Amatmoekrim, Karin and Timmer Harvey, Sarah (2020) Reconstruction (Verzet): 1. Strangers Press. ISBN 978-1-911343-27-1
Antunes, Filipa (2020) Book Review: The Television Code: Regulating the Screen to Safeguard the Industry. Critical Studies in Television, 15 (4). pp. 428-430. ISSN 1749-6020
Antunes, Filipa (2020) Children Beware! Childhood, Horror and the PG-13 Rating. McFarland. ISBN 978-1476671338
Bogdanova-Kummer, Eugenia ORCID: https://orcid.org/0000-0002-7704-3514
(2020)
Bokujinkai: Japanese Calligraphy and the Postwar Avant-Garde.
Brill, Leiden and Boston.
ISBN 978-90-04-42465-4
Bogdanova-Kummer, Eugenia ORCID: https://orcid.org/0000-0002-7704-3514
(2020)
Ink splashes on camera: Calligraphy, action painting, and mass media in postwar Japan.
Modernism/modernity, 27 (2).
pp. 299-321.
ISSN 1071-6068
Cann, Victoria ORCID: https://orcid.org/0000-0002-7858-4283
(2020)
Negotiating identities: Being “Boy”, being “Filipino”, being “Other”.
Boyhood Studies, 13 (1).
23–42.
ISSN 2375-9240
Cann, Victoria ORCID: https://orcid.org/0000-0002-7858-4283, Madrid, Sebastián, Ratele, Kopano, Tarrant, Anna, Ward, Michael and Connell, Raewyn
(2020)
The Men and the Boys, Twenty Years on: Revisiting Raewyn Connell’s pivotal text.
Boyhood Studies, 13 (2).
pp. 1-8.
ISSN 2375-9240
Clark, Christopher W. ORCID: https://orcid.org/0000-0001-9315-5885
(2020)
At the Edges of (queer) Time and Space:Atemporality, Adolescence, and Abjection in "Final Destination".
In:
New Queer Horror Film and Television.
Horror Studies
.
University of Wales Press.
ISBN 9781786836267
Clark, Christopher W. (2020) Introduction: Queer Subjectivities and the United States. Comparative American Studies, 17 (1). pp. 1-5. ISSN 1477-5700
Clark, Christopher W. ORCID: https://orcid.org/0000-0001-9315-5885
(2020)
Queering Memory and National Identity in Transcultural U.S. Literature and Culture.
American Literature Readings in the 21st Century
.
Palgrave Macmillan, New York.
ISBN 978-3-030-52113-4
Clark, Christopher W. (2020) Reimagining the American landscape: Queer topographics in Nina Berman's Homeland. Journal of American Studies, 54 (3). pp. 541-563. ISSN 0021-8758
Clayton, Stephanie, Johnston, Keith M ORCID: https://orcid.org/0000-0002-1989-8549 and Williams, Melanie
ORCID: https://orcid.org/0000-0002-3609-207X
(2020)
Invisible Innovators:Making Women Filmmakers Visible Across the UK Film Archives.
UNSPECIFIED.
Heerma van Voss, Thomas and Gilula, Moshe (2020) Thank You For Being With Us (Verzet): 2. Strangers Press. ISBN 978-1-911343-28-8
Hofstede, Bregje and Tetley-Paul, Alice (2020) Bergje. Strangers Press. ISBN 978-1-911343-29-5
Litherland, Benjamin, Phillips, Thomas ORCID: https://orcid.org/0000-0003-1732-4514 and Warden, Claire
(2020)
Is this Progress? Punk, Participation and the (Potential) Radical Politics of British Professional Wrestling.
In:
Professional Wrestling.
Seagull Books, pp. 119-139.
ISBN 9780857427946
Ouariachi, Jamal and Emblen-Jarrett, Scott (2020) The Tourist Butcher (Verzet): 4. Strangers Press. ISBN 978-1-911343-30-1
Peek, Gustaaf and Monaghan, Brendan (2020) Resist! In Defence of Communism (Verzet): 5. Strangers Press. ISBN 978-1-911343-31-8
Pires Pepe, Paulo (2020) Body of Resistance: Blackness and the Politics of (In)visibility on YouTube. Bulletin of Spanish Studies, 97 (7). pp. 1187-1210. ISSN 1478-3428
Pitchford-Hyde, Jenna and Parry, Katy (2020) Veterans and the Media:A pilot survey report on how UK veterans perceive media representations about military and post-military experiences. White Rose University Press, Leeds.
Polak, Nina and Rault, Emma (2020) The Dandy (Verzet): 6. Strangers Press. ISBN 978-1-911343-32-5
Van Hassel, Sanneke and Guinan, Danny (2020) Shelter (Verzet): 7. Strangers Press. ISBN 978-1-911343-33-2
Walker Churchman, Georgia (2020) Narcissism and the Aesthetics of 'The Uncanny'. Oxford Literary Review, 42 (2). pp. 159-162. ISSN 0305-1498
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2020)
Girl on the edge: Rapture (1965).
In:
John Guillermin.
Precocity Press.
ISBN 978-1735292151
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2020)
Her Word Was Her Bond:Johanna Harwood, Bond’s First Woman Screenwriter.
In:
From Blofeld to Moneypenny.
Emerald Studies in Popular Culture and Gender
.
Emerald Group Publishing Ltd., pp. 117-127.
ISBN 978-1-83867-163-1
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2020)
Interview for Indicator Bluray Hammer boxset volume five.
Indicator.
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2020)
Interview for StudioCanal Bluray/DVD release of Yield to the Night (1956).
Studiocanal.
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2020)
The hidden history of women's filmmaking in Britain.
The Conversation.
Wortel, Maartje and Van Der Voort, Jozef (2020) Something Has To Happen (Verzet): 8. Strangers Press. ISBN 978-1-911343-34-9