Items where School is "Film, Television and Media

Group by: Creators | Item Type | Status | No Grouping
Jump to: B | C | D | F | H | J | K | M | N | P | Q | S | W
Number of items: 41.

B

Bennett, Elizabeth and Mckay, George ORCID: https://orcid.org/0000-0002-7770-0502 (2019) Annotated Bibliography:From Brass Bands to Buskers: Street Music in the UK. UNSPECIFIED.

Bennett, Elizabeth and Mckay, George ORCID: https://orcid.org/0000-0002-7770-0502 (2019) From Brass Bands to Buskers:Street Music in the UK. AHRC/UEA, Norwich.

C

Campbell, Colin and Pearson, Erin (2019) Strategies for creating successful soundless video advertisements: Speaking volumes through silence. Journal of Advertising Research, 59 (1). pp. 85-98. ISSN 0021-8499

D

Denison, Rayna (2019) Anime and Nationalism:The Politics of Representing Japan in Summer Wars (Hosoda Mamoru, 2009). Mutual Images Journal, 5 (Autumn 2018). pp. 123-142. ISSN 2496-1868

Denison, Rayna (2019) How to Animate Your Franchise:DreamWorks Animation and the Franchising of How to Train Your Dragon. In: The Franchise Era: Managing Media in the Digital Economy. Edinburgh University Press, Edinburgh, p. 158. ISBN 9781474419222

F

Farmer, Richard (2019) Supplemental Income: British newspaper colour supplements in the 1960s. Media History, 25 (3). pp. 371-386. ISSN 1368-8804

Farmer, Richard, Mayne, Laura, Petrie, Duncan and Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2019) Transformation and Tradition in 1960s British Cinema. Edinburgh University Press, Edinburgh. ISBN 9781474423113

Farmer, Richard and Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2019) Wrestling with Decadence: The Touchables (1968) and Swinging London Cinema of the 1960s. Volupté, 2 (2). pp. 95-121.

Frith, Paul ORCID: https://orcid.org/0000-0002-5608-5088 (2019) ‘The curse of the thing is Technicolor blood: why need vampires be messier feeders than anyone else?’: The BBFC and Hammer’s Colour Films, 1957–1962’. Historical Journal of Film, Radio and Television, 39 (2). pp. 233-250. ISSN 0143-9685

H

Hakim, Jamie (2019) The rise of chemsex: queering collective intimacy in neoliberal London. Cultural Studies, 33 (2). pp. 249-275. ISSN 0950-2386

Hakim, James (2019) Work That Body:Male Bodies in Digital Culture. Rowman and Littlefield International. ISBN 9781786604415

Hand, Richard (2019) Sightless Realms of Terror:Disembodied Voices and Sonic Immersion in Contemporary Horror Audio. In: Gender and Contemporary Horror in Comics, Games and Transmedia. Emerald Group Publishing Ltd., pp. 191-202. ISBN 978-1-78769-108-7

Hand, Richard (2019) A Household Name. [Performance] (In Press)

Hand, Richard and Hancock, Danielle (2019) Beware the Untruths:Podcast Audio Horror in Post-Truth America. In: Make America Hate Again. Routledge. ISBN 9781138498280

Hines, Claire (2019) Scientists in the Bond film franchise. Journal of Science and Popular Culture, 2 (2). pp. 107-123. ISSN 2059-9099

Holmes, Su ORCID: https://orcid.org/0000-0003-4243-8337 and Clayton, Stephanie (2019) ‘It’s what Emmeline Pankhurst would have wanted’: Celebrity Big Brother: Year of the Woman (2018, UK) and negotiations of popular feminism(s). Journal of Gender Studies, 28 (5). pp. 545-562. ISSN 0958-9236

J

Jancovich, Mark (2019) “Almost Psychopathic”: British working class realism and the horror film in the late 1950s and early 1960s. Journal of Film and Video, 71 (3). pp. 3-17. ISSN 0742-4671

Jancovich, Mark (2019) 'Another, more sinister reality': Class, youth and psychopathology from Saturday Night and Sunday Morning to Endless Night. Journal of British Cinema and Television, 16 (2). pp. 213-232. ISSN 1743-4521

Jancovich, Mark (2019) ‘Chained to the pendulum of our own mad clockwork’: Science fiction, cyclicality and the new dark age during the Cold War. European Journal of American Culture, 38 (3). pp. 255-277. ISSN 1466-0407

Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549 (2019) Researching historical promotional materials: Towards a new methodology. Historical Journal of Film, Radio and Television, 39 (4). pp. 643-662. ISSN 0143-9685

Johnston, Keith (2019) A Dalek is (now) a many splendored thing. [in]Transition, 6 (1).

K

Kent, Miriam (2019) Destroying the Rainbow Bridge:Representations of Heterosexuality in Marvel Superhero Narratives. In: Comics and Pop Culture. University of Texas Press. ISBN 9781477319390

M

Mckay, George ORCID: https://orcid.org/0000-0002-7770-0502 (2019) Jazz and disability. In: The Routledge Companion to Jazz Studies. Routledge, London, pp. 173-184. ISBN 9781138231160

Mckay, George ORCID: https://orcid.org/0000-0002-7770-0502 (2019) ‘They’ve got a bomb’: sounding anti-nuclearism in the anarcho-punk movement in Britain, 1978–84. Rock Music Studies, 6 (3). pp. 217-236. ISSN 1940-1159

N

Negra, Diane and Tasker, Yvonne (2019) Culinary entertainment, creative labor and the re-territorialization of white masculinity. Cinema Journal, 59 (1). pp. 112-133. ISSN 0009-7101

P

Pett, Emma (2019) Access all Areas?:Censorship and Cult Cinema in the Digital Era. In: The Routledge Companion to Cult Cinema. Routledge. ISBN 1138950270

Pett, Emma (2019) “Real Life is Rubbish”::The Subcultural Branding and Inhabitable Appeal of Secret Cinema’s The Empire Strikes Back. In: Disney's Star Wars. University of Iowa Press. ISBN 1609386434

Phillips, Tom ORCID: https://orcid.org/0000-0003-1732-4514 (2019) Simultaneously Laughing, Screaming, and Crying:Reacting to the Force Awakens Trailers. In: Disney's Star Wars. University of Iowa Press, pp. 254-266. ISBN 9781609386436

Pollyanna, Ruiz, Snelson, Timothy ORCID: https://orcid.org/0000-0002-8282-2432, Madgin, Rebecca and Webb, David (2019) 'Look at what we made': Communicating subcultural value on London’s Southbank. Cultural Studies, 30 (6). pp. 368-374. ISSN 0950-2386

Q

Qureshi, Kamran (2019) Intersex Representation in the US Television Dramas.

Qureshi, Kamran (2019) The Representation of Intersex Characters in English Feature Films.

Qureshi, Kamran (2019) The impact of Transgender Persons Act, 2018 on the intersex community in Pakistan.

S

Street, Sarah, Johnston, Keith ORCID: https://orcid.org/0000-0002-1989-8549, Frith, Paul ORCID: https://orcid.org/0000-0002-5608-5088 and Rickards, Carolyn (2019) From the margins to the mainstream? The Eastmancolor Revolution and challenging the realist canon in British Cinema. Cinema & Cie, 32. ISSN 2036-461X

W

Wakefield, Thirza and Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2019) Commentary for Indicator Bluray release of The System (1964). Indicator.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2019) Essay for Indicator Bluray release of Take a Girl Like You (1970). Indicator.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2019) Interview for Indicator Bluray release of Taste of Fear (1961). Indicator.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2019) Interview for StudioCanal Bluray/DVD release of The Holly and the Ivy (1954). UNSPECIFIED.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X and Johnston, Keith M ORCID: https://orcid.org/0000-0002-1989-8549 (2019) 'The past is not the past: rediscovering The Go-Between' essay in StudioCanal Bluray/DVD release of The Go-Between (1971). Studiocanal.

Williams, Melanie (2019) The 1950s and 1960s. In: A Companion to British and Irish Cinema. Wiley. ISBN 978-1118477519

Winch, Alison (2019) Darling, It's Me. Penned in the Margins. ISBN 9781908058676

Winch, Alison, Forkert, Kirsten and Davison, Sally (2019) Editorial: neoliberalism, feminism and transnationalism. Soundings: A Journal of Politics and Culture, 71. pp. 4-10. ISSN 1362-6620

This list was generated on Wed Jul 19 09:31:05 2023 UTC.