford. ISBN 9780198831808

Atakav, Eylem ORCID: https://orcid.org/0000-0001-5718-5614 (2020) Growing Up Married: Representing forced marriage on screen. Critical Discourse Studies, 17 (2). pp. 229-241. ISSN 1740-5904

Atakav, Eylem ORCID: https://orcid.org/0000-0001-5718-5614 (2020) Lifeline. UNSPECIFIED.

Atakav, Eylem ORCID: https://orcid.org/0000-0001-5718-5614, Jarvis, Lee ORCID: https://orcid.org/0000-0002-4149-7135 and Marsden, Lee (2020) Researching "British [Muslim] Values": Vernacular politics, digital storytelling, and participant researchers. International Journal of Qualitative Methods, 19. pp. 1-11. ISSN 1609-4069

Atakav, Eylem ORCID: https://orcid.org/0000-0001-5718-5614, Velody, Rachel and Daniels, Jill (2020) Against the Grain: Women Film Practitioners and Theorists Talk Creative Practice and Theory. In: Creative Practice Research in the Age of Neoliberal Hopelessness. Edinburgh University Press, pp. 19-33. ISBN 9781474463560

Aveyard, Karina ORCID: https://orcid.org/0000-0002-6543-9271 (2020) Screen Adaptation and Australian Literature. In: The Routledge Companion to Australian Literature. Routledge, pp. 401-409. ISBN 978036764356

Balzar, Jesse, Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549 and Pearson, Erin (2020) Talking Trailers: Promotional materials, and the value of the paratextual turn. Cinephile: The University of British Columbia's Film Journal, 14 (1). pp. 40-45.

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2020) Cinema and Latin American Studies: Sites of Interdisciplinary, Transnational Enquiry. New Area Studies, 1 (1). pp. 10-24. ISSN 2633-3716

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2020) Cultural Encounters in Contemporary Latin American Cinema:Intersections of Transnationality. In: The Cambridge Handbook of Intercultural Communication. Cambridge Handbooks in Language and Linguistics . Cambridge University Press, Cambridge, pp. 432-445. ISBN 9781108429696

Beauchamp, Angela (2020) I will not be your little china doll:Representations of Eleanor Roosevelt in film and television. Americana: The Journal of American Popular Culture, 19 (1).

Brooks, Nick, Clarke, Joanne ORCID: https://orcid.org/0000-0002-7954-6561, Wambui Ngaruiya, Grace and Wangui, Elizabeth Edna (2020) African heritage in a changing climate. Azania: Archaeological Research in Africa, 55 (3). pp. 297-328. ISSN 0067-270X

Carruthers, William (2020) Archaeological (non?) alignments: Egypt, India, and Global Geographies of the post-war past. South Asian Studies, 36 (1). pp. 45-60. ISSN 0266-6030

Carruthers, William (2020) Lucia Allais, 'Designs of Destruction: The Making of Monuments in the Twentieth Century'. Journal of Contemporary History, 55 (4). pp. 915-916. ISSN 0022-0094

Carruthers, William (2020) Records of dispossession: Archival thinking and UNESCO's Nubian Campaign in Egypt and Sudan. International Journal of Islamic Architecture, 9 (2). pp. 287-314.

Chatzidakis, Andreas, Hakim, Jamie, Littler, Jo, Rottenberg, Catherine and Segal, Lynne (2020) From carewashing to radical care: the discursive explosions of care during Covid-19. Feminist Media Studies, 20 (6). pp. 889-895. ISSN 1468-0777

Clark, Christopher W. (2020) At the Edges of (queer) Time and Space:Atemporality, Adolescence, and Abjection in "Final Destination". In: New Queer Horror Film and Television. Horror Studies . University of Wales Press. ISBN 9781786836267

Clark, Christopher W. (2020) Introduction: Queer Subjectivities and the United States. Comparative American Studies, 17 (1). pp. 1-5. ISSN 1477-5700

Clark, Christopher W. (2020) Queering Memory and National Identity in Transcultural U.S. Literature and Culture. American Literature Readings in the 21st Century . Palgrave Macmillan, New York. ISBN 978-3-030-52113-4

Clark, Christopher W. (2020) Reimagining the American landscape: Queer topographics in Nina Berman's Homeland. Journal of American Studies, 54 (3). pp. 541-563. ISSN 0021-8758

Clarke, Joanne ORCID: https://orcid.org/0000-0002-7954-6561 (2020) Caring for the Dead:Basketry in Funerary Contexts in the Neolithic, Chalcolithic and Early Bronze Age Near East. In: Basketry and Beyond. University of East Anglia, pp. 40-49. ISBN 978-1916133655

Clarke, Joanne ORCID: https://orcid.org/0000-0002-7954-6561 and Wasse, Alexander (2020) Time out of joint: A re-assessment of the Cypriot Early Neolithic site of Kalavasos-Tenta and its regional implications. Levant, 51 (1). pp. 26-53.

Clayton, Stephanie, Johnston, Keith M ORCID: https://orcid.org/0000-0002-1989-8549 and Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2020) Invisible Innovators:Making Women Filmmakers Visible Across the UK Film Archives. UNSPECIFIED.

Cooper, Harriet (2020) Critical Disability Studies and the Disabled Child: Unsettling Distinctions. Routledge. ISBN 9780367183066

Cornea, Christine (2020) Food from the Forest:Aat Aser. UNSPECIFIED.

Cornea, Christine (2020) Food from the Forest:Kanthe Ara, Huter Baha, Kaath Oo. UNSPECIFIED.

Cornea, Christine (2020) 'For Queen. For Country. For Kicks.': Post-apocalyptic patriotism, youth and gender in Spooks: Code 9 (BBC Three, 2008). Refractory: a Journal of Entertainment Media, 34 (2020).

Cornea, Christine (2020) Mahula Flower. UNSPECIFIED.

Cornea, Christine (2020) Microplastic Analysis Kit:Video Guide. UNSPECIFIED.

Cornea, Christine (2020) Youth and the Post-Apocalyptic in Film, Television, and Video Game. Refractory: a Journal of Entertainment Media.

Cornea, Christine, Smith, Alexandra, Ravidas, Tuplal, Hansda, Suman Kumar and Purti, Atul Jiwan (2020) Food from the Forest:Ortua Oo. UNSPECIFIED.

Cummings, James (2020) “Look how many gays there are here”: Digital technologies and non-heterosexual space in Haikou. Urban Planning, 5 (4). pp. 347-357. ISSN 2183-7635

D'Arcy, Geraint ORCID: https://orcid.org/0000-0001-5645-6005 (2020) Gothic Science Fiction. In: Gothic Film: An Edinburgh Companion. Edinburgh Companions to the Gothic . Edinburgh University Press, United Kingdom, pp. 170-193. ISBN 978-1474448048

D'Arcy, Geraint ORCID: https://orcid.org/0000-0001-5645-6005 (2020) Gothic Science Fiction. In: Gothic Film. Edinburgh University Press, pp. 170-193. ISBN 978-1474448048

D'Arcy, Geraint ORCID: https://orcid.org/0000-0001-5645-6005 (2020) Mise en Scène, Acting and Space in Comics. Palgrave Studies in Comics and Graphic Novels (1st). Palgrave Macmillan. ISBN 978-3-030-51113-5

Dawson, Adam (2020) ‘It was the last time we’d start the summer that way’: Space, race, and coming of age in Colson Whitehead’s Sag Harbor. Comparative American Studies, 17 (3-4). pp. 356-371. ISSN 1477-5700

Dell, Simon ORCID: https://orcid.org/0009-0000-9756-6518 (2020) The Portrait and the Colonial Imaginary:Photography between France and Africa 1900-1939. Leuven, Leuven. ISBN 978 94 6270 215 8

Denison, Rayna (2020) Anime is (not) Cult: Gainax and the Limits of Cult Cinema. In: The Routledge Companion to Cult Cinema. Routledge, London, pp. 121-130. ISBN 9781138950276

Feldman, Zeena and Hakim, Jamie (2020) From Paris is Burning to #dragrace: Social media and the celebrification of drag culture. Celebrity Studies, 11 (4). pp. 386-401. ISSN 1939-2397

Fraser, Rebecca ORCID: https://orcid.org/0000-0002-6014-6672 and Griffin, Martyn (2020) “Why sit ye here and die”? Counter-hegemonic histories of the black female intellectual in nineteenth century America. Journal of American Studies, 54 (5). pp. 1005-1031. ISSN 0021-8758

Frith, Paul (2020) Wholesome rough stuff’: Hammer Films and the ‘A’ and ‘U’ Certificate, 1959-65. In: Sixties British Cinema Reconsidered. Edinburgh University Press, Edinburgh, pp. 151-164. ISBN 9781474443890

Frith, Paul and Johnston, Keith ORCID: https://orcid.org/0000-0002-1989-8549 (2020) Beyond place: Rethinking British amateur films through gender and technology-based perspectives. Screen, 61 (1). 129–137. ISSN 0036-9543

Frith, Paul and Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549 (2020) Talking Colour: Rememering the Eastmancolor Revolution. Frames Cinema Journal (17). ISSN 2053-8812

Garland, Sarah ORCID: https://orcid.org/0000-0001-8911-4917 (2020) Picturing distance: Ed Ruscha’s Los Angeles photobooks. Journal of American Studies, 54 (3). pp. 470-491. ISSN 0021-8758

Gomis, Elsa (2020) Let’s Reset The Clock: Family footage to remediate distance created by mourning. IMG Journal, 2 (3). pp. 258-263.

Grant, Nicholas (2020) Crafting a global message of anti-racism. Black Perspectives - African American Intellectual History Society.

Hair, Ross ORCID: https://orcid.org/0000-0003-3570-7471 (2020) Border Blurs: Concrete Poetry in England and Scotland. By Greg Thomas. Liverpool:University of Liverpool Press, 2019. ISBN: 978-1-789-62026-9. Hb. 318pp. £90. English, 69 (267). 423–429. ISSN 0013-8215

Hair, Ross ORCID: https://orcid.org/0000-0003-3570-7471 (2020) Michael Nott, Photopoetry 1845–2015: A Critical History:Book review. Journal of American Studies, 54 (3). ISSN 0021-8758

Hair, Ross ORCID: https://orcid.org/0000-0003-3570-7471 (2020) The World Has Been Empty Since the Postcard:Fourteen Polemical Postcards by Simon Cutts. Rain Taxi (Fall 2020). ISSN 1943-4383

Hakim, Jamie (2020) Barker, M-J., Gill, R., and Harvey, L. (2018). Mediated intimacy: Sex advice in media culture. Cambridge: Polity Press. Communications: The European Journal of Communication Research, 45 (4). pp. 509-512.

Hakim, Jamie, Chatzidakis, Andreas, Littler, Jo, Rottenberg, Catherine and Segal, Lynne (2020) The Care Manifesto. Verso Books. ISBN 978-1839760969

Hand, Richard ORCID: https://orcid.org/0000-0002-2076-1435 (2020) Henry VI Part 1. [Performance]

Hand, Richard ORCID: https://orcid.org/0000-0002-2076-1435 (2020) Henry VI Part 2. [Performance]

Hand, Richard ORCID: https://orcid.org/0000-0002-2076-1435 (2020) Henry VI Part 3. [Performance]

Hand, Richard ORCID: https://orcid.org/0000-0002-2076-1435 (2020) The Innocents. [Performance]

Hand, Richard ORCID: https://orcid.org/0000-0002-2076-1435 (2020) Reflected Anxieties and Projected Dystopias:Black Mirror, Domestic Media and Dark Fantasy. In: The Moral Uncanny in Black Mirror. Springer, pp. 19-39. ISBN 9783030474959

Hand, Richard ORCID: https://orcid.org/0000-0002-2076-1435 (2020) This Isolation. [Performance]

Hartnell, Jack ORCID: https://orcid.org/0000-0001-8978-8997 (2020) Bloodlines: Medicine and Cosmology in France, China, and Mexico. In: Illuminating the Middle Ages. Library of the Written Word . Brill, Leiden, 446–468. ISBN 978-90-04-42232-2

Heslop, T. A. (2020) Gunhild’s Cross: Seeing a Romanesque Masterwork through Denmark. Art History, 43 (2). pp. 432-457. ISSN 1467-8365

Heslop, T. A. (2020) The Two Pictures Cycles in Early Manuscripts of St Anselm’s Prayers. Illuminating the Middle Ages: Tributes to Prof. John Lowden from his Students, Friends and Colleagues, eds Laura Cleaver, Alixe Bovey and Lucy Donkin (Leiden 2020),. In: Illuminating the Middle Ages: Tributes to Prof. John Lowden from his Students, Friends and Colleagues. Library of the Written Word . Brill, Leiden, pp. 94-108. ISBN 978 90 04 42232 2

Hines, Claire ORCID: https://orcid.org/0000-0002-9130-6325 and Jones, Stephanie (2020) Loaded Magazines: James Bond and British men’s mags in the Brosnan era. In: From Blofeld to Moneypenny. Emerald Group Publishing Ltd., pp. 153-166. ISBN 9781838671655

Hollows, Joanne and Jancovich, Mark (2020) ‘Dwelling at Peace’: Europeanization and the marketing of Alpine tourism in post-war Britain. International Journal of Cultural Studies, 23 (3). pp. 385-400. ISSN 1367-8779

Holmboe, Rye Dag (2020) Lee Ufan, The Hidden Face of the Moon. Third Text, 34 (2). pp. 291-310. ISSN 0952-8822

Holmes, Su ORCID: https://orcid.org/0000-0003-4243-8337 (2020) ‘Why hadn’t I come across this sooner?’ Exploring the relationships between ‘feminism(s)’ and ‘eating disorders’. Feminist Studies, 46 (2). pp. 371-397. ISSN 2153-3873

Jarvis, Lee ORCID: https://orcid.org/0000-0002-4149-7135, Marsden, Lee and Atakav, Eylem ORCID: https://orcid.org/0000-0001-5718-5614 (2020) Public conceptions and constructions of 'British values': A qualitative analysis. British Journal of Politics & International Relations, 22 (1). pp. 85-101. ISSN 1369-1481

Johnston, Keith ORCID: https://orcid.org/0000-0002-1989-8549 and Hill, Sarah (2020) Making women amateur filmmakers visible: Reclaiming women’s work through the film archive. Women's History Review, 29 (5). pp. 875-889. ISSN 0961-2025

Johnston, Keith M ORCID: https://orcid.org/0000-0002-1989-8549 (2020) The look of the con: Eleven thoughts on the historical absence of subtitles in film analysis. Perspectives: Studies in Translatology, 28 (6). pp. 910-919. ISSN 0907-676X

Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549 and Rickards, Carolyn (2020) The spectacle of realism: special effects at Ealing Studios, 1940-45. Screen, 60 (2). 261–279. ISSN 0036-9543

Jurkovic, Tanja (2020) Grand Guignol, Inside Showtime’s Penny Dreadful Demimonde. In: The Palgrave Handbook of Contemporary Gothic. Palgrave Macmillan, pp. 865-877. ISBN 978-3-030-33136-8

Jurkovic, Tanja (2020) The Horror Genre in Balkan Cinema. In: The Palgrave Handbook of Contemporary Gothic. Palgrave Macmillan, pp. 711-724. ISBN 978-3-030-33135-1

Kent, Miriam (2020) Marking gender studies:the (Radical) value of creative-critical assessment. Higher Education Pedagogies, 5 (1). pp. 61-89. ISSN 2375-2696

Khosroshahi, Zahra (2020) Rethinking the borders of feminism:the representation of women in Rakhshan Banietemad’s films. Feminist Media Studies, 20 (2). pp. 294-296. ISSN 1468-0777

Kohlert, Frederik and Sousanis, Nick (2020) In the Cards:Collaboration and Comics-Making in the Traditional English Classroom. In: With Great Power Comes Great Pedagogy. University Press of Mississippi, Jackson, MS, pp. 226-238. ISBN 9781496826046

Krcma, Ed ORCID: https://orcid.org/0000-0002-1945-5107 (2020) Drawing Degree Zero:The Line from Minimalism to Conceptual Art. Burlington Magazine, 162 (1413). pp. 1114-1115. ISSN 2044-9925

Krcma, Edward ORCID: https://orcid.org/0000-0002-1945-5107 (2020) Marking Time, Moving Images:Drawing and Film. In: A Companion to Contemporary Drawing. Blackwell Companions to Art History . Wiley, pp. 369-388. ISBN 978-1-119-19454-5

Køhlert, Frederik Byrn (2020) “A grotesque, incurable disease”: Whiteness as illness in Gabby Schulz’s Sick. Inks: The Journal of the Comics Studies Society, 4 (2). pp. 199-220. ISSN 2473-5191

Le Quere, Corinne ORCID: https://orcid.org/0000-0003-2319-0452, Clarke, Joanne ORCID: https://orcid.org/0000-0002-7954-6561, Dhakal, Shobhakar, Goodess, Clare ORCID: https://orcid.org/0000-0002-7462-4479, Shrestha, Ashish, Tebboth, Mark ORCID: https://orcid.org/0000-0003-1193-8080 and Sutherland, Catherine (2020) Foundations for climate resilient and sustainable growing settlements (U-RES).

Little, Ben ORCID: https://orcid.org/0000-0001-5705-7719 and Winch, Alison (2020) Patriarchy in the digital conjuncture: An analysis of Google’s James Damore. New Formations, 102. pp. 44-63. ISSN 0950-2378

Martin, Lynn, Jerrard, Bob and Wright, Lucy (2020) Identity work in female‐led creative businesses. Gender, Work & Organization, 27 (3). pp. 310-326. ISSN 0968-6673

McKay, George ORCID: https://orcid.org/0000-0002-7770-0502 (2020) The heritage of slavery in British jazz festivals. International Journal of Heritage Studies, 26 (6). pp. 571-588. ISSN 1352-7258

McLennan, Rachael (2020) At least associated: When She Was Good and the Vietnam Years. Philip Roth Studies, 16 (1). pp. 74-91. ISSN 1547-3929

McLennan, Rachael (2020) "We Cannot Create": The Limits of History in Joyce Carol Oates's The Accursed. In: 21st Century US Historical Fiction. Palgrave, pp. 95-110. ISBN 978-3-030-41896-0

McMahon, Wendy (2020) "The Law is just words after all": Torture, truth, and language in the post-9/11 United States and Percival Everett's The Water Cure. MFS: Modern Fiction Studies, 66 (3). pp. 499-526. ISSN 0026-7724

Mclaughlin, Malcolm ORCID: https://orcid.org/0000-0003-4139-1151 (2020) American recreation: Sportsmanship and the New Nationalism, 1900-1910. Journal of American Studies, 54 (5). pp. 839-869. ISSN 0021-8758

Mercer, John, Sarson, Charlie and Hakim, Jamie (2020) ‘Charisma, uniqueness, nerve and talent’: RuPaul’s Drag Race and the cultural politics of fame. Celebrity Studies, 11 (4). pp. 383-385. ISSN 1939-2397

Mistry, Kaeten (2020) Embarrassing Indiscretions:The Origins and Culture of US National Security Whistleblowing in the Interwar Years. In: Cultures of Intelligence in the Era of the World Wars. Oxford University Press, pp. 167-186. ISBN 9780198867203

Mistry, Kaeten (2020) National Security and Inside/Outside. H-Diplo.

Mistry, Kaeten (2020) The Rise and Fall of Anti-Imperial Whistleblowing in the Long 1970s. In: Whistleblowing Nation. Columbia University Press, pp. 123-152.

Mistry, Kaeten and Gurman, Hannah (2020) Conclusion. In: Whistleblowing Nation. Columbia University Press, pp. 339-347.

Mistry, Kaeten and Gurman, Hannah (2020) Introduction. In: Whistleblowing Nation. Columbia University Press, pp. 1-7.

Mistry, Kaeten and Gurman, Hannah (2020) The Paradox of National Security Whistleblowing:Locating and Framing a History of the Phenomenon. In: Whistleblowing Nation. Columbia University Press, pp. 9-44. ISBN 9780231194174

Nugent, Gabriella (2020) Belgian Colonial Monuments by Jan Kempenaers and Leopold’s Legacy by Oliver Leu. In: UNSPECIFIED UNSPECIFIED, pp. 74-75.

Nugent, Gabriella (2020) From camera to canvas: The case of Patrice Lumumba and Congolese popular painting. Nka: Journal of Contemporary African Art, 2020 (47). pp. 82-93. ISSN 2152-7792

Nugent, Gabriella (2020) Michael Armitage and the Ghosts of Past Picturing. MoMA.

Peng, Altman Yuzhu, Zhang, Ivy Shixin, Cummings, James and Zhang, Xiaoxiao (2020) Boris Johnson in hospital: a Chinese gaze at Western democracies in the COVID-19 pandemic. Media International Australia, 177 (1). pp. 76-91. ISSN 1329-878X

Qureshi, Kamran ORCID: https://orcid.org/0000-0002-1859-2257 (2020) Portrayal of Intersex Characters in Indian Cinema.

Richman, Shaun (2020) Tell the Bosses We're Coming: A New Action Plan for Workers in the Twenty-First Century. Monthly Review Press. ISBN 139781583678565

Riggs, Christina (2020) Archaeology and Photography. In: The Handbook of Photography Studies. Routledge. ISBN 9781032238814

Rimmer, Mark ORCID: https://orcid.org/0000-0001-6916-6795 (2020) Too big to fail? The framing and interpretation of ‘success’/‘failure’ in cultural participation policy: a case study. Conjunctions, 7 (2). ISSN 2246-3755

Rimmer, Mark ORCID: https://orcid.org/0000-0001-6916-6795 (2020) Trans-Actions in Music. In: John Dewey and the Notion of Trans-action. Palgrave Studies in Relational Sociology (1). Palgrave Macmillan. ISBN 978-3-030-26380-5

Rimmer, Mark ORCID: https://orcid.org/0000-0001-6916-6795 (2020) The art of survival: community-based arts organisations in times of austerity. Community Development Journal, 55 (2). 295–312. ISSN 0010-3802

Roussillon, Amélie and Wilhelm, Cindy (2020) Setting up a Fieldwork Support Group: reflections on how to improve fieldwork practices. Sentio Journal (2). pp. 88-90. ISSN 2632-2455

Rycroft, Daniel, Panjwani, Tara and Rao Jandhyala, J. Prabhakar (2020) University Social Responsibility:From Dialogue to Implementation. University of East Anglia.

Snelson, Tim ORCID: https://orcid.org/0000-0002-8282-2432 and Macauley, William (2020) The influence of ‘psychiatrist friends’ on British film censorship in the 1960s. Journal of British Cinema and Television, 17 (4). pp. 473-500. ISSN 1743-4521

Stead, Lisa (2020) Archiving star labour: (re)framing Vivien Leigh. Women's History Review, 29 (5). pp. 860-874. ISSN 0961-2025

Syperek, Pandora and Wade, Sarah (2020) Curating the Sea. Journal of Curatorial Studies, 9 (2). pp. 157-161. ISSN 2045-5836

Syperek, Pandora, Wade, Sarah, Lowe, Miranda and Sabin, Richard (2020) Curating ocean ecology at the Natural History Museum: Miranda Lowe and Richard Sabin in conversation with Pandora Syperek and Sarah Wade. Science Museum Group Journal (13).

Tillett, Rebecca ORCID: https://orcid.org/0000-0003-2219-6713 (2020) The necessity of lived resistance: Reading Leslie Marmon Silko’s Gardens in the Dunes in an era of rapid climate change. Studies in American Indian Literatures, 32 (1-2). pp. 188-208. ISSN 0730-3238

Vich, Cynthia and Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2020) Peruvian Cinema of the Twenty-First Century:Dynamic and Unstable Grounds. Palgrave Macmillan, New York. ISBN 978-3-030-52512-5

Wade, Sarah (2020) Amorous anthropomorphism, marine conservation and the wonder of wildlife film in Isabella Rossellini’s Green Porno. Animal Studies Journal, 9 (2). pp. 192-212. ISSN 2201-3008

Wade, Sarah (2020) Ecological Exhibitions at the Musée Océanographique de Monaco. Journal of Curatorial Studies, 9 (2). pp. 162-181. ISSN 2045-5836

Wade, Sarah (2020) From the sublime to the ridiculous: Extinction in the work of Marcus Coates. Performance Research, 24 (7). pp. 137-142. ISSN 1352-8165

Whyton, Tony and Mckay, George ORCID: https://orcid.org/0000-0002-7770-0502 (2020) 'Cultural heritage and jazz festivals' special issue editors' introduction. International Journal of Heritage Studies, 26 (6). pp. 543-546. ISSN 1352-7258

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2020) Girl on the edge: Rapture (1965). In: John Guillermin. Precocity Press. ISBN 978-1735292151

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2020) Her Word Was Her Bond:Johanna Harwood, Bond’s First Woman Screenwriter. In: From Blofeld to Moneypenny. Emerald Studies in Popular Culture and Gender . Emerald Group Publishing Ltd., pp. 117-127. ISBN 978-1-83867-163-1

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2020) Interview for StudioCanal Bluray/DVD release of Yield to the Night (1956). Studiocanal.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2020) The hidden history of women's filmmaking in Britain. The Conversation.

Wright, Ellen and Smith, Phyll (2020) "Coming Attractions":Tijuana bibles and the pornographic re-imagining of Hollywood. In: Mapping Movie Magazines. Global Cinema . Palgrave Macmillan, pp. 279-309. ISBN 978-3-030-33276-1

Unpublished

Agnoli, Francis (2020) Animating Race : The Production and Ascription of Asian-ness in the Animation of Avatar: The Last Airbender and The Legend of Korra. Doctoral thesis, University of East Anglia.

Blagrove, Anna (2020) Teens’ screens: the places, values, and roles of film consumption and cinema-going for young audiences. Doctoral thesis, University of East Anglia.

Bowman, Dean (2020) Breaking out stories and networks of interdependency: using actor-network theory to trace emergent challenges to narrative norms in AAA and indie game development sectors. Doctoral thesis, University of East Anglia.

Breeze, Duncan (2020) 1 Positive depictions of the family in crisis: Analysing the discursive role of ‘quiet activism’ in Koreeda Hirokazu’s family narratives. Doctoral thesis, University of East Anglia.

Carter, Jemma (2020) Of double-blooded birth: a history of mixed-race women in the United States during the early twentieth century. Doctoral thesis, University of East Anglia.

King, Amelia (2020) Visual testaments: re-collecting the photographic archive of the Upoto Mission, 1890-1915. Doctoral thesis, University of East Anglia.

Michaliszyn, Maja (2020) Pietro Longhi’s oblique perspective: Venetian painting, its past and its present. Doctoral thesis, University of East Anglia.

Milburn, Claudia (2020) The Context of Curation: Alberto Giacometti: A Line Through Time. Doctoral thesis, University of East Anglia.

Moskvina, Anastasia (2020) Alignment and axiality in Anglo-Saxon architecture: 6th-11th Centuries. Doctoral thesis, University of East Anglia.

Ross, Alexander (2020) The evolution of the blockbuster film business model during the New Hollywood period: a qualitative investigation of five case studies, 1966-1985. Doctoral thesis, University of East Anglia.

Vojvoda, Richard (2020) Stories between tears and laughter: reception study of popular Czech cinema (1989-2010). Doctoral thesis, University of East Anglia.

Zubair, Nadine (2020) Material histories and wood-carving: fragments from modern Punjab. Doctoral thesis, University of East Anglia.