Items where Author is "Marsh, Hazel"

Article

Marsh, Hazel ORCID: https://orcid.org/0000-0003-1633-6484, Wettermark, Esbjörn and Hore, Tiffany (2024) How Romani Gypsy and Traveller people have shaped Britain’s musical heritage. The Conversation.

Few, Roger, Ranjit, Nihal, Nalla, Vineetha, Jain, Garima, Tebboth, Mark G. L. ORCID: https://orcid.org/0000-0003-1193-8080, Singh, Chandni, Chhotray, Vasudha and Marsh, Hazel ORCID: https://orcid.org/0000-0003-1633-6484 (2023) ‘We are not in the same boat’: Representations of disaster and recovery in India. International Journal of Disaster Risk Reduction, 92. ISSN 2212-4209

Few, Roger, Ramírez, Viviana, Armijos, Maria Teresa ORCID: https://orcid.org/0000-0003-1020-6056, Hernández, Lina Andrea Zambrano and Marsh, Hazel ORCID: https://orcid.org/0000-0003-1633-6484 (2021) Moving with risk: Forced displacement and vulnerability to hazards in Colombia. World Development, 144. ISSN 0305-750X

Marsh, Hazel ORCID: https://orcid.org/0000-0003-1633-6484 (2021) ‘Our Culture’s Not for Sale!’: Music and the Asamblea Popular de los Pueblos de Oaxaca in Mexico. Bulletin of Latin American Research, 40 (3). pp. 416-431. ISSN 0261-3050

Few, Roger, Marsh, Hazel ORCID: https://orcid.org/0000-0003-1633-6484, Jain, Garima, Singh, Chandni and Tebboth, Mark ORCID: https://orcid.org/0000-0003-1193-8080 (2021) Representing recovery: How the construction and contestation of needs and priorities can shape long-term outcomes for disaster-affected people. Progress in Development Studies, 21 (1). pp. 7-25. ISSN 1464-9934

Marsh, Hazel ORCID: https://orcid.org/0000-0003-1633-6484, Armijos Burneo, Teresa ORCID: https://orcid.org/0000-0003-1020-6056 and Few, Roger (2020) “Telling it in our own way”: Doing music-enhanced interviews with people displaced by violence in Colombia. New Area Studies, 1 (1). pp. 132-164. ISSN 2633-3716

Marsh, Hazel ORCID: https://orcid.org/0000-0003-1633-6484 (2019) Tropical Riffs: Latin America and the Politics of Jazz, by Borge, Jason. Bulletin of Latin American Research, 38 (5). pp. 680-681. ISSN 0261-3050

Marsh, Hazel ORCID: https://orcid.org/0000-0003-1633-6484 (2018) Gypsy Christmas food bank challenge is just one of their many contributions to society. The Conversation.

Marsh, Hazel ORCID: https://orcid.org/0000-0003-1633-6484 (2018) Mexico’s Historic 2018 Elections. Eastminster.

Marsh, Hazel ORCID: https://orcid.org/0000-0003-1633-6484 (2018) We Shall Not Be Moved/No Nos Moverán: Biography of a Song of Struggle - by Spener, David. Bulletin of Latin American Research, 37 (1). pp. 114-116. ISSN 0261-3050

Marsh, Hazel ORCID: https://orcid.org/0000-0003-1633-6484 (2017) Venezuela’s long history of racism is coming back to haunt it. The Conversation.

Marsh, Hazel ORCID: https://orcid.org/0000-0003-1633-6484 (2017) The Militant Song Movement in Latin America: Chile, Uruguay and Argentina - by Vila, Pablo. Bulletin of Latin American Research, 36 (3). 387–388. ISSN 0261-3050

Marsh, Hazel ORCID: https://orcid.org/0000-0003-1633-6484 (2017) Hugo Chávez, Alí Primera, and the politics of popular music in Venezuela. The Conversation.

Marsh, Hazel ORCID: https://orcid.org/0000-0003-1633-6484 (2017) Chilean New Song: The Political Power of Music, 1960s–1973 - by McSherry, J. Patrice. Bulletin of Latin American Research, 36 (1). 116–117. ISSN 0261-3050

Marsh, Hazel ORCID: https://orcid.org/0000-0003-1633-6484 (2016) Losing my Ethnicity: When is a Gypsy not a Gypsy? Travellers Times.

Marsh, Hazel ORCID: https://orcid.org/0000-0003-1633-6484 (2016) Don’t rain on the parade: an eyewitness account of Obama’s visit to Cuba. Eastminster.

Marsh, Hazel ORCID: https://orcid.org/0000-0003-1633-6484 (2014) George Borrow and the representation of English Gypsies. Journal of the George Borrow Trust.

Marsh, Hazel ORCID: https://orcid.org/0000-0003-1633-6484 (2012) Popular Music and Human Rights I and II. Ian Peddie (ed.). Ashgate. Volume: The French Journal of Popular Music Studies, 9 (1). pp. 177-181.

Marsh, Hazel ORCID: https://orcid.org/0000-0003-1633-6484 (2011) Música Norteña: Mexican Migrants Creating a Nation between Nations. Cathy Ragland. Temple University Press. Popular Music, 30 (1). ISSN 1474-0095

Marsh, Hazel ORCID: https://orcid.org/0000-0003-1633-6484 (2010) 'Writing our History in Songs': Judith Reyes, Popular Music and the Student Movement of 1968. Reflections on Mexico '68, 29 (s1). pp. 144-159.

Marsh, Hazel ORCID: https://orcid.org/0000-0003-1633-6484 (2009) Governing Sound: the Cultural Politics of Trinidad’s Carnival Musics. Jocelyne Guilbault. University of Chicago Press. Popular Music, 28. ISSN 1474-0095

Marsh, Hazel ORCID: https://orcid.org/0000-0003-1633-6484 (2007) Black Rhythms of Peru: Reviving African Musical Heritage in the Black Pacific. Heidi Carolyn Feldman. Wesleyan University Press: Connecticut. Popular Music, 26 (3). pp. 513-514. ISSN 1474-0095

Marsh, Hazel ORCID: https://orcid.org/0000-0003-1633-6484 (2007) The Resisting Muse: Popular Music and Social Protest. Ed. Ian Peddie. Ashgate. Popular Music, 26 (2). ISSN 1474-0095

Marsh, Hazel ORCID: https://orcid.org/0000-0003-1633-6484 and Papanikolau, Dimitris (2007) Singing Poets: Literature and Popular Music in France and Greece. Dimitris Papanikolau. Legenda: Oxford. Popular Music, 27 (2). ISSN 1474-0095

Marsh, Hazel ORCID: https://orcid.org/0000-0003-1633-6484 (2006) Gabriela Mistral: Selected Poems. Translators Paul Burns and Salvador Ortiz-Carboneres. Aris & Phillips. In Other Words: The Journal for Literary Translators, 28 (Winter).

Book Section

Marsh, Hazel ORCID: https://orcid.org/0000-0003-1633-6484, Hulmes, Allison and Peacock, Jane (2024) Inclusive Curriculum Design, Anti-Oppressive Pedagogy and Gypsy, Traveller, Roma, Showmen and Boater Communities. In: Supporting Gypsy, Traveller, Roma, Showmen and Boaters (GTRSB) in Higher Education. Work and Employment Research Unit, University of Greenwich, pp. 54-68.

Hopkinson, Amanda and Marsh, Hazel ORCID: https://orcid.org/0000-0003-1633-6484 (2020) ‘Activist Narratives: Latin American Testimonies in Translation’. In: The Routledge Handbook of Translation and Activism. Routledge, UK.

Marsh, Hazel ORCID: https://orcid.org/0000-0003-1633-6484 (2016) Popular music and politics in Venezuela in the Chávez period. In: The Statesman's Yearbook 2016. UNSPECIFIED. ISBN 978-1-137-43998-7

Marsh, Hazel ORCID: https://orcid.org/0000-0003-1633-6484 (2013) La cultura es el pueblo: Cultural Policy and 21st Century Socialism. In: Alternativa Bolivariana para las Americas (ALBA) and Counter-Globalization: Resistance and the Construction of 21st Century Socialism. Routledge.

Marsh, Hazel ORCID: https://orcid.org/0000-0003-1633-6484 (2010) The Sowing of a Singer: Ali Primera and New Song in Contemporary Venezuela. In: Sounds of the Overground: Music and Everyday Life. Turka: International Institute for Popular Culture.

Marsh, Hazel ORCID: https://orcid.org/0000-0003-1633-6484 (2009) ‘“Not Easy Listening?” British Gypsies and their Music’. In: World Music: The Rough Guide. Rough Guides: London..

Marsh, Hazel ORCID: https://orcid.org/0000-0003-1633-6484 (2005) Remembering Arthur Miller. In: Remembering Arthur Miller. Methuen: London. ISBN 0413775526

Book

Few, Roger, Jain, Garima, Singh, Chandni, Tebboth, Mark ORCID: https://orcid.org/0000-0003-1193-8080, Chhotray, Vasudha, Marsh, Hazel ORCID: https://orcid.org/0000-0003-1633-6484, Ranjit, Nihal and Madhavan, Mythili (2021) Why representation matters in disaster recovery. British Academy.

Marsh, Hazel ORCID: https://orcid.org/0000-0003-1633-6484 (2016) Hugo Chávez, Alí Primera and Venezuela:The Politics of Music in Latin America. Palgrave Studies in the History of Subcultures and Popular Music . Palgrave Macmillan. ISBN 978-1-137-57967-6