(2009) Going Digital: Implications and opportunities for cinema in Australia and New Zealand (Guest Editor, Special Issue). Studies in Australasian Cinema, 3 (2). pp. 151-222.
(2009) Researching Australian Film Exhibition and Distribution (Journal Editor). Griffith University, Brisbane.
Barker, Martin (2009) Changing lives, challenging concepts: Some findings and lessons from the Lord of the Rings project. International Journal of Cultural Studies, 12 (4). pp. 375-394. ISSN 1460-356X
Barker, Martin (2009) Fantasy audiences versus fantasy audiences. In: Film Theory and Contemporary Hollywood Movies. Routledge, London, pp. 286-309.
Cornea, Christine (2009) Showrunning the Doctor Who Franchise. In: Production Studies: Cultural Studies of Media Industries. Routledge. ISBN 9780415997966
Holmes, Su ORCID: https://orcid.org/0000-0003-4243-8337
(2009)
Jade's back and this time she's famous: Narratives of celebrity in the Celebrity Big Brother 'race' row.
Entertainment and Sports Law Journal, 7 (1).
Holmes, Su ORCID: https://orcid.org/0000-0003-4243-8337
(2009)
Television Talent Shows. ‘”Thank You, Voters”: Approaching the Audience for Music and Television in the Reality-Pop Phenomenon.
In:
Sound and Music in Film and Visual Media A Critical Overview A Critical Overview.
Continuum.
ISBN 9780826458247
Holmes, Su ORCID: https://orcid.org/0000-0003-4243-8337
(2009)
This outlet for criticism could ginger up the whole climate in which television is watched: (Re)viewing Points of View - Audience, Access and Participation.
Critical Studies in Television, 4 (1).
pp. 4-25.
ISSN 1749-6039
Holmes, Su ORCID: https://orcid.org/0000-0003-4243-8337
(2009)
The television audience cannot be expected to bear too much reality…The Family (BBC, 1974) and Reality TV.
In:
The Tube Has Spoken, Reality TV as History.
University Press of Kentucky, pp. 98-123.
ISBN 978-0813125534
Jancovich, Mark (2009) Shadows and Bogeymen: Horror, Stylization and the Critical Reception of Orson Welles during the 1940s. Participations, 6 (1). pp. 1-27.
Jancovich, Mark (2009) "Thrills and Chills": Horror, the Woman’s Film and the Origins of Film Noir. New Review of Film and Television Studies, 7 (2). pp. 157-171. ISSN 1740-0309
Jancovich, Mark and Johnson, Derek (2009) Film and TV: the 1950s. In: The Routledge Companion to Science Fiction. Routledge, pp. 71-79. ISBN 041545378X
Johnston, Keith ORCID: https://orcid.org/0000-0002-1989-8549
(2009)
Coming Soon: Film Trailers and the Selling of Hollywood Technology.
McFarland & Co Inc.
ISBN 9780786444328
Kramer, Peter (2009) 'Dear Mr. Kubrick': Audience Responses to 2001: A Space Odyssey in the Late 1960s. Participations: Journal of Audience and Reception Studies, 6 (2). pp. 1-20.
Kramer, Peter (2009) ‘He’s very good at work not involving little creatures, you know’: Schindler’s List, E.T. and the Shape of Steven Spielberg's Career. New Review of Film and Television Studies, 7 (1). pp. 23-32. ISSN 1740-7923
Kramer, Peter (2009) Welterfolg und Apokalypse: Überlegungen zur Transnationalität des zeitgenössischen Hollywood. In: Film transnational: europäische und amerikanische Perspektiven. Paderborn: Wilhelm Fink Verlag, pp. 171-184. ISBN 9783770548033
Rimmer, Mark ORCID: https://orcid.org/0000-0001-6916-6795
(2009)
Instrumental' playing? Cultural policy and young people's community music participation.
International Journal of Cultural Policy, 15 (1).
pp. 71-90.
ISSN 1477-2833
Snelson, Tim ORCID: https://orcid.org/0000-0002-8282-2432
(2009)
'From grade B thrillers to deluxe chillers': prestige horror, female audiences, and allegories of spectatorship in The Spiral Staircase (1946).
New Review of Film and Television Studies, 7 (2).
pp. 173-188.
ISSN 1740-0309
Tasker, Yvonne (2009) "Comic Situations/Endless War: MASH and war as entertainment". In: War isn't Hell, It's Entertainment. McFarland, pp. 132-49. ISBN 9780786435586
Warner, Helen (2009) Style over Substance?: Fashion, Spectacle and Narrative in Contemporary US Television. Journal of Popular Narrative Media.
Watson, Clare (2009) Babies, Kids, Cartoons and Comedies: Children and Pathescope’s 9.5mm Home Cinema in Britain. In: Movies on Home Ground: Explorations in Amateur Cinema,. Cambridge Scholars Publishing.
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2009)
British Women's Cinema.
Routledge, London.
ISBN 9780415466974
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2009)
A Girl Alone in a Man's World: Ice Cold in Alex (1958) and the place of women in the 1950s British war film cycle.
Feminist Media Studies, 9 (1).
pp. 95-108.
ISSN 1471-5902
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2009)
Prisoners of Gender: Women in the Films of J. Lee Thompson: A new approach to British cinema of the 1950s.
VDM Verlag Dr. Müller.
ISBN 9783639116946
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2009)
Twilight women of 1950s British cinema.
In:
The British Cinema Book,.
British Film Institute, London.
ISBN 9781844572755
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X and Bell, Melanie
(2009)
The hour of the cuckoo: reclaiming the British women's film.
In:
British Women's Cinema.
Routledge, London, pp. 1-18.
ISBN 9780415466974
Fitzgerald, Louise (2009) Negotiating lone motherhood : gender, politics and family values in contemporary popular cinema. Doctoral thesis, University of East Anglia.
Johnston, Derek (2009) Genre, taste and the BBC : the origins of British television science fiction. Doctoral thesis, University of East Anglia.