Items where Author is "Nowell-Smith, David"

Article

Nowell Smith, David ORCID: https://orcid.org/0000-0001-9840-2507 (2023) Attuning ourselves to tunes. English, 71 (275). 295–303. ISSN 0013-8215

Nowell Smith, David ORCID: https://orcid.org/0000-0001-9840-2507 (2022) Parsing Time in the Lyric. Critical Quarterly, 64 (4). pp. 138-154. ISSN 0011-1562

Nowell Smith, David ORCID: https://orcid.org/0000-0001-9840-2507 and Williams, Nonia ORCID: https://orcid.org/0000-0001-9666-2823 (2021) Decolonizing English Studies. English, 70 (270). 211–217. ISSN 0013-8215

Nowell Smith, David ORCID: https://orcid.org/0000-0001-9840-2507 and Williams, Nonia ORCID: https://orcid.org/0000-0001-9666-2823 (2021) An Introduction From/To The Editors. English, 70 (268). pp. 1-3. ISSN 0013-8215

Nowell Smith, David ORCID: https://orcid.org/0000-0001-9840-2507 (2021) The ontotheologics of 'personal data'. Internationales Jahrbuch für Medienphilosophie, 7 (1). pp. 123-138. ISSN 2194-7554

Nowell-Smith, David ORCID: https://orcid.org/0000-0001-9840-2507 (2019) Historical poetics and the register of history. Critical Quarterly, 61 (1). pp. 82-98. ISSN 0011-1562

Nowell Smith, David ORCID: https://orcid.org/0000-0001-9840-2507 (2019) W.S. Graham's three-accent line: "The Gradual Construction of a Timbre". Modern Philology, 116 (3). pp. 235-261. ISSN 0026-8232

Nowell Smith, David ORCID: https://orcid.org/0000-0001-9840-2507 (2018) Rhythm-sense-subject, or: The dynamic un/enfolding of sense. Comparative Critical Studies, 15 (3). pp. 349-367. ISSN 1744-1854

Nowell Smith, David ORCID: https://orcid.org/0000-0001-9840-2507 (2018) Poetry’s plastic medium: The example of W. S. Graham. Modernism/modernity, 3 (2). ISSN 1071-6068

Nowell Smith, David ORCID: https://orcid.org/0000-0001-9840-2507 (2018) Verse scored free: Scansion, recording, notation. ARCADE Colloquy: Prosody Histories, 153. pp. 34-49.

Nowell-Smith, David ORCID: https://orcid.org/0000-0001-9840-2507 (2016) In the midst of the suicide of the West, it was clear they didn't stand a chance. Critical Quarterly, 58 (3). pp. 27-46. ISSN 0011-1562

Nowell Smith, David ORCID: https://orcid.org/0000-0001-9840-2507 (2015) A Salute to Pierre Reverdy. PN Review, 41 (6). pp. 29-32. ISSN 0144-7076

Nowell Smith, David ORCID: https://orcid.org/0000-0001-9840-2507 (2014) Distending the Rhythmic Knot. Palimpsestes, 27. pp. 29-45. ISSN 2109-943X

Nowell Smith, David ORCID: https://orcid.org/0000-0001-9840-2507 (2014) Training the ear, or: On learning to hear the alexandrin. Thinking Verse, IV (ii). pp. 129-139.

Nowell Smith, David ORCID: https://orcid.org/0000-0001-9840-2507 (2013) 'An interrupter, a collective': Sean Bonney's Lyric Outrage. Etudes Britanniques Contemporaines, 45.

Nowell Smith, David ORCID: https://orcid.org/0000-0001-9840-2507 (2013) Editor's Introduction: Scansion. Thinking Verse, III. pp. 1-14.

Nowell Smith, David ORCID: https://orcid.org/0000-0001-9840-2507 (2012) Introduction: The Condition of Music. Thinking Verse II. pp. 1-8.

Nowell Smith, David ORCID: https://orcid.org/0000-0001-9840-2507 (2012) Surfaces: Painterly illusion, metaphysical depth. Paragraph, 35 (3). pp. 389-406. ISSN 0264-8334

Nowell Smith, David ORCID: https://orcid.org/0000-0001-9840-2507 (2012) Heidegger’s figures. Textual Practice, 26 (6). pp. 1045-1063. ISSN 0950-236X

Nowell Smith, David ORCID: https://orcid.org/0000-0001-9840-2507 (2012) Scaping the Land: The New British Pastoral. Chicago Review, 57 (3). pp. 182-193. ISSN 0009-3696

Nowell Smith, David ORCID: https://orcid.org/0000-0001-9840-2507 (2012) Vehement lyric: Political commitment in the work of young British poets. Paideutika. pp. 167-176.

Nowell Smith, David ORCID: https://orcid.org/0000-0001-9840-2507 (2012) Sounding/Silence. Proceedings of the Heidegger Circle 2012 Meeting, 46. pp. 277-291.

Nowell Smith, David ORCID: https://orcid.org/0000-0001-9840-2507 (2012) The Art of Fugue: Heidegger on Rhythm. Gatherings: The Heidegger Circle Annual II. pp. 41-64.

Nowell Smith, David ORCID: https://orcid.org/0000-0001-9840-2507 (2011) Introduction: Thinking Verse. Thinking Verse. pp. 1-16.

Nowell Smith, David ORCID: https://orcid.org/0000-0001-9840-2507 (2011) “These words take place”: W. S. Graham’s “The Nightfishing”. Essays in Modern British and Irish Poetry 5. pp. 229-244.

Nowell Smith, David ORCID: https://orcid.org/0000-0001-9840-2507 (2011) Of Gods and Humanitarians. Film Quarterly, 64 (1). pp. 59-61. ISSN 1533-8630

Nowell Smith, David ORCID: https://orcid.org/0000-0001-9840-2507 (2011) The poetry-verse distinction reconsidered. Thinking Verse, II. pp. 137-160.

Nowell Smith, David ORCID: https://orcid.org/0000-0001-9840-2507 (2010) An experience with rhythm: W. S. Graham. Etudes Britanniques Contemporaines. pp. 51-64.

Nowell Smith, David ORCID: https://orcid.org/0000-0001-9840-2507 (2008) Simone’s Cunt: an Exercise in Sovereignty. Revue Silène.

Book Section

Nowell Smith, David ORCID: https://orcid.org/0000-0001-9840-2507 (2023) What kind of evidence are poetry sound archives?:The BBC's Poetry Broadcasts: Institutional Politics and Performance Practices. In: Archives sonores de la poésie II. Les Presses du réel, Dijon, France. (In Press)

Nowell Smith, David ORCID: https://orcid.org/0000-0001-9840-2507 (2022) Teaching Attunement. In: Teaching the New English. Palgrave. (In Press)

Nowell Smith, David ORCID: https://orcid.org/0000-0001-9840-2507 (2022) Poem/Concept. In: The Cambridge Companion to the Poem. Cambridge University Press.

Nowell-Smith, David ORCID: https://orcid.org/0000-0001-9840-2507 (2020) Fragments on/of Voice. In: Sound and Literature. Cambridge University Press, pp. 56-73. ISBN 9781108855532

Nowell-Smith, David ORCID: https://orcid.org/0000-0001-9840-2507 (2019) Figures of/for voice. In: Oxford Encyclopedia of Literary Theory. Oxford University Press.

Nowell-Smith, David ORCID: https://orcid.org/0000-0001-9840-2507 (2019) What is called rhythm? In: Critical Rhythm. Fordham University Press. ISBN 9780823282036

Nowell Smith, David ORCID: https://orcid.org/0000-0001-9840-2507 (2013) Stéphane Mallarmé and the Ontologization of Poetry. In: Thinking Poetry: Philosophical Approaches to Nineteenth-Century French Poetry. Palgrave, New York, pp. 149-166.

Nowell Smith, David ORCID: https://orcid.org/0000-0001-9840-2507 (2013) I hold it towards you”: Alterity in Lyric Address. In: Ethics of Alterity in British Literature. Presses Universitaires de la Méditerranée, Montpellier, pp. 35-48.

Nowell Smith, David ORCID: https://orcid.org/0000-0001-9840-2507 (2010) James Kelman and the Politics of the Voice. In: Autonomy and Commitment in Twentieth Century British Literature. Presses Universitaires de la Méditerranée, Montpellier, pp. 253-262.

Book

Nowell Smith, David ORCID: https://orcid.org/0000-0001-9840-2507 (2022) W.S. Graham: The Poem as Art Object. Oxford University Press. ISBN 9780192842909

Nowell Smith, David ORCID: https://orcid.org/0000-0001-9840-2507 (2015) On Voice in Poetry:The Work of Animation. Language Discourse Society . Palgrave, Basingstoke. ISBN 9781137308221

Nowell Smith, David ORCID: https://orcid.org/0000-0001-9840-2507 (2013) Sounding/Silence:Martin Heidegger at the Limits of Poetics. Fordham University Press. ISBN 978-0823251537

Nowell Smith, David ORCID: https://orcid.org/0000-0001-9840-2507 (2013) Sounding/Silence: Martin Heidegger at the Limits of Poetics. Fordham University Press, New York.

Other

Noel-Tod, Jeremy ORCID: https://orcid.org/0000-0002-0772-1770, Nowell Smith, David ORCID: https://orcid.org/0000-0001-9840-2507 and Balfour, Sandy ORCID: https://orcid.org/0000-0002-7559-7994 (2022) BBC 100 Collection:Celebrating 100 years of poetry on the BBC. UNSPECIFIED.