Items where Author is "Kramer, Peter"
![[up]](/style/images/multi_up.png)
Up a levelArticle
Kramer, Peter (2017) Stanley Kubrick and the internationalisation of post-war Hollywood. New Review of Film and Television Studies, 15 (2). pp. 250-269. ISSN 1740-0309
Kramer, Peter (2015) Adaptation as exploration: Stanley Kubrick, literature, and A.I. Artificial Intelligence. Adaptation, 8 (3). pp. 372-382. ISSN 1755-0637
Kramer, Peter (2014) Disney, George Lucas und Pixar: Animation und die US-amerikanische Filmindustrie seit den 1970er Jahren. Film Konzepte, 33. ISSN 1861-9622
Kramer, Peter (2013) ’To prevent the present heat from dissipating’: Stanley Kubrick and the Marketing of Dr. Strangelove (1964). InMedia, 3. ISSN 2259-4728
Kramer, Peter (2013) The Politics of Independence: The China Syndrome (1979), Hollywood Liberals and Anti-Nuclear Campaigning. Alphaville: Journal of Film and Screen Media, 6. ISSN 2009-4078
Kramer, Peter (2012) 'Black Is In': Race and Genre in Early 1990s American Cinema. Iluminace, 24 (3). pp. 13-30.
Kramer, Peter (2011) 'Movies that make people sick': Audience Responses to Stanley Kubrick's A Clockwork Orange in 1971/72. Participations: Journal of Audience and Reception Studies, 8 (2). pp. 416-430.
Kramer, Peter (2009) 'Dear Mr. Kubrick': Audience Responses to 2001: A Space Odyssey in the Late 1960s. Participations: Journal of Audience and Reception Studies, 6 (2). pp. 1-20.
Kramer, Peter (2009) ‘He’s very good at work not involving little creatures, you know’: Schindler’s List, E.T. and the Shape of Steven Spielberg's Career. New Review of Film and Television Studies, 7 (1). pp. 23-32. ISSN 1740-7923
Kramer, Peter (2008) O (nad)casovosti satiry. Recepce filmu Dikator v zapadnim Nemecku v obdobi 1952-1973 (The (Un) Timeliness of Satire: The Reception of The Great Dictator in West Germany, 1952-1973). Iluminace, 20 (1). pp. 51-67.
Kramer, Peter (2007) Battered Child: Buster Keaton's Stage Performance and Vaudeville Stardom in the Early 1900s. New Review of Film and Television Studies, 5 (3). pp. 253-67. ISSN 1740-7923
Kramer, Peter (2005) Karrierefrauen in Hollywood: Die (Dar) Stellung von Frauen im amerikanischen Kino. Sowi: Das Journal fur Geschichte, Politik, Wirtschaft und Kultur, 3 (05). pp. 75-83.
Kramer, Peter (2004) The many faces of Holly Golightly: Truman Capote, Breakfast at Tiffany's and Hollywood. Film Studies, 5 (1). pp. 58-65.
Kramer, Peter (2001) 'It's aimed at kids - the kid in everybody': George Lucas, Star Wars and Children's Entertainment. Scope. ISSN 1465-9166
Kramer, Peter (2000) Entering the Magic Kingdom: The Walt Disney Company, The Lion King and the Limitations of Criticism. Film Studies (2). pp. 44-50.
Kramer, Peter (1999) Star Wars. History Today, 49 (3). pp. 41-7.
Kramer, Peter (1998) Women first: Titanic (1997), Action-adventure films and Hollywood's female audience. Historical Journal of Film, Radio and Television, 18 (4). pp. 599-618. ISSN 0143-9685
Kramer, Peter (1997) A Slapstick Comedian at the Crossroads: Buster Keaton, the Theatre and the Movies 1916/17. Theatre History Studies (17). pp. 133-46.
Kramer, Peter (1989) Derailing the Honeymoon Express: Comicality and Narrative Closure in Buster Keaton’s The Blacksmith. The Velvet Light Trap, 23. pp. 101-116. ISSN 0149-1830
Kramer, Peter (1988) Vitagraph, slapstick and early cinema. Screen, 29 (2). pp. 98-105. ISSN 1460-2474
Book Section
Krämer, Peter (2018) “Enter the World”: James Cameron’s Avatar (2009) and the Family-Adventure Movie. In: Fantasy/Animation. Taylor and Francis, New York. ISBN 9781351681414
Kramer, Peter (2016) ’Could you tell us how to create a Star-Child?’: Special Effects, Science Fiction und Publikumsreaktionen auf 2001: A Space Odyssey. In: Special Effects in der Wahrnehmung des Publikums. Berlin: VS Verlag, pp. 191-207. ISBN 978-3-531-17465-5
Kramer, Peter (2016) The Legacy of Dr. Strangelove: Stanley Kubrick, Science Fiction, and the Future of Humanity. In: The Apocalypse in Film: Dystopia, Disasters, and other Visions about the End of the World. UNSPECIFIED, pp. 45-60. ISBN 9781442260276
Kramer, Peter (2016) ’I’ll be right here!’ Dealing with Emotional Trauma in and through E.T. The Extra-Terrestrial. In: Children in the Films of Steven Spielberg. UNSPECIFIED, pp. 91-121. ISBN 9781498518840
Kramer, Peter (2016) The Movie Audience in the Archive. In: Reflections on Archives Museum and Special Collections. UNSPECIFIED, pp. 60-61. ISBN 9781906908423
Kramer, Peter (2015) ’A film specially suitable for children’: The Marketing and Reception of 2001: A Space Odyssey (1968). In: Family Films in Global Cinema: The World Beyond Disney. I B Tauris. ISBN 978-1784530082
Kramer, Peter (2015) ’Complete total final annihilating artistic control’: Stanley Kubrick and Postwar Hollywood. In: Stanley Kubrick: New Perspectives. Black Dog Publishing, pp. 48-61. ISBN 9781908966421
Kramer, Peter (2015) ’What’s it going to be, eh?’ Stanley Kubrick’s Adaptation of Anthony Burgess’s A Clockwork Orange. In: Stanley Kubrick: New Perspectives. UNSPECIFIED, pp. 218-235. ISBN 9781908966421
Kramer, Peter, Ljujic, Tatjana and Daniels, Richard (2015) Introduction. In: Stanley Kubrick: New Perspectives. Black Dog Publishing, pp. 12-19. ISBN 9781908966421
Kramer, Peter (2014) The Making of an International Star:The Early Film Career and Star Image of Audrey Hepburn, 1948-1954. In: Fan Phenomena: Audrey Hepburn. Intellect. ISBN 9781783202065
Kramer, Peter (2014) Polish translation of “’Dear Mr. Kubrick’: Audience Responses to 2001: A Space Odyssey in the Late 1960s” (first published in Participations: Journal of Audience and Reception Studies, vol. 6, no. 2, November 2009). In: Badanie widowni filmowej - antologia przekladow. Wydawnictwo PWSFTviT.
Krämer, Peter (2013) “Rape, Ultra-violence and Beethoven”: The Transgressivenessand Controversial Success of A Clockwork Orange. In: Film and Ethics: What would you have done? Cambridge Scholars Publishing, Newcastle Upon Tyne, pp. 11-28. ISBN 978-1443844161
Krämer, Peter (2013) 'The Greatest Mass Murderer Since Adolf Hitler':Nuclear War and the Nazi Past in Dr Strangelove. In: Dramatising Disaster. Cambridge Scholars Publishing, Newcastle, pp. 120-135. ISBN 978-1443842419
Kramer, Peter (2013) Rape, Ultra-Violence and Beethoven’: The Transgressiveness and Controversial Success of A Clockwork Orange (1971). In: Film and Ethics: What would you have done? Cambridge Scholars Publishing, pp. 11-28. ISBN 978-1443844161
Kramer, Peter (2013) ’The ugly tide of today’s teenage violence’: Revisiting the Clockwork Orange Controversy in the UK. In: Moral Panics, Social Fears and the Media: Historical Perspectives. Routledge, pp. 210-29. ISBN 9780415501613
Kramer, Peter (2012) The Limits of Autonomy: Stanley Kubrick, Hollywood and Independent Filmmaking, 1950-53. In: American Independent Cinema: Indie, Indiewood and Beyond. Routledge, London, pp. 153-64. ISBN 978-0415684293
Kramer, Peter (2012) The Good German? Oskar Schindler and the Movies, 1951-1993. In: Hollywood's Chosen People. Contemporary Approaches to Film and Media . Wayne State University Press, Detroit, pp. 125-140. ISBN 978-0814334829
Krämer, Peter (2012) Fghting the Evil Empire:Star Wars, the Strategic Defense Initiative and the Politics of Science-Fiction. In: Sex, Politics, and Religion in Star Wars An Anthology. Scarecrow Press, pp. 63-76. ISBN 978-0-8108-8514-1
Kramer, Peter (2012) Das Boot/The Boat. In: The Cinema of Germany. 24 Frames . Wallflower Press, London, pp. 197-205. ISBN 978-1-905674-90-9
Kramer, Peter (2011) Hollywood and Its Global Audiences: A Comparative Study of the Biggest Box Office Hits in the United States and Outside the United States Since the 1970s. In: Explorations in New Cinema History: Approaches and Case Studies. Wiley, Oxford, pp. 171-84. ISBN 9781405199490 (hbk) 9781405199506 (pbk)
Kramer, Peter (2011) A Clockwork Orange (1971) and American Culture. In: ZeitRäume: Potsdamer Almanach des Zentrums fur Zeithisthorische Forschung. Wallsteinverlag, Gottingen, pp. 96-106. ISBN 9783835309388
Kramer, Peter (2010) Steven Spielberg. In: Fifty Contemporary Film Directors. Second Edition. Routledge, London, pp. 372-80. ISBN 9780415497664 (hbk) 9780415554336 (pbk) 9780203844342 (ebk)
Kramer, Peter (2009) Welterfolg und Apokalypse: Überlegungen zur Transnationalität des zeitgenössischen Hollywood. In: Film transnational: europäische und amerikanische Perspektiven. Paderborn: Wilhelm Fink Verlag, pp. 171-184. ISBN 9783770548033
Kramer, Peter (2008) The Spectre of History in the Age of Golbalization: Notes on German Hit Movies and Hit Makers at Home and in the US. In: Shifting Landscapes: Film and Media in European Context. Newcastle: Cambridge Scholars Publishing, pp. 68-85. ISBN 9781847184733/1847184731 (hbk) 9781443805926/1443805920 (pbk)
Kramer, Peter (2008) Hollywood and the Germans: A Very Special Relationship. In: The Contemporary Hollywood Film Industry. Blackwell, pp. 240-50. ISBN 9781405133876; 9781405133883
Kramer, Peter (2007) When 'Hanoi Jane' Conquered Hollywood: Jane Fonda's Films and Activism, 1977-1981. In: The New Film History: Sources, Methods, Approaches. Palgrave, Basingstoke, pp. 104-16. ISBN 9780230001695/0230001696 (hbk) 0230594487/9780230594487 (pbk)
Kramer, Peter (2006) Disney and Family Entertainment. In: Contemporary American Cinema. Open University Press, Maidenhead, pp. 265-79. ISBN 0335218326 (hbk) 0335218318 (pbk)
Kramer, Peter (2006) Steven Spielberg. In: Contemporary American Cinema. Open University Press, Maidenhead, pp. 166-9. ISBN 0335218326 (hbk) 0335218318 (pbk)
Kramer, Peter and Quinn, Eithne (2006) Blaxploitation. In: Contemporary American Cinema. Open University Press, Maidenhead, pp. 184-98. ISBN 0335218326 (hbk) 0335218318 (pbk)
Kramer, Peter (2005) Big Pictures: Studying Contemporary Hollywood Cinema Through Its Greatest Hits. In: Screen Methods: Comparative Readings in Film Studies. Wallflower, London, pp. 124-32. ISBN 1904764355 (hbk) 1904764347 (pbk)
Kramer, Peter (2004) 'Far across the distance...': Historical Films, Film History and Titanic (1997). In: The Titanic in Myth and Memory. I B Tauris, London, pp. 163-172. ISBN 185043431 (hbk)
Kramer, Peter (2004) It's aimed at kids - the kid in everybody': George Lucas, Star Wars and Children's entertainment (slightly revised reprint of essay first published in Scope: An Online Journal of Film Studies, December 2001). In: Action and Adventure Cinema. Routledge, pp. 358-70. ISBN 0415235065 (hbk) 0415235073 (pbk)
Kramer, Peter (2004) The Rise and Fall of Sandra Bullock: Notes on Starmaking and Female Stardom in Contemporary Hollywood. In: Film Stars: Hollywood and Beyond. Manchester University Press, pp. 89-112. ISBN 0719056454 (pbk) 07190564456446 (hbk)
Kramer, Peter (2004) Drei Deutsche in Hollywood. Patriotismus, historisches Trauma und 'harmlose' Unterhaltung. In: Die Spur durch den Spiegel. Der Film in der Kultur der Morderne. Bertz, Berlin, pp. 132-45. ISBN 3-86505-155-3
Kramer, Peter (2004) The Making of a Comic Star: Buster Keaton and The Saphead (partial and slightly revised reprint of essay first published in Classical Hollywood Comedy, ed.Kristine Brunovska Karnick and Henry Jenkins). In: The Silent Cinema Reader. Routledge, London, pp. 279-89. ISBN 0415252830 (hbk) 0415252849 (pbk)
Kramer, Peter and Grieveson, Lee (2004) Introduction. In: The Silent Film Reader. Routledge, London, pp. 1-9. ISBN 0415252830 (hbk) 0415252849 (pbk)
Kramer, Peter and Grieveson, Lee (2004) Prologue. In: The Silent Cinema Reader. Routledge, London, pp. 11-4. ISBN 0415252830 (hbk) 0415252849 (pbk)
Kramer, Peter and Grieveson, Lee (2004) Film Projection and Variety Shows. In: The Silent Cinema Reader. Routledge, London, pp. 31-9. ISBN 0415252830 (hbk) 0415252849 (pbk)
Kramer, Peter and Grieveson, Lee (2004) Storytelling and the Nickelodeon. In: The Silent Cinema Reader. Routledge, London, pp. 77-85. ISBN 0415252830 (hbk) 0415252849 (pbk)
Kramer, Peter and Grieveson, Lee (2004) Cinema and Reform. In: The Silent Cinema Reader. Routledge, London, pp. 135-43. ISBN 0415252830 (hbk) 0415252849 (pbk)
Kramer, Peter and Grieveson, Lee (2004) Feature Films and Cinema Programmes. In: The Silent Cinema Reader. Routledge, London, pp. 187-95. ISBN 0415252830 (hbk) 0415252849 (pbk)
Kramer, Peter and Grieveson, Lee (2004) Classical Hollywood Cinema. In: The Silent Cinema Reader. Routledge, London, pp. 271-8. ISBN 0415252830 (hbk) 0415252849 (pbk)
Kramer, Peter and Grieveson, Lee (2004) European Cinemas. In: The Silent Cinema Reader. Routledge, London, pp. 329-38. ISBN 0415252830 (hbk) 0415252849 (pbk)
Kramer, Peter (2003) A woman in a male dominated world': Jodie Foster, Stardom and 90s Hollywood. In: Contemporary Hollywood Stardom. Arnold, London, pp. 205-18. ISBN 0340809361 (hbk) 034080937X (pbk)
Kramer, Peter (2003) 'Want to take a ride?': Reflections on the Blockbuster Experience in Contact (1997). In: Movie Blockbusters. Routledge, London, pp. 128-40. ISBN 0415256089 (hbk) 0415256097 (pbk)
Kramer, Peter (2003) Derailing the Honeymoon Express: Comicality and Narrative Closure in Buster Keaton's The Blacksmith (partial reprint in The Velvet Light Trap, no.23, Spring 1989). In: Hollywood Comedians: The Film Reader. Routledge, pp. 43-53. ISBN 0415235510 (hbk) 0415235529 (pbk)
Kramer, Peter (2002) Steven Spielberg. In: Fifty Key Contemporary Filmmakers. Routledge, pp. 319-28. ISBN 0415189748 (pbk) 041518973X (hbk)
Kramer, Peter (2002) The Best Disney film Disney never made': Children's Films and the family audience in American Cinema Since the 1960's. In: Genre and Contemporary Hollywood. British Film Institute, pp. 185-200. ISBN 0851708870 (pbk) 0815708862 (hbk)
Kramer, Peter (2002) Hollywood in Germany/Germany in Hollywood. In: The German Cinema Book. BFI, pp. 227-37. ISBN 0851709451 (hbk) 091570946X (pbk)
Kramer, Peter (2001) Clean, dependable slapstick': Comic Violence and the Emergence of Classical Hollywood Cinema. In: Violence and American Cinema. Routledge, pp. 103-16. ISBN 0415928095 (hbk) 0415928109 (pbk)
Kramer, Peter (2000) 'Faith in Relations Between People': Audrey Hepburn, Roman Holiday and European Integration. In: 100 Years of Cinema: Entertainment or Ideology? Manchester University Press, Manchester, pp. 195-206. ISBN 0719058716 (hbk) 0719058724 (pbk)
Kramer, Peter (2000) 'A Cutie with more than beauty': Audrey Hepburn, the Hollywood Musical and Funny Face. In: Musicals: Hollywood and Beyond. Intellect, Exeter, pp. 62-9. ISBN 1841500038 (pbk)
Kramer, Peter (2000) Post-classical Hollywood (partial reprint of essay first published in The Oxford Guide to Film Studies, ed.John Hill and Pamela Church Gibson, Oxford: Oxford University Press, 1998). In: The Film Studies Reader. Arnold, London, pp. 174-80. ISBN 0340692782 (hbk) 0340692790 (pbk)
Kramer, Peter (2000) Star Wars (slightly revised reprint of essay first published in History Today, vol.49, no.3, March 1999). In: The Movies as History: Visions of the Twentieth Century. Sutton Publishing, Stroud, pp. 44-53. ISBN 0750923318 (pbk)
Kramer, Peter (2000) Post-classical Hollywood. In: American Cinema and Hollywood: Critical Approaches. Oxford University Press, Oxford, pp. 63-83. ISBN 0198742819 (pbk)
Kramer, Peter (1999) A Powerful Cinema-going Force? Hollywood and Female Audiences since the 1960s. In: Identifying Hollywood's Audiences: Cultural Identity and the Movies. British Film Institute, London, pp. 98-112. ISBN 0851707386 (hbk) 0851707394 (pbk)
Kramer, Peter (1999) Bibliographical Notes. In: Screen Acting. Routledge, London, pp. 165-70. ISBN 041518293X (hbk) 0415182948 (pbk)
Kramer, Peter (1999) The Fall and Rise of Slapstick Films: Physical Comedy in American Cinema, 1907-1913. In: The Birth of Film Genres. Forum, Udine, pp. 253-66. ISBN 8886756666
Kramer, Peter (1999) Keaton, Buster. In: American National Biography. Oxford University Press, New York, pp. 429-31. ISBN 0195206355
Kramer, Peter (1999) Women First: Titanic, Action-Adventure Films and Hollywood's Female Audience (reprint of essay first published in the Historical Journal of Film, Radio and Television, vol.18, no.4, October 1998). In: Titanic: Anatomy of a Blockbuster. Rutgers University Press, New Brunswick, pp. 108-131. ISBN 081352668X (hbk) 0813526698 (pbk)
Kramer, Peter and Lovell, Alan (1999) Introduction. In: Screen Acting. Routledge, London, pp. 1-9. ISBN 041518293X (hbk) 0415182948 (pbk)
Kramer, Peter (1998) Bad Boy: Notes on a Popular Figure in American Cinema, Culture and Society, 1959-1905. In: Celebrating 1895: The Centenary of Cinema. John Libbey, London, pp. 117-30. ISBN 1864620153 (hbk)
Kramer, Peter (1998) Would You Take Your Child To See This Film? The Cultural and Social Work of the Family-Adventure Movie. In: Contemporary Hollywood Cinema. Routledge, London, pp. 294-311. ISBN 0415170095 (hbk) 0415170109 (pbk)
Kramer, Peter (1998) Post-classical Hollywood. In: The Oxford Guide to Film Studies. Oxford University Press, Oxford, pp. 289-309. ISBN 0198711158 (hbk) 0198711247 (pbk)
Kramer, Peter (1996) The Lure of the Big Picture: Film, Television and Hollywood. In: Big Picture, Small Screen: The Relations Between Film and Television. John Libbey Media, Luton, pp. 9-46. ISBN 1860200052
Kramer, Peter (1995) The Making of a Comic Star: Buster Keaton and The Saphead. In: Classical Hollywood Comedy. Routledge, New York, pp. 190-210. ISBN 0415906393 (hbk) 0415906407 (pbk)
Kramer, Peter and van Dooren, Ine (1995) The Politics of Direct Address. In: Film and the First World War. Amsterdam University Press, Amsterdam, pp. 97-107. ISBN 9053560645
Kramer, Peter (1992) Screen Sermons: The Uses of Religion in Early Cinema After 1907. In: An Invention of the Devil? Religion and Early Cinema. Les Presses de l’Université Laval, Sainte-Foy, pp. 187-196. ISBN 2763773001/2601031107
Conference or Workshop Item
Kramer, Peter (2012) ‘Is it some devil that crawls inside of you?’ Burgess, Kubrick and the Problem of Male Youth. In: Fifty Years Of A Clockwork Orange, 2012-06-28 - 2012-06-30.
Kramer, Peter (2012) Spielberg and Kubrick: From E.T. to A.I. In: 30 Years of of E.T. The Extra-Terrestrial: The Fantastic Cinema of Steven Spielberg, 2012-11-01, Rey Juan Carlos Unversity.
Kramer, Peter (2005) The (Un)Timeliness of Satire: The Reception of The Great Dictator in West Germany, 1952-1973. In: Charles Chaplin Conference, 2005-07-01, London College of COmmunication.
Kramer, Peter (2002) Hollywood and Germany: Notes on a History of Cultural Exchange. In: Media in Transition: Globalization and Convergence, 2003-08-01, Massachusetts Institute of Technology.
Book
Kramer, Peter (2016) The General (BFI Film Classics). British Film Institute, London. ISBN 9781844579150
Kramer, Peter (2014) 2001, l’odyssee de l’espace. Paris: G3J Editeur.
Kramer, Peter (2014) Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb. British Film Institute, London. ISBN 9781844577781
Kramer, Peter (2011) A Clockwork Orange. Palgrave, Basingstoke. ISBN 9780230302129
Kramer, Peter (2010) 2001: A Space Odyssey. BFI Film Classics . British Film Institute, London. ISBN 9781844572861
Kramer, Peter (2005) The New Hollywood:From Bonnie and Clyde to Star Wars. Wallflower Press, London. ISBN 1904764584
Other
Kramer, Peter (2014) Gravity's Pull. UNSPECIFIED, ThinkingFilmCollective Blogspot http://thinkingfilmcollective.blogspot.co.uk/2014/01/gravitys-pull.html.
Kramer, Peter (2014) 2001: A Space Odyssey: The Ultimate Spectacle. UNSPECIFIED, Pure Movies http://www.puremovies.co.uk/columns/2001-a-space-odyssey-the-ultimate-spectacle/.
Kramer, Peter (2013) From Vietnam to Video: Notes on Jane Fonda’s Films and Activism, 1970-1982. UNSPECIFIED, Women’s Film and Television History Network (UK/Ireland) Blog http://womensfilmandtelevisionhistory.wordpress.com/2013/11/22/from-vietnam-to-video/.
Kramer, Peter (2013) Making Contact. UNSPECIFIED, Pure Movies http://www.puremovies.co.uk/columns/making-contact/.
Kramer, Peter (2013) Avatar: Environmental Politics and Worldwide Success. UNSPECIFIED, Pure Movies http://www.puremovies.co.uk/columns/avatar-environmental-politics-and-worldwide-success/.
Kramer, Peter (2013) An Introduction to 2001: A Space Odyssey (1968). UNSPECIFIED, ThinkingFilmCollective Blogspot http://thinkingfilmcollective.blogspot.co.uk/.