Aveyard, Karina (2024) Censorship, speakability and contemporary green fiction cinema. Images, 37 (46). pp. 109-124. ISSN 1731-450X
Aveyard, Karina and Valderrama-Burgos, Karol (2024) Hopes and Fears of Transformation:FOCINE and Informal Practices of Film Censorship in Colombia (1978–1993). In: The Screen Censorship Companion. University of Exeter Press, Exeter. ISBN 9781804130667
Barrow, Sarah (2024) Pathbreakers of Peruvian Fiction Cinema. In: Female Agency in Films Made by Latin American Women. Global Cinema . Palgrave Macmillan, pp. 357-378. ISBN 978-3-031-72599-9
Barrow, Sarah, Atakav, Eylem, Pelikan, Karoline, Ulfe, Maria Eugenia, Vergara, Roxana and Chicmana, Victoria (2024) Indigeneity, Community and Participatory Practice:Methods, Concepts and Perspectives from the Global South. New Area Studies, 4 (1). ISSN 2633-3716
Barrow, Sarah, Atakav, Eylem and Ulfe, Maria Eugenia (2024) Introduction: Indigeneity, Community and Participatory Practice:Methods, Concepts and Perspectives from the Global South. New Area Studies, 4 (1). ISSN 2633-3716
Barrow, Sarah, Ulfe, Maria Eugenia, Atakav, Eylem, Vergara, Roxana, Chicmana, Victoria and Pelikan, Karoline and The young women of OMIAASEC (2024) Women of Influence: Interdisciplinary participatory approaches to understanding female leadership in the Peruvian Amazon. New Area Studies, 4 (1). ISSN 2633-3716
Chapman, Llewella (2024) ‘Were our ideas of maintaining control mythical?’: Film policy at Hampton Court Palace, 1911–1989. Historical Journal of Film, Radio and Television, 44 (2). pp. 364-385. ISSN 0143-9685
Chapman, Llewella (2024) “You just pulled the shit-end of a wishbone”: Examining the roles of Vicky Arnold and Heather Stevens, the women behind the early Tomb Raider franchise. Feminist Media Studies, 24 (3). pp. 609-627. ISSN 1468-0777
Chapman, Llewella and Hines, Claire (2024) Introduction: The women behind James Bond. Journal of British Cinema and Television, 21 (4). ISSN 1743-4521 (In Press)
Forrest, David and Williams, Melanie (2024) Introduction: Revisiting the British New Wave. Journal of British Cinema and Television, 21 (3). pp. 281-285. ISSN 1743-4521
Hand, Richard (2024) Grand Guignol:A Night of Horror and Hilarity. [Performance]
Hand, Richard (2024) Poe Theatre on the Air: The National Edgar Allan Poe Theatre podcasts. Journal of Adaptation in Film and Performance, 17 (2-3). pp. 219-234. ISSN 1753-6421
Hand, Richard J. and O'Thomas, Mark (2024) American Horror Story and Cult Television:Narratives, Histories and Discourses. Anthem Series on Television Studies . Anthem Press. ISBN 9781785279331
Hand, Richard J. and Wilson, Michael (2024) London’s Grand Guignol versus the Lord Chamberlain:The Rise and Fall of a Troublesome Theatre. In: The Palgrave Handbook of Theatre Censorship. Palgrave, pp. 399-414. ISBN 978-3-031-67298-9
Hines, Claire (2024) Barbara Broccoli and the popular image of the Bond producer. Journal of British Cinema and Television, 21 (4). pp. 424-444. ISSN 1743-4521
Holmes, Su and Atkins, Bethany (2024) Locating the ‘invisible’ mum: Exploring maternal selfie practices. Journal of Gender Studies, 33 (4). pp. 386-403. ISSN 0958-9236
Holmes, Su and Godfrey, Sarah (2024) ‘Some of the episodes are literally like a screen from [my] WhatsApp groups …’: Mothers talk about Motherland (BBC, 2017-). Participations: online Journal of Audience and Reception Studies, 20 (1).
Holmes, Su and Hines, Claire (2024) Female audiences for true crime television: Popular discourse, feminism and the politics of ‘ethical viewing’. Critical Studies in Television. ISSN 1749-6020
Johnston, Keith M. (2024) The Midas Touch:Eastmancolor, the Bond franchise, and Goldfinger (1964). In: James Bond Will Return. Wallflower Press, Chichester, pp. 36-47. ISBN 9780231207409
Johnston, Keith M. and Balzar, Jesse (2024) Forecasting the future feature: How film industry hierarchies shaped trailer discourse, 1919-1959. Historical Journal of Film, Radio and Television, 44 (2). pp. 282-299. ISSN 0143-9685
McKay, George (2024) Πανκ Ροκ και Αναπηρία:Το Πανκ ως μια Αναπηρική Υποκουλτούρα. In: Merlin's Music Box. UNSPECIFIED, Athens.
McKay, George (2024) Was punk DIY? Is DIY punk? Interrogating the DIY/punk nexus, with particular reference to the early UK punk scene, c. 1976–1984. DIY, Alternative Cultures and Society, 2 (1). pp. 94-109. ISSN 2753-8702
Rimmer, Mark (2024) Beginning at the beginning: towards a trans-actional music sociology. Cultural Sociology, 18 (1). pp. 3-23. ISSN 1749-9755
Sandon, Emma and Smith, Phyll (2024) Haines, Jean [formerly Margaret Jean Scawin Tomlinson; married names Dobbs, Cooper, Hutchinson] (b. 1910, d. c.1972. In: Oxford Dictionary of National Biography. Oxford University Press.
Smith, Phyll and Sandon, Emma (2024) Ronald Haines [real name William Ronald Hutchinson (1901–1969), film-maker. In: Oxford Dictionary of National Biography. Oxford University Press. (In Press)
Snelson, Tim, Booth, Toni, Macauley, William, Jamieson, Annie, McEnroe, Natasha, Hurley, Selina and Dabin, Katie (2024) Objects of the Mind: Using film to explore the entangled histories of media and mental health. Science Museum Group Journal. ISSN 2054-5770
Snelson, Tim, Macauley, William R. and Kirby, David A. (2024) Demons of the Mind:Psychiatry and Cinema in the Long-1960s. Edinburgh University Press. ISBN 9781474486439
Williams, Melanie (2024) British Tenebrose? Shady Ladies of Postwar British Cinema. In: Le Tenebrose: Figure di femme fatale nel cinema e nei media europei fra mito e contemporaneità. Edizioni ETS. ISBN 9788846769534
Williams, Melanie (2024) Entries on Laurie Day and Sarah Daly for 'Women in Focus' project website. In: Women in Focus: The Filmmakers. UNSPECIFIED.
Williams, Melanie (2024) Essay for Hammer bluray release of 36 Hours (1953). UNSPECIFIED.
Williams, Melanie (2024) Interview for Studiocanal Blu-ray/DVD release of No Trees in the Street (1959). UNSPECIFIED.
Williams, Melanie (2024) Interview for Studiocanal Blu-ray/DVD release of The Weak and the Wicked (1954). UNSPECIFIED.
Williams, Melanie (2024) Morgan, Diana (1908-1996). In: Oxford Dictionary of National Biography. Oxford University Press.
Williams, Melanie (2024) Muriel Box. Senses of Cinema (110). ISSN 1443-4059
Williams, Melanie (2024) Nolan, Margaret (1943-2020). In: Oxford Dictionary of National Biography. Oxford University Press.
Williams, Melanie (2024) Reflections in a Golden Eye: Exploring the photographic art of Margaret Nolan and Shirley Eaton. Journal of British Cinema and Television, 21 (4). pp. 513-535. ISSN 1743-4521
Williams, Melanie (2024) Video essay commentary on Julie Christie for Via Vision Blu Ray release of Darling I1965). UNSPECIFIED. (In Press)
Williams, Melanie and Bailey, Matthew (2024) Essay for Indicator bluray release of Left, Right and Centre (1959). UNSPECIFIED.
Williams, Melanie and Leggott, James (2024) Commentary for Eureka Blu-ray/DVD release of Juggernaut (1974). UNSPECIFIED.