Abdulmalik, Abdulmalik Abdulrahman ORCID: https://orcid.org/0000-0002-1791-6010 and Daraojimba, Kingsley Chinedu
(2024)
Textile Weaving (Aṣọ-Òkè) at Ologbin-Adewole Northern Yorubaland, Nigeria.
TEXTILE, 22 (1).
pp. 102-114.
ISSN 1751-8350
Aradhyam, Shravya ORCID: https://orcid.org/0000-0002-5528-8596
(2024)
The Return of the Supervillain:Locating the Gothic in Marvel’s Superhero Adaptations.
Cineaction.
ISSN 2562-2528
Aveyard, Karina (2024) Author, text and cultural meaning: Vijay Mishra's Salman Rushdie and the genesis of secrecy. Media International Australia, 191 (1). pp. 178-182. ISSN 1329-878X
Cameron, Danielle Helen (2024) Architectures of age: adulthood, age-based relationality & space in post-1980 New York City literature. Doctoral thesis, University of East Anglia.
Debrosse, Clémentine ORCID: https://orcid.org/0000-0002-3905-3818
(2024)
Travelling (Hi)stories: George Nuku’s reworking of colonial maritime illustrations.
ICOFOM Materials for Discussion: Transnational Island Museologies
.
International Committee for Museology of the International Council of Museums (ICOM/ UNESCO).
ISBN 978-2-491997-84-7
Farrell-Banks, David and Richardson, Lorna-Jane ORCID: https://orcid.org/0000-0001-8848-4182
(2024)
Heritage, Archaeology, Ancestry and the Far Right.
In:
The Ethics of Researching the Far Right.
Manchester University Press, Manchester, UK, pp. 149-160.
ISBN 9781526173898
Forrest, David and Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2024)
Introduction: Revisiting the British New Wave.
Journal of British Cinema and Television, 21 (3).
pp. 281-285.
ISSN 1743-4521
Garland, Sarah ORCID: https://orcid.org/0000-0001-8911-4917
(2024)
Out of Time: Constant Change, Maternity Dressing and Clothing Practices.
In:
Fashion and Motherhood.
Bloomsbury.
ISBN 9781350276697
Hair, Ross ORCID: https://orcid.org/0000-0003-3570-7471
(2024)
Homage to the Square: Ian Hamilton Finlay's Poor. Old. Tired. Horse.
Textual Practice.
ISSN 0950-236X
(In Press)
Hand, Richard J. ORCID: https://orcid.org/0000-0002-2076-1435 and O'Thomas, Mark
(2024)
American Horror Story and Cult Television:Narratives, Histories and Discourses.
Anthem Series on Television Studies
.
Anthem Press.
ISBN 9781785279331
Holmes, Su ORCID: https://orcid.org/0000-0003-4243-8337 and Atkins, Bethany
(2024)
Locating the ‘invisible’ mum: Exploring maternal selfie practices.
Journal of Gender Studies, 33 (4).
pp. 386-403.
ISSN 0958-9236
Holmes, Su ORCID: https://orcid.org/0000-0003-4243-8337 and Godfrey, Sarah
ORCID: https://orcid.org/0000-0002-6652-9455
(2024)
‘Some of the episodes are literally like a screen from [my] WhatsApp groups …’: Mothers talk about Motherland (BBC, 2017-).
Participations: online Journal of Audience and Reception Studies, 20 (1).
Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549
(2024)
The Midas Touch:Eastmancolor, the Bond franchise, and Goldfinger (1964).
In:
James Bond Will Return.
Wallflower Press, Chichester, pp. 36-47.
ISBN 9780231207409
Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549 and Balzar, Jesse
(2024)
Forecasting the future feature: How film industry hierarchies shaped trailer discourse, 1919-1959.
Historical Journal of Film, Radio and Television, 44 (2).
pp. 282-299.
ISSN 0143-9685
Krčma, Ed ORCID: https://orcid.org/0000-0002-1945-5107
(2024)
Andrea Büttner's Premodern Address.
In: Association for Art History Annual Conference, 2024-04-03 - 2024-04-05, University of Bristol.
Kuaiwa, Sarah Mieko Tamashiro (2024) Lilo i Kapa - Transformation and continuity in early-nineteenth century Hawaiian Kapa, 1810-1850. Doctoral thesis, University of East Anglia.
McKay, George ORCID: https://orcid.org/0000-0002-7770-0502
(2024)
Was punk DIY? Is DIY punk? Interrogating the DIY/punk nexus, with particular reference to the early UK punk scene, c. 1976–1984.
DIY, Alternative Cultures and Society, 2 (1).
pp. 94-109.
ISSN 2753-8702
McLaughlin, Malcolm ORCID: https://orcid.org/0000-0003-4139-1151 and Ruys Smith, Thomas
ORCID: https://orcid.org/0000-0002-9177-9536
(2024)
Circus at the seaside: Building the Great Yarmouth Hippodrome, 1903.
Coastal Studies & Society, 3 (1).
pp. 52-81.
ISSN 2634-9817
Mistry, Kaeten (2024) The Past, Present, and Future of Government Secrecy – And History Itself:Matthew Connelly. The Declassification Engine: What History Reveals About America’s Top Secrets. New York: Pantheon, 2023. 560 pp. $32.50 (hardcover). Diplomatic History, 48 (3). pp. 458-462. ISSN 0145-2096
Nasreldein, Mohammed and Richardson, Lorna ORCID: https://orcid.org/0000-0001-8848-4182
(2024)
The Promotion of Sudanese Archaeological Heritage Through Documentary Film and Digital Media.
In:
Routledge Handbook of Archaeology and the Media in the Twenty First Century.
Taylor and Francis, pp. 312-325.
ISBN 9781032105970
Pardo, Cecilia (2024) Curating ancient Peru: Engaging with the past through museum exhibitions. Doctoral thesis, University of East Anglia.
Richardson, Lorna-Jane ORCID: https://orcid.org/0000-0001-8848-4182 and Reinhard, Andrew
(2024)
Introduction.
In:
Routledge Handbook of Archaeology and the Media in the Twenty First Century.
Taylor and Francis, pp. 1-12.
ISBN 9781032105970
Rimmer, Mark ORCID: https://orcid.org/0000-0001-6916-6795
(2024)
Beginning at the beginning: towards a trans-actional music sociology.
Cultural Sociology, 18 (1).
pp. 3-23.
ISSN 1749-9755
Ruys Smith, Thomas ORCID: https://orcid.org/0000-0002-9177-9536
(2024)
Just not cricket: Baseball, youth and national identity in late nineteenth century children’s magazines.
European Journal of American Culture, 43 (1).
pp. 45-69.
ISSN 1466-0407
Sandon, Emma and Smith, Phyll (2024) Haines, Jean [formerly Margaret Jean Scawin Tomlinson; married names Dobbs, Cooper, Hutchinson] (b. 1910, d. c.1972. In: Oxford Dictionary of National Biography. Oxford University Press.
Scott, Daryl (2024) A practical examination of academic videographic criticism through creative practice research: the art of videographic thinking. Doctoral thesis, University of East Anglia.
Smith, Phyll and Sandon, Emma (2024) Ronald Haines [real name William Ronald Hutchinson (1901–1969), film-maker. In: Oxford Dictionary of National Biography. Oxford University Press. (In Press)
Snelson, Tim ORCID: https://orcid.org/0000-0002-8282-2432, Booth, Toni, Macauley, William, Jamieson, Annie, McEnroe, Natasha, Hurley, Selina and Dabin, Katie
(2024)
Objects of the Mind: Using film to explore the entangled histories of media and mental health.
Science Museum Group Journal.
ISSN 2054-5770
Snelson, Tim ORCID: https://orcid.org/0000-0002-8282-2432, Macauley, William R. and Kirby, David A.
(2024)
Demons of the Mind:Psychiatry and Cinema in the Long-1960s.
Edinburgh University Press.
ISBN 9781474486439
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2024)
Entries on Laurie Day and Sarah Daly for 'Women in Focus' project website.
In:
Women in Focus: The Filmmakers.
UNSPECIFIED.
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2024)
Interview for Studiocanal Blu-ray/DVD release of No Trees in the Street (1959).
UNSPECIFIED.
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2024)
Interview for Studiocanal Blu-ray/DVD release of The Weak and the Wicked (1954).
UNSPECIFIED.
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2024)
Morgan, Diana (1908-1996).
In:
Oxford Dictionary of National Biography.
Oxford University Press.
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2024)
Nolan, Margaret (1943-2020).
In:
Oxford Dictionary of National Biography.
Oxford University Press.
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2024)
Reflections in a Golden Eye: Exploring the photographic art of Margaret Nolan and Shirley Eaton.
Journal of British Cinema and Television, 21 (4).
ISSN 1743-4521
(In Press)
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2024)
Video essay commentary on Julie Christie for Via Vision Blu Ray release of Darling I1965).
UNSPECIFIED.
(In Press)