Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885
(2008)
Bhaji on the Beach (1993).
In:
Fifty Key British Films.
Routledge.
ISBN 9780415433297
Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885
(2008)
Drifters (1929).
In:
Fifty Key British Films.
Routledge.
ISBN 9780415433297
Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885
(2008)
Listen to Britain (1942).
In:
Fifty Key British Films.
Routledge.
ISBN 9780415433297
Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885
(2008)
The Lodger (1926).
In:
Fifty Key British Films.
Routledge.
ISBN 9780415433297
Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885
(2008)
London (1994).
In:
Fifty Key British Films.
Routledge.
ISBN 9780415433297
Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885
(2008)
Pressure (1975).
In:
Fifty Key British Films.
Routledge.
ISBN 9780415433297
Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885
(2008)
Ratcatcher (1999).
In:
Fifty Key British Films.
Routledge.
ISBN 9780415433297
Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885
(2008)
The Third Man (1949).
In:
Fifty Key British Films.
Routledge.
ISBN 9780415433297
Cornea, Christine (2008) In Focus: The Practitioner Interview in Film and Television Studies. Cinema Journal, 47 (2). pp. 117-154.
Cornea, Christine (2008) Introduction: Interviews in Film and Television Studies. Cinema Journal, 47 (2). pp. 117-123.
Denison, Rayna (2008) The Language of the Blockbuster: Marketing, Princess Mononoke and the Daihitto in Japanese Film Culture. In: East Asian Cinemas: Transnational Connections on Film. I B Tauris, pp. 103-122. ISBN 1845116143
Denison, Rayna (2008) Star-Spangled Ghibli: Star voices in the American versions of Hayao Miyazaki's films. Animation, 3 (2). pp. 129-146.
Hand, Richard ORCID: https://orcid.org/0000-0002-2076-1435
(2008)
La proliferazione dell’horror:Survival horror e la serie di Resident Evil.
In:
Intermedialita.
Unicopli.
ISBN 9788840012704
Hand, Richard ORCID: https://orcid.org/0000-0002-2076-1435 and Carr, Paul
(2008)
‘Twist ‘n frugg in an arrogant gesture’: Frank Zappa and the Musical-Theatrical Gesture.
Popular Musicology Online.
ISSN 1357-0951
Hines, Claire (2008) Armed and Fabulous: Miss Congeniality’s Queer Rom-Com. In: Falling in Love Again: The Contemporary Romantic Comedy. I B Tauris. ISBN 978-1845117719
Hines, Claire (2008) Cruel Intentions. In: The Cinema Book. UNSPECIFIED. ISBN 978-1844571925
Hines, Claire (2008) Kids. In: The Cinema Book. UNSPECIFIED. ISBN 978-1844571932
Hines, Claire (2008) Miss Congeniality. In: The Cinema Book. UNSPECIFIED. ISBN 978-1844571932
Holmes, Su ORCID: https://orcid.org/0000-0003-4243-8337
(2008)
Ask the fastidious woman from Surbiton to hand-wash the underpants of the ageing Oldham skinhead…': Why not Wife Swap?
In:
Rethinking Documentary: A Documentary Reader.
Open University Press, pp. 59-74.
ISBN 0335221912
Holmes, Su ORCID: https://orcid.org/0000-0003-4243-8337
(2008)
Entertaining Television: The BBC and Popular Television Culture in the 1950's.
Manchester University Press.
ISBN 9780719077913
Holmes, Su ORCID: https://orcid.org/0000-0003-4243-8337
(2008)
Outrageously Bad Taste: The BBC, the Critics and the Controversy over This is Your Life in the 1950's.
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Routledge.
ISBN 978-0415419161
Holmes, Su ORCID: https://orcid.org/0000-0003-4243-8337
(2008)
The Quiz Show.
Edinburgh University Press.
ISBN 9780748627523
Holmes, Su ORCID: https://orcid.org/0000-0003-4243-8337
(2008)
Riveting and Real - a family in the raw:(Re)visiting The Family (1974) after Reality TV.
International Journal of Cultural Studies, 11 (2).
pp. 193-210.
ISSN 1460-356X
Holmes, Su ORCID: https://orcid.org/0000-0003-4243-8337
(2008)
A Term Rather Too General to be Helpful': Struggling with Genre in Reality TV.
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The Shifting Definitions of Genre, Generic Canons.
McFarland, pp. 21-39.
ISBN 0786434309
Holmes, Su ORCID: https://orcid.org/0000-0003-4243-8337
(2008)
'An unmarried mother sat in a wing-backed chair on TV last night…' BBC asks Is This Your Problem? (1955-57).
Television and New Media, 9 (3).
pp. 175-196.
ISSN 1552-8316
Holmes, Su ORCID: https://orcid.org/0000-0003-4243-8337
(2008)
'The viewers have ... taken over the airwaves'? Participation, reality TV and approaching the audience-in-the-text.
Screen, 49 (1).
pp. 13-31.
ISSN 1460-2474
Holmes, Su ORCID: https://orcid.org/0000-0003-4243-8337 and Negra, Diane
(2008)
Going Cheap? Female Celebrity in the Tabloid, Reality and Scandal Genres.
Genders.
Jancovich, Mark (2008) Female monsters: horror, the “femme fatale” and World War II. European Journal of American Culture, 27 (2). pp. 133-149.
Jancovich, Mark (2008) Kulturní geografie filmové konzumpce. Iluminace: Casopis Pro Teorii, Historii a Estetiku Filmu, 1. pp. 15-35.
Jancovich, Mark (2008) Master of concentrated suspense: Horror, gender and fantasy in Lang’s 1940s films. Studies in European Cinema, 5 (3). pp. 171-183.
Jancovich, Mark (2008) Pale Shadows: Narrative Hierarchies in the History of 1940s Horror. In: Shifting Definitions of Genre. McFarland, pp. 15-32. ISBN 0786434309
Jancovich, Mark (2008) Shifting Definitions of Genre. McFarland. ISBN 978-0786434305
Johnston, Keith M ORCID: https://orcid.org/0000-0002-1989-8549
(2008)
'The coolest way to watch movie trailers in the world': Trailers in the digital age.
Convergence: The International Journal of Research into New Media Technologies, 14 (2).
pp. 145-160.
ISSN 1354-8565
Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549
(2008)
"Three times as thrilling!": The lost history of 3-D trailer production, 1953-54.
Journal of Popular Film and Television, 36 (3).
pp. 150-160.
ISSN 1930-6458
Kramer, Peter (2008) Hollywood and the Germans: A Very Special Relationship. In: The Contemporary Hollywood Film Industry. Blackwell, pp. 240-50. ISBN 9781405133876; 9781405133883
Kramer, Peter (2008) O (nad)casovosti satiry. Recepce filmu Dikator v zapadnim Nemecku v obdobi 1952-1973 (The (Un) Timeliness of Satire: The Reception of The Great Dictator in West Germany, 1952-1973). Iluminace, 20 (1). pp. 51-67.
Kramer, Peter (2008) The Spectre of History in the Age of Golbalization: Notes on German Hit Movies and Hit Makers at Home and in the US. In: Shifting Landscapes: Film and Media in European Context. Newcastle: Cambridge Scholars Publishing, pp. 68-85. ISBN 9781847184733/1847184731 (hbk) 9781443805926/1443805920 (pbk)
Mills, Brett (2008) After the Interview. Cinema Journal, 47 (2). pp. 148-153.
Mills, Brett (2008) My house was on Torchwood!: Media, place and identity. International Journal of Cultural Studies, 11 (4). pp. 379-399. ISSN 1460-356X
Mills, Brett (2008) 'Paranoia, paranoia, everybody's coming to get me': Peep Show, sitcom, and the surveillance society. Screen, 49 (1). pp. 51-64. ISSN 1460-2474
Qureshi, Kamran ORCID: https://orcid.org/0000-0002-1859-2257 and Qureshi, Iram
(2008)
Nestlé Nido Ye Tare Hamare.
[Performance]
Qureshi, Kamran ORCID: https://orcid.org/0000-0002-1859-2257 and Qureshi, Iram
(2008)
Woh 70 Din.
[Performance]
Snelson, Tim ORCID: https://orcid.org/0000-0002-8282-2432
(2008)
"What Am I…Beloved or Bewitched?" Split-screens, gender confusion and psychiatric solutions in The Dark Mirror (1946).
Refractory: a Journal of Entertainment Media, 14.
Tasker, Yvonne (2008) "Practically Perfect People: Postfeminism, Masculinity and Male Parenting in Contemporary Cinema". In: A Family Affair. Wallflower Press, pp. 175-188. ISBN 9781905674558
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2008)
‘Brief Encounter’, ‘The Wicked Lady’ and ‘A Hard Day’s Night’.
In:
50 Key British Films.
Routledge.