Campbell, Colin and Pearson, Erin (2019) Strategies for creating successful soundless video advertisements: Speaking volumes through silence. Journal of Advertising Research, 59 (1). pp. 85-98. ISSN 0021-8499
Denison, Rayna (2019) Anime's cultural nationalism: The politics of representing Japan in Summer Wars (Hosoda Mamoru, 2009). Mutual Images Journal, 5 (Autumn 2018). pp. 123-142. ISSN 2496-1868
Farmer, Richard (2019) Supplemental Income: British newspaper colour supplements in the 1960s. Media History, 25 (3). pp. 371-386. ISSN 1368-8804
Farmer, Richard and Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2019)
Wrestling with Decadence: The Touchables (1968) and Swinging London Cinema of the 1960s.
Volupté, 2 (2).
pp. 95-121.
Frith, Paul ORCID: https://orcid.org/0000-0002-5608-5088
(2019)
‘The curse of the thing is Technicolor blood: why need vampires be messier feeders than anyone else?’: The BBFC and Hammer’s Colour Films, 1957–1962’.
Historical Journal of Film, Radio and Television, 39 (2).
pp. 233-250.
ISSN 0143-9685
Hakim, Jamie (2019) The rise of chemsex: queering collective intimacy in neoliberal London. Cultural Studies, 33 (2). pp. 249-275. ISSN 0950-2386
Hines, Claire (2019) Scientists in the Bond film franchise. Journal of Science and Popular Culture, 2 (2). pp. 107-123. ISSN 2059-9099
Holmes, Su ORCID: https://orcid.org/0000-0003-4243-8337 and Clayton, Stephanie
(2019)
‘It’s what Emmeline Pankhurst would have wanted’: Celebrity Big Brother: Year of the Woman (2018, UK) and negotiations of popular feminism(s).
Journal of Gender Studies, 28 (5).
pp. 545-562.
ISSN 0958-9236
Jancovich, Mark (2019) “Almost Psychopathic”: British working class realism and the horror film in the late 1950s and early 1960s. Journal of Film and Video, 71 (3). pp. 3-17. ISSN 0742-4671
Jancovich, Mark (2019) 'Another, more sinister reality': Class, youth and psychopathology from Saturday Night and Sunday Morning to Endless Night. Journal of British Cinema and Television, 16 (2). pp. 213-232. ISSN 1743-4521
Jancovich, Mark (2019) ‘Chained to the pendulum of our own mad clockwork’: Science fiction, cyclicality and the new dark age during the Cold War. European Journal of American Culture, 38 (3). pp. 255-277. ISSN 1466-0407
Johnston, Keith ORCID: https://orcid.org/0000-0002-1989-8549
(2019)
A Dalek is (now) a many splendored thing.
[in]Transition, 6 (1).
Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549
(2019)
Researching historical promotional materials: Towards a new methodology.
Historical Journal of Film, Radio and Television, 39 (4).
pp. 643-662.
ISSN 0143-9685
Mckay, George ORCID: https://orcid.org/0000-0002-7770-0502
(2019)
‘They’ve got a bomb’: sounding anti-nuclearism in the anarcho-punk movement in Britain, 1978–84.
Rock Music Studies, 6 (3).
pp. 217-236.
ISSN 1940-1159
Negra, Diane and Tasker, Yvonne (2019) Culinary entertainment, creative labor and the re-territorialization of white masculinity. Cinema Journal, 59 (1). pp. 112-133. ISSN 0009-7101
Pollyanna, Ruiz, Snelson, Timothy ORCID: https://orcid.org/0000-0002-8282-2432, Madgin, Rebecca and Webb, David
(2019)
'Look at what we made': Communicating subcultural value on London’s Southbank.
Cultural Studies, 30 (6).
pp. 368-374.
ISSN 0950-2386
Qureshi, Kamran ORCID: https://orcid.org/0000-0002-1859-2257
(2019)
Intersex Representation in the US Television Dramas.
Qureshi, Kamran ORCID: https://orcid.org/0000-0002-1859-2257
(2019)
The Representation of Intersex Characters in English Feature Films.
Qureshi, Kamran ORCID: https://orcid.org/0000-0002-1859-2257
(2019)
The impact of Transgender Persons Act, 2018 on the intersex community in Pakistan.
Street, Sarah, Johnston, Keith ORCID: https://orcid.org/0000-0002-1989-8549, Frith, Paul
ORCID: https://orcid.org/0000-0002-5608-5088 and Rickards, Carolyn
(2019)
From the margins to the mainstream? The Eastmancolor Revolution and challenging the realist canon in British Cinema.
Cinema & Cie, 32.
ISSN 2036-461X
Winch, Alison, Forkert, Kirsten and Davison, Sally (2019) Editorial: neoliberalism, feminism and transnationalism. Soundings: A Journal of Politics and Culture, 71. pp. 4-10. ISSN 1362-6620
Denison, Rayna (2019) How to Animate Your Franchise:DreamWorks Animation and the Franchising of How to Train Your Dragon. In: The Franchise Era: Managing Media in the Digital Economy. Edinburgh University Press, Edinburgh, p. 158. ISBN 9781474419222
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(2019)
Sightless Realms of Terror:Disembodied Voices and Sonic Immersion in Contemporary Horror Audio.
In:
Gender and Contemporary Horror in Comics, Games and Transmedia.
Emerald Group Publishing Ltd., pp. 191-202.
ISBN 978-1-78769-108-7
Hand, Richard ORCID: https://orcid.org/0000-0002-2076-1435 and Hancock, Danielle
(2019)
Beware the Untruths:Podcast Audio Horror in Post-Truth America.
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Make America Hate Again.
Routledge.
ISBN 9781138498280
Kent, Miriam (2019) Destroying the Rainbow Bridge:Representations of Heterosexuality in Marvel Superhero Narratives. In: Comics and Pop Culture. University of Texas Press. ISBN 9781477319390
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Jazz and disability.
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Pett, Emma (2019) Access all Areas?:Censorship and Cult Cinema in the Digital Era. In: The Routledge Companion to Cult Cinema. Routledge. ISBN 1138950270
Pett, Emma (2019) “Real Life is Rubbish”::The Subcultural Branding and Inhabitable Appeal of Secret Cinema’s The Empire Strikes Back. In: Disney's Star Wars. University of Iowa Press. ISBN 1609386434
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Annotated Bibliography:From Brass Bands to Buskers: Street Music in the UK.
UNSPECIFIED.
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From Brass Bands to Buskers:Street Music in the UK.
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Transformation and Tradition in 1960s British Cinema.
Edinburgh University Press, Edinburgh.
ISBN 9781474423113
Hakim, James (2019) Work That Body:Male Bodies in Digital Culture. Rowman and Littlefield International. ISBN 9781786604415
Winch, Alison (2019) Darling, It's Me. Penned in the Margins. ISBN 9781908058676
Hand, Richard (2019) A Household Name. [Performance] (In Press)
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(2019)
Commentary for Indicator Bluray release of The System (1964).
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Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2019)
Essay for Indicator Bluray release of Take a Girl Like You (1970).
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Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2019)
Interview for Indicator Bluray release of Taste of Fear (1961).
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Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2019)
Interview for StudioCanal Bluray/DVD release of The Holly and the Ivy (1954).
UNSPECIFIED.
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X and Johnston, Keith M
ORCID: https://orcid.org/0000-0002-1989-8549
(2019)
'The past is not the past: rediscovering The Go-Between' essay in StudioCanal Bluray/DVD release of The Go-Between (1971).
Studiocanal.