Items where Research Group is "Film, Television and Media

In Press

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2024) Pathbreakers of Peruvian Fiction Cinema. In: Female Agency in Films Made by Latin American Women. Global Cinema . Palgrave Macmillan. ISBN 978-3-031-72599-9 (In Press)

Chapman, Llewella and Hines, Claire (2024) Introduction: The women behind James Bond. Journal of British Cinema and Television, 21 (4). ISSN 1743-4521 (In Press)

Holmes, Su ORCID: https://orcid.org/0000-0003-4243-8337 and Hines, Claire (2024) Female audiences for true crime television::Popular discourse, feminism and the politics of ‘ethical viewing’. Critical Studies in Television. ISSN 1749-6020 (In Press)

Smith, Phyll and Sandon, Emma (2024) Ronald Haines [real name William Ronald Hutchinson (1901–1969), film-maker. In: Oxford Dictionary of National Biography. Oxford University Press. (In Press)

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2024) Video essay commentary on Julie Christie for Via Vision Blu Ray release of Darling I1965). UNSPECIFIED. (In Press)

Published

Hines, Claire, McSweeney, Terence and Joy, Stuart, eds. (2024) James Bond Will Return:Critical Perspectives on the 007 Film Franchise. Wallflower Press. ISBN 9780231207416

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885, Atakav, Eylem ORCID: https://orcid.org/0000-0001-5718-5614, Pelikan, Karoline, Ulfe, Maria Eugenia, Vergara, Roxana and Chicmana, Victoria (2024) Indigeneity, Community and Participatory Practice:Methods, Concepts and Perspectives from the Global South. New Area Studies, 4 (1). ISSN 2633-3716

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885, Atakav, Eylem ORCID: https://orcid.org/0000-0001-5718-5614 and Ulfe, Maria Eugenia (2024) Introduction: Indigeneity, Community and Participatory Practice:Methods, Concepts and Perspectives from the Global South. New Area Studies, 4 (1). ISSN 2633-3716

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885, Ulfe, Maria Eugenia, Atakav, Eylem ORCID: https://orcid.org/0000-0001-5718-5614, Vergara, Roxana, Chicmana, Victoria and Pelikan, Karoline and The young women of OMIAASEC (2024) Women of Influence: Interdisciplinary participatory approaches to understanding female leadership in the Peruvian Amazon. New Area Studies, 4 (1). ISSN 2633-3716

Chapman, Llewella (2024) ‘Were our ideas of maintaining control mythical?’: Film policy at Hampton Court Palace, 1911–1989. Historical Journal of Film, Radio and Television, 44 (2). pp. 364-385. ISSN 0143-9685

Forrest, David and Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2024) Introduction: Revisiting the British New Wave. Journal of British Cinema and Television, 21 (3). pp. 281-285. ISSN 1743-4521

Hand, Richard ORCID: https://orcid.org/0000-0002-2076-1435 (2024) Grand Guignol:A Night of Horror and Hilarity. [Performance]

Hand, Richard J. ORCID: https://orcid.org/0000-0002-2076-1435 and O'Thomas, Mark (2024) American Horror Story and Cult Television:Narratives, Histories and Discourses. Anthem Series on Television Studies . Anthem Press. ISBN 9781785279331

Hines, Claire (2024) Barbara Broccoli and the popular image of the Bond producer. Journal of British Cinema and Television, 21 (4). pp. 424-444. ISSN 1743-4521

Holmes, Su ORCID: https://orcid.org/0000-0003-4243-8337 and Atkins, Bethany (2024) Locating the ‘invisible’ mum: Exploring maternal selfie practices. Journal of Gender Studies, 33 (4). pp. 386-403. ISSN 0958-9236

Holmes, Su ORCID: https://orcid.org/0000-0003-4243-8337 and Godfrey, Sarah ORCID: https://orcid.org/0000-0002-6652-9455 (2024) ‘Some of the episodes are literally like a screen from [my] WhatsApp groups …’: Mothers talk about Motherland (BBC, 2017-). Participations: online Journal of Audience and Reception Studies, 20 (1).

Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549 (2024) The Midas Touch:Eastmancolor, the Bond franchise, and Goldfinger (1964). In: James Bond Will Return. Wallflower Press, Chichester, pp. 36-47. ISBN 9780231207409

Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549 and Balzar, Jesse (2024) Forecasting the future feature: How film industry hierarchies shaped trailer discourse, 1919-1959. Historical Journal of Film, Radio and Television, 44 (2). pp. 282-299. ISSN 0143-9685

McKay, George ORCID: https://orcid.org/0000-0002-7770-0502 (2024) Πανκ Ροκ και Αναπηρία:Το Πανκ ως μια Αναπηρική Υποκουλτούρα. In: Merlin's Music Box. UNSPECIFIED, Athens.

McKay, George ORCID: https://orcid.org/0000-0002-7770-0502 (2024) Was punk DIY? Is DIY punk? Interrogating the DIY/punk nexus, with particular reference to the early UK punk scene, c. 1976–1984. DIY, Alternative Cultures and Society, 2 (1). pp. 94-109. ISSN 2753-8702

Rimmer, Mark ORCID: https://orcid.org/0000-0001-6916-6795 (2024) Beginning at the beginning: towards a trans-actional music sociology. Cultural Sociology, 18 (1). pp. 3-23. ISSN 1749-9755

Sandon, Emma and Smith, Phyll (2024) Haines, Jean [formerly Margaret Jean Scawin Tomlinson; married names Dobbs, Cooper, Hutchinson] (b. 1910, d. c.1972. In: Oxford Dictionary of National Biography. Oxford University Press.

Snelson, Tim ORCID: https://orcid.org/0000-0002-8282-2432, Booth, Toni, Macauley, William, Jamieson, Annie, McEnroe, Natasha, Hurley, Selina and Dabin, Katie (2024) Objects of the Mind: Using film to explore the entangled histories of media and mental health. Science Museum Group Journal. ISSN 2054-5770

Snelson, Tim ORCID: https://orcid.org/0000-0002-8282-2432, Macauley, William R. and Kirby, David A. (2024) Demons of the Mind:Psychiatry and Cinema in the Long-1960s. Edinburgh University Press. ISBN 9781474486439

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2024) British Tenebrose? Shady Ladies of Postwar British Cinema. In: Le Tenebrose: Figure di femme fatale nel cinema e nei media europei fra mito e contemporaneità. Edizioni ETS. ISBN 9788846769534

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2024) Entries on Laurie Day and Sarah Daly for 'Women in Focus' project website. In: Women in Focus: The Filmmakers. UNSPECIFIED.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2024) Essay for Hammer bluray release of 36 Hours (1953). UNSPECIFIED.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2024) Interview for Studiocanal Blu-ray/DVD release of No Trees in the Street (1959). UNSPECIFIED.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2024) Interview for Studiocanal Blu-ray/DVD release of The Weak and the Wicked (1954). UNSPECIFIED.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2024) Morgan, Diana (1908-1996). In: Oxford Dictionary of National Biography. Oxford University Press.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2024) Muriel Box. Senses of Cinema (110). ISSN 1443-4059

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2024) Nolan, Margaret (1943-2020). In: Oxford Dictionary of National Biography. Oxford University Press.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2024) Reflections in a Golden Eye: Exploring the photographic art of Margaret Nolan and Shirley Eaton. Journal of British Cinema and Television, 21 (4). pp. 513-535. ISSN 1743-4521

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X and Bailey, Matthew (2024) Essay for Indicator bluray release of Left, Right and Centre (1959). UNSPECIFIED.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X and Leggott, James (2024) Commentary for Eureka Blu-ray/DVD release of Juggernaut (1974). UNSPECIFIED.