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Antunes, Filipa ORCID: https://orcid.org/0000-0001-5978-6771 (2020) Book Review: The Television Code: Regulating the Screen to Safeguard the Industry. Critical Studies in Television, 15 (4). pp. 428-430. ISSN 1749-6020
Bogdanova-Kummer, Eugenia ORCID: https://orcid.org/0000-0002-7704-3514 (2020) Ink splashes on camera: Calligraphy, action painting, and mass media in postwar Japan. Modernism/modernity, 27 (2). pp. 299-321. ISSN 1071-6068
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Clark, Christopher W. (2020) Introduction: Queer Subjectivities and the United States. Comparative American Studies, 17 (1). pp. 1-5. ISSN 1477-5700
Clark, Christopher W. (2020) Reimagining the American landscape: Queer topographics in Nina Berman's Homeland. Journal of American Studies, 54 (3). pp. 541-563. ISSN 0021-8758
Pires Pepe, Paulo (2020) Body of Resistance: Blackness and the Politics of (In)visibility on YouTube. Bulletin of Spanish Studies, 97 (7). pp. 1187-1210. ISSN 1478-3428
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Litherland, Benjamin, Phillips, Thomas ORCID: https://orcid.org/0000-0003-1732-4514 and Warden, Claire (2020) Is this Progress? Punk, Participation and the (Potential) Radical Politics of British Professional Wrestling. In: Professional Wrestling. Seagull Books, pp. 119-139. ISBN 9780857427946
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2020) Girl on the edge: Rapture (1965). In: John Guillermin. Precocity Press. ISBN 978-1735292151
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2020) Her Word Was Her Bond:Johanna Harwood, Bond’s First Woman Screenwriter. In: From Blofeld to Moneypenny. Emerald Studies in Popular Culture and Gender . Emerald Group Publishing Ltd., pp. 117-127. ISBN 978-1-83867-163-1
Kaner, Simon, Ayers, Brian, Pearson, Richard and Wrenn, Oscar, eds. (2020) The archaeology of medieval towns:Case studies from Japan and Europe. Comparative and Global Perspectives on Japanese Archaeology . Archaeopress, Oxford. ISBN 978-1-78969-426-0
Petrie, Duncan, Williams, Melanie and Mayne, Laura, eds. (2020) Sixties British Cinema Reconsidered. Edinburgh University Press. ISBN 9781474443890
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Clark, Christopher W. (2020) Queering Memory and National Identity in Transcultural U.S. Literature and Culture. American Literature Readings in the 21st Century . Palgrave Macmillan, New York. ISBN 978-3-030-52113-4
Clayton, Stephanie, Johnston, Keith M ORCID: https://orcid.org/0000-0002-1989-8549 and Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2020) Invisible Innovators:Making Women Filmmakers Visible Across the UK Film Archives. UNSPECIFIED.
Heerma van Voss, Thomas and Gilula, Moshe (2020) Thank You For Being With Us (Verzet): 2. Strangers Press. ISBN 978-1-911343-28-8
Hofstede, Bregje and Tetley-Paul, Alice (2020) Bergje. Strangers Press. ISBN 978-1-911343-29-5
Ouariachi, Jamal and Emblen-Jarrett, Scott (2020) The Tourist Butcher (Verzet): 4. Strangers Press. ISBN 978-1-911343-30-1
Peek, Gustaaf and Monaghan, Brendan (2020) Resist! In Defence of Communism (Verzet): 5. Strangers Press. ISBN 978-1-911343-31-8
Pitchford-Hyde, Jenna ORCID: https://orcid.org/0000-0002-6677-6114 and Parry, Katy (2020) Veterans and the Media:A pilot survey report on how UK veterans perceive media representations about military and post-military experiences. White Rose University Press, Leeds.
Polak, Nina and Rault, Emma (2020) The Dandy (Verzet): 6. Strangers Press. ISBN 978-1-911343-32-5
Van Hassel, Sanneke and Guinan, Danny (2020) Shelter (Verzet): 7. Strangers Press. ISBN 978-1-911343-33-2
Wortel, Maartje and Van Der Voort, Jozef (2020) Something Has To Happen (Verzet): 8. Strangers Press. ISBN 978-1-911343-34-9
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2020) Interview for Indicator Bluray Hammer boxset volume five. Indicator.
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2020) Interview for StudioCanal Bluray/DVD release of Yield to the Night (1956). Studiocanal.