Items where School is "School of Art, Media and American Studies

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Arnold, Dana (2013) The Georgian Country House:Architecture Landscape and Society. The History Press.

Arnold, Dana (2013) The Spaces of the Hospital:Spatiality and Urban Change in London 1680-1830. Routledge, London. ISBN 9780415325165

Atakav, Eylem ORCID: https://orcid.org/0000-0001-5718-5614 (2013) The critical reception of Certified Copy: Original art or copy of a rom-com? In: Watching Films. Intellect Ltd. ISBN 9781841505114

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Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2013) New configurations for Peruvian cinema: The rising star of Claudia Llosa. Transnational Cinemas, 4 (2). pp. 197-215. ISSN 2040-3526

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2013) Transnational Film Financing and Contemporary Peruvian Cinema: The Case of Josué Méndez. In: Contemporary Hispanic Cinema. Tamesis, pp. 137-154. ISBN 9781855662612

Bigsby, Christopher (2013) Viewing America:Twenty-First Century Television Drama. Cambridge University Press. ISBN 978-1107619746

Bigsby, Christopher (2013) Writers in Conversation with Christopher Bigsby. Unthank Books.

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Cooper, Harriet (2013) The Oppressive Power of Normalcy in the Lives of Disabled Children: Deploying History to Denaturalize the Notion of the ‘Normal Child’. In: Disabled Children’s Childhood Studies: Critical Approaches in a Global Context. Palgrave Macmillan, pp. 136-151. ISBN 978-1-137-00822-0

Cornea, Christine (2013) Discourses of Disaster. In: Dramatising Disaster: Character, Event, Representation. Cambridge Scholars Press, Cambridge, pp. 1-6. ISBN 978-1443842419

Cornea, Christine (2013) Post-Apocalyptic Narrative and Environmental Documentary: The Case of 'Life After People'. In: Dramatising Disaster: Character, Event, Representation. Cambridge Scholars Press, Cambridge, pp. 151-166. ISBN 978-1443842419

Cornea, Christine (2013) 'So Bad It's Good': Critical Humor in Science Fiction Cinema. In: The Last Laugh: Strange Humors of Cinema. Wayne State University Press. ISBN 9780814338551

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De Jong, Ferdinand (2013) Le secret exposé:Révélation et reconnaissance d’un patrimoine immatériel au Sénégal. Gradhiva:Revue d'Anthropologie et Museologie Paris, 18. pp. 98-123.

Dean, Robert and Hand, Richard ORCID: https://orcid.org/0000-0002-2076-1435 (2013) 'Bashed be bit by all with ears':Blue Jam and the Radio. In: No Known Cure. BFI. ISBN 978-1844574797

Dell, Simon (2013) Yeyap’s resources:Representation and the arts of the Bamum in Cameroon and France, 1902-1935. In: World Art and the Legacies of Colonial Violence. Ashgate Publishing, Farnham, pp. 31-58. ISBN 978-1-4094-5588-2

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Edwards, Paul, Humphreys, Richard, Gasiorek, Andrzej, Morato, Yolanda and Munton, Alan (2013) Wyndham Lewis (1882-1957). [Show/Exhibition]

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Fear-Segal, Jacqueline (2013) Dismemberment and Display: Plaster Cast Indians at the National Museum. In: Indigenous Bodies. State University of New York, Albany, NY, pp. 33-52. ISBN 978-1-4384-4821-3

Fear-Segal, Jacqueline and Tillett, Rebecca ORCID: https://orcid.org/0000-0003-2219-6713 (2013) Introduction. In: Indigenous Bodies. State University of New York, New York. ISBN 978-1-4384-4821-3

Fradley, Martin, Godfrey, Sarah ORCID: https://orcid.org/0000-0002-6652-9455 and Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2013) Shane Meadows: Introduction. Journal of British Cinema and Television, 10 (4). pp. 823-828. ISSN 1743-4521

Fradley, Martin, Godfrey, Sarah ORCID: https://orcid.org/0000-0002-6652-9455 and Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2013) Shane’s World: Introduction. In: Shane Meadows: Critical Essays. Edinburgh University Press, Edinburgh.

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Gander, Catherine and Garland, Sarah ORCID: https://orcid.org/0000-0001-8911-4917 (2013) Introduction: To fasten words again to visible things: The American imagetext. European Journal of American Culture, 32 (2). pp. 115-120. ISSN 1466-0407

Godfrey, Sarah ORCID: https://orcid.org/0000-0002-6652-9455 (2013) 'I'm a Casualty, but it's cool': Masculinity in TwentyFourSeven. Journal of British Cinema and Television, 10. pp. 846-862. ISSN 1743-4521

Grant, Nicholas (2013) Review of Digital Harlem: Everyday Life 1915-1930. Reviews in History. ISSN 1749-8155

Green, Anna (2013) Introduction. In: The Norwich School of Painters. East Publishing, Norwich.

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Hair, Ross ORCID: https://orcid.org/0000-0003-3570-7471 (2013) Opening the Folds: Thomas A Clark, Ian Hamilton Finlay, and Pastoral. Journal of British and Irish Innovative Poetry, 5 (2). pp. 13-41. ISSN 1758-972X

Hamad, Hannah (2013) Age of austerity celebrity expertise in UK reality television. Celebrity Studies, 4 (2). pp. 245-248. ISSN 1939-2397

Hamad, Hannah (2013) Hollywood Fatherhood:Paternal Postfeminism in Contemporary Popular Cinema. In: Postfeminism & Contemporary Hollywood Cinema. Palgrave Macmillan, Basingstoke and New York, pp. 99-115. ISBN 9781137376527

Hamad, Hannah (2013) Postfeminism and Paternity in Contemporary US Film:Framing Fatherhood. Routledge, New York and London. ISBN 978-0415899925

Hand, Richard ORCID: https://orcid.org/0000-0002-2076-1435 (2013) Zappa and horror:screamin’ at the monster. In: Frank Zappa and the And. Ashgate Publishing. ISBN 9781138246300

Hand, Richard J. ORCID: https://orcid.org/0000-0002-2076-1435 (2013) Half-Masks and Stage Blood:Translating, Adapting and Performing French Historical Theatre Forms. In: Translation and Adaptation in Theatre and Film. Routledge. ISBN 9780415829687

Hand, Richard J. ORCID: https://orcid.org/0000-0002-2076-1435 (2013) Octave Mirbeau: Two Plays:"Business is Business" and "Charity". Intellect Books. ISBN 9781841504865

Holmes, S. ORCID: https://orcid.org/0000-0003-4243-8337 and Redmond, S. (2013) Celebrity Studies in rude health. Celebrity Studies, 4 (2). pp. 113-114. ISSN 1939-2397

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Inthorn, Sanna, Street, John ORCID: https://orcid.org/0000-0001-9650-063X and Scott, Martin ORCID: https://orcid.org/0000-0001-6744-443X (2013) Popular culture as a resource for political engagement. Cultural Sociology, 7 (3). pp. 336-351. ISSN 1749-9763

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Jancovich, M. (2013) Its about time British actors kicked against these roles in "horror" films:Horror stars, psychological films and the tyranny of the Old World in classical horror cinema. Historical Journal of Film, Radio and Television, 33 (2). pp. 214-233. ISSN 0143-9685

Jancovich, Mark (2013) Bluebeard’s Wives: Horror, Quality and the Paranoid Woman’s Film in the 1940s. Irish Journal of Gothic and Horror Studies (12). pp. 20-43. ISSN 2009-0374

Jancovich, Mark (2013) ‘It’s about time British actors kicked against these roles in “horror” films’: Horror stars, psychological films and the tyranny of the Old World in classical horror cinema. Historical Journal of Film, Radio and Television, 33 (2). pp. 214-233. ISSN 0143-9685

Johnston, Keith M ORCID: https://orcid.org/0000-0002-1989-8549 (2013) Introduction: Still coming soon? Studying promotional materials. Frames Cinema Journal, 3. ISSN 2053-8812

Jurkovic, Tanja (2013) Blood, monstrosity and violent imagery: Grand-Guignol, the French theatre of horror as a form of violent entertainment. sic - Journal of Literature, Culture and Literary Translation, 4 (1). ISSN 1847-7755

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Khalaf, Nadia and Haour, Anne ORCID: https://orcid.org/0000-0002-0844-4867 (2013) Excavations at Tin Tin Kanza (TTK), Northern Bénin. Nyame Akuma, 79. pp. 101-111.

Kohlert, Frederik ORCID: https://orcid.org/0000-0001-7567-0138 (2013) Food & Trembling: An Entertainment by Jonah Campbell. CuiZine: The Journal of Canadian Food Culture, 4 (1). Online.

Kramer, Peter (2013) Avatar: Environmental Politics and Worldwide Success. UNSPECIFIED, Pure Movies http://www.puremovies.co.uk/columns/avatar-environmental-politics-and-worldwide-success/.

Kramer, Peter (2013) From Vietnam to Video: Notes on Jane Fonda’s Films and Activism, 1970-1982. UNSPECIFIED, Women’s Film and Television History Network (UK/Ireland) Blog http://womensfilmandtelevisionhistory.wordpress.com/2013/11/22/from-vietnam-to-video/.

Kramer, Peter (2013) An Introduction to 2001: A Space Odyssey (1968). UNSPECIFIED, ThinkingFilmCollective Blogspot http://thinkingfilmcollective.blogspot.co.uk/.

Kramer, Peter (2013) Making Contact. UNSPECIFIED, Pure Movies http://www.puremovies.co.uk/columns/making-contact/.

Kramer, Peter (2013) The Politics of Independence: The China Syndrome (1979), Hollywood Liberals and Anti-Nuclear Campaigning. Alphaville: Journal of Film and Screen Media, 6. ISSN 2009-4078

Kramer, Peter (2013) Rape, Ultra-Violence and Beethoven’: The Transgressiveness and Controversial Success of A Clockwork Orange (1971). In: Film and Ethics: What would you have done? Cambridge Scholars Publishing, pp. 11-28. ISBN 978-1443844161

Kramer, Peter (2013) ’To prevent the present heat from dissipating’: Stanley Kubrick and the Marketing of Dr. Strangelove (1964). InMedia, 3. ISSN 2259-4728

Kramer, Peter (2013) ’The ugly tide of today’s teenage violence’: Revisiting the Clockwork Orange Controversy in the UK. In: Moral Panics, Social Fears and the Media: Historical Perspectives. Routledge, pp. 210-29. ISBN 9780415501613

Krcma, Edward ORCID: https://orcid.org/0000-0002-1945-5107 (2013) Drawing Deformation: On Alice Maher’s Flora and Related Works. In: Alice Maher: Becoming. Irish Museum of Modern Art, Dublin, pp. 112-123. ISBN 978-1907020926

Krcma, Edward ORCID: https://orcid.org/0000-0002-1945-5107 (2013) Universal Fragments: On the Work of Trevor Shearer. Large Glass, London.

Krämer, Peter (2013) 'The Greatest Mass Murderer Since Adolf Hitler':Nuclear War and the Nazi Past in Dr Strangelove. In: Dramatising Disaster. Cambridge Scholars Publishing, Newcastle, pp. 120-135. ISBN 978-1443842419

Krämer, Peter (2013) “Rape, Ultra-violence and Beethoven”: The Transgressivenessand Controversial Success of A Clockwork Orange. In: Film and Ethics: What would you have done? Cambridge Scholars Publishing, Newcastle Upon Tyne, pp. 11-28. ISBN 978-1443844161

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Lau, George ORCID: https://orcid.org/0000-0002-0089-3625, Sekules, Veronica and Thøfner, Margit (2013) Afterword: Why ‘Art Makes Society’. World Art, 3 (1). pp. 163-168. ISSN 2150-0894

Leal, B. (2013) Wall-paintings in S. Maria foris portas di Castelseprio and in the tower at Torba:Reflections and a reappraisal. In: Castelseprio – Torba – Siti Unesco. Edizioni SAP, Mantua, pp. 311-344.

Long, Emma ORCID: https://orcid.org/0000-0002-1573-2904 (2013) The Ever Weakening Wall?: The Roberts Supreme Court And The Church-State Debate. In: Issues in American Politics. Routledge, pp. 177-188. ISBN 9780415690959

Long, Emma ORCID: https://orcid.org/0000-0002-1573-2904 (2013) Making Lemonade from Lemon: Evangelicals, the Supreme Court, and the Constitutionality of School Aid. In: American Evangelicals and the 1960s. Studies in American Thought and Culture . Wisconsin University Press, Wisconsin, pp. 139-159. ISBN 978-0-299-29364-2

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McKay, George ORCID: https://orcid.org/0000-0002-7770-0502 (2013) Shakin' All Over: Popular Music and Disability. Corporealities: Discourses of Disability . University of Michigan Press, Ann Arbor. ISBN 9780472052097

McLennan, Rachael (2013) 'Cautionary whales?' Adolescence and genre in Juno & Push. Mosaic, 46 (2). pp. 105-121.

Mills, Brett (2013) 'Complaints Were Received': Morris, Comedy and Broadcasting in Context. In: No Known Cure: The Comedy of Chris Morris. British Film Institute, London, pp. 98-110.

Mills, Brett (2013) Invalid Animals:Finding the Non-Human Funny in Special Needs Pets. Journal of Literary and Cultural Disability Studies, 7 (3). pp. 321-335. ISSN 1757-6458

Mills, Brett (2013) 'Shane, Don't Film This Bit': Comedy and Performance in Le Donk and Sco-Zay-Zee. In: Shane Meadows: Critical Essays. Edinburgh University Press, Edinburgh, pp. 142-154.

Mills, Brett (2013) The animals went in two by two: Heteronormativity in television wildlife documentaries. European Journal of Cultural Studies, 16 (1). pp. 100-114. ISSN 1367-5494

Monks, Sarah (2013) Life Study: Living with the Royal Academy, 1768-1848. In: Living with the Royal Academy. Ashgate Publishing, Burlington and Aldershot, pp. 1-23. ISBN 9781138249530

Monks, Sarah (2013) "Un Peu Gascon": Dominic Serres and the Spectre of Alienation. In: Living with the Royal Academy: Artistic Ideals and Experiences in England, 1768-1848. Ashgate Publishing, Burlington and Aldershot, pp. 53-73. ISBN 9781138249530

Moran, Albert and Aveyard, Karina (2013) Vocal hierarchies in early Australian quiz shows, 1948-71: Two case studies. Media International Australia, 148 (1). pp. 107-117. ISSN 1329-878X

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Negra, D. and Tasker, Y. (2013) Neoliberal frames and genres of inequality:Recession-era chick flicks and male-centred corporate melodrama. European Journal of Cultural Studies, 16 (3). pp. 344-361. ISSN 1367-5494

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Peters Corbett, David (2013) Painting American frontiers:"Encounter" and the borders of American identity in Nineteenth-Century art. Perspective (1). pp. 129-152. ISSN 1777-7852

Peters Corbett, David and Arnold, Dana (2013) A Companion to British Art, 1600 to the Present. Wiley, Chichester.

Pett, Emma (2013) ‘Hey! Hey! I've seen this one, I've seen this one. It's a classic’: Nostalgia, repeat viewing and cult performance in Back to the Future. Participations: Journal of Audience and Reception Studies, 10 (1). pp. 177-197.

Pett, Emma (2013) "People Who Think Outside the Box": British Audiences and Asian Extreme Films. Cine-Excess eJournal.

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Richards, Denzell (2013) Old SF, new FX: Exploring the reception of replacement special effects for older episodes of 'Doctor Who' and 'Star Trek'. Critical Studies in Television, 8 (3). pp. 47-64. ISSN 1749-6039

Rimmer, Mark ORCID: https://orcid.org/0000-0001-6916-6795 (2013) Can you hear me now? Musical values, education and 'voice'. Media International Australia, 148 (1). pp. 135-144. ISSN 1329-878X

Rimmer, Mark ORCID: https://orcid.org/0000-0001-6916-6795 and Phillips, Tom ORCID: https://orcid.org/0000-0003-1732-4514 (2013) Community Arts: Sustainability in Austerity. Working Paper. University of East Anglia, Norwich.

Rycroft, Daniel (2013) Co-existence and art historical apprehensions. In: World Art and the Legacies of Colonial Violence. Ashgate Publishing, pp. 231-251. ISBN 9781409455882

Rycroft, Daniel (2013) Imperial tensions: a conceptual introduction. In: World Art and the Legacies of Colonial Violence. Ashgate Publishing, pp. 1-28. ISBN 978-1-4094-5588-2

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Selby, N. ORCID: https://orcid.org/0000-0002-5255-0421 (2013) Editorial. Comparative American Studies, 11 (1). p. 1. ISSN 1477-5700

Selby, Nick ORCID: https://orcid.org/0000-0002-5255-0421 (2013) Ecopoetries in America. In: The Cambridge Companion to American Poetry since 1945. Cambridge Companions to Literature . Cambridge University Press, Cambridge. ISBN 9780521147958

Selby, Nick ORCID: https://orcid.org/0000-0002-5255-0421 (2013) Editorial. Comparative American Studies, 11 (1). p. 1. ISSN 1741-2676

Smith, Thomas ORCID: https://orcid.org/0000-0002-9177-9536 (2013) Looking for the New Jerusalem: Antebellum New Religious Movements and the Mississippi River. In: Gods of the Mississippi. Indiana University Press, Bloomington. ISBN 978-0-253-00806-0

Smith, Phyll and Wright, Ellen (2013) Przelotne Spojrzenie za Ekranem:Biblia Tijuana i pornograficzne odreagowanie Hollywood. In: Skandal w Tekstach Kultury. Tabu - Trend - Transgresja, 2 . Uniwersytet Wrocławski Academia Medyczna im. Piastów Śląskich / Wydawnictwa DiG, Warszawa, Poland, pp. 148-170. ISBN 978-83-7181-759-5

Snelson, Tim ORCID: https://orcid.org/0000-0002-8282-2432 (2013) Delinquent Daughters: Hollywood's war effort and the 'juvenile delinquency picture' cycle. New Review of Film and Television Studies, 11 (1). pp. 56-72. ISSN 1740-0309

Snelson, Tim ORCID: https://orcid.org/0000-0002-8282-2432 and Sutton, Emma (2013) A Message to You, Maggie: 1980s Skinhead Subculture and Music in This is England. In: Shane Meadows: Critical Essays. Edinburgh University Press, Edinburgh. ISBN 978-0748676392

Stead, Lisa (2013) Letter Writing, Cinemagoing and Archive Ephemera. In: The Boundaries of the Literary Archive. Routledge, Farnham, pp. 139-153. ISBN 9781409443223

Stead, Lisa (2013) ‘The big romance’: Winifred Holtby and the fictionalisation of women's cinemagoing in interwar Yorkshire. Women's History Review, 22 (5). pp. 759-776. ISSN 0961-2025

Stead, Lisa (2013) Introduction. In: The Boundaries of the Literary Archive. Routledge, Farnham, pp. 1-12. ISBN 9781409443223

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Tillett, Rebecca ORCID: https://orcid.org/0000-0003-2219-6713 (2013) On the Cutting Edge: Leslie Marmon Silko. In: The Native American Renaissance. Oklahoma University Press, Oklahoma. ISBN 0806144025

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Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2013) Balcon, Jill Angela Henriette (1925–2009). In: Oxford Dictionary of National Biography. Oxford University Press.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2013) The Continuity Girl: Ice in the Middle of Fire. Journal of British Cinema and Television, 10 (3). pp. 603-617. ISSN 1743-4521

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2013) Interview for StudioCanal Bluray/DVD release of Accident (1967). Studiocanal.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2013) Remembering ‘the poor soul walking in the rain’: Audience responses to a thwarted makeover in 'Woman in a Dressing Gown'. Journal of British Cinema and Television, 10 (4). pp. 709-726. ISSN 1743-4521

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2013) Richardson, Natasha Jane (1963–2009). In: Oxford Dictionary of National Biography. Oxford University Press.

Winch, Alison (2013) “Drinking a dish of tea with Sapho”: The sexual fantasies of Lady Mary Wortley Montagu and Lord Byron. Women's Writing, 20 (1). pp. 82-99. ISSN 1747-5848

Winch, Alison (2013) Girlfriends and Postfeminist Sisterhood. Palgrave Macmillan, Basingstoke. ISBN 978-0-230-34875-2