Forrest, David and Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2024)
Introduction: Revisiting the British New Wave.
Journal of British Cinema and Television, 21 (3).
pp. 281-285.
ISSN 1743-4521
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2024)
Reflections in a Golden Eye: Exploring the photographic art of Margaret Nolan and Shirley Eaton.
Journal of British Cinema and Television, 21 (4).
ISSN 1743-4521
(In Press)
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2024)
Video essay commentary on Julie Christie for Via Vision Blu Ray release of Darling I1965).
UNSPECIFIED.
(In Press)
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2024)
Morgan, Diana (1908-1996).
In:
Oxford Dictionary of National Biography.
Oxford University Press.
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2024)
Nolan, Margaret (1943-2020).
In:
Oxford Dictionary of National Biography.
Oxford University Press.
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2024)
Entries on Laurie Day and Sarah Daly for 'Women in Focus' project website.
In:
Women in Focus: The Filmmakers.
UNSPECIFIED.
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2024)
Interview for Studiocanal Blu-ray/DVD release of The Weak and the Wicked (1954).
UNSPECIFIED.
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2024)
Interview for Studiocanal Blu-ray/DVD release of No Trees in the Street (1959).
UNSPECIFIED.
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2023)
Erotic Vagrancy: Richard Burton and Elizabeth Taylor biography revels in scandal and excess of Hollywood glamour couple.
In:
UNSPECIFIED
UNSPECIFIED.
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2023)
A Taste of Honey.
BFI Film Classics
.
Bloomsbury.
ISBN 9781839021558
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2023)
Interview for Studiocanal Bluray/DVD release of Women of Twilight (1952).
Studiocanal.
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2022)
Interview for Criterion Bluray/DVD release of Summertime (1955).
Criterion.
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2022)
Essay for Network bluray release of The Sandwich Man (1966).
Network.
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2021)
'Downhill racer: Framed' essay for Indicator Bluray Columbia Noir 2 boxset.
Indicator.
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2021)
'Is it a crime to want to be remembered?' essay for Indicator Bluray release of The Chalk Garden (1964).
Indicator.
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2021)
'Secret lives of un-swinging London' essay for Network Bluray release of A Touch of Love (1969).
Network.
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2021)
'Happy ever after?' essay for Network bluray release of Young Wives' Tale (1951).
Network.
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2021)
'A different train of events' essay for Network Bluray release of Brief Encounter (1974).
Network.
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2021)
'Sixties shorts: the abbreviated comedy films of Bob Kellett' essay for Network Bluray release of Futtocks End (1969).
Network.
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X and Botting, Jo
(2021)
Commentary for Via Vision Bluray/DVD release of Alfie (1966).
Via Vision.
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2020)
Her Word Was Her Bond:Johanna Harwood, Bond’s First Woman Screenwriter.
In:
From Blofeld to Moneypenny.
Emerald Studies in Popular Culture and Gender
.
Emerald Group Publishing Ltd., pp. 117-127.
ISBN 978-1-83867-163-1
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2020)
The hidden history of women's filmmaking in Britain.
The Conversation.
Clayton, Stephanie, Johnston, Keith M ORCID: https://orcid.org/0000-0002-1989-8549 and Williams, Melanie
ORCID: https://orcid.org/0000-0002-3609-207X
(2020)
Invisible Innovators:Making Women Filmmakers Visible Across the UK Film Archives.
UNSPECIFIED.
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2020)
Girl on the edge: Rapture (1965).
In:
John Guillermin.
Precocity Press.
ISBN 978-1735292151
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2020)
Interview for StudioCanal Bluray/DVD release of Yield to the Night (1956).
Studiocanal.
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2020)
Interview for Indicator Bluray Hammer boxset volume five.
Indicator.
Farmer, Richard and Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2019)
Wrestling with Decadence: The Touchables (1968) and Swinging London Cinema of the 1960s.
Volupté, 2 (2).
pp. 95-121.
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2019)
The 1950s and 1960s.
In:
A Companion to British and Irish Cinema.
Wiley.
ISBN 978-1118477519
Farmer, Richard, Mayne, Laura, Petrie, Duncan and Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2019)
Transformation and Tradition in 1960s British Cinema.
Edinburgh University Press, Edinburgh.
ISBN 9781474423113
Wakefield, Thirza and Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2019)
Commentary for Indicator Bluray release of The System (1964).
Indicator.
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2019)
Interview for StudioCanal Bluray/DVD release of The Holly and the Ivy (1954).
UNSPECIFIED.
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2019)
Essay for Indicator Bluray release of Take a Girl Like You (1970).
Indicator.
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2019)
Interview for Indicator Bluray release of Taste of Fear (1961).
Indicator.
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X and Johnston, Keith M
ORCID: https://orcid.org/0000-0002-1989-8549
(2019)
'The past is not the past: rediscovering The Go-Between' essay in StudioCanal Bluray/DVD release of The Go-Between (1971).
Studiocanal.
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X and Sinyard, Neil
(2018)
The Walls of Jericho.
In:
The Call of the Heart: John M. Stahl and Hollywood Melodrama.
Indiana University Press.
ISBN 978-0-86196-736-0
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2018)
Interview for StudioCanal Bluray/DVD release of Ice Cold in Alex (1958).
Studiocanal.
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2018)
Interview for Indicator Bluray Hammer boxset volume two.
Indicator.
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2018)
'Girl with Green Eyes' and 'Creating the Woodfall Look' essays in BFI DVD boxset Woodfall: A Revolution in British Cinema.
UNSPECIFIED.
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X and Wakefield, Thirza
(2018)
Commentary for Indicator Bluray release of Charlie Bubbles (1968).
Indicator.
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2017)
Female Stars of British Cinema:The Women in Question.
Edinburgh University Press.
ISBN 9781474405638
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2017)
'You see these claws?' essay for Indicator Bluray release of The Pumpkin Eater (1964).
Indicator.
Mantziari, Despoina, Tasker, Yvonne and Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2016)
Editors' Introduction: Activism, Agency, and Authorship: Exploring Women's Film History.
Feminist Media Histories, 2 (2).
pp. 1-5.
ISSN 2373-7492
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2016)
The Girl You Don't See: Julie Harris and the Costume Designer in British Cinema.
Feminist Media Histories, 2 (2).
pp. 71-106.
ISSN 2373-7492
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2016)
The girl you don’t see: Julie Harris and the costume designer in British cinema.
Feminist Media Histories, 2 (2).
pp. 71-106.
ISSN 2373-7492
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2016)
Interview for StudioCanal Bluray/DVD release of Pink String and Sealing Wax (1946).
Studiocanal.
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2015)
The Best Exotic Graceful Ager: Dame Judi Dench and Older Female Celebrity.
In:
Women, Celebity and Cultures of Ageing.
Palgrave Macmillan, p. 146.
ISBN 9781137495112
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2015)
Lupino, Ida (1918–1995).
In:
Oxford Dictionary of National Biography.
Oxford University Press.
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2014)
Robert Bolt.
In:
British Writers.
British Writers Series
.
Charles Scribner's Sons.
ISBN 9780684325019
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2014)
David Lean.
Manchester University Press.
ISBN 978-0-7190-7385-4
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2014)
Interview for StudioCanal Bluray/DVD release of The Belles of St Trinian (1954).
Studiocanal.
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2013)
The Continuity Girl: Ice in the Middle of Fire.
Journal of British Cinema and Television, 10 (3).
pp. 603-617.
ISSN 1743-4521
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2013)
Balcon, Jill Angela Henriette (1925–2009).
In:
Oxford Dictionary of National Biography.
Oxford University Press.
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2013)
Richardson, Natasha Jane (1963–2009).
In:
Oxford Dictionary of National Biography.
Oxford University Press.
Fradley, Martin, Godfrey, Sarah ORCID: https://orcid.org/0000-0002-6652-9455 and Williams, Melanie
ORCID: https://orcid.org/0000-0002-3609-207X
(2013)
Shane’s World: Introduction.
In:
Shane Meadows: Critical Essays.
Edinburgh University Press, Edinburgh.
Fradley, Martin, Godfrey, Sarah ORCID: https://orcid.org/0000-0002-6652-9455 and Williams, Melanie
ORCID: https://orcid.org/0000-0002-3609-207X
(2013)
Shane Meadows: Introduction.
Journal of British Cinema and Television, 10 (4).
pp. 823-828.
ISSN 1743-4521
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2013)
Remembering ‘the poor soul walking in the rain’: Audience responses to a thwarted makeover in 'Woman in a Dressing Gown'.
Journal of British Cinema and Television, 10 (4).
pp. 709-726.
ISSN 1743-4521
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2013)
Interview for StudioCanal Bluray/DVD release of Accident (1967).
Studiocanal.
FitzGerald, Louise and Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2012)
Facing our Waterloo: evaluating Mamma Mia! The Movie.
In:
Mamma Mia! The Movie: Exploring a Cultural Phenomenon.
I B Tauris.
ISBN 9781848859418
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2012)
Mamma Mia!'s female authorship.
In:
Mamma Mia! The Movie: Exploring a Cultural Phenomenon.
I B Tauris.
ISBN 9781848859418
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2012)
'Women in the British film industry', 'The Seventh Veil', 'Bhaji on the Beach' and 'Fish Tank'.
In:
Directory of World Cinema: Britain.
Directory of World Cinema Series
(14).
Intellect.
ISBN 978-1841505572
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2012)
A Feminine Touch? Ealing's Women.
In:
Ealing Revisited.
British Film Institute, London.
ISBN 9781844575107
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X, Duguid, Mark, Freeman, Lee and Johnston, Keith M
ORCID: https://orcid.org/0000-0002-1989-8549
(2012)
Introduction: Revisiting Ealing.
In:
Ealing Revisited.
British Film Institute, London.
ISBN 9781844575107
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2012)
Dawn of the Kitchen Sink.
Sight and Sound, 22 (8).
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2012)
Interview for StudioCanal DVD release of Woman in a Dressing Gown (1957).
UNSPECIFIED.
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2011)
Entering the paradise of anomalies: Studying female character acting in British cinema.
Screen, 52 (1).
pp. 97-104.
ISSN 1460-2474
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X and Wright, Ellen
(2011)
Betty Grable: an American icon in wartime Britain.
Historical Journal of Film, Radio and Television, 31 (4).
pp. 543-559.
ISSN 0143-9685
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X and Newland, Paul
(2010)
Staccato and wrenchingly modern: reflections of the 1970s stardom of Glenda Jackson.
In:
Don't Look Now? British Cinema in the 1970s.
Intellect Press.
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2009)
Twilight women of 1950s British cinema.
In:
The British Cinema Book,.
British Film Institute, London.
ISBN 9781844572755
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2009)
Prisoners of Gender: Women in the Films of J. Lee Thompson: A new approach to British cinema of the 1950s.
VDM Verlag Dr. Müller.
ISBN 9783639116946
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2009)
British Women's Cinema.
Routledge, London.
ISBN 9780415466974
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2009)
A Girl Alone in a Man's World: Ice Cold in Alex (1958) and the place of women in the 1950s British war film cycle.
Feminist Media Studies, 9 (1).
pp. 95-108.
ISSN 1471-5902
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X and Bell, Melanie
(2009)
The hour of the cuckoo: reclaiming the British women's film.
In:
British Women's Cinema.
Routledge, London, pp. 1-18.
ISBN 9780415466974
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2008)
‘Brief Encounter’, ‘The Wicked Lady’ and ‘A Hard Day’s Night’.
In:
50 Key British Films.
Routledge.
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2007)
The creative producer: Frank Godwin.
Journal of British Cinema and Television, 4 (1).
pp. 140-149.
ISSN 1755-1714
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2006)
"The most explosive object to hit Britain since the V2!": The British films of Hardy Kruger and Anglo-German Relations in the 1950s.
Cinema Journal, 46 (1).
pp. 85-107.
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2005)
Julie Christie: Honey-Glow Girl.
Sight and Sound, 15 (12).
p. 36.
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2005)
"I'm not a lady!”: Tiger Bay and transitional girlhood in British cinema on the cusp of the 1960s.
Screen, 46 (3).
pp. 361-372.
ISSN 1460-2474
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2005)
'‘No Love for Johnnie’'.
In:
24 Frames: The Cinema of Britain and Ireland.
Wallflower.
ISBN 978-1904764380
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2003)
''‘Housewives’ choice’: Woman in a Dressing Gown'' and ''Yield to the Night’'.
In:
British Cinema of the Fifties.
Manchester University Press.
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2002)
"Light on a dark lovely": Yvonne Mitchell and stardom in British cinema.
Quarterly Review of Film and Video, 19 (1).
pp. 31-41.
ISSN 1543-5326
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2002)
Women in prison and women in dressing gowns: rediscovering the 1950s films of J. Lee Thompson.
Journal of Gender Studies, 11 (1).
pp. 5-15.
ISSN 1465-3869
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2002)
Michael Winterbottom and the unpopular British cinema.
Journal of Popular British Cinema, 5.