Nowell Smith, David
ORCID: https://orcid.org/0000-0001-9840-2507
(2025)
How do we read poetry's data?
English.
ISSN 0013-8215
(In Press)
Nowell Smith, David
ORCID: https://orcid.org/0000-0001-9840-2507
(2025)
Richter, Gerhard. This Great Allegory: On World-Decay and World-Opening in the Work of Art.
MLN, 140 (5).
pp. 1281-1285.
ISSN 0026-7910
Nowell Smith, David
ORCID: https://orcid.org/0000-0001-9840-2507
(2023)
Attuning ourselves to tunes.
English, 71 (275).
295–303.
ISSN 0013-8215
Nowell Smith, David
ORCID: https://orcid.org/0000-0001-9840-2507
(2022)
Parsing Time in the Lyric.
Critical Quarterly, 64 (4).
pp. 138-154.
ISSN 0011-1562
Nowell Smith, David
ORCID: https://orcid.org/0000-0001-9840-2507 and Williams, Nonia
(2021)
Decolonizing English Studies.
English, 70 (270).
211–217.
ISSN 0013-8215
Nowell Smith, David
ORCID: https://orcid.org/0000-0001-9840-2507 and Williams, Nonia
(2021)
An Introduction From/To The Editors.
English, 70 (268).
pp. 1-3.
ISSN 0013-8215
Nowell Smith, David
ORCID: https://orcid.org/0000-0001-9840-2507
(2021)
The ontotheologics of 'personal data'.
Internationales Jahrbuch für Medienphilosophie, 7 (1).
pp. 123-138.
ISSN 2194-7554
Nowell-Smith, David
ORCID: https://orcid.org/0000-0001-9840-2507
(2019)
Historical poetics and the register of history.
Critical Quarterly, 61 (1).
pp. 82-98.
ISSN 0011-1562
Nowell Smith, David
ORCID: https://orcid.org/0000-0001-9840-2507
(2019)
W.S. Graham's three-accent line: "The Gradual Construction of a Timbre".
Modern Philology, 116 (3).
pp. 235-261.
ISSN 0026-8232
Nowell Smith, David
ORCID: https://orcid.org/0000-0001-9840-2507
(2018)
Rhythm-sense-subject, or: The dynamic un/enfolding of sense.
Comparative Critical Studies, 15 (3).
pp. 349-367.
ISSN 1744-1854
Nowell Smith, David
ORCID: https://orcid.org/0000-0001-9840-2507
(2018)
Poetry’s plastic medium: The example of W. S. Graham.
Modernism/modernity, 3 (2).
ISSN 1071-6068
Nowell Smith, David
ORCID: https://orcid.org/0000-0001-9840-2507
(2018)
Verse scored free: Scansion, recording, notation.
ARCADE Colloquy: Prosody Histories, 153.
pp. 34-49.
Nowell-Smith, David
ORCID: https://orcid.org/0000-0001-9840-2507
(2016)
In the midst of the suicide of the West, it was clear they didn't stand a chance.
Critical Quarterly, 58 (3).
pp. 27-46.
ISSN 0011-1562
Nowell Smith, David
ORCID: https://orcid.org/0000-0001-9840-2507
(2015)
A Salute to Pierre Reverdy.
PN Review, 41 (6).
pp. 29-32.
ISSN 0144-7076
Nowell Smith, David
ORCID: https://orcid.org/0000-0001-9840-2507
(2014)
Distending the Rhythmic Knot.
Palimpsestes, 27.
pp. 29-45.
ISSN 2109-943X
Nowell Smith, David
ORCID: https://orcid.org/0000-0001-9840-2507
(2014)
Training the ear, or: On learning to hear the alexandrin.
Thinking Verse, IV (ii).
pp. 129-139.
Nowell Smith, David
ORCID: https://orcid.org/0000-0001-9840-2507
(2013)
'An interrupter, a collective': Sean Bonney's Lyric Outrage.
Etudes Britanniques Contemporaines, 45.
Nowell Smith, David
ORCID: https://orcid.org/0000-0001-9840-2507
(2013)
Editor's Introduction: Scansion.
Thinking Verse, III.
pp. 1-14.
Nowell Smith, David
ORCID: https://orcid.org/0000-0001-9840-2507
(2012)
Introduction: The Condition of Music.
Thinking Verse II.
pp. 1-8.
Nowell Smith, David
ORCID: https://orcid.org/0000-0001-9840-2507
(2012)
Surfaces: Painterly illusion, metaphysical depth.
Paragraph, 35 (3).
pp. 389-406.
ISSN 0264-8334
Nowell Smith, David
ORCID: https://orcid.org/0000-0001-9840-2507
(2012)
Heidegger’s figures.
Textual Practice, 26 (6).
pp. 1045-1063.
ISSN 0950-236X
Nowell Smith, David
ORCID: https://orcid.org/0000-0001-9840-2507
(2012)
Scaping the Land: The New British Pastoral.
Chicago Review, 57 (3).
pp. 182-193.
ISSN 0009-3696
Nowell Smith, David
ORCID: https://orcid.org/0000-0001-9840-2507
(2012)
Vehement lyric: Political commitment in the work of young British poets.
Paideutika.
pp. 167-176.
Nowell Smith, David
ORCID: https://orcid.org/0000-0001-9840-2507
(2012)
Sounding/Silence.
Proceedings of the Heidegger Circle 2012 Meeting, 46.
pp. 277-291.
Nowell Smith, David
ORCID: https://orcid.org/0000-0001-9840-2507
(2012)
The Art of Fugue: Heidegger on Rhythm.
Gatherings: The Heidegger Circle Annual II.
pp. 41-64.
Nowell Smith, David
ORCID: https://orcid.org/0000-0001-9840-2507
(2011)
Introduction: Thinking Verse.
Thinking Verse.
pp. 1-16.
Nowell Smith, David
ORCID: https://orcid.org/0000-0001-9840-2507
(2011)
“These words take place”: W. S. Graham’s “The Nightfishing”.
Essays in Modern British and Irish Poetry 5.
pp. 229-244.
Nowell Smith, David
ORCID: https://orcid.org/0000-0001-9840-2507
(2011)
Of Gods and Humanitarians.
Film Quarterly, 64 (1).
pp. 59-61.
ISSN 1533-8630
Nowell Smith, David
ORCID: https://orcid.org/0000-0001-9840-2507
(2011)
The poetry-verse distinction reconsidered.
Thinking Verse, II.
pp. 137-160.
Nowell Smith, David
ORCID: https://orcid.org/0000-0001-9840-2507
(2010)
An experience with rhythm: W. S. Graham.
Etudes Britanniques Contemporaines.
pp. 51-64.
Nowell Smith, David
ORCID: https://orcid.org/0000-0001-9840-2507
(2008)
Simone’s Cunt: an Exercise in Sovereignty.
Revue Silène.
Nowell Smith, David
ORCID: https://orcid.org/0000-0001-9840-2507
(2023)
What kind of evidence are poetry sound archives?:The BBC's Poetry Broadcasts: Institutional Politics and Performance Practices.
In:
Archives sonores de la poésie II.
Les Presses du réel, Dijon, France.
(In Press)
Nowell Smith, David
ORCID: https://orcid.org/0000-0001-9840-2507
(2022)
Teaching Attunement.
In:
Teaching Poetry and Poetics.
Teaching the New English
.
Palgrave.
(In Press)
Nowell Smith, David
ORCID: https://orcid.org/0000-0001-9840-2507
(2022)
Poem/Concept.
In:
The Cambridge Companion to the Poem.
Cambridge University Press.
Nowell-Smith, David
ORCID: https://orcid.org/0000-0001-9840-2507
(2020)
Fragments on/of Voice.
In:
Sound and Literature.
Cambridge University Press, pp. 56-73.
ISBN 9781108855532
Nowell-Smith, David
ORCID: https://orcid.org/0000-0001-9840-2507
(2019)
Figures of/for voice.
In:
Oxford Encyclopedia of Literary Theory.
Oxford University Press.
Nowell-Smith, David
ORCID: https://orcid.org/0000-0001-9840-2507
(2019)
What is called rhythm?
In:
Critical Rhythm.
Fordham University Press.
ISBN 9780823282036
Nowell Smith, David
ORCID: https://orcid.org/0000-0001-9840-2507
(2013)
Stéphane Mallarmé and the Ontologization of Poetry.
In:
Thinking Poetry: Philosophical Approaches to Nineteenth-Century French Poetry.
Palgrave, New York, pp. 149-166.
Nowell Smith, David
ORCID: https://orcid.org/0000-0001-9840-2507
(2013)
I hold it towards you”: Alterity in Lyric Address.
In:
Ethics of Alterity in British Literature.
Presses Universitaires de la Méditerranée, Montpellier, pp. 35-48.
Nowell Smith, David
ORCID: https://orcid.org/0000-0001-9840-2507
(2010)
James Kelman and the Politics of the Voice.
In:
Autonomy and Commitment in Twentieth Century British Literature.
Presses Universitaires de la Méditerranée, Montpellier, pp. 253-262.
Nowell Smith, David
ORCID: https://orcid.org/0000-0001-9840-2507
(2022)
W.S. Graham: The Poem as Art Object.
Oxford University Press.
ISBN 9780192842909
Nowell Smith, David
ORCID: https://orcid.org/0000-0001-9840-2507
(2015)
On Voice in Poetry:The Work of Animation.
Language Discourse Society
.
Palgrave, Basingstoke.
ISBN 9781137308221
Nowell Smith, David
ORCID: https://orcid.org/0000-0001-9840-2507
(2013)
Sounding/Silence:Martin Heidegger at the Limits of Poetics.
Fordham University Press.
ISBN 978-0823251537
Nowell Smith, David
ORCID: https://orcid.org/0000-0001-9840-2507
(2013)
Sounding/Silence: Martin Heidegger at the Limits of Poetics.
Fordham University Press, New York.
Noel-Tod, Jeremy
ORCID: https://orcid.org/0000-0002-0772-1770, Nowell Smith, David
ORCID: https://orcid.org/0000-0001-9840-2507 and Balfour, Sandy
(2022)
BBC 100 Collection:Celebrating 100 years of poetry on the BBC.
UNSPECIFIED.