Items where School is "Film, Television and Media

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Atakav, Eylem ORCID: https://orcid.org/0000-0001-5718-5614 (2011) Savas Arslan, Cinema in Turkey: a New Critical History. Oxford: Oxford University Press, 2011, 319 pp. Screen, 52 (4). 535–537. ISSN 1460-2474

Atakav, Eylem ORCID: https://orcid.org/0000-0001-5718-5614 (2011) Syrian Women Filmmakers. In: Dictionnaire des Femmes Créatrices/Secteur Cinéma. Edition des Femmes.

Atakav, Eylem ORCID: https://orcid.org/0000-0001-5718-5614 (2011) ‘There are ghosts in these houses!’: on New Turkish Cinema: Belonging, Identity and Memory. Inter Asia Cultural Studies, 12 (1). pp. 139-144.

Aveyard, Karina (2011) Australian films at the cinema: rethinking the role of distribution and exhibition. Media International Australia, 138. pp. 36-45. ISSN 2200-467X

Aveyard, Karina (2011) More Than Making Do: rethinking cinema attendance in regional and rural Australia. Studies in Australasian Cinema, 5 (1). pp. 7-18.

Aveyard, Karina (2011) The Place of Cinema and Film in Contemporary Rural Australia. Participations: Journal of Audience and Reception Studies, 8 (2).

Aveyard, Karina (2011) What the country tells us - the place of the ‘rural’ in contemporary studies of cinema. Media International Australia, 139. pp. 124-132. ISSN 2200-467X

Aveyard, Karina and Moran, Albert (2011) Cinema-going, Audiences and Exhibition. Media International Australia, 139. pp. 73-79. ISSN 2200-467X

Aveyard, Karina and Moran, Albert (2011) Cinema Going, Audiences and Exhibition (Special Edition - Guest editor). Media International Australia, 139.

B

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2011) The British film industry: creativity and constraint. British Politics Review, 6 (1). p. 9. ISSN 1890-4505

C

Cornea, Christine (2011) British Science Fiction Television in the Discursive Context of Second Wave Feminism. Genders Journal, 54 (Summer).

Cornea, Christine (2011) Frankenheimer and the Science Fiction/Horror Film. In: A Little Solitaire: John Frankenheimer and American Film. Rutgers University Press, pp. 229-243. ISBN 9780813550602

D

D'Arcy, Geraint and Hand, Richard (2011) The Yellow Sound. UNSPECIFIED.

Denison, Rayna (2011) Anime Fandom and the Liminal Spaces between Fan Creativity and Piracy. International Journal of Cultural Studies, 14 (5). pp. 449-466. ISSN 1460-356X

Denison, Rayna (2011) No Tights, No Flights: Smallville's Special Effects and the Inter-media Adaptation of the "Super". In: Investigating Smallville: A Superhero for the Teenage Generation. Scarecrow Press, pp. 65-86.

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Friedman, Sam, Mills, Brett and Phillips, Tom ORCID: https://orcid.org/0000-0003-1732-4514 (2011) Comedy Audiences - Editor's Introduction: Foregrounding The Comedy Audience. Participations, 8 (2). pp. 120-127. ISSN 1749-8716

Furby, Jacqueline and Hines, Claire (2011) Fantasy (Routledge Film Guidebooks). Routledge, London. ISBN 978-0415486880

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Godfrey, Sarah ORCID: https://orcid.org/0000-0002-6652-9455 and Hamad, Hannah (2011) Save the Cheerleader, Save the Males:Resurgent Protective Paternalism in Popular Film and Television after 9/11. In: The Handbook of Gender, Sex and Media. Wiley, Oxford, pp. 157-173. ISBN 978-1-4443-3854-6

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Hand, Richard (2011) Undead Radio:Zombies and the Living Dead on Live American Radio Drama in the 1930-40s. In: Better Off Dead. Fordham University Press. ISBN 9780823234462

Hand, Richard, Challis, Ben, Dean, Robert, Traynor, Mary and Lake, Diane (2011) The Casebook of Violet Strange. UNSPECIFIED.

Hand, Richard J. and Traynor, Mary (2011) The Radio Drama Handbook:Audio Drama in Practice and Context. Continuum. ISBN 9781441147431

Hines, Claire (2011) For His Eyes Only? Men’s Magazines and the Curse of the Bond Girl. In: James Bond in World and Popular Culture. Cambridge Scholars Publishing, pp. 169-177.

Hines, Claire (2011) How to be Bond: 007/Daniel Craig, Masculinity and British Men’s Lifestyle Magazines. In: The Cultures of James Bond. WVT Wissenschaftlicher Verlang Trier, pp. 159-169.

Holmes, S. ORCID: https://orcid.org/0000-0003-4243-8337 (2011) Big Brother RIP. Celebrity Studies, 2 (2). pp. 214-217. ISSN 1939-2397

Holmes, Su ORCID: https://orcid.org/0000-0003-4243-8337 (2011) 'Whoever heard of anyone being a screaming success for doing nothing?': 'Sabrina', the BBC and television fame in the 1950s. Media History, 17 (1). pp. 33-48. ISSN 1368-8804

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Inthorn, Sanna and Street, John ORCID: https://orcid.org/0000-0001-9650-063X (2011) 'Simon Cowell for prime minister?' Young citizens' attitudes towards celebrity politics. Media, Culture & Society, 33 (3). pp. 479-489. ISSN 1460-3675

Inthorn, Sanna and Reder, M (2011) Discourses of Environmental Citizenship - How Television Teaches Us To Be Green. International Journal of Media and Cultural Politics, 7 (1). pp. 37-54. ISSN 2040-0918

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Jancovich, Mark (2011) 'Vicious Womanhood'; Genre, the 'Femme Fatale' and Postwar America. Canadian Journal of Film Studies, 20 (1). pp. 100-114. ISSN 0847-5911

Jancovich, Mark and Johnston, Derek (2011) Genre, Special Effects and Authorship in the Critical Reception of Science Fiction Film and Television during the 1950s. In: It Came from the 1950s. Palgrave Macmillan, pp. 90-107. ISBN 9780230272217

Jancovich, Mark and Snelson, Tim ORCID: https://orcid.org/0000-0002-8282-2432 (2011) "No Hits, No Runs, Just Terrors": Exhibition, Cultural Distinctions and Cult Audiences at the Rialto Cinema in the 1930s and 1940s. In: The New Cinema History. Blackwells, pp. 199-211.

Jancovich, Mark (2011) "The English Master of Movie Melodrama": Hitchcock, Horror and the Women's Film. Film International, 9 (3). pp. 51-67.

Jancovich, Mark (2011) Realistic Horror: Film Noir and the 1940s Horror Cycle. In: Billy Wilder, Movie-Maker. McFarland, pp. 56-69. ISBN 9780786442119

Jancovich, Mark (2011) Time, Scheduling and Cinemagoing. Media International Australia, 139. pp. 88-95.

Johnston, Keith M ORCID: https://orcid.org/0000-0002-1989-8549 (2011) "Now is the time (to put on your glasses)": 3-D Film Exhibition in Britain, 1951-55. Film History, 23 (1). pp. 93-103. ISSN 1553-3905

Johnston, Keith M ORCID: https://orcid.org/0000-0002-1989-8549 (2011) 'An intelligent and effective use of the rival screen’: Re-discovering early British television trailers. Media History, 17 (4). pp. 377-388. ISSN 1368-8804

Johnston, Keith (2011) Science Fiction Film: A Critical Introduction. Berg Publishers. ISBN 978-1847884763

K

Kramer, Peter (2011) Hollywood and Its Global Audiences: A Comparative Study of the Biggest Box Office Hits in the United States and Outside the United States Since the 1970s. In: Explorations in New Cinema History: Approaches and Case Studies. Wiley, Oxford, pp. 171-84. ISBN 9781405199490 (hbk) 9781405199506 (pbk)

Kramer, Peter (2011) 'Movies that make people sick': Audience Responses to Stanley Kubrick's A Clockwork Orange in 1971/72. Participations: Journal of Audience and Reception Studies, 8 (2). pp. 416-430.

Kramer, Peter (2011) A Clockwork Orange (1971) and American Culture. In: ZeitRäume: Potsdamer Almanach des Zentrums fur Zeithisthorische Forschung. Wallsteinverlag, Gottingen, pp. 96-106. ISBN 9783835309388

Kramer, Peter (2011) A Clockwork Orange. Palgrave, Basingstoke. ISBN 9780230302129

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Mckay, George ORCID: https://orcid.org/0000-0002-7770-0502 (2011) Radical Gardening:Politics, Idealism and Rebellion in the Garden. Frances Lincoln, London. ISBN 9780711235380

Mills, Brett (2011) Days of Future Past: Documenting the Future. Journal of British Cinema and Television, 8 (1). pp. 81-98. ISSN 1743-4521

Mills, Brett (2011) The Guardians of the General Interest: Discourses of Knowledge in QI. Television and New Media, 12 (2). pp. 136-153. ISSN 1552-8316

Mills, Brett (2011) ‘A pleasure working with you’: Humour theory and Joan Rivers. Comedy Studies, 2 (2). pp. 151-160.

Mills, Brett (2011) Invisible Television: The Television Programmes No-One Talks About Even Though Lots of People Watch Them. Critical Studies in Television, 5 (1). ISSN 1749-6039

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Phillips, Tom ORCID: https://orcid.org/0000-0003-1732-4514 (2011) When Film Fans Become Fan Family: Kevin Smith Fandom and Communal Experience. Participations, 8 (2). pp. 478-496. ISSN 1749-8716

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Qureshi, Kamran (2011) Choti Si Kahani. [Performance]

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Rimmer, Mark ORCID: https://orcid.org/0000-0001-6916-6795 (2011) Beyond Omnivores and Univores: The Promise of a Concept of Musical Habitus. Cultural Sociology. pp. 299-318. ISSN 1749-9763

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Scott, Martin ORCID: https://orcid.org/0000-0001-6744-443X, Street, John ORCID: https://orcid.org/0000-0001-9650-063X and Inthorn, Sanna (2011) 'From entertainment to citizenship: A comparative study of the political uses of popular culture by first-time voters'. International Journal of Cultural Studies, 14 (5). pp. 499-514. ISSN 1460-356X

Shiau, Hongchi and Aveyard, Karina (2011) Private sponsorships and independent film exhibition in Taiwan. Media International Australia, 139. pp. 133-139. ISSN 2200-467X

Snelson, Tim ORCID: https://orcid.org/0000-0002-8282-2432 (2011) The Ghost in the Machine: World War Two, Popular Occultism and Hollywood’s "Serious" Ghost Films. Media History, 17 (1). pp. 16-32. ISSN 1368-8804

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Tasker, Yvonne (2011) Haunting Crime: the Gothic, the Grotesque and the Paranormal. Flow, 13 (7).

Tasker, Yvonne (2011) Dynamic Erections on the Road to Nowhere? Lead essay for booklet accompanying DVD release of Little Malcolm and his Struggle Against the Eunuchs (1974). BFI Flipside.

Tasker, Yvonne (2011) Enchanted by Postfeminism. In: Feminism at the Movies: Understanding Gender in Contemporary Popular Cinema. Routledge.

Tasker, Yvonne (2011) Permissive British Cinema? Essay for booklet accompanying DVD release of Deep End (1970). BFI Flipside.

Tasker, Yvonne (2011) Soldiers' Stories:Military Women in Cinema and Television since WWII. Duke University Press.

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Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2011) Entering the paradise of anomalies: studying female character acting in British cinema. Screen, 52 (1). pp. 97-104. ISSN 1460-2474

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X and Wright, Ellen (2011) Betty Grable: an American icon in Britain, 1939-1945. Historical Journal of Film, Radio and Television, 31 (4). pp. 543-560. ISSN 0143-9685