Items where Research Group is "Film, Television and Media

A

Atakav, Eylem ORCID: https://orcid.org/0000-0001-5718-5614 (2016) Growing Up Married. UNSPECIFIED.

Atakav, Eylem ORCID: https://orcid.org/0000-0001-5718-5614 (2016) Women, Islam, and Cinema:Gender politics and representation in Middle Eastern films and beyond. In: The Routledge Companion to Cinema and Gender. Taylor and Francis, pp. 227-236. ISBN 9781138924956

Aveyard, Karina (2016) Film consumption in the 21st century: engaging with non-theatrical viewing. Media International Australia, 160 (1). pp. 140-149. ISSN 1329-878X

Aveyard, Karina and Moran, Albert (2016) From Marginal Trader to Corporate Giant: The Emergence of FremantleMedia. In: New Patterns in Global Television Formats. Intellect Books. ISBN 9781783207121

B

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2016) Constraints and possibilities: Lima Film Festival, politics and cultural formation in Peru. New Review of Film and Television Studies, 14 (1). pp. 132-148. ISSN 1740-0309

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2016) Cynthia Tomkins, Experimental Latin American Cinema: History and Aesthetics. Screen, 57 (1). pp. 109-111. ISSN 0036-9543

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2016) The Impossible Constellation: Practice as Research as a Viable Alternative. In: The Academic Book of the Future. Palgrave Macmillan UK, pp. 24-30. ISBN 978-1-349-88797-2

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2016) Latin American Cinema by Stephen M. Hart. Viewfinder.

D

Denison, Rayna (2016) Franchising and film in Japan: Transmedia production and the changing roles of film in contemporary Japanese media culture. Cinema Journal, 55 (2). pp. 67-88. ISSN 0009-7101

Denison, Rayna (2016) Tracing Asian Franchises:Local and Transnational Reception of Hana Yori Dango. In: Media Across Borders. Routledge, pp. 51-66. ISBN 9781138809451

F

Facer, Keri and Mckay, George ORCID: https://orcid.org/0000-0002-7770-0502 (2016) Series editors’ foreword. In: The creative citizen unbound. Bristol University Press, xv-xvi. ISBN 9781447324973

G

Gill, Rosalind, Hamad, Hannah, Kauser, Mariam, Negra, Diane, Roshini, Nayomi and Littler, Jo (2016) Intergenerational feminism and media: a roundtable. In: Feminist Media Studies. Taylor and Francis, pp. 726-736.

Godfrey, Sarah ORCID: https://orcid.org/0000-0002-6652-9455 and Holmes, Su ORCID: https://orcid.org/0000-0003-4243-8337 (2016) 'Surely the most natural scenario in the world’: Representations of ‘family’ in BBC pre-school television. Critical Studies in Television, 11 (1). pp. 59-77. ISSN 1749-6039

H

Hand, Richard ORCID: https://orcid.org/0000-0002-2076-1435 (2016) ‘Brand New Ancient Legends’: Creating Werewolves for a Welsh Halloween. Revenant, 1 (2). pp. 146-173. ISSN 2397-8791

Hand, Richard J. ORCID: https://orcid.org/0000-0002-2076-1435 (2016) Disruptive Corpses:Tales of the Living Dead in Horror Comics of the 1950s and Beyond. In: Vampires and Zombies. University Press of Mississippi. ISBN 978-1-4968-0474-7

Hand, Richard J. ORCID: https://orcid.org/0000-0002-2076-1435 and Wilson, Michael (2016) Performing Grand-Guignol:Playing the Theatre of Horror. University of Exeter Press. ISBN 9780859899963

Holmes, Su ORCID: https://orcid.org/0000-0003-4243-8337 (2016) Between feminism and anorexia: An autoethnography. International Journal of Cultural Studies, 19 (2). pp. 193-207. ISSN 1460-356X

Holmes, Su ORCID: https://orcid.org/0000-0003-4243-8337 (2016) ‘Blindness to the obvious’?: Treatment experiences and feminist approaches to eating disorders. Feminism and Psychology, 26 (4). pp. 464-486. ISSN 0959-3535

Holmes, Su ORCID: https://orcid.org/0000-0003-4243-8337 (2016) Revisiting Play School: A historical case study of the BBC’s address to the pre-school audience. Journal of Popular Television, 4 (1). pp. 29-47. ISSN 2046-987X

J

Jancovich, Mark (2016) Frankenstein and Film. In: The Cambridge Companion to Frankenstein. Cambridge University Press, Cambridge, pp. 190-204. ISBN 9781107086197

Jancovich, Mark (2016) Ingrid Bergman. In: Lost Souls of Horror and the Gothic. McFarland, Jefferson, pp. 34-37. ISBN 97814776663142

Jancovich, Mark and Manning, Robert (2016) 'A Poisonous Picture':The Big Sleep, The Hollywood Left and the Postwar Thriller. In: Howard Hawks. British Film Institute Publishing, pp. 82-93. ISBN 97818844575411

Johnston, Keith M ORCID: https://orcid.org/0000-0002-1989-8549 (2016) An unlimited field for experiment: Britain's Steroscopic Landscapes. In: British Rural Landscapes on Film. Manchester University Press, Manchester, pp. 71-85. ISBN 0719091578

Johnston, Keith M ORCID: https://orcid.org/0000-0002-1989-8549 and Phillips, Tom ORCID: https://orcid.org/0000-0003-1732-4514 (2016) "A step into the abyss" Transmedia in the UK Games and Television Industries. International Journal of Gaming and Computer-Mediated Simulations, 8 (2). ISSN 1942-3888

Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549, Vollans, Ed and Greene, Fred L. (2016) Watching the trailer: Researching the film trailer audience. Participations, 13 (2). pp. 56-85. ISSN 1749-8716

K

Kent, Miriam (2016) Elektra:Critical Reception, Postfeminism and the Marvel Superheroine on Screen. In: Marvel Comics into Film. McFarland. ISBN 978-0-7864-4304-8

Kramer, Peter (2016) ’Could you tell us how to create a Star-Child?’: Special Effects, Science Fiction und Publikumsreaktionen auf 2001: A Space Odyssey. In: Special Effects in der Wahrnehmung des Publikums. Berlin: VS Verlag, pp. 191-207. ISBN 978-3-531-17465-5

Kramer, Peter (2016) The General (BFI Film Classics). British Film Institute, London. ISBN 9781844579150

Kramer, Peter (2016) ’I’ll be right here!’ Dealing with Emotional Trauma in and through E.T. The Extra-Terrestrial. In: Children in the Films of Steven Spielberg. UNSPECIFIED, pp. 91-121. ISBN 9781498518840

Kramer, Peter (2016) The Legacy of Dr. Strangelove: Stanley Kubrick, Science Fiction, and the Future of Humanity. In: The Apocalypse in Film: Dystopia, Disasters, and other Visions about the End of the World. UNSPECIFIED, pp. 45-60. ISBN 9781442260276

Kramer, Peter (2016) The Movie Audience in the Archive. In: Reflections on Archives Museum and Special Collections. UNSPECIFIED, pp. 60-61. ISBN 9781906908423

L

Littler, Jo and Winch, Alison (2016) Feminism and childcare: A roundtable with Sara de Benedictis, Gideon Burrows, Tracey Jensen, Jill Rutter and Victoria Showunmi. Studies in the Maternal, 8 (1). ISSN 1759-0434

M

Mantziari, Despoina, Tasker, Yvonne and Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2016) Editors' Introduction: Activism, Agency, and Authorship: Exploring Women's Film History. Feminist Media Histories, 2 (2). pp. 1-5. ISSN 2373-7492

McKay, George ORCID: https://orcid.org/0000-0002-7770-0502 (2016) 4WORD:AN.OK4U2@32+1984. In: The Aesthetic of Our Anger. Anarcho-Punk, Politics and Music. Minor Compositions . Autonomedia, Colchester/New York, pp. 1-7. ISBN 9781570273186

McKay, George ORCID: https://orcid.org/0000-0002-7770-0502 (2016) Gee Vaucher's punk painting as record sleeves. In: Gee Vaucher: Introspective. Firstsite, Colchester, pp. 64-74. ISBN 978-1-57027-315-5

McKay, George ORCID: https://orcid.org/0000-0002-7770-0502 and Webster, Emma (2016) From Glyndebourne to Glastonbury:The Impact of British Music Festivals. AHRC/UEA.

Mckay, George ORCID: https://orcid.org/0000-0002-7770-0502 (2016) Pop Music and the Disabled Body, film of inaugural lecture. UNSPECIFIED.

Mills, Brett (2016) ‘If this was a human…’: Pets, vets and medicine. Critical Studies in Television, 11 (2). pp. 244-256. ISSN 1749-6020

Mills, Brett (2016) Make Me Laugh: Creativity in the British television comedy industry. Humor, 29 (2). 157–174. ISSN 1613-3722

Mills, Brett (2016) Old Jokes:One Foot in the Grave, Comedy and the Elderly. In: British TV Comedies. Palgrave Macmillan, Basingstoke, pp. 265-277. ISBN 978-1-137-55294-5

Mills, Brett (2016) "Out There, In the World":Representations of the Zoo and Other Spaces in the Madagascar Trilogy. In: The Zoo and Screen Media. Palgrave Macmillan, pp. 137-152. ISBN 978-1-137-54342-4

Mills, Brett (2016) A Special Freedom:Regulating Comedy Offence. In: Taboo Comedy. Palgrave Studies in Comedy . Palgrave Macmillan, London, pp. 209-226. ISBN 978-1-137-59337-5

Mills, Brett and Horton, Erica (2016) Creativity in the British Television Comedy Industry. Routledge, London. ISBN 9781138807211

P

Phillips, Tom ORCID: https://orcid.org/0000-0003-1732-4514 (2016) Discussions with Developers: F2P and the Changing Landscape of Games Business Development. In: Social, Casual and Mobile Games. Bloomsbury, pp. 61-73. ISBN 9781501310584

R

Ruiz, Pollyanna, Snelson, Timothy ORCID: https://orcid.org/0000-0002-8282-2432, Madgin, Rebecca, Webb, David and Whitter, Winstan and Brazen Bunch (2016) You Can't Move History. vimeo.

S

Snelson, Tim ORCID: https://orcid.org/0000-0002-8282-2432, Webb, David, Pollyanna, Ruiz and Madgin, Rebecca (2016) Giving weight to lived heritage. Town and Country Planning. pp. 301-303.

T

Tasker, Yvonne (2016) Contested masculinities:The action film, the war film, and the western. In: The Routledge Companion to Cinema and Gender. Taylor and Francis, pp. 111-120. ISBN 9781138924956

Tasker, Yvonne (2016) Sensation/investigation: Crime television and the action aesthetic. New Review of Film and Television Studies, 14 (3). pp. 304-323. ISSN 1740-0309

Tasker, Yvonne and Steenberg, Lindsay (2016) Women Warriors from Chivalry to Vengeance. In: Women of Ice and Fire. Bloomsbury, pp. 171-192. ISBN 978-1-5013-0290-9

Thouaille, Marie-Alix (2016) “Nice white ladies don’t go around barefoot”: Racing the white subjects of The Help (Tate Taylor 2011). Alphaville: Journal of Film and Screen Media, 10. ISSN 2009-4078

W

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2016) The Girl You Don't See: Julie Harris and the Costume Designer in British Cinema. Feminist Media Histories, 2 (2). pp. 71-106. ISSN 2373-7492

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2016) Interview for StudioCanal Bluray/DVD release of Pink String and Sealing Wax (1946). Studiocanal.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2016) The girl you don’t see: Julie Harris and the costume designer in British cinema. Feminist Media Histories, 2 (2). pp. 71-106. ISSN 2373-7492

Winch, Alison (2016) ‘I just think it’s dirty and lazy’: Fat surveillance and erotic capital. Sexualities, 19 (8). pp. 898-913. ISSN 1461-7382

Winch, Alison (2016) Trouble. The Emma Press. ISBN 9781910139394

Winch, Alison and Hakim, Jamie (2016) “I’m selling the dream really aren’t I?”: Sharing Fit Male Bodies on Social Networking Sites. In: Digital Leisure Cultures: Critical Perspectives. Routledge. ISBN 9781138955073

Winch, Alison, Littler, Jo and Keller, Jessalynn (2016) Why 'intergenerational feminist media studies'? Feminist Media Studies, 16 (4). pp. 557-572. ISSN 1468-0777