Krcma, Edward (2020) Marking Time, Moving Images:Drawing and Film. In: A Companion to Contemporary Drawing. Blackwell Companions to Art History . Wiley, pp. 369-388. ISBN 978-1-119-19454-5

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Abstract

This article explores the range of ways in which artists have brought the practice of drawing into contact with film. This has to do with a range of related but different practices: the articulation of time and the relationship between movement and stillness; the use of film stills and photographs as source material for the production of drawings; the inscription of manual marks directly onto the surface of celluloid film; and the use of film and digital projection to present the process of making drawings. The article ranges widely from works made in the 1940s and 1950s by Henri Matisse and Henri Michaux, to experimental films made in the '60s by Stan Brakhage and Birgit and Wilhelm Hein, to contemporary artworks by Vivienne Koorland, Oscar Muñoz, and Susan Morris.

Item Type:	Book Section
Uncontrolled Keywords:	drawing,film,contemporary art,krcma,matisse,michaux,kentridge,koorland,brakhage,schneemann,susan morris,alice maher,rauschenberg,hein
Faculty \ School:	Faculty of Arts and Humanities > School of Art, Media and American Studies University of East Anglia > Faculty of Arts and Humanities > Research Groups > Art History and World Art Studies
Depositing User:	Pure Connector
Date Deposited:	31 Mar 2017 00:43
Last Modified:	20 Sep 2021 00:29
URI:	https://ueaeprints.uea.ac.uk/id/eprint/63150
DOI:

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