Figures of/for voice

Nowell-Smith, David (2019) Figures of/for voice. In: Oxford Encyclopedia of Literary Theory. Oxford University Press.

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Abstract

The concept of “voice” has long been highly ambiguous, with the physiological-phonetic process of sound production entangled in a far more extensive cultural and metaphysical imaginary of voice. Neither purely sound nor purely signification, voice can name either a sonorous excess over signification or the point at which sounds start to signify. Neither purely of the body nor ever extricated from its body, it can figure multiple kinds of meaningful embodiment, the breakdown of meaning in brute materiality, or even a strangely disembodied emanation. Voice can be both intentional and involuntary, both singular and plural, both presence and absence, both the possession of a subject and something that possesses subjects or is uncontainable by the subject. Voices may signify immediacy and be experienced as immediate, and yet they are continually mediated—by text, by technology, by art.

Item Type:	Book Section
Faculty \ School:	Faculty of Arts and Humanities > School of Literature, Drama and Creative Writing
UEA Research Groups:	Faculty of Arts and Humanities > Research Groups > Modern and Contemporary Writing Research Group
Depositing User:	LivePure Connector
Date Deposited:	19 Nov 2018 13:30
Last Modified:	28 Mar 2025 02:02
URI:	https://ueaeprints.uea.ac.uk/id/eprint/68942
DOI:	10.1093/acrefore/9780190201098.013.1101

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