Smith, Phyll and Sandon, Emma (2024) Ronald Haines [real name William Ronald Hutchinson (1901–1969), film-maker. In: Oxford Dictionary of National Biography. Oxford University Press. (In Press)
Williams, Melanie
ORCID: https://orcid.org/0000-0002-3609-207X
(2024)
Video essay commentary on Julie Christie for Via Vision Blu Ray release of Darling I1965).
UNSPECIFIED.
(In Press)
Hines, Claire, McSweeney, Terence and Joy, Stuart, eds. (2024) James Bond Will Return:Critical Perspectives on the 007 Film Franchise. Wallflower Press. ISBN 9780231207416
Aveyard, Karina
ORCID: https://orcid.org/0000-0002-6543-9271
(2024)
Censorship, speakability and contemporary green fiction cinema.
Images, 37 (46).
pp. 109-124.
ISSN 1731-450X
Aveyard, Karina
ORCID: https://orcid.org/0000-0002-6543-9271 and Valderrama-Burgos, Karol
(2024)
Hopes and Fears of Transformation:FOCINE and Informal Practices of Film Censorship in Colombia (1978–1993).
In:
The Screen Censorship Companion.
University of Exeter Press, Exeter, pp. 187-199.
ISBN 9781804130667
Barrow, Sarah
ORCID: https://orcid.org/0000-0001-8221-0885
(2024)
Pathbreakers of Peruvian Fiction Cinema.
In:
Female Agency in Films Made by Latin American Women.
Global Cinema
.
Palgrave Macmillan, pp. 357-378.
ISBN 978-3-031-72599-9
Barrow, Sarah
ORCID: https://orcid.org/0000-0001-8221-0885, Atakav, Eylem
ORCID: https://orcid.org/0000-0001-5718-5614 and Ulfe, Maria Eugenia
(2024)
Introduction: Indigeneity, Community and Participatory Practice:Methods, Concepts and Perspectives from the Global South.
New Area Studies, 4 (1).
ISSN 2633-3716
Barrow, Sarah
ORCID: https://orcid.org/0000-0001-8221-0885, Ulfe, Maria Eugenia, Atakav, Eylem
ORCID: https://orcid.org/0000-0001-5718-5614, Vergara, Roxana, Chicmana, Victoria and Pelikan, Karoline
and
The young women of OMIAASEC
(2024)
Women of Influence: Interdisciplinary participatory approaches to understanding female leadership in the Peruvian Amazon.
New Area Studies, 4 (1).
ISSN 2633-3716
Chapman, Llewella (2024) ‘Were our ideas of maintaining control mythical?’: Film policy at Hampton Court Palace, 1911–1989. Historical Journal of Film, Radio and Television, 44 (2). pp. 364-385. ISSN 0143-9685
Chapman, Llewella (2024) “You just pulled the shit-end of a wishbone”: Examining the roles of Vicky Arnold and Heather Stevens, the women behind the early Tomb Raider franchise. Feminist Media Studies, 24 (3). pp. 609-627. ISSN 1468-0777
Chapman, Llewella and Hines, Claire
ORCID: https://orcid.org/0000-0002-9130-6325
(2024)
Introduction: The Women behind James Bond.
Journal of British Cinema and Television, 21 (4).
419–423.
ISSN 1743-4521
Forrest, David and Williams, Melanie
ORCID: https://orcid.org/0000-0002-3609-207X
(2024)
Introduction: Revisiting the British New Wave.
Journal of British Cinema and Television, 21 (3).
pp. 281-285.
ISSN 1743-4521
Hand, Richard
ORCID: https://orcid.org/0000-0002-2076-1435
(2024)
Grand Guignol:A Night of Horror and Hilarity.
[Performance]
Hand, Richard
ORCID: https://orcid.org/0000-0002-2076-1435
(2024)
Poe Theatre on the Air: The National Edgar Allan Poe Theatre podcasts.
Journal of Adaptation in Film and Performance, 17 (2-3).
pp. 219-234.
ISSN 1753-6421
Hand, Richard J.
ORCID: https://orcid.org/0000-0002-2076-1435 and O'Thomas, Mark
(2024)
American Horror Story and Cult Television:Narratives, Histories and Discourses.
Anthem Series on Television Studies
.
Anthem Press.
ISBN 9781785279331
Hand, Richard J.
ORCID: https://orcid.org/0000-0002-2076-1435 and Wilson, Michael
(2024)
London’s Grand Guignol versus the Lord Chamberlain:The Rise and Fall of a Troublesome Theatre.
In:
The Palgrave Handbook of Theatre Censorship.
Palgrave, pp. 399-413.
ISBN 978-3-031-67298-9
Hines, Claire
ORCID: https://orcid.org/0000-0002-9130-6325
(2024)
Barbara Broccoli and the popular image of the Bond producer.
Journal of British Cinema and Television, 21 (4).
pp. 424-444.
ISSN 1743-4521
Holmes, Su
ORCID: https://orcid.org/0000-0003-4243-8337 and Atkins, Bethany
ORCID: https://orcid.org/0000-0003-4215-481X
(2024)
Locating the ‘invisible’ mum: Exploring maternal selfie practices.
Journal of Gender Studies, 33 (4).
pp. 386-403.
ISSN 0958-9236
Holmes, Su
ORCID: https://orcid.org/0000-0003-4243-8337 and Godfrey, Sarah
ORCID: https://orcid.org/0000-0002-6652-9455
(2024)
‘Some of the episodes are literally like a screen from [my] WhatsApp groups …’: Mothers talk about Motherland (BBC, 2017-).
Participations: online Journal of Audience and Reception Studies, 20 (1).
Johnston, Keith M.
ORCID: https://orcid.org/0000-0002-1989-8549
(2024)
The Midas Touch:Eastmancolor, the Bond franchise, and Goldfinger (1964).
In:
James Bond Will Return.
Wallflower Press, Chichester, pp. 36-47.
ISBN 9780231207409
Johnston, Keith M.
ORCID: https://orcid.org/0000-0002-1989-8549 and Balzar, Jesse
(2024)
Forecasting the future feature: How film industry hierarchies shaped trailer discourse, 1919-1959.
Historical Journal of Film, Radio and Television, 44 (2).
pp. 282-299.
ISSN 0143-9685
McKay, George
ORCID: https://orcid.org/0000-0002-7770-0502
(2024)
Πανκ Ροκ και Αναπηρία:Το Πανκ ως μια Αναπηρική Υποκουλτούρα.
In:
Merlin's Music Box.
UNSPECIFIED, Athens.
McKay, George
ORCID: https://orcid.org/0000-0002-7770-0502
(2024)
Was punk DIY? Is DIY punk? Interrogating the DIY/punk nexus, with particular reference to the early UK punk scene, c. 1976–1984.
DIY, Alternative Cultures and Society, 2 (1).
pp. 94-109.
ISSN 2753-8702
Rimmer, Mark
ORCID: https://orcid.org/0000-0001-6916-6795
(2024)
Beginning at the beginning: towards a trans-actional music sociology.
Cultural Sociology, 18 (1).
pp. 3-23.
ISSN 1749-9755
Sandon, Emma and Smith, Phyll (2024) Haines, Jean [formerly Margaret Jean Scawin Tomlinson; married names Dobbs, Cooper, Hutchinson] (b. 1910, d. c.1972. In: Oxford Dictionary of National Biography. Oxford University Press.
Snelson, Tim
ORCID: https://orcid.org/0000-0002-8282-2432
(2024)
The Stuff of Spectatorship: Material Cultures of Film and Television.
In:
UNSPECIFIED
UNSPECIFIED.
Snelson, Tim
ORCID: https://orcid.org/0000-0002-8282-2432, Booth, Toni, Macauley, William, Jamieson, Annie, McEnroe, Natasha, Hurley, Selina and Dabin, Katie
(2024)
Objects of the Mind: Using film to explore the entangled histories of media and mental health.
Science Museum Group Journal.
ISSN 2054-5770
Snelson, Tim
ORCID: https://orcid.org/0000-0002-8282-2432, Macauley, William R. and Kirby, David A.
(2024)
Demons of the Mind:Psychiatry and Cinema in the Long-1960s.
Edinburgh University Press.
ISBN 9781474486439
Ulfe, Maria Eugenia, Atakav, Eylem
ORCID: https://orcid.org/0000-0001-5718-5614 and Barrow, Sarah
ORCID: https://orcid.org/0000-0001-8221-0885
(2024)
Indigeneity, Community and Participatory Practice:Methods, Concepts and Perspectives from the Global South.
New Area Studies, 4 (1).
ISSN 2633-3716
Williams, Melanie
ORCID: https://orcid.org/0000-0002-3609-207X
(2024)
British Tenebrose? Shady Ladies of Postwar British Cinema.
In:
Le Tenebrose: Figure di femme fatale nel cinema e nei media europei fra mito e contemporaneità.
Edizioni ETS.
ISBN 9788846769534
Williams, Melanie
ORCID: https://orcid.org/0000-0002-3609-207X
(2024)
Entries on Laurie Day and Sarah Daly for 'Women in Focus' project website.
In:
Women in Focus: The Filmmakers.
UNSPECIFIED.
Williams, Melanie
ORCID: https://orcid.org/0000-0002-3609-207X
(2024)
Essay for Hammer bluray release of 36 Hours (1953).
UNSPECIFIED.
Williams, Melanie
ORCID: https://orcid.org/0000-0002-3609-207X
(2024)
Interview for Studiocanal Blu-ray/DVD release of No Trees in the Street (1959).
UNSPECIFIED.
Williams, Melanie
ORCID: https://orcid.org/0000-0002-3609-207X
(2024)
Interview for Studiocanal Blu-ray/DVD release of The Weak and the Wicked (1954).
UNSPECIFIED.
Williams, Melanie
ORCID: https://orcid.org/0000-0002-3609-207X
(2024)
Morgan, Diana (1908-1996).
In:
Oxford Dictionary of National Biography.
Oxford University Press.
Williams, Melanie
ORCID: https://orcid.org/0000-0002-3609-207X
(2024)
Muriel Box.
Senses of Cinema (110).
ISSN 1443-4059
Williams, Melanie
ORCID: https://orcid.org/0000-0002-3609-207X
(2024)
Nolan, Margaret (1943-2020).
In:
Oxford Dictionary of National Biography.
Oxford University Press.
Williams, Melanie
ORCID: https://orcid.org/0000-0002-3609-207X
(2024)
Reflections in a Golden Eye: Exploring the photographic art of Margaret Nolan and Shirley Eaton.
Journal of British Cinema and Television, 21 (4).
pp. 513-535.
ISSN 1743-4521
Williams, Melanie
ORCID: https://orcid.org/0000-0002-3609-207X
(2024)
'The series that Shelagh built: Delaney on television with The House That Jack Built (1977)', essay for Women's Film and Television Network, UK-Ireland website.
UNSPECIFIED.
Williams, Melanie
ORCID: https://orcid.org/0000-0002-3609-207X and Bailey, Matthew
(2024)
Essay for Indicator bluray release of Left, Right and Centre (1959).
UNSPECIFIED.
Williams, Melanie
ORCID: https://orcid.org/0000-0002-3609-207X and Leggott, James
(2024)
Commentary for Eureka Blu-ray/DVD release of Juggernaut (1974).
UNSPECIFIED.