Items where Research Group is "Film, Television and Media

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Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2024) Pathbreakers of Peruvian Fiction Cinema. In: Female Agency in Films Made by Latin American Women. Global Cinema . Palgrave Macmillan. ISBN 978-3-031-72599-9 (In Press)

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885, Atakav, Eylem ORCID: https://orcid.org/0000-0001-5718-5614, Pelikan, Karoline, Ulfe, Maria Eugenia, Vergara, Roxana and Chicmana, Victoria (2024) Indigeneity, Community and Participatory Practice:Methods, Concepts and Perspectives from the Global South. New Area Studies, 4 (1). ISSN 2633-3716

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885, Atakav, Eylem ORCID: https://orcid.org/0000-0001-5718-5614 and Ulfe, Maria Eugenia (2024) Introduction: Indigeneity, Community and Participatory Practice:Methods, Concepts and Perspectives from the Global South. New Area Studies, 4 (1). ISSN 2633-3716

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885, Ulfe, Maria Eugenia, Atakav, Eylem ORCID: https://orcid.org/0000-0001-5718-5614, Vergara, Roxana, Chicmana, Victoria and Pelikan, Karoline and The young women of OMIAASEC (2024) Women of Influence: Interdisciplinary participatory approaches to understanding female leadership in the Peruvian Amazon. New Area Studies, 4 (1). ISSN 2633-3716

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Chapman, Llewella (2024) ‘Were our ideas of maintaining control mythical?’: Film policy at Hampton Court Palace, 1911–1989. Historical Journal of Film, Radio and Television, 44 (2). pp. 364-385. ISSN 0143-9685

Chapman, Llewella and Hines, Claire (2024) Introduction: The women behind James Bond. Journal of British Cinema and Television, 21 (4). ISSN 1743-4521 (In Press)

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Forrest, David and Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2024) Introduction: Revisiting the British New Wave. Journal of British Cinema and Television, 21 (3). pp. 281-285. ISSN 1743-4521

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Hand, Richard ORCID: https://orcid.org/0000-0002-2076-1435 (2024) Grand Guignol:A Night of Horror and Hilarity. [Performance]

Hand, Richard J. ORCID: https://orcid.org/0000-0002-2076-1435 and O'Thomas, Mark (2024) American Horror Story and Cult Television:Narratives, Histories and Discourses. Anthem Series on Television Studies . Anthem Press. ISBN 9781785279331

Hines, Claire (2024) Barbara Broccoli and the popular image of the Bond producer. Journal of British Cinema and Television, 21 (4). pp. 424-444. ISSN 1743-4521

Holmes, Su ORCID: https://orcid.org/0000-0003-4243-8337 and Atkins, Bethany (2024) Locating the ‘invisible’ mum: Exploring maternal selfie practices. Journal of Gender Studies, 33 (4). pp. 386-403. ISSN 0958-9236

Holmes, Su ORCID: https://orcid.org/0000-0003-4243-8337 and Godfrey, Sarah ORCID: https://orcid.org/0000-0002-6652-9455 (2024) ‘Some of the episodes are literally like a screen from [my] WhatsApp groups …’: Mothers talk about Motherland (BBC, 2017-). Participations: online Journal of Audience and Reception Studies, 20 (1).

Holmes, Su ORCID: https://orcid.org/0000-0003-4243-8337 and Hines, Claire (2024) Female audiences for true crime television::Popular discourse, feminism and the politics of ‘ethical viewing’. Critical Studies in Television. ISSN 1749-6020 (In Press)

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Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549 (2024) The Midas Touch:Eastmancolor, the Bond franchise, and Goldfinger (1964). In: James Bond Will Return. Wallflower Press, Chichester, pp. 36-47. ISBN 9780231207409

Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549 and Balzar, Jesse (2024) Forecasting the future feature: How film industry hierarchies shaped trailer discourse, 1919-1959. Historical Journal of Film, Radio and Television, 44 (2). pp. 282-299. ISSN 0143-9685

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McKay, George ORCID: https://orcid.org/0000-0002-7770-0502 (2024) Πανκ Ροκ και Αναπηρία:Το Πανκ ως μια Αναπηρική Υποκουλτούρα. In: Merlin's Music Box. UNSPECIFIED, Athens.

McKay, George ORCID: https://orcid.org/0000-0002-7770-0502 (2024) Was punk DIY? Is DIY punk? Interrogating the DIY/punk nexus, with particular reference to the early UK punk scene, c. 1976–1984. DIY, Alternative Cultures and Society, 2 (1). pp. 94-109. ISSN 2753-8702

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Rimmer, Mark ORCID: https://orcid.org/0000-0001-6916-6795 (2024) Beginning at the beginning: towards a trans-actional music sociology. Cultural Sociology, 18 (1). pp. 3-23. ISSN 1749-9755

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Sandon, Emma and Smith, Phyll (2024) Haines, Jean [formerly Margaret Jean Scawin Tomlinson; married names Dobbs, Cooper, Hutchinson] (b. 1910, d. c.1972. In: Oxford Dictionary of National Biography. Oxford University Press.

Smith, Phyll and Sandon, Emma (2024) Ronald Haines [real name William Ronald Hutchinson (1901–1969), film-maker. In: Oxford Dictionary of National Biography. Oxford University Press. (In Press)

Snelson, Tim ORCID: https://orcid.org/0000-0002-8282-2432, Booth, Toni, Macauley, William, Jamieson, Annie, McEnroe, Natasha, Hurley, Selina and Dabin, Katie (2024) Objects of the Mind: Using film to explore the entangled histories of media and mental health. Science Museum Group Journal. ISSN 2054-5770

Snelson, Tim ORCID: https://orcid.org/0000-0002-8282-2432, Macauley, William R. and Kirby, David A. (2024) Demons of the Mind:Psychiatry and Cinema in the Long-1960s. Edinburgh University Press. ISBN 9781474486439

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Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2024) British Tenebrose? Shady Ladies of Postwar British Cinema. In: Le Tenebrose: Figure di femme fatale nel cinema e nei media europei fra mito e contemporaneità. Edizioni ETS. ISBN 9788846769534

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2024) Entries on Laurie Day and Sarah Daly for 'Women in Focus' project website. In: Women in Focus: The Filmmakers. UNSPECIFIED.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2024) Essay for Hammer bluray release of 36 Hours (1953). UNSPECIFIED.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2024) Interview for Studiocanal Blu-ray/DVD release of No Trees in the Street (1959). UNSPECIFIED.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2024) Interview for Studiocanal Blu-ray/DVD release of The Weak and the Wicked (1954). UNSPECIFIED.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2024) Morgan, Diana (1908-1996). In: Oxford Dictionary of National Biography. Oxford University Press.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2024) Muriel Box. Senses of Cinema (110). ISSN 1443-4059

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2024) Nolan, Margaret (1943-2020). In: Oxford Dictionary of National Biography. Oxford University Press.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2024) Reflections in a Golden Eye: Exploring the photographic art of Margaret Nolan and Shirley Eaton. Journal of British Cinema and Television, 21 (4). pp. 513-535. ISSN 1743-4521

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2024) Video essay commentary on Julie Christie for Via Vision Blu Ray release of Darling I1965). UNSPECIFIED. (In Press)

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X and Bailey, Matthew (2024) Essay for Indicator bluray release of Left, Right and Centre (1959). UNSPECIFIED.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X and Leggott, James (2024) Commentary for Eureka Blu-ray/DVD release of Juggernaut (1974). UNSPECIFIED.