Jancovich, Mark, Hollows, Joanne and Hutchings, Peter, eds. (2000) The Film Studies Reader. Arnold Publishing. ISBN 0340692790
Hand, Richard ORCID: https://orcid.org/0000-0002-2076-1435 (2000) Christopher Hampton’s Adaptation of The Secret Agent. Conradiana, 32 (3). pp. 195-202. ISSN 0010-6356
Hand, Richard ORCID: https://orcid.org/0000-0002-2076-1435 (2000) "The Stage Is a Terribly Searching Thing" Joseph Conrad's Dramatization of 'The Secret Agent'. Conradiana, 32 (1). pp. 57-65. ISSN 0010-6356
Hand, Richard ORCID: https://orcid.org/0000-0002-2076-1435 and Wilson, Michael (2000) The Grand-Guignol: Aspects of theory and practice. Theatre Research International, 25 (3). pp. 266-275. ISSN 0307-8833
Jancovich, Mark (2000) Consumption. In: Critical Dictionary of Film and Television Theory. Routledge. ISBN 978-0415162180
Jancovich, Mark (2000) Cult Film and Television. In: Critical Dictionary of Film and Television Theory. Routledge. ISBN 978-0415162180
Jancovich, Mark (2000) Genre and the Problem of Reception: Generic Classification and Cultural Distinctions in the Promotion of Silence of the Lambs. In: Hollywood Spectatorship: Changing Perceptions of Cinema Audiences. BFI Publishing, pp. 33-44. ISBN 978-0851708102
Jancovich, Mark (2000) Moral Panics. In: Critical Dictionary of Film and Television Theory. Routledge. ISBN 978-0415162180
Jancovich, Mark (2000) Othering Conformity in Post-War America: Intellectuals, the New Middle Classes and the Problem of Cultural Distinctions. In: Containing America: Cultural Production and Consumption in Fifties America. Birmingham University Press, pp. 12-28. ISBN 1902459067
Jancovich, Mark (2000) "The Purest Knight of All": Nation, History and Representation in El Cid. Cinema Journal, 40 (1). pp. 79-103. ISSN 0009-7101
Jancovich, Mark (2000) A Real Shocker: Authenticity, Genre and the Struggle for Cultural Distinctions. Continuum-Journal of Media & Cultural Studies, 14 (1). pp. 23-35. ISSN 1030-4312
Jancovich, Mark (2000) The Southern New Critics. In: The Cambridge History of Literary Criticism. Cambridge University Press, pp. 200-218. ISBN 0521300126
Kramer, Peter (2000) 'A Cutie with more than beauty': Audrey Hepburn, the Hollywood Musical and Funny Face. In: Musicals: Hollywood and Beyond. Intellect, Exeter, pp. 62-9. ISBN 1841500038 (pbk)
Kramer, Peter (2000) Entering the Magic Kingdom: The Walt Disney Company, The Lion King and the Limitations of Criticism. Film Studies (2). pp. 44-50.
Kramer, Peter (2000) 'Faith in Relations Between People': Audrey Hepburn, Roman Holiday and European Integration. In: 100 Years of Cinema: Entertainment or Ideology? Manchester University Press, Manchester, pp. 195-206. ISBN 0719058716 (hbk) 0719058724 (pbk)
Kramer, Peter (2000) Post-classical Hollywood. In: American Cinema and Hollywood: Critical Approaches. Oxford University Press, Oxford, pp. 63-83. ISBN 0198742819 (pbk)
Kramer, Peter (2000) Post-classical Hollywood (partial reprint of essay first published in The Oxford Guide to Film Studies, ed.John Hill and Pamela Church Gibson, Oxford: Oxford University Press, 1998). In: The Film Studies Reader. Arnold, London, pp. 174-80. ISBN 0340692782 (hbk) 0340692790 (pbk)
Kramer, Peter (2000) Star Wars (slightly revised reprint of essay first published in History Today, vol.49, no.3, March 1999). In: The Movies as History: Visions of the Twentieth Century. Sutton Publishing, Stroud, pp. 44-53. ISBN 0750923318 (pbk)
Qureshi, Kamran ORCID: https://orcid.org/0000-0002-1859-2257 (2000) Ariel Maa. [Performance]
Qureshi, Kamran ORCID: https://orcid.org/0000-0002-1859-2257 (2000) Voyage of Discovery. PTV World.
Qureshi, Kamran ORCID: https://orcid.org/0000-0002-1859-2257 (2000) Zee Basant Festival. Zee TV.
Tasker, Yvonne (2000) Bigger than Life (originally published in Sight and Sound, May 1999). In: Action/Spectacle: A Sight and Sound Reader. British Film Institute, London, pp. 195-200.