Items where School is "School of Art, Media and American Studies (former - to 2024)

(2019) Special Issue: Heritage, Preservation, and Decolonization: Entanglements, Consequences, Action? Future Anterior, 16 (2).

Davy, Jack and Dixon, Charlotte, eds. (2019) Worlds in Miniature:Contemplating Miniaturisation in Global Material Culture. UCL Press. ISBN 9781787356481

Allen, Donald (2019) 140 Years Strong: A Historical and Critical Analysis of the Primary Mechanisms Employed by the Jehovah’s Witnesses to Grow in a Hostile World. Doctoral thesis, University of East Anglia.

Alotaibi, Jareh (2019) The Quality of Political Deliberation on Twitter. Doctoral thesis, University of East Anglia.

Alotaibi, Jareh (2019) The Quality of Political Deliberation on Twitter. Doctoral thesis, University of East Anglia.

Austin, Marian (2019) "A people peculiarly blessed": Community, Identity and Confederate Nationalism in an Alabama Planter Family, 1819-1876. Doctoral thesis, University of East Anglia.

Belton, Olivia Kate (2019) Representations of posthuman women in contemporary science fiction television. Doctoral thesis, University of East Anglia.

Bennett, Elizabeth and Mckay, George ORCID: https://orcid.org/0000-0002-7770-0502 (2019) Annotated Bibliography:From Brass Bands to Buskers: Street Music in the UK. UNSPECIFIED.

Bennett, Elizabeth and Mckay, George ORCID: https://orcid.org/0000-0002-7770-0502 (2019) From Brass Bands to Buskers:Street Music in the UK. AHRC/UEA, Norwich.

Campbell, Colin and Pearson, Erin (2019) Strategies for creating successful soundless video advertisements: Speaking volumes through silence. Journal of Advertising Research, 59 (1). pp. 85-98. ISSN 0021-8499

Carruthers, William (2019) Credibility, civility, and the archaeological dig house in mid-1950’s Egypt. Journal of Social Archaeology, 19 (2). pp. 255-276. ISSN 1741-2951

Carruthers, William (2019) 'A Future in Ruins' by Lynn Meskell. History of Anthropology Newsletter, 43. ISSN 2572-2220

Carruthers, William (2019) Heritage, Preservation, and Decolonization: Entanglements, Consequences, Action? Future Anterior, 16 (2). ii-xxiv.

Clarke, Joanne ORCID: https://orcid.org/0000-0002-7954-6561 and Brooks, Nicholas (2019) Burial Practices in Western Sahara. In: Burials, Migration and Identity in the Ancient Sahara and Beyond. Cambridge University Press, Cambridge. ISBN 9781108634311

Clayton, Stephanie (2019) Approaches to surveillance in contemporary British television comedy. Doctoral thesis, University of East Anglia.

D'Arcy, Geraint ORCID: https://orcid.org/0000-0001-5645-6005 (2019) Review: Streaming, Sharing, Stealing AND Netflix Effect AND Portals. Film Studies, 20 (1). ISSN 2054-2496

Davy, Jack (2019) The “Idiot Sticks”: Kwakwaka’wakw carving and cultural resistance in commercial art production on the Northwest Coast. American Indian Culture and Research Journal, 42 (3). pp. 27-46. ISSN 0161-6463

DelGado, Juan and Gomis, Elsa (2019) A conversation on cinematic representation and resistance in the films "Altered Landscapes" (2016) by Juan del Gado and "The People Behind the Scenes" (2019), by Elsa Claire Gomis. Journal of Mediterranean Knowledge, 4 (2). pp. 223-233. ISSN 2499-930X

Dell, Simon (2019) Visualising labour: The problem and a case study, USSR in construction 1931. Labour History Review, 84 (2). pp. 115-148. ISSN 0961-5652

Denison, Rayna (2019) Adaptation in Japanese media mix franchising: Usagi Drop from page to screens. Journal of Adaptation in Film and Performance, 12 (3). pp. 143-161. ISSN 1753-6421

Denison, Rayna (2019) Anime's cultural nationalism: The politics of representing Japan in Summer Wars (Hosoda Mamoru, 2009). Mutual Images Journal, 5 (Autumn 2018). pp. 123-142. ISSN 2496-1868

Denison, Rayna (2019) How to Animate Your Franchise:DreamWorks Animation and the Franchising of How to Train Your Dragon. In: The Franchise Era: Managing Media in the Digital Economy. Edinburgh University Press, Edinburgh, p. 158. ISBN 9781474419222

Elliott Weinberg, Catherine (2019) African Agency in the Archive: The South Africa Collections at the British Museum to 1961. Doctoral thesis, University of East Anglia.

Emmett, Hilary ORCID: https://orcid.org/0000-0002-0394-4440 (2019) On Felons and Fallacies: Edgar Huntly. In: The Oxford Handbook of Charles Brockden Brown. Oxford University Press, pp. 91-106.

Emmett, Hilary ORCID: https://orcid.org/0000-0002-0394-4440, Barnard, Philip and Shapiro, Stephen (2019) Introduction. In: The Oxford Handbook of Charles Brockden Brown. Oxford University Press.

Farmer, Richard (2019) Supplemental Income: British newspaper colour supplements in the 1960s. Media History, 25 (3). pp. 371-386. ISSN 1368-8804

Farmer, Richard, Mayne, Laura, Petrie, Duncan and Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2019) Transformation and Tradition in 1960s British Cinema. Edinburgh University Press, Edinburgh. ISBN 9781474423113

Farmer, Richard and Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2019) Wrestling with Decadence: The Touchables (1968) and Swinging London Cinema of the 1960s. Volupté, 2 (2). pp. 95-121.

Flint, Azelina Joan (2019) “That mighty maternal love which makes […] little women matches for very big adversaries” : the matrilineal heritage of Louisa May Alcott and Christina Rossetti. Doctoral thesis, University of East Anglia.

Fraser, Rebecca (2019) ‘Lets us Begin Life Anew, and Learn to Live in Earnest!’ Free Black Women and the Challenges of Freedom in the Civil War Era. In: The Civil War and Slavery. Routledge. ISBN 9780367181222

Frith, Paul ORCID: https://orcid.org/0000-0002-5608-5088 (2019) ‘The curse of the thing is Technicolor blood: why need vampires be messier feeders than anyone else?’: The BBFC and Hammer’s Colour Films, 1957–1962’. Historical Journal of Film, Radio and Television, 39 (2). pp. 233-250. ISSN 0143-9685

Garland, Sarah ORCID: https://orcid.org/0000-0001-8911-4917 (2019) Sewing lives: Mary Shelley’s Frankenstein and the global garment industry. CLCWeb: Comparative Literature and Culture, 21 (7). ISSN 1481-4374

Gazzard, Katherine (2019) Portraiture and the British naval officer, 1739–1805. Doctoral thesis, University of East Anglia.

Gomis, Elsa (2019) Counteracting dominant discourses about migration with images: A typology attempt. Journal of Mediterranean Knowledge, 4 (2). pp. 161-181. ISSN 2499-930X

Grant, Nicholas (2019) ‘Rhodes Must Fall’ and Decolonizing Education:Book Review. Black Perspectives - African American Intellectual History Society.

Gurung, Ruchika (2019) Crosstalk: absurd relationships, communication and entrapment in the films of Wes Anderson. Doctoral thesis, University of East Anglia.

Hair, Ross ORCID: https://orcid.org/0000-0003-3570-7471 (2019) Brilliant Absence:Pursuing the Kingfisher in the Work of Hans Waanders. Uniformbooks, Axminster, Devon. ISBN 978 1 910010 20 4

Hair, Ross ORCID: https://orcid.org/0000-0003-3570-7471 (2019) Moschatel Press: Craft, concrete, and constructivism in the Cotswolds. Word & Image: A Journal of Verbal/Visual Enquiry, 35 (4). pp. 380-402. ISSN 0266-6286

Hair, Ross ORCID: https://orcid.org/0000-0003-3570-7471 (2019) “Tom Dooley”--Frank Proffitt (1940). The Library of Congress, National Registry, Washington, DC.

Hair, Ross ORCID: https://orcid.org/0000-0003-3570-7471 (2019) A Walled Garden. In: A Walled Garden. Coracle & St Paulinus, Tipperary, Ireland & Richmond, Yorkshire, pp. 140-184. ISBN 9780906630600

Hakim, James (2019) Work That Body:Male Bodies in Digital Culture. Rowman and Littlefield International. ISBN 9781786604415

Hakim, Jamie (2019) The rise of chemsex: queering collective intimacy in neoliberal London. Cultural Studies, 33 (2). pp. 249-275. ISSN 0950-2386

Halliday, Craig (2019) The challenges of reinvigorating democracy through visual art in 21st century Nairobi. Doctoral thesis, University of East Anglia.

Hand, Richard ORCID: https://orcid.org/0000-0002-2076-1435 (2019) A Household Name. [Performance] (In Press)

Hand, Richard ORCID: https://orcid.org/0000-0002-2076-1435 (2019) Sightless Realms of Terror:Disembodied Voices and Sonic Immersion in Contemporary Horror Audio. In: Gender and Contemporary Horror in Comics, Games and Transmedia. Emerald Group Publishing Ltd., pp. 191-202. ISBN 978-1-78769-108-7

Hand, Richard ORCID: https://orcid.org/0000-0002-2076-1435 and Hancock, Danielle (2019) Beware the Untruths:Podcast Audio Horror in Post-Truth America. In: Make America Hate Again. Routledge. ISBN 9781138498280

Hartnell, Jack ORCID: https://orcid.org/0000-0001-8978-8997 (2019) Голое Средневековье: Жизнь, смерть и искусство в Средние века. AST, Moscow. ISBN 978-5-17-111220-2

Hartnell, Jack ORCID: https://orcid.org/0000-0001-8978-8997 (2019) The Body Inside-Out: who called:Anatomical Memory at Maubuisson Abbey. Art History, 42 (2). pp. 242-273. ISSN 0141-6790

Hartnell, Jack ORCID: https://orcid.org/0000-0001-8978-8997 (2019) Corpi medievali: la vita, la morte e l arte. Einaudi, Turin. ISBN 978-8806241421

Henwood, Daisy (2019) Relearning our relationships to the Earth: Rebecca Solnit’s ecofeminism. Doctoral thesis, University of East Anglia.

Heslop, T. A. (2019) The ‘Missal’ of Robert of Jumièges and manuscript illumination at Peterborough c. 1015–1035. In: Peterborough and the Soke: Art, Architecture and Archaeology. British Archaeological Association Conference Transactions . Routledge, pp. 89-112. ISBN 978 0 367 17376 0

Heslop, T. A. (2019) Size Matters: Norwich Churches and Their Parishioners before the Reformation. In: The Urban Church: Essays in Honour of Clive Burgess. Harlaxton Medieval Studies . Shaun Tyas, Donington, pp. 62-81. ISBN 978 1 907730 72 6

Hines, Claire (2019) Scientists in the Bond film franchise. Journal of Science and Popular Culture, 2 (2). pp. 107-123. ISSN 2059-9099

Hodgett, Susan ORCID: https://orcid.org/0000-0003-1207-5571 (2019) 21st Century Area Studies:Blurring Genres, Evolutionary Thought and the Production of Theory. In: The Rebirth of Area Studies. I B Tauris, London. ISBN 9781788314343

Hodgett, Susan ORCID: https://orcid.org/0000-0003-1207-5571 and Clark, David (2019) The Integrated Capabilities Framework:Exploring Multiculturalism and Well-Being in Participatory Settings. In: The Capability Approach, Empowerment and Participation. Palgrave. ISBN 978-1-137-35229-3

Holmboe, Rye Dag (2019) Martin Creed: The Light. Art History, 42 (5). pp. 960-983. ISSN 0141-6790

Holmes, Su ORCID: https://orcid.org/0000-0003-4243-8337 and Clayton, Stephanie (2019) ‘It’s what Emmeline Pankhurst would have wanted’: Celebrity Big Brother: Year of the Woman (2018, UK) and negotiations of popular feminism(s). Journal of Gender Studies, 28 (5). pp. 545-562. ISSN 0958-9236

Igglesden, Katrina (2019) Traditionally Contemporary? Understanding Urban Fijian Masi. Doctoral thesis, University of East Anglia.

Jancovich, Mark (2019) “Almost Psychopathic”: British working class realism and the horror film in the late 1950s and early 1960s. Journal of Film and Video, 71 (3). pp. 3-17. ISSN 0742-4671

Jancovich, Mark (2019) 'Another, more sinister reality': Class, youth and psychopathology from Saturday Night and Sunday Morning to Endless Night. Journal of British Cinema and Television, 16 (2). pp. 213-232. ISSN 1743-4521

Jancovich, Mark (2019) ‘Chained to the pendulum of our own mad clockwork’: Science fiction, cyclicality and the new dark age during the Cold War. European Journal of American Culture, 38 (3). pp. 255-277. ISSN 1466-0407

Jaufar, Shiura (2019) An archaeological study of the Maldive Islands: investigating the Islamic period settlements. Doctoral thesis, University of East Anglia.

Johnston, Keith ORCID: https://orcid.org/0000-0002-1989-8549 (2019) A Dalek is (now) a many splendored thing. [in]Transition, 6 (1).

Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549 (2019) Researching historical promotional materials: Towards a new methodology. Historical Journal of Film, Radio and Television, 39 (4). pp. 643-662. ISSN 0143-9685

Kent, Miriam (2019) Destroying the Rainbow Bridge:Representations of Heterosexuality in Marvel Superhero Narratives. In: Comics and Pop Culture. University of Texas Press. ISBN 9781477319390

Kidd, Abby ORCID: https://orcid.org/0000-0001-8467-427X (2019) Masculinity in Contemporary Science Fiction Cinema: Cyborgs Troopers and Other Men of the Future. Feminist Media Studies, 19 (8). pp. 1200-1202. ISSN 1468-0777

Kohlert, Frederik ORCID: https://orcid.org/0000-0001-7567-0138 (2019) “At This Point I Become Real”: Experimental Autobiography in Julie Doucet and Michel Gondry’s Comics/Video Hybrid My New New York Diary. In: The Comics of Julie Doucet and Gabrielle Bell. University Press of Mississippi, pp. 145-163. ISBN 9781496820570

Kohlert, Frederik ORCID: https://orcid.org/0000-0001-7567-0138 (2019) Serial Selves:Identity and Representation in Autobiographical Comics. Rutgers University Press. ISBN 9780813592251

Mckay, George ORCID: https://orcid.org/0000-0002-7770-0502 (2019) Jazz and disability. In: The Routledge Companion to Jazz Studies. Routledge, London, pp. 173-184. ISBN 9781138231160

Mckay, George ORCID: https://orcid.org/0000-0002-7770-0502 (2019) ‘They’ve got a bomb’: sounding anti-nuclearism in the anarcho-punk movement in Britain, 1978–84. Rock Music Studies, 6 (3). pp. 217-236. ISSN 1940-1159

Mclean, James (2019) Transmutation and recolonization in Japanese animation: Battle of the Planets and Anime’s Growth in the West. Animation Studies, Special Edition 2019. ISSN 1930-1928

Mistry, Kaeten (2019) Whistleblowing Sans Frontières:Edward Snowden, Philip Agee, and the Transnational Challenge of National Security Dissent. Process.

Mistry, Kaeten (2019) A transnational protest against the National Security State: Whistle-blowing, Philip Agee, and networks of dissent. Journal of American History, 106 (2). pp. 362-389. ISSN 0021-8723

Mortimer, Claire (2019) Neighbourhood Watch: Gossip, Power and the Working-class Matriarch in The Archers. In: Prelims. Emerald Group Publishing Ltd.. ISBN 978-1-78769-948-9

Negra, Diane and Tasker, Yvonne (2019) Culinary entertainment, creative labor and the re-territorialization of white masculinity. Cinema Journal, 59 (1). pp. 112-133. ISSN 0009-7101

Nugent, Gabriella (2019) Futures and Fictions. Oxford Art Journal, 42 (3). pp. 402-406. ISSN 0142-6540

Nugent, Gabriella (2019) Mining time in Sammy Baloji's Mémoire. African Arts, 52 (3). pp. 62-71. ISSN 0001-9933

O'Brien, Dai, Stead, Lisa and Nourse, Nicholas (2019) Bristol Deaf Memories: archives, nostalgia and the loss of community space in the deaf community in Bristol. Social & Cultural Geography, 20 (7). pp. 899-917. ISSN 1464-9365

Perko, Manca (2019) Voices and noises: collaborative authorship in Stanley Kubrick’s films. Doctoral thesis, University of East Anglia.

Pett, Emma (2019) Access all Areas?:Censorship and Cult Cinema in the Digital Era. In: The Routledge Companion to Cult Cinema. Routledge. ISBN 1138950270

Pett, Emma (2019) “Real Life is Rubbish”::The Subcultural Branding and Inhabitable Appeal of Secret Cinema’s The Empire Strikes Back. In: Disney's Star Wars. University of Iowa Press. ISBN 1609386434

Pollyanna, Ruiz, Snelson, Timothy ORCID: https://orcid.org/0000-0002-8282-2432, Madgin, Rebecca and Webb, David (2019) 'Look at what we made': Communicating subcultural value on London’s Southbank. Cultural Studies, 30 (6). pp. 368-374. ISSN 0950-2386

Qureshi, Kamran ORCID: https://orcid.org/0000-0002-1859-2257 (2019) Intersex Representation in the US Television Dramas.

Qureshi, Kamran ORCID: https://orcid.org/0000-0002-1859-2257 (2019) The Representation of Intersex Characters in English Feature Films.

Qureshi, Kamran ORCID: https://orcid.org/0000-0002-1859-2257 (2019) The impact of Transgender Persons Act, 2018 on the intersex community in Pakistan.

Scullion, Anna-Grace (2019) Reading borders in the work of Louise Erdrich. Doctoral thesis, University of East Anglia.

Sheppard, L. M. K. and Sheppard, Richard (2019) A Jigsaw of all our Worst Fears:Representations of Mary Shelly as Gothic Heroine in Popular Media. In: Gender and Contemporary Horror in Comics, Games and Transmedia. Emerald Studies in Popular Culture and Gender, 1 (1). Emerald Group Publishing Ltd., pp. 95-109. ISBN 9781787691087

Smith, Thomas ORCID: https://orcid.org/0000-0002-9177-9536 (2019) Deep Water: The Mississippi River in the Age of Mark Twain. Louisiana State University Press. ISBN 978-0807171097

Street, Sarah, Johnston, Keith ORCID: https://orcid.org/0000-0002-1989-8549, Frith, Paul ORCID: https://orcid.org/0000-0002-5608-5088 and Rickards, Carolyn (2019) From the margins to the mainstream? The Eastmancolor Revolution and challenging the realist canon in British Cinema. Cinema & Cie, 32. ISSN 2036-461X

Wakefield, Thirza and Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2019) Commentary for Indicator Bluray release of The System (1964). Indicator.

Warr, Nick ORCID: https://orcid.org/0000-0003-3444-6759 and Gray, Rosy (2019) Lines of Sight: W. G. Sebald's East Anglia. [Show/Exhibition]

Warr, Nick ORCID: https://orcid.org/0000-0003-3444-6759, Moore, Tania and Winner, Calvin (2019) W.G. Sebald: Far away - but from where? [Show/Exhibition]

Williams, Caroline ORCID: https://orcid.org/0000-0002-0617-7486 (2019) "They grow as speakers, as leaders”: A case study of experiential leadership in the Miss World Eskimo–Indian Olympics pageant. American Indian Quarterly, 43 (2). pp. 204-235. ISSN 0095-182X

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2019) The 1950s and 1960s. In: A Companion to British and Irish Cinema. Wiley. ISBN 978-1118477519

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2019) Essay for Indicator Bluray release of Take a Girl Like You (1970). Indicator.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2019) Interview for Indicator Bluray release of Taste of Fear (1961). Indicator.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2019) Interview for StudioCanal Bluray/DVD release of The Holly and the Ivy (1954). UNSPECIFIED.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X and Johnston, Keith M ORCID: https://orcid.org/0000-0002-1989-8549 (2019) 'The past is not the past: rediscovering The Go-Between' essay in StudioCanal Bluray/DVD release of The Go-Between (1971). Studiocanal.

Winch, Alison (2019) Darling, It's Me. Penned in the Margins. ISBN 9781908058676

Winch, Alison, Forkert, Kirsten and Davison, Sally (2019) Editorial: neoliberalism, feminism and transnationalism. Soundings: A Journal of Politics and Culture, 71. pp. 4-10. ISSN 1362-6620