Items where Author is "Williams, Melanie"

In Press

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2024) Video essay commentary on Julie Christie for Via Vision Blu Ray release of Darling I1965). UNSPECIFIED. (In Press)

Published

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2024) Reflections in a Golden Eye: Exploring the photographic art of Margaret Nolan and Shirley Eaton. Journal of British Cinema and Television, 21 (4). pp. 513-535. ISSN 1743-4521

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2024) Muriel Box. Senses of Cinema (110). ISSN 1443-4059

Forrest, David and Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2024) Introduction: Revisiting the British New Wave. Journal of British Cinema and Television, 21 (3). pp. 281-285. ISSN 1743-4521

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2024) Morgan, Diana (1908-1996). In: Oxford Dictionary of National Biography. Oxford University Press.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2024) Nolan, Margaret (1943-2020). In: Oxford Dictionary of National Biography. Oxford University Press.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2024) Entries on Laurie Day and Sarah Daly for 'Women in Focus' project website. In: Women in Focus: The Filmmakers. UNSPECIFIED.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2024) Interview for Studiocanal Blu-ray/DVD release of The Weak and the Wicked (1954). UNSPECIFIED.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2024) Interview for Studiocanal Blu-ray/DVD release of No Trees in the Street (1959). UNSPECIFIED.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2024) British Tenebrose? Shady Ladies of Postwar British Cinema. In: Le Tenebrose: Figure di femme fatale nel cinema e nei media europei fra mito e contemporaneità. Edizioni ETS. ISBN 9788846769534

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2024) Essay for Hammer bluray release of 36 Hours (1953). UNSPECIFIED.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X and Bailey, Matthew (2024) Essay for Indicator bluray release of Left, Right and Centre (1959). UNSPECIFIED.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X and Leggott, James (2024) Commentary for Eureka Blu-ray/DVD release of Juggernaut (1974). UNSPECIFIED.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2023) Erotic Vagrancy: Richard Burton and Elizabeth Taylor biography revels in scandal and excess of Hollywood glamour couple. In: UNSPECIFIED UNSPECIFIED.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2023) A Taste of Honey. BFI Film Classics . Bloomsbury. ISBN 9781839021558

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2023) Interview for Studiocanal Bluray/DVD release of Women of Twilight (1952). Studiocanal.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2022) Interview for Criterion Bluray/DVD release of Summertime (1955). Criterion.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2022) Essay for Network bluray release of The Sandwich Man (1966). Network.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2021) 'Downhill racer: Framed' essay for Indicator Bluray Columbia Noir 2 boxset. Indicator.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2021) 'Is it a crime to want to be remembered?' essay for Indicator Bluray release of The Chalk Garden (1964). Indicator.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2021) 'Secret lives of un-swinging London' essay for Network Bluray release of A Touch of Love (1969). Network.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2021) 'Happy ever after?' essay for Network bluray release of Young Wives' Tale (1951). Network.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2021) 'A different train of events' essay for Network Bluray release of Brief Encounter (1974). Network.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2021) 'Sixties shorts: the abbreviated comedy films of Bob Kellett' essay for Network Bluray release of Futtocks End (1969). Network.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X and Botting, Jo (2021) Commentary for Via Vision Bluray/DVD release of Alfie (1966). Via Vision.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2020) Her Word Was Her Bond:Johanna Harwood, Bond’s First Woman Screenwriter. In: From Blofeld to Moneypenny. Emerald Studies in Popular Culture and Gender . Emerald Group Publishing Ltd., pp. 117-127. ISBN 978-1-83867-163-1

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2020) The hidden history of women's filmmaking in Britain. The Conversation.

Clayton, Stephanie, Johnston, Keith M ORCID: https://orcid.org/0000-0002-1989-8549 and Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2020) Invisible Innovators:Making Women Filmmakers Visible Across the UK Film Archives. UNSPECIFIED.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2020) Girl on the edge: Rapture (1965). In: John Guillermin. Precocity Press. ISBN 978-1735292151

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2020) Interview for StudioCanal Bluray/DVD release of Yield to the Night (1956). Studiocanal.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2020) Interview for Indicator Bluray Hammer boxset volume five. Indicator.

Farmer, Richard and Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2019) Wrestling with Decadence: The Touchables (1968) and Swinging London Cinema of the 1960s. Volupté, 2 (2). pp. 95-121.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2019) The 1950s and 1960s. In: A Companion to British and Irish Cinema. Wiley. ISBN 978-1118477519

Farmer, Richard, Mayne, Laura, Petrie, Duncan and Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2019) Transformation and Tradition in 1960s British Cinema. Edinburgh University Press, Edinburgh. ISBN 9781474423113

Wakefield, Thirza and Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2019) Commentary for Indicator Bluray release of The System (1964). Indicator.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2019) Interview for StudioCanal Bluray/DVD release of The Holly and the Ivy (1954). UNSPECIFIED.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2019) Essay for Indicator Bluray release of Take a Girl Like You (1970). Indicator.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2019) Interview for Indicator Bluray release of Taste of Fear (1961). Indicator.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X and Johnston, Keith M ORCID: https://orcid.org/0000-0002-1989-8549 (2019) 'The past is not the past: rediscovering The Go-Between' essay in StudioCanal Bluray/DVD release of The Go-Between (1971). Studiocanal.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X and Sinyard, Neil (2018) The Walls of Jericho. In: The Call of the Heart: John M. Stahl and Hollywood Melodrama. Indiana University Press. ISBN 978-0-86196-736-0

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2018) Interview for StudioCanal Bluray/DVD release of Ice Cold in Alex (1958). Studiocanal.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2018) Interview for Indicator Bluray Hammer boxset volume two. Indicator.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2018) 'Girl with Green Eyes' and 'Creating the Woodfall Look' essays in BFI DVD boxset Woodfall: A Revolution in British Cinema. UNSPECIFIED.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X and Wakefield, Thirza (2018) Commentary for Indicator Bluray release of Charlie Bubbles (1968). Indicator.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2017) Female Stars of British Cinema:The Women in Question. Edinburgh University Press. ISBN 9781474405638

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2017) 'You see these claws?' essay for Indicator Bluray release of The Pumpkin Eater (1964). Indicator.

Mantziari, Despoina, Tasker, Yvonne and Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2016) Editors' Introduction: Activism, Agency, and Authorship: Exploring Women's Film History. Feminist Media Histories, 2 (2). pp. 1-5. ISSN 2373-7492

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2016) The Girl You Don't See: Julie Harris and the Costume Designer in British Cinema. Feminist Media Histories, 2 (2). pp. 71-106. ISSN 2373-7492

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2016) The girl you don’t see: Julie Harris and the costume designer in British cinema. Feminist Media Histories, 2 (2). pp. 71-106. ISSN 2373-7492

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2016) Interview for StudioCanal Bluray/DVD release of Pink String and Sealing Wax (1946). Studiocanal.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2015) The Best Exotic Graceful Ager: Dame Judi Dench and Older Female Celebrity. In: Women, Celebity and Cultures of Ageing. Palgrave Macmillan, p. 146. ISBN 9781137495112

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2015) Lupino, Ida (1918–1995). In: Oxford Dictionary of National Biography. Oxford University Press.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2014) Robert Bolt. In: British Writers. British Writers Series . Charles Scribner's Sons. ISBN 9780684325019

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2014) David Lean. Manchester University Press. ISBN 978-0-7190-7385-4

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2014) Interview for StudioCanal Bluray/DVD release of The Belles of St Trinian (1954). Studiocanal.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2013) The Continuity Girl: Ice in the Middle of Fire. Journal of British Cinema and Television, 10 (3). pp. 603-617. ISSN 1743-4521

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2013) Balcon, Jill Angela Henriette (1925–2009). In: Oxford Dictionary of National Biography. Oxford University Press.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2013) Richardson, Natasha Jane (1963–2009). In: Oxford Dictionary of National Biography. Oxford University Press.

Fradley, Martin, Godfrey, Sarah ORCID: https://orcid.org/0000-0002-6652-9455 and Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2013) Shane’s World: Introduction. In: Shane Meadows: Critical Essays. Edinburgh University Press, Edinburgh.

Fradley, Martin, Godfrey, Sarah ORCID: https://orcid.org/0000-0002-6652-9455 and Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2013) Shane Meadows: Introduction. Journal of British Cinema and Television, 10 (4). pp. 823-828. ISSN 1743-4521

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2013) Remembering ‘the poor soul walking in the rain’: Audience responses to a thwarted makeover in 'Woman in a Dressing Gown'. Journal of British Cinema and Television, 10 (4). pp. 709-726. ISSN 1743-4521

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2013) Interview for StudioCanal Bluray/DVD release of Accident (1967). Studiocanal.

FitzGerald, Louise and Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2012) Facing our Waterloo: evaluating Mamma Mia! The Movie. In: Mamma Mia! The Movie: Exploring a Cultural Phenomenon. I B Tauris. ISBN 9781848859418

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2012) Mamma Mia!'s female authorship. In: Mamma Mia! The Movie: Exploring a Cultural Phenomenon. I B Tauris. ISBN 9781848859418

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2012) 'Women in the British film industry', 'The Seventh Veil', 'Bhaji on the Beach' and 'Fish Tank'. In: Directory of World Cinema: Britain. Directory of World Cinema Series (14). Intellect. ISBN 978-1841505572

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2012) A Feminine Touch? Ealing's Women. In: Ealing Revisited. British Film Institute, London. ISBN 9781844575107

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X, Duguid, Mark, Freeman, Lee and Johnston, Keith M ORCID: https://orcid.org/0000-0002-1989-8549 (2012) Introduction: Revisiting Ealing. In: Ealing Revisited. British Film Institute, London. ISBN 9781844575107

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2012) Dawn of the Kitchen Sink. Sight and Sound, 22 (8).

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2012) Interview for StudioCanal DVD release of Woman in a Dressing Gown (1957). UNSPECIFIED.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2011) Entering the paradise of anomalies: Studying female character acting in British cinema. Screen, 52 (1). pp. 97-104. ISSN 1460-2474

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X and Wright, Ellen (2011) Betty Grable: an American icon in wartime Britain. Historical Journal of Film, Radio and Television, 31 (4). pp. 543-559. ISSN 0143-9685

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X and Newland, Paul (2010) Staccato and wrenchingly modern: reflections of the 1970s stardom of Glenda Jackson. In: Don't Look Now? British Cinema in the 1970s. Intellect Press.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2009) Twilight women of 1950s British cinema. In: The British Cinema Book,. British Film Institute, London. ISBN 9781844572755

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2009) Prisoners of Gender: Women in the Films of J. Lee Thompson: A new approach to British cinema of the 1950s. VDM Verlag Dr. Müller. ISBN 9783639116946

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2009) British Women's Cinema. Routledge, London. ISBN 9780415466974

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2009) A Girl Alone in a Man's World: Ice Cold in Alex (1958) and the place of women in the 1950s British war film cycle. Feminist Media Studies, 9 (1). pp. 95-108. ISSN 1471-5902

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X and Bell, Melanie (2009) The hour of the cuckoo: reclaiming the British women's film. In: British Women's Cinema. Routledge, London, pp. 1-18. ISBN 9780415466974

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2008) ‘Brief Encounter’, ‘The Wicked Lady’ and ‘A Hard Day’s Night’. In: 50 Key British Films. Routledge.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2007) The creative producer: Frank Godwin. Journal of British Cinema and Television, 4 (1). pp. 140-149. ISSN 1755-1714

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2006) "The most explosive object to hit Britain since the V2!": The British films of Hardy Kruger and Anglo-German Relations in the 1950s. Cinema Journal, 46 (1). pp. 85-107.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2005) Julie Christie: Honey-Glow Girl. Sight and Sound, 15 (12). p. 36.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2005) "I'm not a lady!”: Tiger Bay and transitional girlhood in British cinema on the cusp of the 1960s. Screen, 46 (3). pp. 361-372. ISSN 1460-2474

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2005) '‘No Love for Johnnie’'. In: 24 Frames: The Cinema of Britain and Ireland. Wallflower. ISBN 978-1904764380

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2003) ''‘Housewives’ choice’: Woman in a Dressing Gown'' and ''Yield to the Night’'. In: British Cinema of the Fifties. Manchester University Press.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2002) "Light on a dark lovely": Yvonne Mitchell and stardom in British cinema. Quarterly Review of Film and Video, 19 (1). pp. 31-41. ISSN 1543-5326

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2002) Women in prison and women in dressing gowns: rediscovering the 1950s films of J. Lee Thompson. Journal of Gender Studies, 11 (1). pp. 5-15. ISSN 1465-3869

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2002) Michael Winterbottom and the unpopular British cinema. Journal of Popular British Cinema, 5.