Items where School is "School of Art, Media and American Studies (former - to 2024)

A

Aveyard, Karina (2011) Australian films at the cinema: Rethinking the role of distribution and exhibition. Media International Australia, 138 (1). pp. 36-45. ISSN 2200-467X

Aveyard, Karina (2011) More than making do: Rethinking cinema attendance in regional and rural Australia. Studies in Australasian Cinema, 5 (1). pp. 7-17.

Aveyard, Karina (2011) The Place of Cinema and Film in Contemporary Rural Australia. Participations: Journal of Audience and Reception Studies, 8 (2). pp. 294-307.

Aveyard, Karina (2011) What the country tells us - the place of the ‘rural’ in contemporary studies of cinema. Media International Australia, 139 (1). pp. 124-132. ISSN 2200-467X

B

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2011) The British film industry: creativity and constraint. British Politics Review, 6 (1). p. 9. ISSN 1890-4505

C

Carruthers, William (2011) The rise and fall of ancient Egypt? Egyptology's never-ending story. Antiquity, 85 (330). pp. 1444-1447. ISSN 0003-598X

Corbett, David Peters (2011) An American Experiment:George Bellows and the Ashcan Painters. National Gallery, London & Yale University Press, London & New Haven, CT. ISBN 9781857095272

Corbett, David Peters (2011) Art, Morality, and the National Interest: Theodore Winthrop, Frederic Church, and Martin Johnson Heade at the Tenth Street Studios in 1859. European Journal of American Studies, 30 (1). pp. 57-72.

Corbett, David Peters and Monks, Sarah (2011) Anglo-American: Artistic Exchange between Britain and the USA. Art History, 34 (4). pp. 630-651. ISSN 1467-8365

Cornea, Christine (2011) British science fiction television in the discursive context of second wave feminism. Genders Journal, 54 (Summer).

Cornea, Christine (2011) Frankenheimer and the Science Fiction/Horror Film. In: A Little Solitaire: John Frankenheimer and American Film. Rutgers University Press, pp. 229-243. ISBN 9780813550602

D

D'Arcy, Geraint ORCID: https://orcid.org/0000-0001-5645-6005 (2011) The Corsican Trap: it's mechanism and reception. Theatre Notebook, 65 (1).

D'Arcy, Geraint ORCID: https://orcid.org/0000-0001-5645-6005 and Hand, Richard ORCID: https://orcid.org/0000-0002-2076-1435 (2011) The Yellow Sound. UNSPECIFIED.

Dell, Simon (2011) On the Difficult Conjunction of "Worker" and "Photography" in France. In: The Worker Photography Movement:1926-1939: Essays and Documents. Museo nacional centro de arte, Reina Sofia, Madrid.

Denison, Rayna (2011) Anime fandom and the liminal spaces between fan creativity and piracy. International Journal of Cultural Studies, 14 (5). pp. 449-466. ISSN 1460-356X

Denison, Rayna (2011) No Tights, No Flights: Smallville's Special Effects and the Inter-media Adaptation of the "Super". In: Investigating Smallville: A Superhero for the Teenage Generation. Scarecrow Press, pp. 65-86.

F

Friedman, Sam, Mills, Brett and Phillips, Tom ORCID: https://orcid.org/0000-0003-1732-4514 (2011) Comedy Audiences - Editor's Introduction: Foregrounding The Comedy Audience. Participations, 8 (2). pp. 120-127. ISSN 1749-8716

Furby, Jacqueline and Hines, Claire (2011) Fantasy (Routledge Film Guidebooks). Routledge, London. ISBN 978-0415486880

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Godfrey, Sarah ORCID: https://orcid.org/0000-0002-6652-9455 and Hamad, Hannah (2011) Save the Cheerleader, Save the Males:Resurgent Protective Paternalism in Popular Film and Television after 9/11. In: The Handbook of Gender, Sex and Media. Wiley, Oxford, pp. 157-173. ISBN 978-1-4443-3854-6

H

Haikal, Fayza, Quirke, Stephen, El Daly, Okasha, Carruthers, William, Helmy, Marwa, Laziridis, Nikolaos and Exell, Karen (2011) Egyptologists Speak Out. New Statesman ("Cultural Capital" Blog).

Hair, Ross ORCID: https://orcid.org/0000-0003-3570-7471 (2011) "Local Color": Ronald Johnson, Charles Ives and America. Comparative American Studies, 9 (2). pp. 129-143. ISSN 1741-2676

Hair, Ross ORCID: https://orcid.org/0000-0003-3570-7471 (2011) A Round Portchester. In: Shearsman 89 & 90. Shearsman, Swindon. ISBN 1848611559

Hair, Ross ORCID: https://orcid.org/0000-0003-3570-7471 (2011) Turan. In: Shearsman 89 & 90. Shearsman, Swindon. ISBN 1848611559

Hamad, Hannah (2011) 'My Wife Calls Him My Boyfriend': Gary Barlow and Robbie Williams' Reconciliatory Bromance. Flow, 13 (9).

Hamad, Hannah (2011) Extreme Parenting:Recuperating Fatherhood in Steven Spelberg's War of the Worlds. In: Feminism at the Movies. Routledge, London and New York, pp. 241-253. ISBN 9780415895880

Hamad, Hannah (2011) Greer Garson: Gallant Ladies and British Wartime Femininity. In: What Dreams Were Made Of. Rutgers University Press, New Brunswick, New Jersey, pp. 142-165. ISBN 9780813549644

Hamad, Hannah (2011) 'A Tear For Sarah Jane': A Feminist Aca-Obit. Flow, 13 (13).

Hand, Richard ORCID: https://orcid.org/0000-0002-2076-1435 (2011) Undead Radio:Zombies and the Living Dead on Live American Radio Drama in the 1930-40s. In: Better Off Dead. Fordham University Press. ISBN 9780823234462

Hand, Richard ORCID: https://orcid.org/0000-0002-2076-1435, Challis, Ben, Dean, Robert, Traynor, Mary and Lake, Diane (2011) The Casebook of Violet Strange. UNSPECIFIED.

Hand, Richard J. ORCID: https://orcid.org/0000-0002-2076-1435 and Traynor, Mary (2011) The Radio Drama Handbook:Audio Drama in Practice and Context. Continuum. ISBN 9781441147431

Heslop, T.A (2011) The Nave of Attleborough, Norfolk, and the Architecture of Unknowing. In: Architecture, Liturgy and Identity. Liber Amicorum Paul Crossley. Brepols, Turnhout, pp. 47-60.

Heslop, T.A (2011) St Anselm, Church Reform and the Politics of Art. In: Anglo-Norman Studies, Proceedings of the Battle Conference for 2010. Woodbridge, pp. 103-126.

Hines, Claire (2011) For His Eyes Only? Men’s Magazines and the Curse of the Bond Girl. In: James Bond in World and Popular Culture. Cambridge Scholars Publishing, pp. 169-177.

Hines, Claire (2011) How to be Bond: 007/Daniel Craig, Masculinity and British Men’s Lifestyle Magazines. In: The Cultures of James Bond. WVT Wissenschaftlicher Verlang Trier, pp. 159-169.

Hodges, Richard, Leppard, Sarah and Mitchell, John (2011) San Vincenzo 5. San Vincenzo Maggiore and its workshops. British School at Rome, London.

Hodges, Richard, Leppard, Sarah and Mitchell, John (2011) The sack of San Vincenzo al Volturno: 10th October 881 reconsidered by archaeology. Acta Archaeologica, 82 (1). pp. 291-306. ISSN 1600-0390

Holmes, S. ORCID: https://orcid.org/0000-0003-4243-8337 (2011) Big Brother RIP. Celebrity Studies, 2 (2). pp. 214-217. ISSN 1939-2397

Holmes, Su ORCID: https://orcid.org/0000-0003-4243-8337 (2011) 'Whoever heard of anyone being a screaming success for doing nothing?': 'Sabrina', the BBC and television fame in the 1950s. Media History, 17 (1). pp. 33-48. ISSN 1368-8804

J

Jancovich, Mark (2011) "The English Master of Movie Melodrama": Hitchcock, horror and the women's film. Film International, 9 (3). pp. 51-69.

Jancovich, Mark (2011) Realistic Horror: Film Noir and the 1940s Horror Cycle. In: Billy Wilder, Movie-Maker. McFarland, pp. 56-69. ISBN 9780786442119

Jancovich, Mark (2011) Time, scheduling and cinema-going. Media International Australia, 139 (1). pp. 88-95. ISSN 2200-467X

Jancovich, Mark (2011) 'Vicious womanhood'; Genre, the 'femme fatale' and postwar America. Canadian Journal of Film Studies, 20 (1). pp. 100-114. ISSN 0847-5911

Jancovich, Mark and Johnston, Derek (2011) Genre, Special Effects and Authorship in the Critical Reception of Science Fiction Film and Television during the 1950s. In: It Came from the 1950s. Palgrave Macmillan, pp. 90-107. ISBN 9780230272217

Jancovich, Mark and Snelson, Tim ORCID: https://orcid.org/0000-0002-8282-2432 (2011) "No Hits, No Runs, Just Terrors": Exhibition, Cultural Distinctions and Cult Audiences at the Rialto Cinema in the 1930s and 1940s. In: The New Cinema History. Blackwells, pp. 199-211.

K

Keller, Jessalynn (2011) Feminist editors and the new girl glossies: Fashionable feminism or just another sexist rag? Women's Studies International Forum, 34 (1). pp. 1-12. ISSN 0277-5395

Kramer, Peter (2011) A Clockwork Orange (1971) and American Culture. In: ZeitRäume: Potsdamer Almanach des Zentrums fur Zeithisthorische Forschung. Wallsteinverlag, Gottingen, pp. 96-106. ISBN 9783835309388

Kramer, Peter (2011) A Clockwork Orange. Palgrave, Basingstoke. ISBN 9780230302129

Kramer, Peter (2011) Hollywood and Its Global Audiences: A Comparative Study of the Biggest Box Office Hits in the United States and Outside the United States Since the 1970s. In: Explorations in New Cinema History: Approaches and Case Studies. Wiley, Oxford, pp. 171-84. ISBN 9781405199490 (hbk) 9781405199506 (pbk)

Kramer, Peter (2011) 'Movies that make people sick': Audience Responses to Stanley Kubrick's A Clockwork Orange in 1971/72. Participations: Journal of Audience and Reception Studies, 8 (2). pp. 416-430.

Krcma, Edward ORCID: https://orcid.org/0000-0002-1945-5107 (2011) Film, Drawing and the Body. Tate Publishing, London.

Krcma, Edward ORCID: https://orcid.org/0000-0002-1945-5107 (2011) Moves, Throws, Plays:Tom Hackney and Lizi Sanchez. In: The Knight Turns its Head and Laughs. Stephen Lawrence Gallery, London, pp. 3-10.

Køhlert, Frederik Byrn ORCID: https://orcid.org/0000-0001-7567-0138 (2011) The Chicago Literary Experience:Writing the City, 1893-1953. Museum Tusculanum Press, University of Copenhagen. ISBN 978-87-635-0776-9

M

Mack, John (2011) Fetish? Magic Figures from Central Africa. Journal of Art Historiography, 5. pp. 1-14. ISSN 2042-4752

Mack, John (2011) Healing words: Becoming a spirit-host in Madagascar. Anthropology and Medicine, 18 (2). pp. 231-243. ISSN 1469-2910

Mack, John (2011) The Sea: A Cultural History. Reaktion Books. ISBN 1861898098

Matsuda, Akira (2011) Archaeology by the (Far) East in the West: what do local people think if Japanese archaeologists excavate the 'Villa of Augustus' in Italy? In: New Perspectives in Global Public Archaeology. Springer, New York, pp. 167-181.

Matsuda, Akira (2011) Situating an archaeological site in the present ('Genzi' ni ichizukerareru iseki). Journal of the Japanese Society for Cultural Heritage (Isekigaku Kenkyû), 8. pp. 178-183.

Matsuda, Akira and Okamura, K (2011) Introduction: new perspectives in global public archaeology. In: New Perspectives in Global Public Archaeology. Springer, New York, pp. 1-18.

McLennan, Rachael (2011) "Like a thief returning to the shelf": The givens of autobiography in Lyn Hejinian's My Life. a/b: Auto/Biography Studies, 26 (2). pp. 281-296. ISSN 2151-7290

Mckay, George ORCID: https://orcid.org/0000-0002-7770-0502 (2011) Radical Gardening:Politics, Idealism and Rebellion in the Garden. Frances Lincoln, London. ISBN 9780711235380

Mills, Brett (2011) Days of future past: Documenting the future. Journal of British Cinema and Television, 8 (1). pp. 81-98. ISSN 1743-4521

Mills, Brett (2011) Invisible television: The television programmes no-one talks about even though lots of people watch them. Critical Studies in Television, 5 (1). ISSN 1749-6039

Mills, Brett (2011) The guardians of the general interest: Discourses of knowledge in QI. Television and New Media, 12 (2). pp. 136-153. ISSN 1552-8316

Mills, Brett (2011) ‘A pleasure working with you’: Humour theory and Joan Rivers. Comedy Studies, 2 (2). pp. 151-160.

Mistry, Kaeten (2011) Approaches to understanding the inaugural CIA covert operation in Italy: Exploding useful myths. Intelligence and National Security, 26 (2-3). pp. 246-268. ISSN 1743-9019

Mistry, Kaeten (2011) The CIA and US Foreign Policy since 1947:Reforms, Reflections and Reappraisals. Intelligence and National Security (Special Issue), 26 (2-3). pp. 133-398.

Mistry, Kaeten (2011) Re-thinking American intervention in the 1948 Italian election: beyond a success–failure dichotomy. Modern Italy, 16 (2). pp. 179-194. ISSN 1353-2944

Monks, Sarah (2011) Visual Culture and British India. Visual Culture in Britain, 12 (3). Taylor and Francis.

Monks, Sarah (2011) The Wolfe Man: Benjamin West's Anglo-American Accent. Art History, 34 (4). pp. 652-673. ISSN 1467-8365

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Peters Corbett, David (2011) Camden Town and Ashcan: Difference, similarity and the ‘Anglo-American’ in the work of Walter Sickert and John Sloan. Art History, 34 (4). pp. 774-795. ISSN 1467-8365

Peters Corbett, David (2011) The problematic past in the work of Charles Sheeler, 1917-1927. Journal of American Studies, 45 (3). pp. 559-580. ISSN 1469-5154

Phillips, Tom ORCID: https://orcid.org/0000-0003-1732-4514 (2011) When film fans become fan family: Kevin Smith fandom and communal experience. Participations, 8 (2). pp. 478-496. ISSN 1749-8716

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Qureshi, Kamran ORCID: https://orcid.org/0000-0002-1859-2257 (2011) Choti Si Kahani. [Performance]

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Rimmer, Mark ORCID: https://orcid.org/0000-0001-6916-6795 (2011) Beyond omnivores and univores: The promise of a concept of musical habitus. Cultural Sociology. pp. 299-318. ISSN 1749-9763

Rycroft, Daniel (2011) After Images: Visual Cultures and Subaltern Pasts. Visual Culture in Britain, 12 (3). pp. 367-386. ISSN 1941-8361

Rycroft, Daniel (2011) Beyond Resistance: Idioms and Memories of Insurgency in the Adivasi Movement in Jharkhand. In: Narratives from the Margins: Aspects of Adivasi History in India. Primus Books, New Delhi, pp. 257-276.

Rycroft, Daniel (2011) From History to Heritage: Adivasi identity and Hul Sengel. In: Voices from the Periphery: subalternity and empowerment in India. Routledge, New Delhi, pp. 48-74.

Rycroft, Daniel (2011) Representing Colonial Authority: The Visual Environment of Walter Sherwill in 1851. In: The British Empire and the Natural World: Environmental Encounters in South Asia. Oxford University Press, New Delhi, pp. 43-67. ISBN 13: 978-0-19-806970-6

Rycroft, Daniel and Dasgupta, Sangeeta (2011) Indigenous Pasts and the Politics of Belonging. In: The Politics of Belonging in India: Becoming Adivasi. Routledge, Abingdon, pp. 1-13.

Rycroft, Daniel and Dasgupta, Sangeeta (2011) The Politics of Belonging in India: Becoming Adivasi. Routledge Contemporary South Asia Series . Routledge, Abingdon. ISBN 978-0-415-60082-8

Rycroft, Daniel, Lau, George and Sekules, Veronica (2011) Editorial. World Art, 1 (1). pp. 1-7. ISSN 2150-0894

Rycroft, Daniel, Lau, George ORCID: https://orcid.org/0000-0002-0089-3625 and Sekules, Veronica (2011) Editorial. World Art, 1 (2). pp. 151-160. ISSN 2150-0908

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Selby, Nick ORCID: https://orcid.org/0000-0002-5255-0421 (2011) Editorial. Comparative American Studies, 9 (3). pp. 189-190. ISSN 1477-5700

Stead, Lisa Rose (2011) "So oft to the movies they've been": British fan writing and female audiences in the silent cinema. Transformative Works and Cultures, 6. ISSN 1941-2258

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Tasker, Yvonne (2011) Dynamic Erections on the Road to Nowhere? Lead essay for booklet accompanying DVD release of Little Malcolm and his Struggle Against the Eunuchs (1974). BFI Flipside.

Tasker, Yvonne (2011) Enchanted by Postfeminism. In: Feminism at the Movies: Understanding Gender in Contemporary Popular Cinema. Routledge.

Tasker, Yvonne (2011) Haunting Crime: the Gothic, the Grotesque and the Paranormal. Flow, 13 (7).

Tasker, Yvonne (2011) Permissive British Cinema? Essay for booklet accompanying DVD release of Deep End (1970). BFI Flipside.

Tasker, Yvonne (2011) Soldiers' Stories:Military Women in Cinema and Television since WWII. Duke University Press.

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Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2011) Entering the paradise of anomalies: Studying female character acting in British cinema. Screen, 52 (1). pp. 97-104. ISSN 1460-2474

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X and Wright, Ellen (2011) Betty Grable: an American icon in wartime Britain. Historical Journal of Film, Radio and Television, 31 (4). pp. 543-559. ISSN 0143-9685