Items where Research Group is "Film, Television and Media

Article

Campbell, Colin and Pearson, Erin (2019) Strategies for creating successful soundless video advertisements: Speaking volumes through silence. Journal of Advertising Research, 59 (1). pp. 85-98. ISSN 0021-8499

Denison, Rayna (2019) Anime's cultural nationalism: The politics of representing Japan in Summer Wars (Hosoda Mamoru, 2009). Mutual Images Journal, 5 (Autumn 2018). pp. 123-142. ISSN 2496-1868

Farmer, Richard (2019) Supplemental Income: British newspaper colour supplements in the 1960s. Media History, 25 (3). pp. 371-386. ISSN 1368-8804

Farmer, Richard and Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2019) Wrestling with Decadence: The Touchables (1968) and Swinging London Cinema of the 1960s. Volupté, 2 (2). pp. 95-121.

Frith, Paul ORCID: https://orcid.org/0000-0002-5608-5088 (2019) ‘The curse of the thing is Technicolor blood: why need vampires be messier feeders than anyone else?’: The BBFC and Hammer’s Colour Films, 1957–1962’. Historical Journal of Film, Radio and Television, 39 (2). pp. 233-250. ISSN 0143-9685

Hakim, Jamie (2019) The rise of chemsex: queering collective intimacy in neoliberal London. Cultural Studies, 33 (2). pp. 249-275. ISSN 0950-2386

Hines, Claire (2019) Scientists in the Bond film franchise. Journal of Science and Popular Culture, 2 (2). pp. 107-123. ISSN 2059-9099

Holmes, Su ORCID: https://orcid.org/0000-0003-4243-8337 and Clayton, Stephanie (2019) ‘It’s what Emmeline Pankhurst would have wanted’: Celebrity Big Brother: Year of the Woman (2018, UK) and negotiations of popular feminism(s). Journal of Gender Studies, 28 (5). pp. 545-562. ISSN 0958-9236

Jancovich, Mark (2019) “Almost Psychopathic”: British working class realism and the horror film in the late 1950s and early 1960s. Journal of Film and Video, 71 (3). pp. 3-17. ISSN 0742-4671

Jancovich, Mark (2019) 'Another, more sinister reality': Class, youth and psychopathology from Saturday Night and Sunday Morning to Endless Night. Journal of British Cinema and Television, 16 (2). pp. 213-232. ISSN 1743-4521

Jancovich, Mark (2019) ‘Chained to the pendulum of our own mad clockwork’: Science fiction, cyclicality and the new dark age during the Cold War. European Journal of American Culture, 38 (3). pp. 255-277. ISSN 1466-0407

Johnston, Keith ORCID: https://orcid.org/0000-0002-1989-8549 (2019) A Dalek is (now) a many splendored thing. [in]Transition, 6 (1).

Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549 (2019) Researching historical promotional materials: Towards a new methodology. Historical Journal of Film, Radio and Television, 39 (4). pp. 643-662. ISSN 0143-9685

Mckay, George ORCID: https://orcid.org/0000-0002-7770-0502 (2019) ‘They’ve got a bomb’: sounding anti-nuclearism in the anarcho-punk movement in Britain, 1978–84. Rock Music Studies, 6 (3). pp. 217-236. ISSN 1940-1159

Negra, Diane and Tasker, Yvonne (2019) Culinary entertainment, creative labor and the re-territorialization of white masculinity. Cinema Journal, 59 (1). pp. 112-133. ISSN 0009-7101

Pollyanna, Ruiz, Snelson, Timothy ORCID: https://orcid.org/0000-0002-8282-2432, Madgin, Rebecca and Webb, David (2019) 'Look at what we made': Communicating subcultural value on London’s Southbank. Cultural Studies, 30 (6). pp. 368-374. ISSN 0950-2386

Qureshi, Kamran ORCID: https://orcid.org/0000-0002-1859-2257 (2019) Intersex Representation in the US Television Dramas.

Qureshi, Kamran ORCID: https://orcid.org/0000-0002-1859-2257 (2019) The Representation of Intersex Characters in English Feature Films.

Qureshi, Kamran ORCID: https://orcid.org/0000-0002-1859-2257 (2019) The impact of Transgender Persons Act, 2018 on the intersex community in Pakistan.

Street, Sarah, Johnston, Keith ORCID: https://orcid.org/0000-0002-1989-8549, Frith, Paul ORCID: https://orcid.org/0000-0002-5608-5088 and Rickards, Carolyn (2019) From the margins to the mainstream? The Eastmancolor Revolution and challenging the realist canon in British Cinema. Cinema & Cie, 32. ISSN 2036-461X

Winch, Alison, Forkert, Kirsten and Davison, Sally (2019) Editorial: neoliberalism, feminism and transnationalism. Soundings: A Journal of Politics and Culture, 71. pp. 4-10. ISSN 1362-6620

Book Section

Denison, Rayna (2019) How to Animate Your Franchise:DreamWorks Animation and the Franchising of How to Train Your Dragon. In: The Franchise Era: Managing Media in the Digital Economy. Edinburgh University Press, Edinburgh, p. 158. ISBN 9781474419222

Hand, Richard ORCID: https://orcid.org/0000-0002-2076-1435 (2019) Sightless Realms of Terror:Disembodied Voices and Sonic Immersion in Contemporary Horror Audio. In: Gender and Contemporary Horror in Comics, Games and Transmedia. Emerald Group Publishing Ltd., pp. 191-202. ISBN 978-1-78769-108-7

Hand, Richard ORCID: https://orcid.org/0000-0002-2076-1435 and Hancock, Danielle (2019) Beware the Untruths:Podcast Audio Horror in Post-Truth America. In: Make America Hate Again. Routledge. ISBN 9781138498280

Kent, Miriam (2019) Destroying the Rainbow Bridge:Representations of Heterosexuality in Marvel Superhero Narratives. In: Comics and Pop Culture. University of Texas Press. ISBN 9781477319390

Mckay, George ORCID: https://orcid.org/0000-0002-7770-0502 (2019) Jazz and disability. In: The Routledge Companion to Jazz Studies. Routledge, London, pp. 173-184. ISBN 9781138231160

Pett, Emma (2019) Access all Areas?:Censorship and Cult Cinema in the Digital Era. In: The Routledge Companion to Cult Cinema. Routledge. ISBN 1138950270

Pett, Emma (2019) “Real Life is Rubbish”::The Subcultural Branding and Inhabitable Appeal of Secret Cinema’s The Empire Strikes Back. In: Disney's Star Wars. University of Iowa Press. ISBN 1609386434

Phillips, Tom ORCID: https://orcid.org/0000-0003-1732-4514 (2019) Simultaneously Laughing, Screaming, and Crying:Reacting to the Force Awakens Trailers. In: Disney's Star Wars. University of Iowa Press, pp. 254-266. ISBN 9781609386436

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2019) The 1950s and 1960s. In: A Companion to British and Irish Cinema. Wiley. ISBN 978-1118477519

Book

Bennett, Elizabeth and Mckay, George ORCID: https://orcid.org/0000-0002-7770-0502 (2019) Annotated Bibliography:From Brass Bands to Buskers: Street Music in the UK. UNSPECIFIED.

Bennett, Elizabeth and Mckay, George ORCID: https://orcid.org/0000-0002-7770-0502 (2019) From Brass Bands to Buskers:Street Music in the UK. AHRC/UEA, Norwich.

Farmer, Richard, Mayne, Laura, Petrie, Duncan and Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2019) Transformation and Tradition in 1960s British Cinema. Edinburgh University Press, Edinburgh. ISBN 9781474423113

Hakim, James (2019) Work That Body:Male Bodies in Digital Culture. Rowman and Littlefield International. ISBN 9781786604415

Winch, Alison (2019) Darling, It's Me. Penned in the Margins. ISBN 9781908058676

Performance

Hand, Richard ORCID: https://orcid.org/0000-0002-2076-1435 (2019) A Household Name. [Performance] (In Press)

Other

Wakefield, Thirza and Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2019) Commentary for Indicator Bluray release of The System (1964). Indicator.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2019) Essay for Indicator Bluray release of Take a Girl Like You (1970). Indicator.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2019) Interview for Indicator Bluray release of Taste of Fear (1961). Indicator.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2019) Interview for StudioCanal Bluray/DVD release of The Holly and the Ivy (1954). UNSPECIFIED.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X and Johnston, Keith M ORCID: https://orcid.org/0000-0002-1989-8549 (2019) 'The past is not the past: rediscovering The Go-Between' essay in StudioCanal Bluray/DVD release of The Go-Between (1971). Studiocanal.