Hunt, Katherine and Mitchell, Dianne, eds. (2026) Literary Form After Matter 1550-1700: Experiments in Close Reading. Edinburgh Critical Studies in Renaissance Culture . Edinburgh University Press. ISBN 9781399551908
Jowitt, Claire and Redding, Benjamin, eds. (2026) The Wreck of the Gloucester: A Seventeenth-Century Warship Through Time. Boydell and Brewer. (In Press)
Adeyemi, Sola
ORCID: https://orcid.org/0000-0003-4734-8576
(2026)
Editorial: African Theatre in Motion: Legacies, Fractures and Futures Across the Twenty-First Century.
African Performance Review, 15 (2).
pp. 7-9.
ISSN 1753-5964
Adeyemi, Sola
ORCID: https://orcid.org/0000-0003-4734-8576
(2026)
Mbongeni Ngema: A Theatre of Resistance, Rhythm, and Reckoning (10 May 1955 - 27 December 2023).
African Performance Review, 15 (2).
pp. 21-30.
ISSN 1753-5964
Adeyemi, Sola
ORCID: https://orcid.org/0000-0003-4734-8576
(2026)
Review of Wole Soyinka: Literature, Activism, And African Transformation by Bola Dauda and Toyin Falola.
African Performance Review, 15 (2).
pp. 99-104.
ISSN 1753-5964
Darling, Brett (2026) Prose Rhythm and the Thickening of Time, and, The Apologetic. Doctoral thesis, University of East Anglia.
Davies, Cathleen (2026) Stitches: A Novel, and. “If it didn’t hurt, I probably wouldn’t do it”: A Freudian Exploration of Creative Practice in Mary Shelley’s Frankenstein and Cathleen Davies’ Stitches. Doctoral thesis, University of East Anglia.
Dolmans, Emily
ORCID: https://orcid.org/0000-0002-8913-2864
(2026)
English Literature and the Crusades: Anxieties of Holy War, 1291–1453 by Marcel Elias (review).
Modern Language Review, 120 (1).
pp. 82-84.
ISSN 0026-7937
Frank, Sopuruchi Blessed (2026) Creative Challenges to the Narratives of Heteronormativity in Selected works of Contemporary Twenty-first Century Nigerian Literature. Doctoral thesis, University of East Anglia.
Geary, Paul
ORCID: https://orcid.org/0000-0002-5954-9247
(2026)
Performing the Edible:Sustenance, Sensation, and Sustainability.
In:
Performing the Edible.
Routledge.
ISBN 9781040446799
Hand, Richard
ORCID: https://orcid.org/0000-0002-2076-1435
(2026)
Afro-Gothic; Get Out; Games; Stage; Cosmic Horror; Modern Art; Radio; Blacula; Grand-Guignol.
In:
A History of Horror, Fear, and the Uncanny.
Dorling Kindersley.
ISBN 9780241777442
Hand, Richard
ORCID: https://orcid.org/0000-0002-2076-1435
(2026)
Conrad, the English Literary Theatre and Grand-Guignol.
In:
Joseph Conrad and the Arts of his Time.
Edinburgh University Press, pp. 187-205.
ISBN 9781399523738
Hand, Richard
ORCID: https://orcid.org/0000-0002-2076-1435
(2026)
“It all seems too real”: Herschell Gordon Lewis and Theatres of Horror.
In:
The Films of Herschell Gordon Lewis.
Edinburgh University Press, pp. 94-109.
ISBN 9781399536042
Hughes, William
ORCID: https://orcid.org/0009-0008-1841-3723
(2026)
The Historical Dictionary of Gothic Literature: Second Expanded Edition.
Bloomsbury Academic.
ISBN 9798216443025
Mondal, Anshuman
ORCID: https://orcid.org/0000-0002-6628-7572
(2026)
The Ethics of Erasure: On the Practice and Politics of Cultural Expression.
Wasafiri, 41 (1).
pp. 40-52.
ISSN 0269-0055
Noel-Tod, Jeremy
ORCID: https://orcid.org/0000-0002-0772-1770
(2026)
From bums to kings: A new history of England takes 25 poems as its source material. What can it hope to tell us about those verses, the country and ourselves?:Review of Clare Clarke, A History of England in 25 Poems.
Prospect Magazine.
Qureshi, Kamran
ORCID: https://orcid.org/0000-0002-1859-2257
(2026)
Fiction Feature Filmmaking:Research and Practice in Screenwriting, Production, Distribution, Exhibition, and Beyond.
Palgrave Macmillan Cham.
ISBN 978-3-032-10451-9
Richardson, Catherine (2026) Shakespeare's Objects:Early Modern Material Culture. Arden Shakespeare Insights . Bloomsbury Academic. ISBN 978-1350123564
Roebuck, Thomas
ORCID: https://orcid.org/0000-0002-1791-6539
(2026)
The Correspondence of William Camden (1551-1623) and Thomas Savile (d. 1593): The Limits of Collaboration in the Making of Camden’s Britannia.
Erudition and the Republic of Letters.
ISSN 2405-5050
(In Press)
Shamgunova, Nailya (2026) The reading practices of Edward Southwell and the first known reader response to Aphra Behn’s Oroonoko, 1690s. Notes and Queries, 73 (1). pp. 97-103. ISSN 0029-3970
Smith, E.
ORCID: https://orcid.org/0000-0002-7101-2397
(2026)
Exploring Plural Identity Through Creative-Critical Autoethnography.
Routledge Studies in Literature and Health Humanities
.
Routledge.
Smith, Jos
ORCID: https://orcid.org/0000-0002-3826-6416
(2026)
‘Commons in Contemporary British Nature Writing: Literary Form into Praxis’.
New Formations.
ISSN 0950-2378
(In Press)
Smith, Jos
ORCID: https://orcid.org/0000-0002-3826-6416 and Saunders, Hetty
(2026)
Nature Writing and the Future: Facing Environmental Change.
In:
The Bloomsbury Handbook to Nature Writing.
UNSPECIFIED.
(In Press)
Taunton, Matthew
ORCID: https://orcid.org/0000-0002-9764-7809
(2026)
The Collective Voice: Modern Literature and the Politics of Speech.
Stanford University Press.
ISBN 9781503648494
(In Press)
Taunton, Matthew
ORCID: https://orcid.org/0000-0002-9764-7809, Ho, Janice and Kohlmann, Benjamin
(2026)
Series Editors' Introduction.
In:
Utopia: by Duncan Bell and Douglas Mao.
Literature & Politics
.
Oxford University Press.
ISBN 9780198922889