Items where School is "School of Art, Media and American Studies (former - to 2024)

Article

Abdulmalik, Abdulmalik Abdulrahman ORCID: https://orcid.org/0000-0002-1791-6010 and Daraojimba, Kingsley Chinedu (2024) Textile Weaving (Aṣọ-Òkè) at Ologbin-Adewole Northern Yorubaland, Nigeria. TEXTILE, 22 (1). pp. 102-114. ISSN 1751-8350

Aradhyam, Shravya ORCID: https://orcid.org/0000-0002-5528-8596 (2024) The Return of the Supervillain:Locating the Gothic in Marvel’s Superhero Adaptations. Cineaction. ISSN 2562-2528

Aveyard, Karina ORCID: https://orcid.org/0000-0002-6543-9271 (2024) Author, text and cultural meaning: Vijay Mishra's Salman Rushdie and the genesis of secrecy. Media International Australia, 191 (1). pp. 178-182. ISSN 1329-878X

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885, Ulfe, Maria Eugenia, Atakav, Eylem ORCID: https://orcid.org/0000-0001-5718-5614, Vergara, Roxana, Chicmana, Victoria and Pelikan, Karoline and The young women of OMIAASEC (2024) Women of Influence: Interdisciplinary participatory approaches to understanding female leadership in the Peruvian Amazon. New Area Studies, 4 (1). ISSN 2633-3716

Chapman, Llewella and Hines, Claire ORCID: https://orcid.org/0000-0002-9130-6325 (2024) Introduction: The Women behind James Bond. Journal of British Cinema and Television, 21 (4). 419–423. ISSN 1743-4521

Forrest, David and Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2024) Introduction: Revisiting the British New Wave. Journal of British Cinema and Television, 21 (3). pp. 281-285. ISSN 1743-4521

Hines, Claire ORCID: https://orcid.org/0000-0002-9130-6325 (2024) Barbara Broccoli and the popular image of the Bond producer. Journal of British Cinema and Television, 21 (4). pp. 424-444. ISSN 1743-4521

Holmes, Su ORCID: https://orcid.org/0000-0003-4243-8337 and Atkins, Bethany ORCID: https://orcid.org/0000-0003-4215-481X (2024) Locating the ‘invisible’ mum: Exploring maternal selfie practices. Journal of Gender Studies, 33 (4). pp. 386-403. ISSN 0958-9236

Holmes, Su ORCID: https://orcid.org/0000-0003-4243-8337 and Godfrey, Sarah ORCID: https://orcid.org/0000-0002-6652-9455 (2024) ‘Some of the episodes are literally like a screen from [my] WhatsApp groups …’: Mothers talk about Motherland (BBC, 2017-). Participations: online Journal of Audience and Reception Studies, 20 (1).

Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549 and Balzar, Jesse (2024) Forecasting the future feature: How film industry hierarchies shaped trailer discourse, 1919-1959. Historical Journal of Film, Radio and Television, 44 (2). pp. 282-299. ISSN 0143-9685

McKay, George ORCID: https://orcid.org/0000-0002-7770-0502 (2024) Was punk DIY? Is DIY punk? Interrogating the DIY/punk nexus, with particular reference to the early UK punk scene, c. 1976–1984. DIY, Alternative Cultures and Society, 2 (1). pp. 94-109. ISSN 2753-8702

McLaughlin, Malcolm ORCID: https://orcid.org/0000-0003-4139-1151 and Ruys Smith, Thomas ORCID: https://orcid.org/0000-0002-9177-9536 (2024) Circus at the seaside: Building the Great Yarmouth Hippodrome, 1903. Coastal Studies & Society, 3 (1). pp. 52-81. ISSN 2634-9817

Mistry, Kaeten (2024) The Past, Present, and Future of Government Secrecy – And History Itself:Matthew Connelly. The Declassification Engine: What History Reveals About America’s Top Secrets. New York: Pantheon, 2023. 560 pp. $32.50 (hardcover). Diplomatic History, 48 (3). pp. 458-462. ISSN 0145-2096

Nyssen, Garance ORCID: https://orcid.org/0000-0002-5599-0828 (2024) Felicity Bodenstein, Damiana Oto̧iu and Eva-Maria Troelenberg (dir.), Contested Holdings. Museum Collections in Political, Epistemic and Artistic Processes of Return New York/Oxford, Berghahn, 2022, 293p. Ethnologie française, 54 (2). pp. 119-121. ISSN 0046-2616

Rimmer, Mark ORCID: https://orcid.org/0000-0001-6916-6795 (2024) Beginning at the beginning: towards a trans-actional music sociology. Cultural Sociology, 18 (1). pp. 3-23. ISSN 1749-9755

Ruys Smith, Thomas ORCID: https://orcid.org/0000-0002-9177-9536 (2024) Just not cricket: Baseball, youth and national identity in late nineteenth century children’s magazines. European Journal of American Culture, 43 (1). pp. 45-69. ISSN 1466-0407

Snelson, Tim ORCID: https://orcid.org/0000-0002-8282-2432, Booth, Toni, Macauley, William, Jamieson, Annie, McEnroe, Natasha, Hurley, Selina and Dabin, Katie (2024) Objects of the Mind: Using film to explore the entangled histories of media and mental health. Science Museum Group Journal. ISSN 2054-5770

Syperek, Pandora and Wade, Sarah (2024) Oceanic Curating. Environmental Humanities, 16 (3). pp. 680-691. ISSN 2201-1919

Tilsley, Daniel (2024) ‘Scream for your lives!’: The philosophy of horror in William Castle’s The Tingler (1959). New Review of Film and Television Studies, 22 (3). pp. 691-712. ISSN 1740-0309

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2024) Reflections in a Golden Eye: Exploring the photographic art of Margaret Nolan and Shirley Eaton. Journal of British Cinema and Television, 21 (4). pp. 513-535. ISSN 1743-4521

Book Section

Farrell-Banks, David and Richardson, Lorna-Jane ORCID: https://orcid.org/0000-0001-8848-4182 (2024) Heritage, Archaeology, Ancestry and the Far Right. In: The Ethics of Researching the Far Right. Manchester University Press, Manchester, UK, pp. 149-160. ISBN 9781526173898

Garland, Sarah ORCID: https://orcid.org/0000-0001-8911-4917 (2024) Out of Time: Constant Change, Maternity Dressing and Clothing Practices. In: Fashion and Motherhood. Bloomsbury. ISBN 9781350276697

Hand, Richard J. ORCID: https://orcid.org/0000-0002-2076-1435 and Wilson, Michael (2024) London’s Grand Guignol versus the Lord Chamberlain:The Rise and Fall of a Troublesome Theatre. In: The Palgrave Handbook of Theatre Censorship. Palgrave, pp. 399-413. ISBN 978-3-031-67298-9

Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549 (2024) The Midas Touch:Eastmancolor, the Bond franchise, and Goldfinger (1964). In: James Bond Will Return. Wallflower Press, Chichester, pp. 36-47. ISBN 9780231207409

Nasreldein, Mohammed and Richardson, Lorna ORCID: https://orcid.org/0000-0001-8848-4182 (2024) The Promotion of Sudanese Archaeological Heritage Through Documentary Film and Digital Media. In: Routledge Handbook of Archaeology and the Media in the Twenty First Century. Taylor and Francis, pp. 312-325. ISBN 9781032105970

Richardson, Lorna-Jane ORCID: https://orcid.org/0000-0001-8848-4182 and Reinhard, Andrew (2024) Introduction. In: Routledge Handbook of Archaeology and the Media in the Twenty First Century. Taylor and Francis, pp. 1-12. ISBN 9781032105970

Sandon, Emma and Smith, Phyll (2024) Haines, Jean [formerly Margaret Jean Scawin Tomlinson; married names Dobbs, Cooper, Hutchinson] (b. 1910, d. c.1972. In: Oxford Dictionary of National Biography. Oxford University Press.

Smith, Phyll and Sandon, Emma (2024) Ronald Haines [real name William Ronald Hutchinson (1901–1969), film-maker. In: Oxford Dictionary of National Biography. Oxford University Press. (In Press)

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2024) Entries on Laurie Day and Sarah Daly for 'Women in Focus' project website. In: Women in Focus: The Filmmakers. UNSPECIFIED.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2024) Morgan, Diana (1908-1996). In: Oxford Dictionary of National Biography. Oxford University Press.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2024) Nolan, Margaret (1943-2020). In: Oxford Dictionary of National Biography. Oxford University Press.

Conference or Workshop Item

Krčma, Ed ORCID: https://orcid.org/0000-0002-1945-5107 (2024) Andrea Büttner's Premodern Address. In: Association for Art History Annual Conference, 2024-04-03 - 2024-04-05, University of Bristol.

Book

Holmboe, Rye Dag, Nolte, Tobias and Dresner, Ora, eds. (2024) The Good Life:Essays in Psychoanalysis, Art and Literature. Routledge. (In Press)

Hines, Claire, McSweeney, Terence and Joy, Stuart, eds. (2024) James Bond Will Return:Critical Perspectives on the 007 Film Franchise. Wallflower Press. ISBN 9780231207416

Richardson, Lorna-Jane, Reinhard, Andrew and Smith, Nicole, eds. (2024) Routledge Handbook of Archaeology and the Media in the Twenty First Century. Routledge Handbooks . Routledge. ISBN 9781032105970

Debrosse, Clémentine ORCID: https://orcid.org/0000-0002-3905-3818 (2024) Travelling (Hi)stories: George Nuku’s reworking of colonial maritime illustrations. ICOFOM Materials for Discussion: Transnational Island Museologies . International Committee for Museology of the International Council of Museums (ICOM/ UNESCO). ISBN 978-2-491997-84-7

Hand, Richard J. ORCID: https://orcid.org/0000-0002-2076-1435 and O'Thomas, Mark (2024) American Horror Story and Cult Television:Narratives, Histories and Discourses. Anthem Series on Television Studies . Anthem Press. ISBN 9781785279331

Snelson, Tim ORCID: https://orcid.org/0000-0002-8282-2432, Macauley, William R. and Kirby, David A. (2024) Demons of the Mind:Psychiatry and Cinema in the Long-1960s. Edinburgh University Press. ISBN 9781474486439

Thesis

Atkins, Bethany (2024) Celebrity and the self(ie): exploring young women’s uses of celebrity on Instagram. Doctoral thesis, University of East Anglia.

Beauchamp, Angela S. (2024) Eleanor Roosevelt on Screen: a Critical Essay. Doctoral thesis, University of East Anglia.

Cameron, Danielle Helen (2024) Architectures of age: adulthood, age-based relationality & space in post-1980 New York City literature. Doctoral thesis, University of East Anglia.

Evans, John (2024) Bruno Latour’s ‘modes of existence’ and the Crace collections of design and topography, 1815–1915. Doctoral thesis, University of East Anglia.

Kuaiwa, Sarah Mieko Tamashiro (2024) Lilo i Kapa - Transformation and continuity in early-nineteenth century Hawaiian Kapa, 1810-1850. Doctoral thesis, University of East Anglia.

Lopes, Laetitia (2024) Vanuatu, France and the United Kingdom: museum collections and colonial dynamics. Doctoral thesis, University of East Anglia.

Pardo, Cecilia (2024) Curating ancient Peru: Engaging with the past through museum exhibitions. Doctoral thesis, University of East Anglia.

Pinsent, Benjamin (2024) Examined by the Light of the Moon: Comparing and Contrasting the Critical and Production Reception of Practical Creature Effects in the Films of Rick Baker. Doctoral thesis, University of East Anglia.

Scott, Daryl (2024) A practical examination of academic videographic criticism through creative practice research: the art of videographic thinking. Doctoral thesis, University of East Anglia.

Street, Benjamin James (2024) Painting Floods: History, Witness and Public Address in Philip Guston’s Late Work. Doctoral thesis, University of East Anglia.

Street, Benjamin James (2024) Painting floods: history, witness and public address in Philip Guston’s Late Work. Doctoral thesis, University of East Anglia.

Other

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2024) Essay for Hammer bluray release of 36 Hours (1953). UNSPECIFIED.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X and Bailey, Matthew (2024) Essay for Indicator bluray release of Left, Right and Centre (1959). UNSPECIFIED.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X and Leggott, James (2024) Commentary for Eureka Blu-ray/DVD release of Juggernaut (1974). UNSPECIFIED.