Items where School is "Film, Television and Media

A

Atakav, Eylem ORCID: https://orcid.org/0000-0001-5718-5614 (2010) “Let's Do It! Let's Do It!”: Gender politics and Victoria Wood. Feminist Media Studies, 10 (3). ISSN 1468-0777

Atakav, Eylem ORCID: https://orcid.org/0000-0001-5718-5614 (2010) Representations and/or Interpretations: Women in Middle Eastern Film. Near East Quarterly, 1 (1).

B

Barrow, Sarah (2010) Transnational Financial Structures in the Cinema of Latin America: Programa Ibermedia in Study, Libia Villazana (2009). Transnational Cinemas. pp. 101-102. ISSN 2040-3526

Bennett, James and Holmes, Su ORCID: https://orcid.org/0000-0003-4243-8337 (2010) The "place" of television in celebrity studies. Celebrity Studies, 1 (1). pp. 65-80. ISSN 1939-2397

C

Cornea, Christine (2010) 2-D Performance and the re-Animated Actor. In: Genre and Performance: Film and Television. Manchester University Press, pp. 148-165. ISBN 9780719079801

Cornea, Christine (2010) Editor's Introduction. In: Genre and Performance: Film and Television. Manchester University Press, pp. 1-17. ISBN 9780719079801

Cornea, Christine (2010) Genre and Performance: Film and Television. Manchester University Press. ISBN 9780719079801

D

Denison, Rayna (2010) Anime tourism: The Studio Ghibli Art Museum and global audiences for anime. Japan Forum, 22 (3-4). pp. 545-563. ISSN 0955-5803

Denison, Rayna (2010) Anime tourism: discursive construction and reception of the Studio Ghibli Art Museum. Japan Forum, 22 (3-4). pp. 545-563. ISSN 0955-5803

Denison, Rayna (2010) Bollywood Blends: Genre and Performance in Shahrukh Khan's Post-Millenial Films. In: Genre and Performance: Film and Television. Manchester University Press, Manchester, pp. 184-204.

Denison, Rayna (2010) Gurinder Chadha. In: Fifty Contemporary Filmakers (Revised Edition). Routledge, London, pp. 98-106.

Denison, Rayna (2010) Hayao Miyazaki. In: Fifty Contemporary Filmmakers (Revised Edition). Routledge, London, pp. 288-295.

Denison, Rayna (2010) Transcultural Creativity in Anime: Hybrid Identities in the Production, Distribution, Texts and Fandom of Japanese Anime. Creative Industries Journal, 3 (3). pp. 221-235.

H

Hand, Richard (2010) 'It must all change now!':Victor Hugo’s Lucretia Borgia and Adaptation Practices in Theatre. In: Redefining Adaptation Studies. Scarecrow Press. ISBN 978-0-8108-7298-1

Hand, Richard (2010) Labyrinths of the Taboo:Theatrical Journeys of Eroticism and Death in Parisian Culture. In: Eroticism and Death in Theatre and Performance. University of Hertfordshire Press, pp. 64-79. ISBN 978-1-902806-92-1

Hand, Richard (2010) Mike Schneider in interview with Richard Hand:Night of the Living Dead: Reanimated (2009). Journal of Adaptation in Film and Performance, 3 (2). ISSN 1753-6421

Hand, Richard J. (2010) Captured Ghosts:Horror Acting in the 1970s British Television Drama. In: Genre and Performance. Manchester University Press. ISBN 978-0-7190-7980-1

Holmes, Su ORCID: https://orcid.org/0000-0003-4243-8337 (2010) Reality TV and 'Ordinary' People: Re-visiting Celebrity, Performance and Authenticity. In: Trans-Reality Television: The Transgression of Reality, Genre, Politics and Audience. Lexington Books, Plymouth, pp. 251-274. ISBN 978-0-7391-3188-6

I

Inthorn, Sanna (2010) ‘Europe divided, or Europe united? German and British press coverage of the 2008 European Championship’. Soccer & Society, 11 (6). pp. 790-802. ISSN 1466-0970

Inthorn, Sanna and Boyce, Tammy (2010) ‘It’s disgusting how much salt you eat!’ Television discourses of obesity, health and morality. International Journal of Cultural Studies, 13 (1). pp. 83-100. ISSN 1460-356X

J

Jancovich, Mark (2010) Phantom Ladies: the War Worker, the Slacker and the "Femme Fatale". New Review of Film and Television Studies, 8 (2). pp. 164-178. ISSN 1740-0309

Jancovich, Mark (2010) "Samuel Bronston’s Latest Epic": Spectacle, Heterogeneity and Nation in the Critical Reception of El Cid (1961). Comparative American Studies, 8 (4). pp. 300-15. ISSN 1741-2676

Jancovich, Mark (2010) 'An Italianmade Spectacle Film Dubbed in English': Cultural Distinctions, National Cinema and the Critical Reception of the Postwar Historical Epic. In: The Epic Film in World Culture. Routledge, New York. ISBN 9780415990189

Jancovich, Mark (2010) 'Two Ways of Looking': Affection and Aversion in the Critical Reception of 1940s Horror. Cinema Journal, 49 (3). ISSN 0009-7101

Jancovich, Mark and Snelson, Tim (2010) Horror at the Crossroads: Class, Gender and Taste at the Rialto Cinema (Times Square) in the 1940s. In: From the Art House to the Grindhouse: Highbrow and Lowbrow Transgression in Cinema's First Century. Scarecrow. ISBN 9780810876545

Johnston, Keith ORCID: https://orcid.org/0000-0002-1989-8549 (2010) Underground, Overground: Remembering The Wombles. In: Culture and Society in 1970s Britain: The Lost Decade. Cambridge Scholars Publishing, Cambridge, pp. 154-163. ISBN 9781443817349

Johnston, Keith M ORCID: https://orcid.org/0000-0002-1989-8549 (2010) Ealing's Colour Aesthetic: Saraband for Dead Lovers. Journal of British Cinema and Television, 7 (1). pp. 21-33. ISSN 1755-1714

K

Kramer, Peter (2010) 2001: A Space Odyssey. BFI Film Classics . British Film Institute, London. ISBN 9781844572861

Kramer, Peter (2010) Steven Spielberg. In: Fifty Contemporary Film Directors. Second Edition. Routledge, London, pp. 372-80. ISBN 9780415497664 (hbk) 9780415554336 (pbk) 9780203844342 (ebk)

M

Mills, Brett (2010) Being Rob Brydon: Performing the Self in Comedy. Celebrity Studies, 1 (2). pp. 190-202. ISSN 1939-2400

Mills, Brett (2010) On Television Comedy as an Invented Tradition. Media International Australia, 134 (1). pp. 64-73. ISSN 2200-467X

Mills, Brett (2010) Television wildlife documentaries and animals' right to privacy. Journal of Media and Cultural Studies, 12 (2). pp. 193-202.

Mills, Brett (2010) Contemporary Comedy Performance in British Sitcom. In: Genre and Performance: Film and Television. Manchester University Press.

Mills, Brett (2010) I'm Anti-Little Britain, and I'm Worried I Might Start Laughing: Audience Responses to Little Britain. In: Reading 'Little Britain': Comedy Matters on Contemporary Television: Yeah But Groundbreaking TV Comedy. IB Tauris, pp. 147-70. ISBN 9781845119393

Mills, Brett (2010) Those Pig-Men Things. Media Culture Journal, 13 (5).

Mills, Brett (2010) Why We Should consider the Privacy of Animals. The Guardian Online.

P

Phillips, Tom ORCID: https://orcid.org/0000-0003-1732-4514 (2010) Embracing the “Overly Confessional”: Scholar-Fandom and Approaches to Personal Research. Flow, 13 (5).

Q

Qureshi, Kamran and Qureshi, Iram (2010) Beyond the Silence of the Sea. [Performance]

R

Rimmer, Mark ORCID: https://orcid.org/0000-0001-6916-6795 (2010) Harte Musik und weiche Jungs, Kulturaustausch: Großbritannien. EPRINTS-JOURNAL, 1.

Rimmer, Mark ORCID: https://orcid.org/0000-0001-6916-6795 (2010) Listening to the monkey: class and youth in the formation of a musical habitus. Ethnography, 11 (2). pp. 255-283.

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Smith, C L, Dickinson, P, Craigon, M, Ross, A, Khondoker, M R ORCID: https://orcid.org/0000-0002-1801-1635, Forster, T, Ivens, A, Jackson, A, Lacaze, P, Stenson, B J and Ghazal, P (2010) 80 Microarray Investigation of Host Rna Expression Profiles in Neonatal Infection. In: UNSPECIFIED.

Street, J. ORCID: https://orcid.org/0000-0001-9650-063X and Inthorn, S. (2010) "You're an American rapper, so what do you know?" The political uses of British and US popular culture by first-time voters in the UK. New Political Science, 32 (4). pp. 471-484. ISSN 0739-3148

Street, John ORCID: https://orcid.org/0000-0001-9650-063X and Inthorn, Sanna (2010) “You're an American Rapper, So What Do You Know?” The Political Uses of British and US Popular Culture by First-Time Voters in the United Kingdom. Doing Democracy: Activist Art and Cultural Politics. pp. 177-200.

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Tasker, Yvonne (2010) Action Television/Crime Television: Sensation and Attraction. Flow, 13 (2).

Tasker, Yvonne (2010) "Aging and Action Authenticity". In Media Res.

Tasker, Yvonne (2010) Vision and Visibility:Women Filmmakers, Contemporary Authorship and Feminist Film Studies. In: Reclaiming the Archive: Feminism and Film History. Wayne State University Press.

Tasker, Yvonne and Atakav, Eylem ORCID: https://orcid.org/0000-0001-5718-5614 (2010) The Hurt Locker: Male Intimacy, Violence and The Iraq War Movie. Sine, 1 (2).

Tasker, Yvonne (2010) Fifty Contemporary Film Directors. Routledge.

W

Williams, Melanie and Newland, Paul (2010) Staccato and wrenchingly modern: reflections of the 1970s stardom of Glenda Jackson. In: Don't Look Now? British Cinema in the 1970s. Intellect Press.

Winch, Alison (2010) ‘Iphis her wish (however wild) obtain’d’:Lady Mary Wortley Montagu and Sexual Metamorphoses. In: Ovid’s Metamorphoses in English Poetry. Peter Lang, Frankfurt, pp. 185-196. ISBN 978-3-8253-5520-3