Items where School is "School of Art, Media and American Studies (former - to 2024)

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Aoyagi, M and Matsuda, Akira (2005) The Concept and System of World Heritage (Sekai isan no rinen to seido). In: World Heritage and the Study of History (Sekai isan to Rekishi gaku). Yamakawa Shuppan, Tokyo, pp. 5-25.

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Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2005) Images of Peru: a national cinema in crisis. In: Latin American Cinema Essays on Modernity, Gender and National Identity. McFarland & Co Inc. ISBN 978-0-7864-2004-9

Bigsby, Chris and Temperley, Howard (2005) A New Introduction to American Studies. Longman. ISBN 0582894379

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Cornea, Christine (2005) The Figuration of the Cyborg in Science Fiction Novels and Films. In: Companion to Science Fiction (Blackwell Companions to Literature & Culture). Blackwell Publishing, pp. 275-288. ISBN 9781405112185

Cornea, Christine (2005) Techno-Orientalism and the Postmodern Subject. In: Screen Methods: Comparative Readings in Film Studies. Wallflower Press, pp. 72-81. ISBN 1904764347

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Denison, Rayna (2005) Disembodied Voices: The Soundscape and Stars of Princess Mononoke. Scope. ISSN 1465-9166

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Hand, Richard ORCID: https://orcid.org/0000-0002-2076-1435 (2005) Aesthetics of Cruelty:Traditional Japanese Theatre and the Horror Film. In: Japanese Horror Cinema. Edinburgh University Press. ISBN 9780748619955

Hand, Richard ORCID: https://orcid.org/0000-0002-2076-1435 (2005) Gennaro from Lucretia Borgia. In: Classical Monologues for Men. Methuen: London. ISBN 9780413775337

Hand, Richard ORCID: https://orcid.org/0000-0002-2076-1435 (2005) 'Lucretia' from Lucretia Borgia. In: Classical Monologues for Women [Audition Speeches]. Methuen: London. ISBN 9780413775344

Hand, Richard ORCID: https://orcid.org/0000-0002-2076-1435 (2005) Reanimating Peyton Farquhar: The Adaptations of Ambrose Bierce’s ‘An Occurrence at Owl Creek Bridge’. Ambrose Bierce Project Journal, 1 (1). ISSN 1939-4578

Hand, Richard ORCID: https://orcid.org/0000-0002-2076-1435 (2005) Theatres of Interactivity:Video Games in the Drama Studio. In: Digital Gameplay. McFarland. ISBN 978-0-7864-2292-0

Hand, Richard J. ORCID: https://orcid.org/0000-0002-2076-1435 (2005) The Theatre of Joseph Conrad:Reconstructed Fictions. Palgrave. ISBN 978-1-4039-1899-4

Hines, Claire (2005) 'Sean Connery Is James Bond’: Re-Fashioning British Masculinity in the 1960s. In: Fashioning Film Stars: Dress, Culture, Identity. UNSPECIFIED. ISBN 9781844570676

Holmes, Su ORCID: https://orcid.org/0000-0003-4243-8337 (2005) British TV and Film Culture of the 1950s: Coming to a TV Near You! Intellect Books. ISBN 1841501212

Holmes, Su ORCID: https://orcid.org/0000-0003-4243-8337 (2005) Designed ‘Specially for Television Purposes and Technique’: The Development of the Television Cinema Programme. Historical Journal of Film, Radio and Television, 25 (3). pp. 455-475. ISSN 1465-3451

Holmes, Su ORCID: https://orcid.org/0000-0003-4243-8337 (2005) “It’s a woman!”: The question of gender in Who Wants to be a Millionaire. Screen, 46 (2). pp. 155-173. ISSN 1460-2474

Holmes, Su ORCID: https://orcid.org/0000-0003-4243-8337 (2005) The ‘Moron Factory?’: Debating ‘Ordinary’ People and Reality TV. Anglo Files: The Journal of English Teaching. pp. 12-19.

Holmes, Su ORCID: https://orcid.org/0000-0003-4243-8337 (2005) Not the final answer: Critical approaches to the quiz show and Who Wants to Be a Millionaire. European Journal of Cultural Studies, 8 (4). pp. 483-503. ISSN 1460-3551

Holmes, Su ORCID: https://orcid.org/0000-0003-4243-8337 (2005) ”Off guard, Unkempt, Unready?”: Deconstructing contemporary celebrity in Heat magazine. Journal of Media and Cultural Studies, 19 (1). pp. 21-38.

Holmes, Su ORCID: https://orcid.org/0000-0003-4243-8337 (2005) ‘Starring… Dyer?’: Re-visiting star studies and contemporary celebrity culture. Westminster Papers in Communication and Culture, 2 (2). pp. 6-21. ISSN 1744-6716

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Jancovich, Mark (2005) Eine fortschrittliche Stadt und ihre Kinos: Technologie, Moderne and das Spektekel de Reichtums. In: Umwidmungen: architektonische und Kinematographische Räume. Vorwerk 8, pp. 230-244. ISBN 3930916703

Jancovich, Mark (2005) The Meaning of Mystery: Genre, Marketing and the Universal Sherlock Holmes Series of the 1940's. Film International, 3 (17). pp. 34-45.

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Lewis, Justin, Inthorn, Sanna and Wahl-Jorgensen, Karin (2005) Citizens or Consumers? : What the media tell us about political participation. Open University Press. ISBN 0335215556

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Matsuda, Akira (2005) Public archaeology at archaeological sites: case studies in Britain and applicability in Japan. Journal of the Japanese Society for Cultural Heritage (Isekigaku Kenkyû), 2. pp. 90-101.

Matsuda, Akira (2005) Vano 33. In: Annual Report of the Center for Evolving Humanities: Study of Cultural Exchange 18: VRC01 Preliminary Report (excavation report). Tokyo, University of Tokyo.

Matsuda, Akira and Okamura, K (2005) The frontier of public archaeology. Quarterly of Archaeological Studies (Kôkogaku Kenkyû), 52 (1). pp. 100-103.

McLaughlin, Malcolm ORCID: https://orcid.org/0000-0003-4139-1151 (2005) Power, Community, and Racial Killing in East St. Louis. Palgrave Macmillan. ISBN 1403970785

Mills, Brett (2005) Television Sitcom. British Film Institute. ISBN 1844570886

Mitchell, Jonathan (2005) ‘Jim Stark’s ‘Barbaric Yawp,’ Rebel Without a Cause and the Cold War Crisis in Masculinity’. In: Rebel Without a Cause: Approaches to a Maverick Masterwork. SUNY Press, pp. 131-147. ISBN 9780791466469

Monks, Sarah (2005) Our Man in Havana: Representation and Reputation in Lieutenant Philip Orsbridge’s Britannia’s Trium. In: Conflicting Visions: War and Visual Culture 1600-1850. Ashgate Publishing. ISBN 978-0754605751

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Noel-Tod, Jeremy ORCID: https://orcid.org/0000-0002-0772-1770 (2005) Further study:Teaching unfamiliar texts. Cambridge Quarterly, 34 (3). pp. 281-283. ISSN 0008-199X

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Qureshi, Kamran ORCID: https://orcid.org/0000-0002-1859-2257 (2005) Riyasat. [Performance]

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Riggs, Christina (2005) The Beautiful Burial in Roman Egypt: Art, Identity, and Funerary Religion (Oxford Studies in Ancient Culture & Representation). Oxford University Press. ISBN 019927665X

Ruys Smith, Thomas ORCID: https://orcid.org/0000-0002-9177-9536 (2005) Independence Day, 1835: The John A. Murrell Conspiracy and the Lynching of the Vicksburg Gamblers in Literature. Mississippi Quarterly, 59 (1/2). pp. 129-160.

Rycroft, Daniel and Raj Tudu, Joy (2005) Hul Sengel: The Spirit of the Santal Revolution. [Performance]

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Selby, Nick ORCID: https://orcid.org/0000-0002-5255-0421 (2005) "Created Space" Mapping America as poem in Gary Snyder's Mountains and Rivers Without End and Susan Howe's Secret History of the Dividing Line. Journal of American Studies, 39 (01). pp. 41-64. ISSN 1469-5154

Selby, Nick ORCID: https://orcid.org/0000-0002-5255-0421 (2005) Mythologies of 'Ecstatic Immersion': America, The Poem, and the Ethics of Lyric in Jorie Graham and Lisa Jarnot. In: American Mythologies: New Essays on Contemporary Literature. Liverpool University Press, Liverpool, pp. 202-225. ISBN 0853237360/ 0853237468

Selby, Nick ORCID: https://orcid.org/0000-0002-5255-0421 (2005) Poetics of Loss in the Cantos of Ezra Pound: From Modernism to Fascism (Studies in British Literature). Edwin Mellen Press Ltd. ISBN 0773460551

Szirtes, George (2005) Conversations in Bolzano. Penguin. ISBN 0670915343

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Tasker, Yvonne and Negra, Diane (2005) In Focus: Postfeminism and Contemporary Media Studies. Cinema Journal, 44 (2). pp. 107-133.

Tillett, Rebecca ORCID: https://orcid.org/0000-0003-2219-6713 (2005) Reality consumed by realty: The ecological costs of ‘development’ in Leslie Marmon Silko’s Almanac of the Dead. European Journal of American Culture, 24 (2). pp. 153-169.

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Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2005) "I'm not a lady!”: Tiger Bay and transitional girlhood in British cinema on the cusp of the 1960s. Screen, 46 (3). pp. 361-372. ISSN 1460-2474

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2005) Julie Christie: Honey-Glow Girl. Sight and Sound, 15 (12). p. 36.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2005) '‘No Love for Johnnie’'. In: 24 Frames: The Cinema of Britain and Ireland. Wallflower. ISBN 978-1904764380