Items where Author is "Johnston, Keith M"

Published

Johnston, Keith M ORCID: https://orcid.org/0000-0002-1989-8549 (2025) Stereo Techniques 3-D. In: Film Atlas. FIAF: International Federation of Film Archives, Brussels.

Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549 and Balzar, Jesse (2024) Forecasting the future feature: How film industry hierarchies shaped trailer discourse, 1919-1959. Historical Journal of Film, Radio and Television, 44 (2). pp. 282-299. ISSN 0143-9685

Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549 (2024) The Midas Touch:Eastmancolor, the Bond franchise, and Goldfinger (1964). In: James Bond Will Return. Wallflower Press, Chichester, pp. 36-47. ISBN 9780231207409

Arnold, Sarah, Frith, Paul ORCID: https://orcid.org/0000-0002-5608-5088, Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549, Madden, Carolann and Viney Burgess, Zoë ORCID: https://orcid.org/0000-0002-5855-4458 (2023) Women in Focus: A Toolkit for Archiving Women's Amateur Film. AHRC/UEA, Norwich.

Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549 (2023) Back into focus: Women filmmakers, the amateur trade press and 1960s British amateur cinema. Gender and History. ISSN 0953-5233

Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549 and Frith, Paul ORCID: https://orcid.org/0000-0002-5608-5088 (2023) Beyond “The Exhibition Straight-Jacket”: How British amateur film clubs created an alternative distribution and exhibition network, 1923-1933. Film History, 34 (3). pp. 46-70. ISSN 0892-2160

Johnston, Keith M ORCID: https://orcid.org/0000-0002-1989-8549, Frith, Paul ORCID: https://orcid.org/0000-0002-5608-5088, Street, Sarah and Rickards, Carolyn (2021) Colour Films in Britain: The Eastmancolor Revolution. Bloomsbury Publishing PLC. ISBN 9781911239574

Johnston, Keith M ORCID: https://orcid.org/0000-0002-1989-8549 (2020) The look of the con: Eleven thoughts on the historical absence of subtitles in film analysis. Perspectives: Studies in Translatology, 28 (6). pp. 910-919. ISSN 0907-676X

Johnston, Keith ORCID: https://orcid.org/0000-0002-1989-8549 and Hill, Sarah (2020) Making women amateur filmmakers visible: Reclaiming women’s work through the film archive. Women's History Review, 29 (5). pp. 875-889. ISSN 0961-2025

Frith, Paul ORCID: https://orcid.org/0000-0002-5608-5088 and Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549 (2020) Talking Colour: Rememering the Eastmancolor Revolution. Frames Cinema Journal (17). ISSN 2053-8812

Balzar, Jesse, Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549 and Pearson, Erin (2020) Talking Trailers: Promotional materials, and the value of the paratextual turn. Cinephile: The University of British Columbia's Film Journal, 14 (1). pp. 40-45.

Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549 and Rickards, Carolyn (2020) The spectacle of realism: special effects at Ealing Studios, 1940-45. Screen, 60 (2). 261–279. ISSN 0036-9543

Frith, Paul ORCID: https://orcid.org/0000-0002-5608-5088 and Johnston, Keith ORCID: https://orcid.org/0000-0002-1989-8549 (2020) Beyond place: Rethinking British amateur films through gender and technology-based perspectives. Screen, 61 (1). 129–137. ISSN 0036-9543

Clayton, Stephanie, Johnston, Keith M ORCID: https://orcid.org/0000-0002-1989-8549 and Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2020) Invisible Innovators:Making Women Filmmakers Visible Across the UK Film Archives. UNSPECIFIED.

Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549 (2019) Researching historical promotional materials: Towards a new methodology. Historical Journal of Film, Radio and Television, 39 (4). pp. 643-662. ISSN 0143-9685

Johnston, Keith ORCID: https://orcid.org/0000-0002-1989-8549 (2019) A Dalek is (now) a many splendored thing. [in]Transition, 6 (1).

Street, Sarah, Johnston, Keith ORCID: https://orcid.org/0000-0002-1989-8549, Frith, Paul ORCID: https://orcid.org/0000-0002-5608-5088 and Rickards, Carolyn (2019) From the margins to the mainstream? The Eastmancolor Revolution and challenging the realist canon in British Cinema. Cinema & Cie, 32. ISSN 2036-461X

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X and Johnston, Keith M ORCID: https://orcid.org/0000-0002-1989-8549 (2019) 'The past is not the past: rediscovering The Go-Between' essay in StudioCanal Bluray/DVD release of The Go-Between (1971). Studiocanal.

Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549 (2017) "A friend to every exhibitor": National Screen Service and the British trailer industry. In: The Routledge Companion to British Cinema History. Routledge, pp. 311-329. ISBN 9780415706193

Johnston, Keith M ORCID: https://orcid.org/0000-0002-1989-8549 (2017) ‘The action is so real I thought I was cheating on my wife’:Realism and Nature in the 1970s 3-D Sex Film. In: Sex and 1970s World Cinema. Manchester University Press, Manchester. ISBN 978-0719090547

Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549, Vollans, Ed and Greene, Fred L. (2016) Watching the trailer: Researching the film trailer audience. Participations, 13 (2). pp. 56-85. ISSN 1749-8716

Johnston, Keith M ORCID: https://orcid.org/0000-0002-1989-8549 (2016) An unlimited field for experiment: Britain's Steroscopic Landscapes. In: British Rural Landscapes on Film. Manchester University Press, Manchester, pp. 71-85. ISBN 0719091578

Johnston, Keith M ORCID: https://orcid.org/0000-0002-1989-8549 and Phillips, Tom ORCID: https://orcid.org/0000-0003-1732-4514 (2016) "A step into the abyss" Transmedia in the UK Games and Television Industries. International Journal of Gaming and Computer-Mediated Simulations, 8 (2). ISSN 1942-3888

Johnston, Keith Mark ORCID: https://orcid.org/0000-0002-1989-8549 (2015) 3D UK? 3D history and the absent British pioneers. Open Library of Humanities (OLH), 1 (1).

Greene, Fred L., Johnston, Keith M ORCID: https://orcid.org/0000-0002-1989-8549 and Vollans, Ed (2014) Would I lie to you? Researching audience attitudes to, and uses of, the promotional trailer format. International Journal of Media and Cultural Politics, 10 (1). pp. 109-116. ISSN 2040-0918

Johnston, Keith M ORCID: https://orcid.org/0000-0002-1989-8549 (2014) Sound and (no) Vision:Locating the Radio Trailer. Music, Sound and the Moving Image, 8 (2). pp. 163-178. ISSN 1753-0768

Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549 (2014) Reclaiming the 'Vanilla' DVD: Brand packaging and the case of Ealing Studies. Screen, 55 (1). ISSN 0036-9543

Johnston, Keith M ORCID: https://orcid.org/0000-0002-1989-8549 (2013) Introduction: Still coming soon? Studying promotional materials. Frames Cinema Journal, 3. ISSN 2053-8812

Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549 (2012) 'A riot of all the colours in the rainbow': Ealing Studios in Colour. In: Ealing Revisited. British Film Institute, London, pp. 195-205. ISBN 9781844575107

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X, Duguid, Mark, Freeman, Lee and Johnston, Keith M ORCID: https://orcid.org/0000-0002-1989-8549 (2012) Introduction: Revisiting Ealing. In: Ealing Revisited. British Film Institute, London. ISBN 9781844575107

Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549 (2012) A technician's dream? The critical reception of 3-D films in Britain. Historical Journal of Film, Radio and Television, 32 (2). pp. 245-265. ISSN 0143-9685

Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549 (2012) Pop-up footballers, pop concerts and popular films: The past, present and future of 3D TV. Convergence: The International Journal of Research into New Media Technologies, 18 (4). pp. 438-445. ISSN 1748-7382

Johnston, Keith ORCID: https://orcid.org/0000-0002-1989-8549 (2011) Science Fiction Film: A Critical Introduction. Berg Publishers. ISBN 978-1847884763

Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549 (2011) Now is the time (to put on your glasses): 3-D Film Exhibition in Britain, 1951-55. Film History, 23 (1). pp. 93-103. ISSN 1553-3905

Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549 (2011) 'An intelligent and effective use of the rival screen': Re-discovering early British television trailers. Media History, 17 (4). pp. 377-388. ISSN 1368-8804

Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549 (2010) Ealing's colour aesthetic: Saraband for Dead Lovers. Journal of British Cinema and Television, 7 (1). pp. 21-33. ISSN 1755-1714

Johnston, Keith ORCID: https://orcid.org/0000-0002-1989-8549 (2010) Underground, Overground: Remembering The Wombles. In: Culture and Society in 1970s Britain: The Lost Decade. Cambridge Scholars Publishing, Cambridge, pp. 154-163. ISBN 9781443817349

Johnston, Keith ORCID: https://orcid.org/0000-0002-1989-8549 (2009) Coming Soon: Film Trailers and the Selling of Hollywood Technology. McFarland & Co Inc. ISBN 9780786444328

Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549 (2008) "Three times as thrilling!": The lost history of 3-D trailer production, 1953-54. Journal of Popular Film and Television, 36 (3). pp. 150-160. ISSN 1930-6458

Johnston, Keith M ORCID: https://orcid.org/0000-0002-1989-8549 (2008) 'The coolest way to watch movie trailers in the world': Trailers in the digital age. Convergence: The International Journal of Research into New Media Technologies, 14 (2). pp. 145-160. ISSN 1354-8565

Johnston, Keith M ORCID: https://orcid.org/0000-0002-1989-8549 (2007) Selling Genre in the 1930's: The Universal Horror Trailer. Film International.

Johnston, Keith M ORCID: https://orcid.org/0000-0002-1989-8549 (1995) From the Wedding to the Grave. Focus, 15. pp. 18-29.