Items where School is "School of Art, Media and American Studies (former - to 2024)

Hartnell, Jack, ed. (2020) Continuous Page: Scrolls and Scrolling from Papyrus to Hypertext. Courtauld Books Online, London. ISBN 978-1-907485-10-7

Hand, Richard and McRoy, Jay, eds. (2020) Gothic Film:An Edinburgh Companion. Gothic Studies, 1 (1st). Edinburgh University Press, Edinburgh. ISBN 9781474448048

(2020) Introduction: Queer subjectivities and the contemporary United States. Comparative American Studies, 17 (1). pp. 1-5. ISSN 1477-5700

Petrie, Duncan, Williams, Melanie and Mayne, Laura, eds. (2020) Sixties British Cinema Reconsidered. Edinburgh University Press. ISBN 9781474443890

Mistry, Kaeten and Gurman, Hannah, eds. (2020) Whistleblowing Nation:The History of National Security Disclosures and the Cult of State Secrecy. Columbia University Press, New York.

Abdulmalik, Abdulmalik Abdulrahman ORCID: https://orcid.org/0000-0002-1791-6010, Baduku, Anthonia Silas and Daniel, Nuala Hassana (2020) YouTube: A veritable platform for the promotion and preservation of Africa's heritage. Zaria Archaeology Paper (ZAP), 13 (1). pp. 125-135. ISSN 2736-0563

Agnoli, Francis (2020) Animating Race : The Production and Ascription of Asian-ness in the Animation of Avatar: The Last Airbender and The Legend of Korra. Doctoral thesis, University of East Anglia.

Arnold, Dana (2020) Architecture and Ekphrasis:Space, Time and the Embodied Description of the Past. Manchester University Press, Manchester. ISBN 9780719099502

Arnold, Dana (2020) Art History: A very short introduction. Oxford University Press, Oxford. ISBN 9780198831808

Atakav, Eylem ORCID: https://orcid.org/0000-0001-5718-5614 (2020) Growing Up Married: Representing forced marriage on screen. Critical Discourse Studies, 17 (2). pp. 229-241. ISSN 1740-5904

Atakav, Eylem ORCID: https://orcid.org/0000-0001-5718-5614 (2020) Lifeline. UNSPECIFIED.

Atakav, Eylem ORCID: https://orcid.org/0000-0001-5718-5614, Jarvis, Lee ORCID: https://orcid.org/0000-0002-4149-7135 and Marsden, Lee (2020) Researching "British [Muslim] Values": Vernacular politics, digital storytelling, and participant researchers. International Journal of Qualitative Methods, 19. pp. 1-11. ISSN 1609-4069

Atakav, Eylem ORCID: https://orcid.org/0000-0001-5718-5614, Velody, Rachel and Daniels, Jill (2020) Against the Grain: Women Film Practitioners and Theorists Talk Creative Practice and Theory. In: Creative Practice Research in the Age of Neoliberal Hopelessness. Edinburgh University Press. ISBN 9781474463560

Aveyard, Karina ORCID: https://orcid.org/0000-0002-6543-9271 (2020) Screen Adaptation and Australian Literature. In: The Routledge Companion to Australian Literature. Routledge, pp. 401-409. ISBN 978036764356

Balzar, Jesse, Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549 and Pearson, Erin (2020) Talking Trailers: Promotional materials, and the value of the paratextual turn. Cinephile: The University of British Columbia's Film Journal, 14 (1). pp. 40-45.

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2020) Cinema and Latin American Studies: Sites of Interdisciplinary, Transnational Enquiry. New Area Studies, 1 (1). pp. 10-24. ISSN 2633-3716

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2020) Cultural Encounters in Contemporary Latin American Cinema:Intersections of Transnationality. In: The Cambridge Handbook of Intercultural Communication. Cambridge Handbooks in Language and Linguistics . Cambridge University Press, Cambridge, pp. 432-445. ISBN 9781108429696

Beauchamp, Angela ORCID: https://orcid.org/0009-0006-0044-7306 (2020) I will not be your little china doll:Representations of Eleanor Roosevelt in film and television. Americana: The Journal of American Popular Culture, 19 (1).

Blagrove, Anna (2020) Teens’ screens: the places, values, and roles of film consumption and cinema-going for young audiences. Doctoral thesis, University of East Anglia.

Bowman, Dean (2020) Breaking out stories and networks of interdependency: using actor-network theory to trace emergent challenges to narrative norms in AAA and indie game development sectors. Doctoral thesis, University of East Anglia.

Breeze, Duncan (2020) 1 Positive depictions of the family in crisis: Analysing the discursive role of ‘quiet activism’ in Koreeda Hirokazu’s family narratives. Doctoral thesis, University of East Anglia.

Brooks, Nick, Clarke, Joanne ORCID: https://orcid.org/0000-0002-7954-6561, Wambui Ngaruiya, Grace and Wangui, Elizabeth Edna (2020) African heritage in a changing climate. Azania: Archaeological Research in Africa, 55 (3). pp. 297-328. ISSN 0067-270X

Carruthers, William (2020) Archaeological (non?) alignments: Egypt, India, and Global Geographies of the post-war past. South Asian Studies, 36 (1). pp. 45-60. ISSN 0266-6030

Carruthers, William (2020) Lucia Allais, 'Designs of Destruction: The Making of Monuments in the Twentieth Century'. Journal of Contemporary History, 55 (4). pp. 915-916. ISSN 0022-0094

Carruthers, William (2020) Records of dispossession: Archival thinking and UNESCO's Nubian Campaign in Egypt and Sudan. International Journal of Islamic Architecture, 9 (2). pp. 287-314.

Carter, Jemma (2020) Of double-blooded birth: a history of mixed-race women in the United States during the early twentieth century. Doctoral thesis, University of East Anglia.

Chatzidakis, Andreas, Hakim, Jamie, Littler, Jo, Rottenberg, Catherine and Segal, Lynne (2020) From carewashing to radical care: the discursive explosions of care during Covid-19. Feminist Media Studies, 20 (6). pp. 889-895. ISSN 1468-0777

Clark, Christopher W. (2020) At the Edges of (queer) Time and Space:Atemporality, Adolescence, and Abjection in "Final Destination". In: New Queer Horror Film and Television. Horror Studies . University of Wales Press. ISBN 9781786836267

Clark, Christopher W. (2020) Introduction: Queer Subjectivities and the United States. Comparative American Studies, 17 (1). pp. 1-5. ISSN 1477-5700

Clark, Christopher W. (2020) Queering Memory and National Identity in Transcultural U.S. Literature and Culture. American Literature Readings in the 21st Century . Palgrave Macmillan, New York. ISBN 978-3-030-52113-4

Clark, Christopher W. (2020) Reimagining the American landscape: Queer topographics in Nina Berman's Homeland. Journal of American Studies, 54 (3). pp. 541-563. ISSN 0021-8758

Clarke, Joanne ORCID: https://orcid.org/0000-0002-7954-6561 (2020) Caring for the Dead:Basketry in Funerary Contexts in the Neolithic, Chalcolithic and Early Bronze Age Near East. In: Basketry and Beyond. University of East Anglia, pp. 40-49. ISBN 978-1916133655

Clarke, Joanne ORCID: https://orcid.org/0000-0002-7954-6561 and Wasse, Alexander (2020) Time out of joint: A re-assessment of the Cypriot Early Neolithic site of Kalavasos-Tenta and its regional implications. Levant, 51 (1). pp. 26-53.

Clayton, Stephanie, Johnston, Keith M ORCID: https://orcid.org/0000-0002-1989-8549 and Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2020) Invisible Innovators:Making Women Filmmakers Visible Across the UK Film Archives. UNSPECIFIED.

Cooper, Harriet (2020) Critical Disability Studies and the Disabled Child: Unsettling Distinctions. Routledge. ISBN 9780367183066

Cornea, Christine (2020) Food from the Forest:Aat Aser. UNSPECIFIED.

Cornea, Christine (2020) Food from the Forest:Kanthe Ara, Huter Baha, Kaath Oo. UNSPECIFIED.

Cornea, Christine (2020) 'For Queen. For Country. For Kicks.': Post-apocalyptic patriotism, youth and gender in Spooks: Code 9 (BBC Three, 2008). Refractory: a Journal of Entertainment Media, 34 (2020).

Cornea, Christine (2020) Mahula Flower. UNSPECIFIED.

Cornea, Christine (2020) Microplastic Analysis Kit:Video Guide. UNSPECIFIED.

Cornea, Christine (2020) Youth and the Post-Apocalyptic in Film, Television, and Video Game. Refractory: a Journal of Entertainment Media.

Cornea, Christine, Smith, Alexandra, Ravidas, Tuplal, Hansda, Suman Kumar and Purti, Atul Jiwan (2020) Food from the Forest:Ortua Oo. UNSPECIFIED.

Cummings, James (2020) “Look how many gays there are here”: Digital technologies and non-heterosexual space in Haikou. Urban Planning, 5 (4). pp. 347-357. ISSN 2183-7635

D'Arcy, Geraint ORCID: https://orcid.org/0000-0001-5645-6005 (2020) Gothic Science Fiction. In: Gothic Film: An Edinburgh Companion. Edinburgh Companions to the Gothic . Edinburgh University Press, United Kingdom, pp. 170-193. ISBN 978-1474448048

D'Arcy, Geraint ORCID: https://orcid.org/0000-0001-5645-6005 (2020) Gothic Science Fiction. In: Gothic Film. Edinburgh University Press, pp. 170-193. ISBN 978-1474448048

D'Arcy, Geraint ORCID: https://orcid.org/0000-0001-5645-6005 (2020) Mise en Scène, Acting and Space in Comics. Palgrave Studies in Comics and Graphic Novels (1st). Palgrave Macmillan. ISBN 978-3-030-51112-8

Dawson, Adam (2020) ‘It was the last time we’d start the summer that way’: Space, race, and coming of age in Colson Whitehead’s Sag Harbor. Comparative American Studies, 17 (3-4). pp. 356-371. ISSN 1477-5700

Dell, Simon (2020) The Portrait and the Colonial Imaginary:Photography between France and Africa 1900-1939. Leuven, Leuven. ISBN 978 94 6270 215 8

Denison, Rayna (2020) Anime is (not) Cult: Gainax and the Limits of Cult Cinema. In: The Routledge Companion to Cult Cinema. Routledge, London, pp. 121-130. ISBN 9781138950276

Feldman, Zeena and Hakim, Jamie (2020) From Paris is Burning to #dragrace: Social media and the celebrification of drag culture. Celebrity Studies, 11 (4). pp. 386-401. ISSN 1939-2397

Fraser, Rebecca and Griffin, Martyn (2020) “Why sit ye here and die”? Counter-hegemonic histories of the black female intellectual in nineteenth century America. Journal of American Studies, 54 (5). pp. 1005-1031. ISSN 0021-8758

Frith, Paul ORCID: https://orcid.org/0000-0002-5608-5088 (2020) Wholesome rough stuff’: Hammer Films and the ‘A’ and ‘U’ Certificate, 1959-65. In: Sixties British Cinema Reconsidered. Edinburgh University Press, Edinburgh. ISBN 9781474443883

Frith, Paul ORCID: https://orcid.org/0000-0002-5608-5088 and Johnston, Keith ORCID: https://orcid.org/0000-0002-1989-8549 (2020) Beyond place: Rethinking British amateur films through gender and technology-based perspectives. Screen, 61 (1). 129–137. ISSN 0036-9543

Frith, Paul ORCID: https://orcid.org/0000-0002-5608-5088 and Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549 (2020) Talking Colour: Rememering the Eastmancolor Revolution. Frames Cinema Journal (17). ISSN 2053-8812

Garland, Sarah ORCID: https://orcid.org/0000-0001-8911-4917 (2020) Picturing distance: Ed Ruscha’s Los Angeles photobooks. Journal of American Studies, 54 (3). pp. 470-491. ISSN 0021-8758

Gomis, Elsa (2020) Let’s Reset The Clock: Family footage to remediate distance created by mourning. IMG Journal, 2 (3). pp. 258-263.

Grant, Nicholas (2020) Crafting a global message of anti-racism. Black Perspectives - African American Intellectual History Society.

Hair, Ross ORCID: https://orcid.org/0000-0003-3570-7471 (2020) Border Blurs: Concrete Poetry in England and Scotland. By Greg Thomas. Liverpool:University of Liverpool Press, 2019. ISBN: 978-1-789-62026-9. Hb. 318pp. £90. English, 69 (267). 423–429. ISSN 0013-8215

Hair, Ross ORCID: https://orcid.org/0000-0003-3570-7471 (2020) Michael Nott, Photopoetry 1845–2015: A Critical History:Book review. Journal of American Studies, 54 (3). ISSN 0021-8758

Hair, Ross ORCID: https://orcid.org/0000-0003-3570-7471 (2020) The World Has Been Empty Since the Postcard:Fourteen Polemical Postcards by Simon Cutts. Rain Taxi (Fall 2020). ISSN 1943-4383

Hakim, Jamie (2020) Barker, M-J., Gill, R., and Harvey, L. (2018). Mediated intimacy: Sex advice in media culture. Cambridge: Polity Press. Communications: The European Journal of Communication Research, 45 (4). pp. 509-512.

Hakim, Jamie, Chatzidakis, Andreas, Littler, Jo, Rottenberg, Catherine and Segal, Lynne (2020) The Care Manifesto. Verso Books. ISBN 978-1839760969

Hand, Richard ORCID: https://orcid.org/0000-0002-2076-1435 (2020) Henry VI Part 1. [Performance]

Hand, Richard ORCID: https://orcid.org/0000-0002-2076-1435 (2020) Henry VI Part 2. [Performance]

Hand, Richard ORCID: https://orcid.org/0000-0002-2076-1435 (2020) Henry VI Part 3. [Performance]

Hand, Richard ORCID: https://orcid.org/0000-0002-2076-1435 (2020) The Innocents. [Performance]

Hand, Richard ORCID: https://orcid.org/0000-0002-2076-1435 (2020) Reflected Anxieties and Projected Dystopias:Black Mirror, Domestic Media and Dark Fantasy. In: The Moral Uncanny in Black Mirror. Springer, pp. 19-39. ISBN 9783030474942

Hand, Richard ORCID: https://orcid.org/0000-0002-2076-1435 (2020) This Isolation. [Performance]

Hartnell, Jack ORCID: https://orcid.org/0000-0001-8978-8997 (2020) Bloodlines: Medicine and Cosmology in France, China, and Mexico. In: Illuminating the Middle Ages. Library of the Written Word . Brill, Leiden, 446–468. ISBN 978-90-04-42232-2

Heslop, T. A. (2020) Gunhild’s Cross: Seeing a Romanesque Masterwork through Denmark. Art History, 43 (2). pp. 432-457. ISSN 1467-8365

Heslop, T. A. (2020) The Two Pictures Cycles in Early Manuscripts of St Anselm’s Prayers. Illuminating the Middle Ages: Tributes to Prof. John Lowden from his Students, Friends and Colleagues, eds Laura Cleaver, Alixe Bovey and Lucy Donkin (Leiden 2020),. In: Illuminating the Middle Ages: Tributes to Prof. John Lowden from his Students, Friends and Colleagues. Library of the Written Word . Brill, Leiden, pp. 94-108. ISBN 978 90 04 42232 2

Hines, Claire and Jones, Stephanie (2020) Loaded Magazines: James Bond and British men’s mags in the Brosnan era. In: From Blofeld to Moneypenny. Emerald Group Publishing Ltd., pp. 153-166. ISBN 9781838671631

Hollows, Joanne and Jancovich, Mark (2020) ‘Dwelling at Peace’: Europeanization and the marketing of Alpine tourism in post-war Britain. International Journal of Cultural Studies, 23 (3). pp. 385-400. ISSN 1367-8779

Holmboe, Rye Dag (2020) Lee Ufan, The Hidden Face of the Moon. Third Text, 34 (2). pp. 291-310. ISSN 0952-8822

Holmes, Su ORCID: https://orcid.org/0000-0003-4243-8337 (2020) ‘Why hadn’t I come across this sooner?’ Exploring the relationships between ‘feminism(s)’ and ‘eating disorders’. Feminist Review, 46 (2). pp. 371-397. ISSN 0141-7789

Jarvis, Lee ORCID: https://orcid.org/0000-0002-4149-7135, Marsden, Lee and Atakav, Eylem ORCID: https://orcid.org/0000-0001-5718-5614 (2020) Public conceptions and constructions of 'British values': A qualitative analysis. British Journal of Politics & International Relations, 22 (1). pp. 85-101. ISSN 1369-1481

Johnston, Keith ORCID: https://orcid.org/0000-0002-1989-8549 and Hill, Sarah (2020) Making women amateur filmmakers visible: Reclaiming women’s work through the film archive. Women's History Review, 29 (5). pp. 875-889. ISSN 0961-2025

Johnston, Keith M ORCID: https://orcid.org/0000-0002-1989-8549 (2020) The look of the con: Eleven thoughts on the historical absence of subtitles in film analysis. Perspectives: Studies in Translatology, 28 (6). pp. 910-919. ISSN 0907-676X

Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549 and Rickards, Carolyn (2020) The spectacle of realism: special effects at Ealing Studios, 1940-45. Screen, 60 (2). 261–279. ISSN 0036-9543

Jurkovic, Tanja (2020) Grand Guignol, Inside Showtime’s Penny Dreadful Demimonde. In: The Palgrave Handbook of Contemporary Gothic. Palgrave Macmillan, pp. 865-877. ISBN 978-3-030-33136-8

Jurkovic, Tanja (2020) The Horror Genre in Balkan Cinema. In: The Palgrave Handbook of Contemporary Gothic. Palgrave Macmillan, pp. 711-724. ISBN 978-3-030-33135-1

Kent, Miriam (2020) Marking gender studies:the (Radical) value of creative-critical assessment. Higher Education Pedagogies, 5 (1). pp. 61-89. ISSN 2375-2696

Khosroshahi, Zahra (2020) Rethinking the borders of feminism:the representation of women in Rakhshan Banietemad’s films. Feminist Media Studies, 20 (2). pp. 294-296. ISSN 1468-0777

King, Amelia (2020) Visual testaments: re-collecting the photographic archive of the Upoto Mission, 1890-1915. Doctoral thesis, University of East Anglia.

Kohlert, Frederik ORCID: https://orcid.org/0000-0001-7567-0138 and Sousanis, Nick (2020) In the Cards: Collaboration and Comics-Making in the Traditional English Classroom. In: With Great Power Comes Great Pedagogy: Teaching, Learning, and Comics. University Press of Mississippi, Jackson, MS, pp. 226-238.

Krcma, Ed ORCID: https://orcid.org/0000-0002-1945-5107 (2020) Drawing Degree Zero:The Line from Minimalism to Conceptual Art. Burlington Magazine, 162 (1413). pp. 1114-1115. ISSN 2044-9925

Krcma, Edward ORCID: https://orcid.org/0000-0002-1945-5107 (2020) Marking Time, Moving Images:Drawing and Film. In: A Companion to Contemporary Drawing. Blackwell Companions to Art History . Wiley, pp. 369-388. ISBN 978-1-119-19454-5

Køhlert, Frederik Byrn ORCID: https://orcid.org/0000-0001-7567-0138 (2020) “A grotesque, incurable disease”: Whiteness as illness in Gabby Schulz’s Sick. Inks: The Journal of the Comics Studies Society, 4 (2). pp. 199-220. ISSN 2473-5191

Le Quere, Corinne ORCID: https://orcid.org/0000-0003-2319-0452, Clarke, Joanne ORCID: https://orcid.org/0000-0002-7954-6561, Dhakal, Shobhakar, Goodess, Clare ORCID: https://orcid.org/0000-0002-7462-4479, Shrestha, Ashish, Tebboth, Mark ORCID: https://orcid.org/0000-0003-1193-8080 and Sutherland, Catherine (2020) Foundations for climate resilient and sustainable growing settlements (U-RES).

Little, Ben ORCID: https://orcid.org/0000-0001-5705-7719 and Winch, Alison (2020) Patriarchy in the digital conjuncture: An analysis of Google’s James Damore. New Formations, 102. pp. 44-63. ISSN 0950-2378

Martin, Lynn, Jerrard, Bob and Wright, Lucy (2020) Identity work in female‐led creative businesses. Gender, Work & Organization, 27 (3). pp. 310-326. ISSN 0968-6673

McKay, George ORCID: https://orcid.org/0000-0002-7770-0502 (2020) The heritage of slavery in British jazz festivals. International Journal of Heritage Studies, 26 (6). pp. 571-588. ISSN 1352-7258

McLennan, Rachael (2020) At least associated: When She Was Good and the Vietnam Years. Philip Roth Studies, 16 (1). pp. 74-91. ISSN 1547-3929

McLennan, Rachael (2020) "We Cannot Create": The Limits of History in Joyce Carol Oates's The Accursed. In: 21st Century US Historical Fiction. Palgrave, pp. 95-110. ISBN 978-3-030-41896-0

McMahon, Wendy (2020) "The Law is just words after all": Torture, truth, and language in the post-9/11 United States and Percival Everett's The Water Cure. MFS: Modern Fiction Studies, 66 (3). pp. 499-526. ISSN 0026-7724

Mclaughlin, Malcolm ORCID: https://orcid.org/0000-0003-4139-1151 (2020) American recreation: Sportsmanship and the New Nationalism, 1900-1910. Journal of American Studies, 54 (5). pp. 839-869. ISSN 0021-8758

Mercer, John, Sarson, Charlie and Hakim, Jamie (2020) ‘Charisma, uniqueness, nerve and talent’:RuPaul’s Drag Race and the cultural politics of fame. Celebrity Studies, 11 (4). pp. 383-385. ISSN 1939-2397

Michaliszyn, Maja (2020) Pietro Longhi’s oblique perspective: Venetian painting, its past and its present. Doctoral thesis, University of East Anglia.

Milburn, Claudia (2020) The Context of Curation: Alberto Giacometti: A Line Through Time. Doctoral thesis, University of East Anglia.

Mistry, Kaeten (2020) Embarrassing Indiscretions:The Origins and Culture of US National Security Whistleblowing in the Interwar Years. In: Cultures of Intelligence in the Era of the World Wars. Oxford University Press, pp. 167-186. ISBN 9780198867203

Mistry, Kaeten (2020) National Security and Inside/Outside. H-Diplo.

Mistry, Kaeten (2020) The Rise and Fall of Anti-Imperial Whistleblowing in the Long 1970s. In: Whistleblowing Nation. Columbia University Press, pp. 123-152.

Mistry, Kaeten and Gurman, Hannah (2020) Conclusion. In: Whistleblowing Nation. Columbia University Press, pp. 339-347.

Mistry, Kaeten and Gurman, Hannah (2020) Introduction. In: Whistleblowing Nation. Columbia University Press, pp. 1-7.

Mistry, Kaeten and Gurman, Hannah (2020) The Paradox of National Security Whistleblowing:Locating and Framing a History of the Phenomenon. In: Whistleblowing Nation. Columbia University Press, pp. 9-44. ISBN 9780231194174

Moskvina, Anastasia (2020) Alignment and axiality in Anglo-Saxon architecture: 6th-11th Centuries. Doctoral thesis, University of East Anglia.

Nugent, Gabriella (2020) Belgian Colonial Monuments by Jan Kempenaers and Leopold’s Legacy by Oliver Leu. In: UNSPECIFIED UNSPECIFIED, pp. 74-75.

Nugent, Gabriella (2020) From camera to canvas: The case of Patrice Lumumba and Congolese popular painting. Nka: Journal of Contemporary African Art, 2020 (47). pp. 82-93. ISSN 2152-7792

Nugent, Gabriella (2020) Michael Armitage and the Ghosts of Past Picturing. MoMA.

Peng, Altman Yuzhu, Zhang, Ivy Shixin, Cummings, James and Zhang, Xiaoxiao (2020) Boris Johnson in hospital: a Chinese gaze at Western democracies in the COVID-19 pandemic. Media International Australia, 177 (1). pp. 76-91. ISSN 1329-878X

Qureshi, Kamran ORCID: https://orcid.org/0000-0002-1859-2257 (2020) Portrayal of Intersex Characters in Indian Cinema.

Richman, Shaun ORCID: https://orcid.org/0000-0003-3808-8020 (2020) Tell the Bosses We're Coming: A New Action Plan for Workers in the Twenty-First Century. Monthly Review Press. ISBN 139781583678565

Riggs, Christina (2020) Archaeology and Photography. In: The Handbook of Photography Studies. Routledge. ISBN 9781032238814

Rimmer, Mark ORCID: https://orcid.org/0000-0001-6916-6795 (2020) Too big to fail? The framing and interpretation of ‘success’/‘failure’ in cultural participation policy: a case study. Conjunctions, 7 (2). ISSN 2246-3755

Rimmer, Mark ORCID: https://orcid.org/0000-0001-6916-6795 (2020) Trans-Actions in Music. In: John Dewey and the Notion of Trans-action. Palgrave Studies in Relational Sociology (1). Palgrave Macmillan. ISBN 978-3-030-26379-9

Rimmer, Mark ORCID: https://orcid.org/0000-0001-6916-6795 (2020) The art of survival: community-based arts organisations in times of austerity. Community Development Journal, 55 (2). 295–312. ISSN 0010-3802

Ross, Alexander (2020) The evolution of the blockbuster film business model during the New Hollywood period: a qualitative investigation of five case studies, 1966-1985. Doctoral thesis, University of East Anglia.

Roussillon, Amélie and Wilhelm, Cindy (2020) Setting up a Fieldwork Support Group: reflections on how to improve fieldwork practices. Sentio Journal (2). pp. 88-90. ISSN 2632-2455

Rycroft, Daniel, Panjwani, Tara and Rao Jandhyala, J. Prabhakar (2020) University Social Responsibility:From Dialogue to Implementation. University of East Anglia.

Snelson, Tim ORCID: https://orcid.org/0000-0002-8282-2432 and Macauley, William (2020) The influence of ‘psychiatrist friends’ on British film censorship in the 1960s. Journal of British Cinema and Television, 17 (4). pp. 473-500. ISSN 1743-4521

Stead, Lisa (2020) Archiving star labour: framing Vivien Leigh. Women's History Review, 29 (5). pp. 860-874. ISSN 0961-2025

Syperek, Pandora and Wade, Sarah (2020) Curating the Sea. Journal of Curatorial Studies, 9 (2). pp. 157-161. ISSN 2045-5836

Syperek, Pandora, Wade, Sarah, Lowe, Miranda and Sabin, Richard (2020) Curating ocean ecology at the Natural History Museum: Miranda Lowe and Richard Sabin in conversation with Pandora Syperek and Sarah Wade. Science Museum Group Journal (13).

Tillett, Rebecca ORCID: https://orcid.org/0000-0003-2219-6713 (2020) The necessity of lived resistance: Reading Leslie Marmon Silko’s Gardens in the Dunes in an era of rapid climate change. Studies in American Indian Literatures, 32 (1-2). pp. 188-208. ISSN 0730-3238

Vich, Cynthia and Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2020) Peruvian Cinema of the Twenty-First Century:Dynamic and Unstable Grounds. Palgrave Macmillan, New York. ISBN 978-3-030-52511-8

Vojvoda, Richard (2020) Stories between tears and laughter: reception study of popular Czech cinema (1989-2010). Doctoral thesis, University of East Anglia.

Wade, Sarah (2020) Amorous anthropomorphism, marine conservation and the wonder of wildlife film in Isabella Rossellini’s Green Porno. Animal Studies Journal, 9 (2). pp. 192-212. ISSN 2201-3008

Wade, Sarah (2020) Ecological Exhibitions at the Musée Océanographique de Monaco. Journal of Curatorial Studies, 9 (2). pp. 162-181. ISSN 2045-5836

Wade, Sarah (2020) From the sublime to the ridiculous: Extinction in the work of Marcus Coates. Performance Research, 24 (7). pp. 137-142. ISSN 1352-8165

Whyton, Tony and Mckay, George ORCID: https://orcid.org/0000-0002-7770-0502 (2020) 'Cultural heritage and jazz festivals' special issue editors' introduction. International Journal of Heritage Studies, 26 (6). pp. 543-546. ISSN 1352-7258

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2020) Girl on the edge: Rapture (1965). In: John Guillermin. Precocity Press. ISBN 978-1735292151

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2020) Her Word Was Her Bond:Johanna Harwood, Bond’s First Woman Screenwriter. In: From Blofeld to Moneypenny. Emerald Studies in Popular Culture and Gender . Emerald Group Publishing Ltd., pp. 117-127. ISBN 978-1-83867-163-1

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2020) Interview for Indicator Bluray Hammer boxset volume five. Indicator.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2020) Interview for StudioCanal Bluray/DVD release of Yield to the Night (1956). Studiocanal.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2020) The hidden history of women's filmmaking in Britain. The Conversation.

Wright, Ellen and Smith, Phyll (2020) "Coming Attractions":Tijuana bibles and the pornographic re-imagining of Hollywood. In: Mapping Movie Magazines. Global Cinema . Palgrave Macmillan, pp. 279-309. ISBN 978-3-030-33276-1

Zubair, Nadine (2020) Material histories and wood-carving: fragments from modern Punjab. Doctoral thesis, University of East Anglia.