(2012) Big Screen to Small Screen: Australisian film and its new formats (Special Issue, Guest Editor). Studies in Australasian Cinema, 6 (2). (In Press)
Duguid, Mark, Freeman, Lee, Johnston, Keith M and Williams, Melanie, eds. (2012) Ealing Revisited. British Film Institute/Palgrave, London. ISBN 9781844575107
FitzGerald, Louise and Williams, Melanie, eds. (2012) Mamma Mia! The Movie: Exploring a Cultural Phenomenon. I B Tauris. ISBN 9781848859425
Atakav, Eylem ORCID: https://orcid.org/0000-0001-5718-5614
(2012)
Kiz Kulesi Asiklari, Edge of Heaven and Block C.
In:
World Film Location: Istanbul.
World Film Locations
.
Intellect Ltd.
ISBN 9781841505671
Atakav, Eylem ORCID: https://orcid.org/0000-0001-5718-5614
(2012)
Women and Turkish Cinema:Gender Politics, Cultural Identity and Representation.
Routledge Studies in Middle East Film and Media
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Routledge.
ISBN 9781138843882
Barker, Martin (2012) "Live To Your Local Cinema": the Remarkable Rise of Livecasting. Palgrave Macmillan. ISBN 978-1137288684
Barker, Martin (2012) The reception of Joe Sacco's Palestine. Participations, 9 (2). pp. 58-73. ISSN 1749-8716
Barker, Martin and Mathijs, Ernest (2012) Researching world audiences: the experience of a complex methodology. Participations, 9 (2). pp. 664-689. ISSN 1749-8716
Bowater, Laura, Cornea, Christine and Bowater, Richard P. ORCID: https://orcid.org/0000-0002-2745-7807
(2012)
Visualizing Science Fiction and relating it to Science Fact.
The Biochemist, 34 (6).
pp. 4-8.
ISSN 0954-982X
Bowater, Laura, Cornea, Christine, James, Helen and Bowater, Richard P. ORCID: https://orcid.org/0000-0002-2745-7807
(2012)
Using science fiction to teach science facts.
The Biochemist, 34 (6).
pp. 15-20.
ISSN 0954-982X
FitzGerald, Louise and Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2012)
Facing our Waterloo: evaluating Mamma Mia! The Movie.
In:
Mamma Mia! The Movie: Exploring a Cultural Phenomenon.
I B Tauris.
ISBN 9781848859418
Jancovich, Mark (2012) "A Former Director of German Horror Films”: Horror, European Cinema and the Critical Reception of Robert Siodmak’s Hollywood Career. In: European Nightmares. Wallflower, pp. 185-193. ISBN 9780231162098
Jancovich, Mark (2012) “Psychological Thriller”: Dead of Night (1945), British Film Culture, and the 1940s Horror Cycle. In: Speaking of Monsters: A Teratological Anthology. Palgrave Macmillan, New York, pp. 39-49. ISBN 978-0-230-11450-0
Jancovich, Mark (2012) Relocating Lewton: Cultural distinctions and generic negotiations in the critical reception of the Val Lewton horror films. Journal of Film and Video, 64 (3). pp. 21-37. ISSN 0742-4671
Jancovich, Mark (2012) "Terrifyingly real": Psychology, realism and generic transformation in the demise of the 1940s horror cycle. European Journal of American Culture, 31 (1). pp. 25-39.
Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549
(2012)
Pop-up footballers, pop concerts and popular films: The past, present and future of 3D TV.
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Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549
(2012)
'A riot of all the colours in the rainbow': Ealing Studios in Colour.
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Ealing Revisited.
British Film Institute, London, pp. 195-205.
ISBN 9781844575107
Kramer, Peter (2012) 'Black Is In': Race and Genre in Early 1990s American Cinema. Iluminace, 24 (3). pp. 13-30.
Kramer, Peter (2012) Das Boot/The Boat. In: The Cinema of Germany. 24 Frames . Wallflower Press, London, pp. 197-205. ISBN 978-1-905674-90-9
Kramer, Peter (2012) The Good German? Oskar Schindler and the Movies, 1951-1993. In: Hollywood's Chosen People. Contemporary Approaches to Film and Media . Wayne State University Press, Detroit, pp. 125-140. ISBN 978-0814334829
Kramer, Peter (2012) The Limits of Autonomy: Stanley Kubrick, Hollywood and Independent Filmmaking, 1950-53. In: American Independent Cinema: Indie, Indiewood and Beyond. Routledge, London, pp. 153-64. ISBN 978-0415684293
Krämer, Peter (2012) Fghting the Evil Empire:Star Wars, the Strategic Defense Initiative and the Politics of Science-Fiction. In: Sex, Politics, and Religion in Star Wars An Anthology. Scarecrow Press, pp. 63-76. ISBN 978-0-8108-8514-1
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(2012)
Too fat to fly: A case study of unsuccessful fan mobilization.
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ISSN 1941-2258
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(2012)
The participation and decision making of ‘at risk’ youth in community music projects: an exploration of three case studies.
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ISSN 1367-6261
Tasker, Yvonne (2012) Bodies and Genres in Transition:Girlfight and Real Women have Curves. In: Genre and Gender: Cross-Currents in Postwar Cinema. University of Illinois Press.
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
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Dawn of the Kitchen Sink.
Sight and Sound, 22 (8).
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2012)
A Feminine Touch? Ealing's Women.
In:
Ealing Revisited.
British Film Institute, London.
ISBN 9781844575107
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2012)
Mamma Mia!'s female authorship.
In:
Mamma Mia! The Movie: Exploring a Cultural Phenomenon.
I B Tauris.
ISBN 9781848859418
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X
(2012)
'Women in the British film industry', 'The Seventh Veil', 'Bhaji on the Beach' and 'Fish Tank'.
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Directory of World Cinema Series
(14).
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ISBN 978-1841505572
Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X, Duguid, Mark, Freeman, Lee and Johnston, Keith M
ORCID: https://orcid.org/0000-0002-1989-8549
(2012)
Introduction: Revisiting Ealing.
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Ealing Revisited.
British Film Institute, London.
ISBN 9781844575107
Giannini, Erin (2012) The big shill: branding and niche programming on American television. Doctoral thesis, University of East Anglia.
Kennedy, Melanie (2012) Bratz, BFFs, princesses and popstars: femininity and celebrity in tween popular culture. Doctoral thesis, University of East Anglia.