Items where School is "School of Film and Television Studies (former - to 2012)

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Barker, Martin (2009) Changing lives, challenging concepts: Some findings and lessons from the Lord of the Rings project. International Journal of Cultural Studies, 12 (4). pp. 375-394. ISSN 1460-356X

Barker, Martin (2009) Fantasy audiences versus fantasy audiences. In: Film Theory and Contemporary Hollywood Movies. Routledge, London, pp. 286-309.

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Cornea, Christine (2009) Showrunning the Doctor Who Franchise. In: Production Studies: Cultural Studies of Media Industries. Routledge. ISBN 9780415997966

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Fitzgerald, Louise (2009) Negotiating lone motherhood : gender, politics and family values in contemporary popular cinema. Doctoral thesis, University of East Anglia.

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Holmes, Su ORCID: https://orcid.org/0000-0003-4243-8337 (2009) Jade's back and this time she's famous: Narratives of celebrity in the Celebrity Big Brother 'race' row. Entertainment and Sports Law Journal, 7 (1).

Holmes, Su ORCID: https://orcid.org/0000-0003-4243-8337 (2009) Television Talent Shows. ‘”Thank You, Voters”: Approaching the Audience for Music and Television in the Reality-Pop Phenomenon. In: Sound and Music in Film and Visual Media A Critical Overview A Critical Overview. Continuum. ISBN 9780826458247

Holmes, Su ORCID: https://orcid.org/0000-0003-4243-8337 (2009) This outlet for criticism could ginger up the whole climate in which television is watched: (Re)viewing Points of View - Audience, Access and Participation. Critical Studies in Television, 4 (1). pp. 4-25. ISSN 1749-6039

Holmes, Su ORCID: https://orcid.org/0000-0003-4243-8337 (2009) The television audience cannot be expected to bear too much reality…The Family (BBC, 1974) and Reality TV. In: The Tube Has Spoken, Reality TV as History. University Press of Kentucky, pp. 98-123. ISBN 978-0813125534

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Jancovich, Mark (2009) Shadows and Bogeymen: Horror, Stylization and the Critical Reception of Orson Welles during the 1940s. Participations, 6 (1). pp. 1-27.

Jancovich, Mark (2009) "Thrills and Chills": Horror, the Woman’s Film and the Origins of Film Noir. New Review of Film and Television Studies, 7 (2). pp. 157-171. ISSN 1740-0309

Jancovich, Mark and Johnson, Derek (2009) Film and TV: the 1950s. In: The Routledge Companion to Science Fiction. Routledge, pp. 71-79. ISBN 041545378X

Johnston, Keith ORCID: https://orcid.org/0000-0002-1989-8549 (2009) Coming Soon: Film Trailers and the Selling of Hollywood Technology. McFarland & Co Inc. ISBN 9780786444328

Johnston, Derek (2009) Genre, taste and the BBC : the origins of British television science fiction. Doctoral thesis, University of East Anglia.

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Kramer, Peter (2009) 'Dear Mr. Kubrick': Audience Responses to 2001: A Space Odyssey in the Late 1960s. Participations: Journal of Audience and Reception Studies, 6 (2). pp. 1-20.

Kramer, Peter (2009) ‘He’s very good at work not involving little creatures, you know’: Schindler’s List, E.T. and the Shape of Steven Spielberg's Career. New Review of Film and Television Studies, 7 (1). pp. 23-32. ISSN 1740-7923

Kramer, Peter (2009) Welterfolg und Apokalypse: Überlegungen zur Transnationalität des zeitgenössischen Hollywood. In: Film transnational: europäische und amerikanische Perspektiven. Paderborn: Wilhelm Fink Verlag, pp. 171-184. ISBN 9783770548033

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Rimmer, Mark ORCID: https://orcid.org/0000-0001-6916-6795 (2009) Instrumental' playing? Cultural policy and young people's community music participation. International Journal of Cultural Policy, 15 (1). pp. 71-90. ISSN 1477-2833

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Snelson, Tim ORCID: https://orcid.org/0000-0002-8282-2432 (2009) 'From grade B thrillers to deluxe chillers': prestige horror, female audiences, and allegories of spectatorship in The Spiral Staircase (1946). New Review of Film and Television Studies, 7 (2). pp. 173-188. ISSN 1740-0309

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Tasker, Yvonne (2009) "Comic Situations/Endless War: MASH and war as entertainment". In: War isn't Hell, It's Entertainment. McFarland, pp. 132-49. ISBN 9780786435586

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Warner, Helen (2009) Style over Substance?: Fashion, Spectacle and Narrative in Contemporary US Television. Journal of Popular Narrative Media.

Watson, Clare (2009) Babies, Kids, Cartoons and Comedies: Children and Pathescope’s 9.5mm Home Cinema in Britain. In: Movies on Home Ground: Explorations in Amateur Cinema,. Cambridge Scholars Publishing.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2009) British Women's Cinema. Routledge, London. ISBN 9780415466974

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2009) A Girl Alone in a Man's World: Ice Cold in Alex (1958) and the place of women in the 1950s British war film cycle. Feminist Media Studies, 9 (1). pp. 95-108. ISSN 1471-5902

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2009) Prisoners of Gender: Women in the Films of J. Lee Thompson: A new approach to British cinema of the 1950s. VDM Verlag Dr. Müller. ISBN 9783639116946

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2009) Twilight women of 1950s British cinema. In: The British Cinema Book,. British Film Institute, London. ISBN 9781844572755

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X and Bell, Melanie (2009) The hour of the cuckoo: reclaiming the British women's film. In: British Women's Cinema. Routledge, London, pp. 1-18. ISBN 9780415466974