Attwood, Feona, Hakim, Jamie and Winch, Alison (2017) Mediated intimacies: bodies, technologies and relationships. Journal of Gender Studies, 26 (3). pp. 249-253. ISSN 0958-9236
Frith, Paul ORCID: https://orcid.org/0000-0002-5608-5088
(2017)
‘It was good to get out into the fresh air after seeing this film’: Horror, realism and censorship in post-Second World War Britain.
Journal of British Cinema and Television, 14 (1).
pp. 98-115.
ISSN 1743-4521
Holmes, Su ORCID: https://orcid.org/0000-0003-4243-8337
(2017)
'My anorexia story': Girls constructing narratives of identity on YouTube.
Cultural Studies, 31 (1).
pp. 1-23.
ISSN 0950-2386
Holmes, Su ORCID: https://orcid.org/0000-0003-4243-8337, Drake, Sarah, Odgers, Kelsey and Wilson, Jon
(2017)
Feminist approaches to anorexia nervosa: a qualitative study of a treatment group.
Journal of Eating Disorders, 5.
ISSN 2050-2974
Inthorn, Sanna (2017) Audience responses to representations of family-assisted suicide on British television. Participations, 14 (2). pp. 153-174. ISSN 1749-8716
Jancovich, Mark (2017) Beyond Hammer: the first run market and the prestige horror film in the early 1960s. Palgrave Communications, 3.
Kramer, Peter (2017) Stanley Kubrick and the internationalisation of post-war Hollywood. New Review of Film and Television Studies, 15 (2). pp. 250-269. ISSN 1740-0309
Little, Ben ORCID: https://orcid.org/0000-0001-5705-7719 and Winch, Alison
(2017)
Generation: the politics of patriarchy and social change.
Soundings: A Journal of Politics and Culture (66: Beginning to see the light?).
pp. 129-144.
ISSN 1362-6620
Pett, Emma (2017) Review: Making Sense of Cinema: Empirical Studies into Film Spectators and Spectatorship. Memory Studies, 10 (1). pp. 96-99. ISSN 1750-6980
Pett, Emma (2017) Transnational cult paratexts: Exploring audience readings of Tartan’s Asia Extreme brand. Transnational Cinemas, 8 (1). pp. 35-48. ISSN 2040-3526
Rimmer, Mark ORCID: https://orcid.org/0000-0001-6916-6795
(2017)
Music, middle childhood and agency: The value of an interactional-relational approach.
Childhood: A Global Journal of Child Research, 24 (4).
pp. 559-573.
ISSN 0907-5682
Snelson, Tim ORCID: https://orcid.org/0000-0002-8282-2432
(2017)
‘They’ll be dancing in the aisles!’: Youth audiences, cinema exhibition and the mid-1930s swing boom.
Historical Journal of Film, Radio and Television, 37 (3).
pp. 455-474.
ISSN 0143-9685
Street, John ORCID: https://orcid.org/0000-0001-9650-063X and Phillips, Thomas
ORCID: https://orcid.org/0000-0003-1732-4514
(2017)
What do musicians talk about when they talk about copyright?
Popular Music and Society, 40 (4).
pp. 422-433.
ISSN 0300-7766
Winch, Alison (2017) “Does Feminism have a generation gap?”:blogging, millennials and the hip hop generation. Angelaki, 22 (1). pp. 207-221. ISSN 0969-725X
Yuval-Davis, Nira, Varju, Viktor, Tervonen, Miika, Hakim, Jamie and Fathi, Mastoureh (2017) Press discourses on Roma in the UK, Finland and Hungary. Ethnic and Racial Studies, 40 (7). pp. 1151-1169. ISSN 0141-9870
Atakav, Eylem ORCID: https://orcid.org/0000-0001-5718-5614
(2017)
The Republican Woman is Being Destroyed! Save your republic! Gender Politics and Turkish Television Adverts’.
In:
‘I’m not a feminist but…’: Gender and 21st Century Visual Culture.
UNSPECIFIED.
(In Press)
Aveyard, Karina (2017) Film education, technology and popular culture: Community cinema in rural areas of the United Kingdom. In: Cinema Beyond the City. Cultural Histories of Cinema . BFI Publishing. ISBN 9781844578467
Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885
(2017)
Morality Tales? Visions of the Past in Spielberg’s History Plays.
In:
A Companion to Steven Spielberg.
Wiley, pp. 307-319.
ISBN 978-1-118-72691-4
Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885
(2017)
Through Female Eyes:Reframing Peru on Screen.
In:
Latin American Women Filmmakers.
I B Tauris, pp. 48-69.
ISBN 9781784537111
Cornea, Christine (2017) From Isolationism to Globalism: An Overview of Politics and Ethics in the Hollywood Science Fiction Film. In: Science Fiction, Ethics, and the Human Condition. Springer, pp. 159-179. ISBN 978-3-319-56575-0
Cornea, Christine (2017) Wie man Katastrophen überlebt:Die Zerstörung der Umwelt und Visionen einer postapokalyptischen Zukunft im amerikanischen Science-Fiction-Kino. In: Future Worlds. Bertz & Fischer, Berlin, pp. 39-49. ISBN 978-3-86505-250-6
Denison, Rayna (2017) Anime's Star Voices:Voice Actor (Seiyu) Performance and Stardom in Japan. In: Locating the Voice in Film. Oxford University Press, Oxford, pp. 101-118. ISBN 9780190261122
Denison, Rayna (2017) Bollywood DVD: The Relationship Between Distributive Technology and Content in Transnational Cinema. In: Cult Media. Springer, pp. 181-199. ISBN 978-3-319-63678-8
Hand, Richard ORCID: https://orcid.org/0000-0002-2076-1435
(2017)
Radio Adaptation.
In:
The Oxford Handbook of Adaptation Studies.
Oxford University Press, Oxford.
ISBN 9780199331000
Hand, Richard J. ORCID: https://orcid.org/0000-0002-2076-1435
(2017)
‘A Perfect Demon’: Michael Eaton’s Charlie Peace: His Amazing Life & Astounding Legend.
In:
Neo-Victorian Villains.
Brill, pp. 51-70.
ISBN 9789004322240
Hand, Richard J. ORCID: https://orcid.org/0000-0002-2076-1435
(2017)
Populism and ideology: nineteenth-century fiction and the cinema.
In:
Interventions.
Manchester University Press, pp. 188-206.
ISBN 978-1-7849-9510-2
Hand, Richard J. ORCID: https://orcid.org/0000-0002-2076-1435
(2017)
The Sound of War: Audio, Radio and the First World War.
In:
The Edinburgh Companion to the First World War and the Arts.
Edinburgh University Press, Edinburgh.
ISBN 9781474401630
Hand, Richard J. ORCID: https://orcid.org/0000-0002-2076-1435
(2017)
Spirits on the Air:Ghosts, Sound and the Radio.
In:
The Routledge Handbook to the Ghost Story.
Routledge, London.
ISBN 9781138184763
Jancovich, Mark (2017) "Where it Belongs":Television Horror, Domesticity, and Alfred Hitchcock Presents. In: Horror Television in the Age of Consumption. Routledge, New York, pp. 29-44. ISBN 9781138895652
Johnston, Keith M ORCID: https://orcid.org/0000-0002-1989-8549
(2017)
‘The action is so real I thought I was cheating on my wife’:Realism and Nature in the 1970s 3-D Sex Film.
In:
Sex and 1970s World Cinema.
Manchester University Press, Manchester.
ISBN 978-0719090547
Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549
(2017)
"A friend to every exhibitor": National Screen Service and the British trailer industry.
In:
The Routledge Companion to British Cinema History.
Routledge, pp. 311-329.
ISBN 9780415706193
Mills, Brett and Rimmer, Mark ORCID: https://orcid.org/0000-0001-6916-6795
(2017)
Pure and Simple: Music as a Personal and Comedic Resource in Car Share.
In:
Music in Comedy Television.
Routledge.
ISBN 978-1138193581
Pett, Emma (2017) Beyond the Metropolis: Immersive cinema in a rural context. In: Live Cinema. Bloomsbury, London. ISBN 9781501324833
Pett, Emma and Stokes, Melvyn (2017) Cinema Space and Postcolonial Audiences in 1960s Britain. In: Kinoerfahrungen. Avinus. ISBN 978-3-86938-086-5
Snelson, Tim ORCID: https://orcid.org/0000-0002-8282-2432
(2017)
Where the exceptional and the everyday meet: Exploring cinema culture in British seaside towns.
In:
Cinema Beyond the City.
Palgrave Macmillan.
ISBN 9781844578467
Snelson, Timothy ORCID: https://orcid.org/0000-0002-8282-2432
(2017)
‘To Be Continued…: Seriality, Cyclicality and the New Cinema History’.
In:
Routledge Companion to New Cinema History.
Routledge.
ISBN 1138955841
Tasker, Yvonne (2017) Military Women in Cinema:War Stories and Future Worlds. In: The Palgrave International Handbook of Gender and the Military. Palgrave Macmillan, pp. 493-507. ISBN 978-1-137-51676-3
Wallin, Zoe and Aveyard, Karina (2017) The Ranown Cycle: Budd Boetticher’s "New Look" Western Programmers in 1950s Hollywood. In: ReFocus: The Films of Budd Boetticher. Edinburgh University Press. ISBN 9781474437530
Winch, Alison (2017) "Does Feminism Have a Generation Gap?": Blogging, Millennials and the Hip Hop Generation. In: Women Writing Across Cultures. Routledge. ISBN 9781138295766
Baron, Christian, Halvorsen, Peter Nicolai and Cornea, Christine, eds. (2017) Science Fiction, Ethics and the Human Condition. Springer. ISBN 978-3-319-56575-0
Atakav, Eylem and Willis, Andy, eds. (2017) From Smut to Softcore: Sex Films and the 1970s World Cinema. Manchester University Press. (In Press)
Atakav, Eylem ORCID: https://orcid.org/0000-0001-5718-5614 and Randell, Karen
(2017)
Women and Contemporary World Cinema.
Palgrave.
(In Press)
Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885
(2017)
Contemporary Peruvian Cinema: History, Identity and Violence on Screen.
I B Tauris.
ISBN 9781784538217
McKay, George ORCID: https://orcid.org/0000-0002-7770-0502
(2017)
Radical Gardening:Politiche, Utopia, Ribellione nell'Orto e nel Giardino.
Nautilus, Torino.
Mills, Brett (2017) Animals on Television:The Cultural Making of the Non-Human. Palgrave Macmillan UK. ISBN 978-1-137-51682-4
Webster, Emma and Mckay, George ORCID: https://orcid.org/0000-0002-7770-0502
(2017)
Music From Out There, In Here:25 Years of the London Jazz Festival.
AHRC/UEA, Norwich.
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2017)
Female Stars of British Cinema:The Women in Question.
Edinburgh University Press.
ISBN 9781474405638
Hand, Richard ORCID: https://orcid.org/0000-0002-2076-1435
(2017)
Thrills and Chills!:An Evening of Old-Time Horror Radio.
[Performance]
Qureshi, Kamran ORCID: https://orcid.org/0000-0002-1859-2257
(2017)
Mushrik.
[Performance]
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2017)
'You see these claws?' essay for Indicator Bluray release of The Pumpkin Eater (1964).
Indicator.