D'Arcy, Geraint
ORCID: https://orcid.org/0000-0001-5645-6005
(2026)
In front of a live studio audience: production design and liveness in celebrity chat shows.
Critical Studies in Television.
ISSN 1749-6020
Hand, Richard
ORCID: https://orcid.org/0000-0002-2076-1435
(2026)
Afro-Gothic; Get Out; Games; Stage; Cosmic Horror; Modern Art; Radio; Blacula; Grand-Guignol.
In:
A History of Horror, Fear, and the Uncanny.
Dorling Kindersley.
ISBN 9780241777442
Hand, Richard
ORCID: https://orcid.org/0000-0002-2076-1435
(2026)
Conrad, the English Literary Theatre and Grand-Guignol.
In:
Joseph Conrad and the Arts of his Time.
Edinburgh University Press, pp. 187-205.
ISBN 9781399523738
Hand, Richard
ORCID: https://orcid.org/0000-0002-2076-1435
(2026)
“It all seems too real”: Herschell Gordon Lewis and Theatres of Horror.
In:
The Films of Herschell Gordon Lewis.
Edinburgh University Press, pp. 94-109.
ISBN 9781399536042
Johnston, Keith M
ORCID: https://orcid.org/0000-0002-1989-8549 and Arnold, Sarah
(2026)
Valuing the labor of women amateur filmmakers and the archivists who preserve their works.
In:
Cultural Heritage Data and Power.
Meson Press.
Johnston, Keith M.
ORCID: https://orcid.org/0000-0002-1989-8549, Tepperman, Charles, Mariani, Andrea and Schneider, Simona
(2026)
Moving Amateur Movies:The International Amateur Cinema Network in the 1930s.
In:
A Century In 16mm.
Oxford University Press, pp. 221-240.
ISBN 9780197687178
Ross, Jen, Priyadharshini, Esther
ORCID: https://orcid.org/0000-0001-9509-2865, Dyer, Harry
ORCID: https://orcid.org/0000-0002-1629-730X, Atabey, Ayca, Botta, Colton, Wilson, Cara and Robertson, Judy
(2026)
Imaginaries of Responsible Generative AI in Secondary Education.
In:
Handbook of Critical Studies of Artificial Intelligence and Education.
Edward Elgar Publishing, pp. 364-383.