Smith, Carrie and Stead, Lisa, eds. (2013) The Boundaries of the Literary Archive:Reclamation and Representation. Routledge, Farnham. ISBN 9781409443223
Cornea, Christine and Thomas, Rhys Owain, eds. (2013) Dramatising Disaster: Character, Event, Representation. Cambridge Scholars Press, Cambridge. ISBN 978-1443842419
Normand, Lawrence and Winch, Alison, eds. (2013) Encountering Buddhism in Twentieth-Century British and American Literature. Bloomsbury, London. ISBN 9781441101914
Fear-Segal, Jacqueline and Tillett, Rebecca, eds. (2013) Indigenous Bodies:Reviewing, Relocating, Reclaiming. State University of New York. ISBN 978-1-4384-4821-3
Monks, Sarah, Barrell, John and Hallett, Mark, eds. (2013) Living with the Royal Academy:Artistic Ideals and Experiences in England, 1768-1848. Routledge. ISBN 9781409403180
Fradley, M, Godfrey, Sarah and Williams, Melanie, eds. (2013) Shane Meadows: Critical Essays. Edinburgh University Press, Edinburgh. ISBN 9780748676392
Aveyard, Karina and Moran, Albert, eds. (2013) Watching Films: New Perspectives on Movie-going, Exhibition and Reception. Intellect Books.
Rycroft, Daniel, ed. (2013) World Art and the Legacies of Colonial Violence. Ashgate Publishing. ISBN 978-1-4094-5588-2
Arnold, Dana (2013) The Georgian Country House:Architecture Landscape and Society. The History Press.
Arnold, Dana (2013) The Spaces of the Hospital:Spatiality and Urban Change in London 1680-1830. Routledge, London. ISBN 9780415325165
Atakav, Eylem ORCID: https://orcid.org/0000-0001-5718-5614
(2013)
The critical reception of Certified Copy: Original art or copy of a rom-com?
In:
Watching Films.
Intellect Ltd.
ISBN 9781841505114
Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885
(2013)
New configurations for Peruvian cinema: The rising star of Claudia Llosa.
Transnational Cinemas, 4 (2).
pp. 197-215.
ISSN 2040-3526
Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885
(2013)
Transnational Film Financing and Contemporary Peruvian Cinema: The Case of Josué Méndez.
In:
Contemporary Hispanic Cinema.
Tamesis, pp. 137-154.
ISBN 9781855662612
Bigsby, Christopher (2013) Viewing America:Twenty-First Century Television Drama. Cambridge University Press. ISBN 978-1107619746
Bigsby, Christopher (2013) Writers in Conversation with Christopher Bigsby. Unthank Books.
Cooper, Harriet (2013) The Oppressive Power of Normalcy in the Lives of Disabled Children: Deploying History to Denaturalize the Notion of the ‘Normal Child’. In: Disabled Children’s Childhood Studies: Critical Approaches in a Global Context. Palgrave Macmillan, pp. 136-151. ISBN 978-1-137-00822-0
Cornea, Christine (2013) Discourses of Disaster. In: Dramatising Disaster: Character, Event, Representation. Cambridge Scholars Press, Cambridge, pp. 1-6. ISBN 978-1443842419
Cornea, Christine (2013) Post-Apocalyptic Narrative and Environmental Documentary: The Case of 'Life After People'. In: Dramatising Disaster: Character, Event, Representation. Cambridge Scholars Press, Cambridge, pp. 151-166. ISBN 978-1443842419
Cornea, Christine (2013) 'So Bad It's Good': Critical Humor in Science Fiction Cinema. In: The Last Laugh: Strange Humors of Cinema. Wayne State University Press. ISBN 9780814338551
De Jong, Ferdinand (2013) Le secret exposé:Révélation et reconnaissance d’un patrimoine immatériel au Sénégal. Gradhiva:Revue d'Anthropologie et Museologie Paris, 18. pp. 98-123.
Dean, Robert and Hand, Richard ORCID: https://orcid.org/0000-0002-2076-1435
(2013)
'Bashed be bit by all with ears':Blue Jam and the Radio.
In:
No Known Cure.
BFI.
ISBN 978-1844574797
Dell, Simon (2013) Yeyap’s resources:Representation and the arts of the Bamum in Cameroon and France, 1902-1935. In: World Art and the Legacies of Colonial Violence. Ashgate Publishing, Farnham, pp. 31-58. ISBN 978-1-4094-5588-2
Edwards, Paul, Humphreys, Richard, Gasiorek, Andrzej, Morato, Yolanda and Munton, Alan (2013) Wyndham Lewis (1882-1957). [Show/Exhibition]
Fear-Segal, Jacqueline (2013) Dismemberment and Display: Plaster Cast Indians at the National Museum. In: Indigenous Bodies. State University of New York, Albany, NY, pp. 33-52. ISBN 978-1-4384-4821-3
Fear-Segal, Jacqueline and Tillett, Rebecca ORCID: https://orcid.org/0000-0003-2219-6713
(2013)
Introduction.
In:
Indigenous Bodies.
State University of New York, New York.
ISBN 978-1-4384-4821-3
Fradley, Martin, Godfrey, Sarah ORCID: https://orcid.org/0000-0002-6652-9455 and Williams, Melanie
ORCID: https://orcid.org/0000-0002-3609-207X
(2013)
Shane Meadows: Introduction.
Journal of British Cinema and Television, 10 (4).
pp. 823-828.
ISSN 1743-4521
Fradley, Martin, Godfrey, Sarah ORCID: https://orcid.org/0000-0002-6652-9455 and Williams, Melanie
ORCID: https://orcid.org/0000-0002-3609-207X
(2013)
Shane’s World: Introduction.
In:
Shane Meadows: Critical Essays.
Edinburgh University Press, Edinburgh.
Gander, Catherine and Garland, Sarah ORCID: https://orcid.org/0000-0001-8911-4917
(2013)
Introduction: To fasten words again to visible things: The American imagetext.
European Journal of American Culture, 32 (2).
pp. 115-120.
ISSN 1466-0407
Godfrey, Sarah ORCID: https://orcid.org/0000-0002-6652-9455
(2013)
'I'm a Casualty, but it's cool': Masculinity in TwentyFourSeven.
Journal of British Cinema and Television, 10.
pp. 846-862.
ISSN 1743-4521
Grant, Nicholas (2013) Review of Digital Harlem: Everyday Life 1915-1930. Reviews in History. ISSN 1749-8155
Green, Anna (2013) Introduction. In: The Norwich School of Painters. East Publishing, Norwich.
Hair, Ross ORCID: https://orcid.org/0000-0003-3570-7471
(2013)
Opening the Folds: Thomas A Clark, Ian Hamilton Finlay, and Pastoral.
Journal of British and Irish Innovative Poetry, 5 (2).
pp. 13-41.
ISSN 1758-972X
Hamad, Hannah (2013) Age of austerity celebrity expertise in UK reality television. Celebrity Studies, 4 (2). pp. 245-248. ISSN 1939-2397
Hamad, Hannah (2013) Hollywood Fatherhood:Paternal Postfeminism in Contemporary Popular Cinema. In: Postfeminism & Contemporary Hollywood Cinema. Palgrave Macmillan, Basingstoke and New York, pp. 99-115. ISBN 9781137376527
Hamad, Hannah (2013) Postfeminism and Paternity in Contemporary US Film:Framing Fatherhood. Routledge, New York and London. ISBN 978-0415899925
Hand, Richard ORCID: https://orcid.org/0000-0002-2076-1435
(2013)
Zappa and horror:screamin’ at the monster.
In:
Frank Zappa and the And.
Ashgate Publishing.
ISBN 9781138246300
Hand, Richard J. ORCID: https://orcid.org/0000-0002-2076-1435
(2013)
Half-Masks and Stage Blood:Translating, Adapting and Performing French Historical Theatre Forms.
In:
Translation and Adaptation in Theatre and Film.
Routledge.
ISBN 9780415829687
Hand, Richard J. ORCID: https://orcid.org/0000-0002-2076-1435
(2013)
Octave Mirbeau: Two Plays:"Business is Business" and "Charity".
Intellect Books.
ISBN 9781841504865
Holmes, S. ORCID: https://orcid.org/0000-0003-4243-8337 and Redmond, S.
(2013)
Celebrity Studies in rude health.
Celebrity Studies, 4 (2).
pp. 113-114.
ISSN 1939-2397
Inthorn, Sanna, Street, John ORCID: https://orcid.org/0000-0001-9650-063X and Scott, Martin
ORCID: https://orcid.org/0000-0001-6744-443X
(2013)
Popular culture as a resource for political engagement.
Cultural Sociology, 7 (3).
pp. 336-351.
ISSN 1749-9763
Jancovich, M. (2013) Its about time British actors kicked against these roles in "horror" films:Horror stars, psychological films and the tyranny of the Old World in classical horror cinema. Historical Journal of Film, Radio and Television, 33 (2). pp. 214-233. ISSN 0143-9685
Jancovich, Mark (2013) Bluebeard’s Wives: Horror, Quality and the Paranoid Woman’s Film in the 1940s. Irish Journal of Gothic and Horror Studies (12). pp. 20-43. ISSN 2009-0374
Jancovich, Mark (2013) ‘It’s about time British actors kicked against these roles in “horror” films’: Horror stars, psychological films and the tyranny of the Old World in classical horror cinema. Historical Journal of Film, Radio and Television, 33 (2). pp. 214-233. ISSN 0143-9685
Johnston, Keith M ORCID: https://orcid.org/0000-0002-1989-8549
(2013)
Introduction: Still coming soon? Studying promotional materials.
Frames Cinema Journal, 3.
ISSN 2053-8812
Jurkovic, Tanja (2013) Blood, monstrosity and violent imagery: Grand-Guignol, the French theatre of horror as a form of violent entertainment. sic - Journal of Literature, Culture and Literary Translation, 4 (1). ISSN 1847-7755
Khalaf, Nadia and Haour, Anne ORCID: https://orcid.org/0000-0002-0844-4867
(2013)
Excavations at Tin Tin Kanza (TTK), Northern Bénin.
Nyame Akuma, 79.
pp. 101-111.
Kohlert, Frederik ORCID: https://orcid.org/0000-0001-7567-0138
(2013)
Food & Trembling: An Entertainment by Jonah Campbell.
CuiZine: The Journal of Canadian Food Culture, 4 (1).
Online.
Kramer, Peter (2013) Avatar: Environmental Politics and Worldwide Success. UNSPECIFIED, Pure Movies http://www.puremovies.co.uk/columns/avatar-environmental-politics-and-worldwide-success/.
Kramer, Peter (2013) From Vietnam to Video: Notes on Jane Fonda’s Films and Activism, 1970-1982. UNSPECIFIED, Women’s Film and Television History Network (UK/Ireland) Blog http://womensfilmandtelevisionhistory.wordpress.com/2013/11/22/from-vietnam-to-video/.
Kramer, Peter (2013) An Introduction to 2001: A Space Odyssey (1968). UNSPECIFIED, ThinkingFilmCollective Blogspot http://thinkingfilmcollective.blogspot.co.uk/.
Kramer, Peter (2013) Making Contact. UNSPECIFIED, Pure Movies http://www.puremovies.co.uk/columns/making-contact/.
Kramer, Peter (2013) The Politics of Independence: The China Syndrome (1979), Hollywood Liberals and Anti-Nuclear Campaigning. Alphaville: Journal of Film and Screen Media, 6. ISSN 2009-4078
Kramer, Peter (2013) Rape, Ultra-Violence and Beethoven’: The Transgressiveness and Controversial Success of A Clockwork Orange (1971). In: Film and Ethics: What would you have done? Cambridge Scholars Publishing, pp. 11-28. ISBN 978-1443844161
Kramer, Peter (2013) ’To prevent the present heat from dissipating’: Stanley Kubrick and the Marketing of Dr. Strangelove (1964). InMedia, 3. ISSN 2259-4728
Kramer, Peter (2013) ’The ugly tide of today’s teenage violence’: Revisiting the Clockwork Orange Controversy in the UK. In: Moral Panics, Social Fears and the Media: Historical Perspectives. Routledge, pp. 210-29. ISBN 9780415501613
Krcma, Edward ORCID: https://orcid.org/0000-0002-1945-5107
(2013)
Drawing Deformation: On Alice Maher’s Flora and Related Works.
In:
Alice Maher: Becoming.
Irish Museum of Modern Art, Dublin, pp. 112-123.
ISBN 978-1907020926
Krcma, Edward ORCID: https://orcid.org/0000-0002-1945-5107
(2013)
Universal Fragments: On the Work of Trevor Shearer.
Large Glass, London.
Krämer, Peter (2013) 'The Greatest Mass Murderer Since Adolf Hitler':Nuclear War and the Nazi Past in Dr Strangelove. In: Dramatising Disaster. Cambridge Scholars Publishing, Newcastle, pp. 120-135. ISBN 978-1443842419
Krämer, Peter (2013) “Rape, Ultra-violence and Beethoven”: The Transgressivenessand Controversial Success of A Clockwork Orange. In: Film and Ethics: What would you have done? Cambridge Scholars Publishing, Newcastle Upon Tyne, pp. 11-28. ISBN 978-1443844161
Lau, George ORCID: https://orcid.org/0000-0002-0089-3625, Sekules, Veronica and Thøfner, Margit
(2013)
Afterword: Why ‘Art Makes Society’.
World Art, 3 (1).
pp. 163-168.
ISSN 2150-0894
Leal, B. (2013) Wall-paintings in S. Maria foris portas di Castelseprio and in the tower at Torba:Reflections and a reappraisal. In: Castelseprio – Torba – Siti Unesco. Edizioni SAP, Mantua, pp. 311-344.
Long, Emma ORCID: https://orcid.org/0000-0002-1573-2904
(2013)
The Ever Weakening Wall?: The Roberts Supreme Court And The Church-State Debate.
In:
Issues in American Politics.
Routledge, pp. 177-188.
ISBN 9780415690959
Long, Emma ORCID: https://orcid.org/0000-0002-1573-2904
(2013)
Making Lemonade from Lemon: Evangelicals, the Supreme Court, and the Constitutionality of School Aid.
In:
American Evangelicals and the 1960s.
Studies in American Thought and Culture
.
Wisconsin University Press, Wisconsin, pp. 139-159.
ISBN 978-0-299-29364-2
McKay, George ORCID: https://orcid.org/0000-0002-7770-0502
(2013)
Shakin' All Over: Popular Music and Disability.
Corporealities: Discourses of Disability
.
University of Michigan Press, Ann Arbor.
ISBN 9780472052097
McLennan, Rachael (2013) 'Cautionary whales?' Adolescence and genre in Juno & Push. Mosaic, 46 (2). pp. 105-121.
Mills, Brett (2013) 'Complaints Were Received': Morris, Comedy and Broadcasting in Context. In: No Known Cure: The Comedy of Chris Morris. British Film Institute, London, pp. 98-110.
Mills, Brett (2013) Invalid animals: Finding the non-human funny in Special Needs Pets. Journal of Literary and Cultural Disability Studies, 7 (3). pp. 321-335. ISSN 1757-6458
Mills, Brett (2013) 'Shane, Don't Film This Bit': Comedy and Performance in Le Donk and Sco-Zay-Zee. In: Shane Meadows: Critical Essays. Edinburgh University Press, Edinburgh, pp. 142-154.
Mills, Brett (2013) The animals went in two by two: Heteronormativity in television wildlife documentaries. European Journal of Cultural Studies, 16 (1). pp. 100-114. ISSN 1367-5494
Monks, Sarah (2013) Life Study: Living with the Royal Academy, 1768-1848. In: Living with the Royal Academy. Ashgate Publishing, Burlington and Aldershot, pp. 1-23. ISBN 9781138249530
Monks, Sarah (2013) "Un Peu Gascon": Dominic Serres and the Spectre of Alienation. In: Living with the Royal Academy: Artistic Ideals and Experiences in England, 1768-1848. Ashgate Publishing, Burlington and Aldershot, pp. 53-73. ISBN 9781138249530
Moran, Albert and Aveyard, Karina (2013) Vocal hierarchies in early Australian quiz shows, 1948-71: Two case studies. Media International Australia, 148 (1). pp. 107-117. ISSN 1329-878X
Negra, D. and Tasker, Y. (2013) Neoliberal frames and genres of inequality:Recession-era chick flicks and male-centred corporate melodrama. European Journal of Cultural Studies, 16 (3). pp. 344-361. ISSN 1367-5494
Peters Corbett, David (2013) Painting American frontiers:"Encounter" and the borders of American identity in Nineteenth-Century art. Perspective (1). pp. 129-152. ISSN 1777-7852
Peters Corbett, David and Arnold, Dana (2013) A Companion to British Art, 1600 to the Present. Wiley, Chichester.
Pett, Emma (2013) ‘Hey! Hey! I've seen this one, I've seen this one. It's a classic’: Nostalgia, repeat viewing and cult performance in Back to the Future. Participations: Journal of Audience and Reception Studies, 10 (1). pp. 177-197.
Pett, Emma (2013) "People Who Think Outside the Box": British Audiences and Asian Extreme Films. Cine-Excess eJournal.
Richards, Denzell (2013) Old SF, new FX: Exploring the reception of replacement special effects for older episodes of 'Doctor Who' and 'Star Trek'. Critical Studies in Television, 8 (3). pp. 47-64. ISSN 1749-6039
Rimmer, Mark ORCID: https://orcid.org/0000-0001-6916-6795
(2013)
Can you hear me now? Musical values, education and 'voice'.
Media International Australia, 148 (1).
pp. 135-144.
ISSN 1329-878X
Rimmer, Mark ORCID: https://orcid.org/0000-0001-6916-6795 and Phillips, Tom
ORCID: https://orcid.org/0000-0003-1732-4514
(2013)
Community Arts: Sustainability in Austerity.
Working Paper.
University of East Anglia, Norwich.
Rycroft, Daniel (2013) Co-existence and art historical apprehensions. In: World Art and the Legacies of Colonial Violence. Ashgate Publishing, pp. 231-251. ISBN 9781409455882
Rycroft, Daniel (2013) Imperial tensions: a conceptual introduction. In: World Art and the Legacies of Colonial Violence. Ashgate Publishing, pp. 1-28. ISBN 978-1-4094-5588-2
Selby, N. ORCID: https://orcid.org/0000-0002-5255-0421
(2013)
Editorial.
Comparative American Studies, 11 (1).
p. 1.
ISSN 1477-5700
Selby, Nick ORCID: https://orcid.org/0000-0002-5255-0421
(2013)
Ecopoetries in America.
In:
The Cambridge Companion to American Poetry since 1945.
Cambridge Companions to Literature
.
Cambridge University Press, Cambridge.
ISBN 9780521147958
Selby, Nick ORCID: https://orcid.org/0000-0002-5255-0421
(2013)
Editorial.
Comparative American Studies, 11 (1).
p. 1.
ISSN 1741-2676
Smith, Thomas ORCID: https://orcid.org/0000-0002-9177-9536
(2013)
Looking for the New Jerusalem: Antebellum New Religious Movements and the Mississippi River.
In:
Gods of the Mississippi.
Indiana University Press, Bloomington.
ISBN 978-0-253-00806-0
Smith, Phyll and Wright, Ellen (2013) Przelotne Spojrzenie za Ekranem:Biblia Tijuana i pornograficzne odreagowanie Hollywood. In: Skandal w Tekstach Kultury. Tabu - Trend - Transgresja, 2 . Uniwersytet Wrocławski Academia Medyczna im. Piastów Śląskich / Wydawnictwa DiG, Warszawa, Poland, pp. 148-170. ISBN 978-83-7181-759-5
Snelson, Tim ORCID: https://orcid.org/0000-0002-8282-2432
(2013)
Delinquent Daughters: Hollywood's war effort and the 'juvenile delinquency picture' cycle.
New Review of Film and Television Studies, 11 (1).
pp. 56-72.
ISSN 1740-0309
Snelson, Tim ORCID: https://orcid.org/0000-0002-8282-2432 and Sutton, Emma
(2013)
A Message to You, Maggie: 1980s Skinhead Subculture and Music in This is England.
In:
Shane Meadows: Critical Essays.
Edinburgh University Press, Edinburgh.
ISBN 978-0748676392
Stead, Lisa (2013) Introduction. In: The Boundaries of the Literary Archive. Routledge, Farnham, pp. 1-12. ISBN 9781409443223
Stead, Lisa (2013) Letter Writing, Cinemagoing and Archive Ephemera. In: The Boundaries of the Literary Archive. Routledge, Farnham, pp. 139-153. ISBN 9781409443223
Stead, Lisa (2013) ‘The big romance’: Winifred Holtby and the fictionalisation of women's cinemagoing in interwar Yorkshire. Women's History Review, 22 (5). pp. 759-776. ISSN 0961-2025
Tillett, Rebecca ORCID: https://orcid.org/0000-0003-2219-6713
(2013)
On the Cutting Edge: Leslie Marmon Silko.
In:
The Native American Renaissance.
Oklahoma University Press, Oklahoma.
ISBN 0806144025
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2013)
Balcon, Jill Angela Henriette (1925–2009).
In:
Oxford Dictionary of National Biography.
Oxford University Press.
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2013)
The Continuity Girl: Ice in the Middle of Fire.
Journal of British Cinema and Television, 10 (3).
pp. 603-617.
ISSN 1743-4521
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2013)
Interview for StudioCanal Bluray/DVD release of Accident (1967).
Studiocanal.
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2013)
Remembering ‘the poor soul walking in the rain’: Audience responses to a thwarted makeover in 'Woman in a Dressing Gown'.
Journal of British Cinema and Television, 10 (4).
pp. 709-726.
ISSN 1743-4521
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2013)
Richardson, Natasha Jane (1963–2009).
In:
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Oxford University Press.
Winch, Alison (2013) “Drinking a dish of tea with Sapho”: The sexual fantasies of Lady Mary Wortley Montagu and Lord Byron. Women's Writing, 20 (1). pp. 82-99. ISSN 1747-5848
Winch, Alison (2013) Girlfriends and Postfeminist Sisterhood. Palgrave Macmillan, Basingstoke. ISBN 978-0-230-34875-2