Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549 and Balzar, Jesse
(2024)
Forecasting the future feature: How film industry hierarchies shaped trailer discourse, 1919-1959.
Historical Journal of Film, Radio and Television, 44 (2).
pp. 282-299.
ISSN 0143-9685
Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549
(2023)
Back into focus: Women filmmakers, the amateur trade press and 1960s British amateur cinema.
Gender and History.
ISSN 0953-5233
Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549 and Frith, Paul
ORCID: https://orcid.org/0000-0002-5608-5088
(2023)
Beyond “The Exhibition Straight-Jacket”: How British amateur film clubs created an alternative distribution and exhibition network, 1923-1933.
Film History, 34 (3).
pp. 46-70.
ISSN 0892-2160
Johnston, Keith M ORCID: https://orcid.org/0000-0002-1989-8549
(2020)
The look of the con: Eleven thoughts on the historical absence of subtitles in film analysis.
Perspectives: Studies in Translatology, 28 (6).
pp. 910-919.
ISSN 0907-676X
Johnston, Keith ORCID: https://orcid.org/0000-0002-1989-8549 and Hill, Sarah
(2020)
Making women amateur filmmakers visible: Reclaiming women’s work through the film archive.
Women's History Review, 29 (5).
pp. 875-889.
ISSN 0961-2025
Frith, Paul ORCID: https://orcid.org/0000-0002-5608-5088 and Johnston, Keith M.
ORCID: https://orcid.org/0000-0002-1989-8549
(2020)
Talking Colour: Rememering the Eastmancolor Revolution.
Frames Cinema Journal (17).
ISSN 2053-8812
Balzar, Jesse, Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549 and Pearson, Erin
(2020)
Talking Trailers: Promotional materials, and the value of the paratextual turn.
Cinephile: The University of British Columbia's Film Journal, 14 (1).
pp. 40-45.
Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549 and Rickards, Carolyn
(2020)
The spectacle of realism: special effects at Ealing Studios, 1940-45.
Screen, 60 (2).
261–279.
ISSN 0036-9543
Frith, Paul ORCID: https://orcid.org/0000-0002-5608-5088 and Johnston, Keith
ORCID: https://orcid.org/0000-0002-1989-8549
(2020)
Beyond place: Rethinking British amateur films through gender and technology-based perspectives.
Screen, 61 (1).
129–137.
ISSN 0036-9543
Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549
(2019)
Researching historical promotional materials: Towards a new methodology.
Historical Journal of Film, Radio and Television, 39 (4).
pp. 643-662.
ISSN 0143-9685
Johnston, Keith ORCID: https://orcid.org/0000-0002-1989-8549
(2019)
A Dalek is (now) a many splendored thing.
[in]Transition, 6 (1).
Street, Sarah, Johnston, Keith ORCID: https://orcid.org/0000-0002-1989-8549, Frith, Paul
ORCID: https://orcid.org/0000-0002-5608-5088 and Rickards, Carolyn
(2019)
From the margins to the mainstream? The Eastmancolor Revolution and challenging the realist canon in British Cinema.
Cinema & Cie, 32.
ISSN 2036-461X
Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549, Vollans, Ed and Greene, Fred L.
(2016)
Watching the trailer: Researching the film trailer audience.
Participations, 13 (2).
pp. 56-85.
ISSN 1749-8716
Johnston, Keith M ORCID: https://orcid.org/0000-0002-1989-8549 and Phillips, Tom
ORCID: https://orcid.org/0000-0003-1732-4514
(2016)
"A step into the abyss" Transmedia in the UK Games and Television Industries.
International Journal of Gaming and Computer-Mediated Simulations, 8 (2).
ISSN 1942-3888
Johnston, Keith Mark ORCID: https://orcid.org/0000-0002-1989-8549
(2015)
3D UK? 3D history and the absent British pioneers.
Open Library of Humanities (OLH), 1 (1).
Greene, Fred L., Johnston, Keith M ORCID: https://orcid.org/0000-0002-1989-8549 and Vollans, Ed
(2014)
Would I lie to you? Researching audience attitudes to, and uses of, the promotional trailer format.
International Journal of Media and Cultural Politics, 10 (1).
pp. 109-116.
ISSN 2040-0918
Johnston, Keith M ORCID: https://orcid.org/0000-0002-1989-8549
(2014)
Sound and (no) Vision:Locating the Radio Trailer.
Music, Sound and the Moving Image, 8 (2).
pp. 163-178.
ISSN 1753-0768
Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549
(2014)
Reclaiming the 'Vanilla' DVD: Brand packaging and the case of Ealing Studies.
Screen, 55 (1).
ISSN 0036-9543
Johnston, Keith M ORCID: https://orcid.org/0000-0002-1989-8549
(2013)
Introduction: Still coming soon? Studying promotional materials.
Frames Cinema Journal, 3.
ISSN 2053-8812
Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549
(2012)
A technician's dream? The critical reception of 3-D films in Britain.
Historical Journal of Film, Radio and Television, 32 (2).
pp. 245-265.
ISSN 0143-9685
Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549
(2012)
Pop-up footballers, pop concerts and popular films: The past, present and future of 3D TV.
Convergence: The International Journal of Research into New Media Technologies, 18 (4).
pp. 438-445.
ISSN 1748-7382
Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549
(2011)
Now is the time (to put on your glasses): 3-D Film Exhibition in Britain, 1951-55.
Film History, 23 (1).
pp. 93-103.
ISSN 1553-3905
Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549
(2011)
'An intelligent and effective use of the rival screen': Re-discovering early British television trailers.
Media History, 17 (4).
pp. 377-388.
ISSN 1368-8804
Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549
(2010)
Ealing's colour aesthetic: Saraband for Dead Lovers.
Journal of British Cinema and Television, 7 (1).
pp. 21-33.
ISSN 1755-1714
Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549
(2008)
"Three times as thrilling!": The lost history of 3-D trailer production, 1953-54.
Journal of Popular Film and Television, 36 (3).
pp. 150-160.
ISSN 1930-6458
Johnston, Keith M ORCID: https://orcid.org/0000-0002-1989-8549
(2008)
'The coolest way to watch movie trailers in the world': Trailers in the digital age.
Convergence: The International Journal of Research into New Media Technologies, 14 (2).
pp. 145-160.
ISSN 1354-8565
Johnston, Keith M ORCID: https://orcid.org/0000-0002-1989-8549
(2007)
Selling Genre in the 1930's: The Universal Horror Trailer.
Film International.
Johnston, Keith M ORCID: https://orcid.org/0000-0002-1989-8549
(1995)
From the Wedding to the Grave.
Focus, 15.
pp. 18-29.
Johnston, Keith M ORCID: https://orcid.org/0000-0002-1989-8549
(2025)
Stereo Techniques 3-D.
In:
Film Atlas.
FIAF: International Federation of Film Archives, Brussels.
Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549
(2024)
The Midas Touch:Eastmancolor, the Bond franchise, and Goldfinger (1964).
In:
James Bond Will Return.
Wallflower Press, Chichester, pp. 36-47.
ISBN 9780231207409
Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549
(2017)
"A friend to every exhibitor": National Screen Service and the British trailer industry.
In:
The Routledge Companion to British Cinema History.
Routledge, pp. 311-329.
ISBN 9780415706193
Johnston, Keith M ORCID: https://orcid.org/0000-0002-1989-8549
(2017)
‘The action is so real I thought I was cheating on my wife’:Realism and Nature in the 1970s 3-D Sex Film.
In:
Sex and 1970s World Cinema.
Manchester University Press, Manchester.
ISBN 978-0719090547
Johnston, Keith M ORCID: https://orcid.org/0000-0002-1989-8549
(2016)
An unlimited field for experiment: Britain's Steroscopic Landscapes.
In:
British Rural Landscapes on Film.
Manchester University Press, Manchester, pp. 71-85.
ISBN 0719091578
Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549
(2012)
'A riot of all the colours in the rainbow': Ealing Studios in Colour.
In:
Ealing Revisited.
British Film Institute, London, pp. 195-205.
ISBN 9781844575107
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X, Duguid, Mark, Freeman, Lee and Johnston, Keith M
ORCID: https://orcid.org/0000-0002-1989-8549
(2012)
Introduction: Revisiting Ealing.
In:
Ealing Revisited.
British Film Institute, London.
ISBN 9781844575107
Johnston, Keith ORCID: https://orcid.org/0000-0002-1989-8549
(2010)
Underground, Overground: Remembering The Wombles.
In:
Culture and Society in 1970s Britain: The Lost Decade.
Cambridge Scholars Publishing, Cambridge, pp. 154-163.
ISBN 9781443817349
Arnold, Sarah, Frith, Paul ORCID: https://orcid.org/0000-0002-5608-5088, Johnston, Keith M.
ORCID: https://orcid.org/0000-0002-1989-8549, Madden, Carolann and Viney Burgess, Zoë
ORCID: https://orcid.org/0000-0002-5855-4458
(2023)
Women in Focus: A Toolkit for Archiving Women's Amateur Film.
AHRC/UEA, Norwich.
Johnston, Keith M ORCID: https://orcid.org/0000-0002-1989-8549, Frith, Paul
ORCID: https://orcid.org/0000-0002-5608-5088, Street, Sarah and Rickards, Carolyn
(2021)
Colour Films in Britain: The Eastmancolor Revolution.
Bloomsbury Publishing PLC.
ISBN 9781911239574
Clayton, Stephanie, Johnston, Keith M ORCID: https://orcid.org/0000-0002-1989-8549 and Williams, Melanie
ORCID: https://orcid.org/0000-0002-3609-207X
(2020)
Invisible Innovators:Making Women Filmmakers Visible Across the UK Film Archives.
UNSPECIFIED.
Johnston, Keith ORCID: https://orcid.org/0000-0002-1989-8549
(2011)
Science Fiction Film: A Critical Introduction.
Berg Publishers.
ISBN 978-1847884763
Johnston, Keith ORCID: https://orcid.org/0000-0002-1989-8549
(2009)
Coming Soon: Film Trailers and the Selling of Hollywood Technology.
McFarland & Co Inc.
ISBN 9780786444328
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X and Johnston, Keith M
ORCID: https://orcid.org/0000-0002-1989-8549
(2019)
'The past is not the past: rediscovering The Go-Between' essay in StudioCanal Bluray/DVD release of The Go-Between (1971).
Studiocanal.