Nowell-Smith, David ORCID: https://orcid.org/0000-0001-9840-2507 (2019) Figures of/for voice. In: Oxford Encyclopedia of Literary Theory. Oxford University Press.
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Abstract
The concept of “voice” has long been highly ambiguous, with the physiological-phonetic process of sound production entangled in a far more extensive cultural and metaphysical imaginary of voice. Neither purely sound nor purely signification, voice can name either a sonorous excess over signification or the point at which sounds start to signify. Neither purely of the body nor ever extricated from its body, it can figure multiple kinds of meaningful embodiment, the breakdown of meaning in brute materiality, or even a strangely disembodied emanation. Voice can be both intentional and involuntary, both singular and plural, both presence and absence, both the possession of a subject and something that possesses subjects or is uncontainable by the subject. Voices may signify immediacy and be experienced as immediate, and yet they are continually mediated—by text, by technology, by art.
Item Type: | Book Section |
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Faculty \ School: | Faculty of Arts and Humanities > School of Literature, Drama and Creative Writing |
UEA Research Groups: | Faculty of Arts and Humanities > Research Groups > Modern and Contemporary Writing Research Group |
Depositing User: | LivePure Connector |
Date Deposited: | 19 Nov 2018 13:30 |
Last Modified: | 04 Mar 2024 16:23 |
URI: | https://ueaeprints.uea.ac.uk/id/eprint/68942 |
DOI: | 10.1093/acrefore/9780190201098.013.1101 |
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