Items where School is "School of Art, Media and American Studies (former - to 2024)

In Press

Holmboe, Rye Dag, Nolte, Tobias and Dresner, Ora, eds. (2024) The Good Life:Essays in Psychoanalysis, Art and Literature. Routledge. (In Press)

Chapman, Llewella and Hines, Claire (2024) Introduction: The women behind James Bond. Journal of British Cinema and Television, 21 (4). ISSN 1743-4521 (In Press)

Smith, Phyll and Sandon, Emma (2024) Ronald Haines [real name William Ronald Hutchinson (1901–1969), film-maker. In: Oxford Dictionary of National Biography. Oxford University Press. (In Press)

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2024) Video essay commentary on Julie Christie for Via Vision Blu Ray release of Darling I1965). UNSPECIFIED. (In Press)

Published

Hines, Claire, McSweeney, Terence and Joy, Stuart, eds. (2024) James Bond Will Return:Critical Perspectives on the 007 Film Franchise. Wallflower Press. ISBN 9780231207416

Richardson, Lorna-Jane, Reinhard, Andrew and Smith, Nicole, eds. (2024) Routledge Handbook of Archaeology and the Media in the Twenty First Century. Routledge Handbooks . Routledge. ISBN 9781032105970

Abdulmalik, Abdulmalik Abdulrahman ORCID: https://orcid.org/0000-0002-1791-6010 and Daraojimba, Kingsley Chinedu (2024) Textile Weaving (Aṣọ-Òkè) at Ologbin-Adewole Northern Yorubaland, Nigeria. TEXTILE, 22 (1). pp. 102-114. ISSN 1751-8350

Aradhyam, Shravya ORCID: https://orcid.org/0000-0002-5528-8596 (2024) The Return of the Supervillain:Locating the Gothic in Marvel’s Superhero Adaptations. Cineaction. ISSN 2562-2528

Aveyard, Karina (2024) Author, text and cultural meaning: Vijay Mishra's Salman Rushdie and the genesis of secrecy. Media International Australia, 191 (1). pp. 178-182. ISSN 1329-878X

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885, Ulfe, Maria Eugenia, Atakav, Eylem ORCID: https://orcid.org/0000-0001-5718-5614, Vergara, Roxana, Chicmana, Victoria and Pelikan, Karoline and The young women of OMIAASEC (2024) Women of Influence: Interdisciplinary participatory approaches to understanding female leadership in the Peruvian Amazon. New Area Studies, 4 (1). ISSN 2633-3716

Debrosse, Clémentine ORCID: https://orcid.org/0000-0002-3905-3818 (2024) Travelling (Hi)stories: George Nuku’s reworking of colonial maritime illustrations. ICOFOM Materials for Discussion: Transnational Island Museologies . International Committee for Museology of the International Council of Museums (ICOM/ UNESCO). ISBN 978-2-491997-84-7

Farrell-Banks, David and Richardson, Lorna-Jane ORCID: https://orcid.org/0000-0001-8848-4182 (2024) Heritage, Archaeology, Ancestry and the Far Right. In: The Ethics of Researching the Far Right. Manchester University Press, Manchester, UK, pp. 149-160. ISBN 9781526173898

Forrest, David and Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2024) Introduction: Revisiting the British New Wave. Journal of British Cinema and Television, 21 (3). pp. 281-285. ISSN 1743-4521

Garland, Sarah ORCID: https://orcid.org/0000-0001-8911-4917 (2024) Out of Time: Constant Change, Maternity Dressing and Clothing Practices. In: Fashion and Motherhood. Bloomsbury. ISBN 9781350276697

Hand, Richard J. ORCID: https://orcid.org/0000-0002-2076-1435 and O'Thomas, Mark (2024) American Horror Story and Cult Television:Narratives, Histories and Discourses. Anthem Series on Television Studies . Anthem Press. ISBN 9781785279331

Hines, Claire (2024) Barbara Broccoli and the popular image of the Bond producer. Journal of British Cinema and Television, 21 (4). pp. 424-444. ISSN 1743-4521

Holmes, Su ORCID: https://orcid.org/0000-0003-4243-8337 and Atkins, Bethany (2024) Locating the ‘invisible’ mum: Exploring maternal selfie practices. Journal of Gender Studies, 33 (4). pp. 386-403. ISSN 0958-9236

Holmes, Su ORCID: https://orcid.org/0000-0003-4243-8337 and Godfrey, Sarah ORCID: https://orcid.org/0000-0002-6652-9455 (2024) ‘Some of the episodes are literally like a screen from [my] WhatsApp groups …’: Mothers talk about Motherland (BBC, 2017-). Participations: online Journal of Audience and Reception Studies, 20 (1).

Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549 (2024) The Midas Touch:Eastmancolor, the Bond franchise, and Goldfinger (1964). In: James Bond Will Return. Wallflower Press, Chichester, pp. 36-47. ISBN 9780231207409

Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549 and Balzar, Jesse (2024) Forecasting the future feature: How film industry hierarchies shaped trailer discourse, 1919-1959. Historical Journal of Film, Radio and Television, 44 (2). pp. 282-299. ISSN 0143-9685

Krčma, Ed ORCID: https://orcid.org/0000-0002-1945-5107 (2024) Andrea Büttner's Premodern Address. In: Association for Art History Annual Conference, 2024-04-03 - 2024-04-05, University of Bristol.

McKay, George ORCID: https://orcid.org/0000-0002-7770-0502 (2024) Was punk DIY? Is DIY punk? Interrogating the DIY/punk nexus, with particular reference to the early UK punk scene, c. 1976–1984. DIY, Alternative Cultures and Society, 2 (1). pp. 94-109. ISSN 2753-8702

McLaughlin, Malcolm ORCID: https://orcid.org/0000-0003-4139-1151 and Ruys Smith, Thomas ORCID: https://orcid.org/0000-0002-9177-9536 (2024) Circus at the seaside: Building the Great Yarmouth Hippodrome, 1903. Coastal Studies & Society, 3 (1). pp. 52-81. ISSN 2634-9817

Mistry, Kaeten (2024) The Past, Present, and Future of Government Secrecy – And History Itself:Matthew Connelly. The Declassification Engine: What History Reveals About America’s Top Secrets. New York: Pantheon, 2023. 560 pp. $32.50 (hardcover). Diplomatic History, 48 (3). pp. 458-462. ISSN 0145-2096

Nasreldein, Mohammed and Richardson, Lorna ORCID: https://orcid.org/0000-0001-8848-4182 (2024) The Promotion of Sudanese Archaeological Heritage Through Documentary Film and Digital Media. In: Routledge Handbook of Archaeology and the Media in the Twenty First Century. Taylor and Francis, pp. 312-325. ISBN 9781032105970

Nyssen, Garance ORCID: https://orcid.org/0000-0002-5599-0828 (2024) Felicity Bodenstein, Damiana Oto̧iu and Eva-Maria Troelenberg (dir.), Contested Holdings. Museum Collections in Political, Epistemic and Artistic Processes of Return New York/Oxford, Berghahn, 2022, 293p. Ethnologie française, 54 (2). pp. 119-121. ISSN 0046-2616

Richardson, Lorna-Jane ORCID: https://orcid.org/0000-0001-8848-4182 and Reinhard, Andrew (2024) Introduction. In: Routledge Handbook of Archaeology and the Media in the Twenty First Century. Taylor and Francis, pp. 1-12. ISBN 9781032105970

Rimmer, Mark ORCID: https://orcid.org/0000-0001-6916-6795 (2024) Beginning at the beginning: towards a trans-actional music sociology. Cultural Sociology, 18 (1). pp. 3-23. ISSN 1749-9755

Ruys Smith, Thomas ORCID: https://orcid.org/0000-0002-9177-9536 (2024) Just not cricket: Baseball, youth and national identity in late nineteenth century children’s magazines. European Journal of American Culture, 43 (1). pp. 45-69. ISSN 1466-0407

Sandon, Emma and Smith, Phyll (2024) Haines, Jean [formerly Margaret Jean Scawin Tomlinson; married names Dobbs, Cooper, Hutchinson] (b. 1910, d. c.1972. In: Oxford Dictionary of National Biography. Oxford University Press.

Snelson, Tim ORCID: https://orcid.org/0000-0002-8282-2432, Booth, Toni, Macauley, William, Jamieson, Annie, McEnroe, Natasha, Hurley, Selina and Dabin, Katie (2024) Objects of the Mind: Using film to explore the entangled histories of media and mental health. Science Museum Group Journal. ISSN 2054-5770

Snelson, Tim ORCID: https://orcid.org/0000-0002-8282-2432, Macauley, William R. and Kirby, David A. (2024) Demons of the Mind:Psychiatry and Cinema in the Long-1960s. Edinburgh University Press. ISBN 9781474486439

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2024) Entries on Laurie Day and Sarah Daly for 'Women in Focus' project website. In: Women in Focus: The Filmmakers. UNSPECIFIED.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2024) Interview for Studiocanal Blu-ray/DVD release of No Trees in the Street (1959). UNSPECIFIED.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2024) Interview for Studiocanal Blu-ray/DVD release of The Weak and the Wicked (1954). UNSPECIFIED.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2024) Morgan, Diana (1908-1996). In: Oxford Dictionary of National Biography. Oxford University Press.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2024) Nolan, Margaret (1943-2020). In: Oxford Dictionary of National Biography. Oxford University Press.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2024) Reflections in a Golden Eye: Exploring the photographic art of Margaret Nolan and Shirley Eaton. Journal of British Cinema and Television, 21 (4). pp. 513-535. ISSN 1743-4521

Unpublished

Beauchamp, Angela S. (2024) Eleanor Roosevelt on Screen: a Critical Essay. Doctoral thesis, University of East Anglia.

Cameron, Danielle Helen (2024) Architectures of age: adulthood, age-based relationality & space in post-1980 New York City literature. Doctoral thesis, University of East Anglia.

Evans, John (2024) Bruno Latour’s ‘modes of existence’ and the Crace collections of design and topography, 1815–1915. Doctoral thesis, University of East Anglia.

Kuaiwa, Sarah Mieko Tamashiro (2024) Lilo i Kapa - Transformation and continuity in early-nineteenth century Hawaiian Kapa, 1810-1850. Doctoral thesis, University of East Anglia.

Pardo, Cecilia (2024) Curating ancient Peru: Engaging with the past through museum exhibitions. Doctoral thesis, University of East Anglia.

Scott, Daryl (2024) A practical examination of academic videographic criticism through creative practice research: the art of videographic thinking. Doctoral thesis, University of East Anglia.