Items where School is "School of Film and Television Studies (former - to 2012)

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Number of items: 29.

A

Atakav, Eylem ORCID: https://orcid.org/0000-0001-5718-5614 (2012) Kiz Kulesi Asiklari, Edge of Heaven and Block C. In: World Film Location: Istanbul. World Film Locations . Intellect Ltd. ISBN 9781841505671

Atakav, Eylem ORCID: https://orcid.org/0000-0001-5718-5614 (2012) Women and Turkish Cinema:Gender Politics, Cultural Identity and Representation. Routledge Studies in Middle East Film and Media . Routledge. ISBN 9781138843882

B

Barker, Martin (2012) "Live To Your Local Cinema": the Remarkable Rise of Livecasting. Palgrave Macmillan. ISBN 978-1137288684

Barker, Martin (2012) The reception of Joe Sacco's Palestine. Participations, 9 (2). pp. 58-73. ISSN 1749-8716

Barker, Martin and Mathijs, Ernest (2012) Researching world audiences: the experience of a complex methodology. Participations, 9 (2). pp. 664-689. ISSN 1749-8716

Bowater, Laura, Cornea, Christine and Bowater, Richard P. ORCID: https://orcid.org/0000-0002-2745-7807 (2012) Visualizing Science Fiction and relating it to Science Fact. The Biochemist, 34 (6). pp. 4-8. ISSN 0954-982X

Bowater, Laura, Cornea, Christine, James, Helen and Bowater, Richard P. ORCID: https://orcid.org/0000-0002-2745-7807 (2012) Using science fiction to teach science facts. The Biochemist, 34 (6). pp. 15-20. ISSN 0954-982X

F

FitzGerald, Louise and Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2012) Facing our Waterloo: evaluating Mamma Mia! The Movie. In: Mamma Mia! The Movie: Exploring a Cultural Phenomenon. I B Tauris. ISBN 9781848859418

G

Giannini, Erin (2012) The big shill: branding and niche programming on American television. Doctoral thesis, University of East Anglia.

J

Jancovich, Mark (2012) "A Former Director of German Horror Films”: Horror, European Cinema and the Critical Reception of Robert Siodmak’s Hollywood Career. In: European Nightmares. Wallflower, pp. 185-193. ISBN 9780231162098

Jancovich, Mark (2012) “Psychological Thriller”: Dead of Night (1945), British Film Culture, and the 1940s Horror Cycle. In: Speaking of Monsters: A Teratological Anthology. Palgrave Macmillan, New York, pp. 39-49. ISBN 978-0-230-11450-0

Jancovich, Mark (2012) Relocating Lewton: Cultural distinctions and generic negotiations in the critical reception of the Val Lewton horror films. Journal of Film and Video, 64 (3). pp. 21-37. ISSN 0742-4671

Jancovich, Mark (2012) "Terrifyingly real": Psychology, realism and generic transformation in the demise of the 1940s horror cycle. European Journal of American Culture, 31 (1). pp. 25-39.

Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549 (2012) Pop-up footballers, pop concerts and popular films: The past, present and future of 3D TV. Convergence: The International Journal of Research into New Media Technologies, 18 (4). pp. 438-445. ISSN 1748-7382

Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549 (2012) 'A riot of all the colours in the rainbow': Ealing Studios in Colour. In: Ealing Revisited. British Film Institute, London, pp. 195-205. ISBN 9781844575107

K

Kennedy, Melanie (2012) Bratz, BFFs, princesses and popstars: femininity and celebrity in tween popular culture. Doctoral thesis, University of East Anglia.

Kramer, Peter (2012) 'Black Is In': Race and Genre in Early 1990s American Cinema. Iluminace, 24 (3). pp. 13-30.

Kramer, Peter (2012) Das Boot/The Boat. In: The Cinema of Germany. 24 Frames . Wallflower Press, London, pp. 197-205. ISBN 978-1-905674-90-9

Kramer, Peter (2012) The Good German? Oskar Schindler and the Movies, 1951-1993. In: Hollywood's Chosen People. Contemporary Approaches to Film and Media . Wayne State University Press, Detroit, pp. 125-140. ISBN 978-0814334829

Kramer, Peter (2012) The Limits of Autonomy: Stanley Kubrick, Hollywood and Independent Filmmaking, 1950-53. In: American Independent Cinema: Indie, Indiewood and Beyond. Routledge, London, pp. 153-64. ISBN 978-0415684293

Krämer, Peter (2012) Fghting the Evil Empire:Star Wars, the Strategic Defense Initiative and the Politics of Science-Fiction. In: Sex, Politics, and Religion in Star Wars An Anthology. Scarecrow Press, pp. 63-76. ISBN 978-0-8108-8514-1

P

Phillips, Tom ORCID: https://orcid.org/0000-0003-1732-4514 (2012) Too fat to fly: A case study of unsuccessful fan mobilization. Transformative Works and Cultures, 10. ISSN 1941-2258

R

Rimmer, Mark ORCID: https://orcid.org/0000-0001-6916-6795 (2012) The participation and decision making of ‘at risk’ youth in community music projects: an exploration of three case studies. Journal of Youth Studies, 15 (3). pp. 329-350. ISSN 1367-6261

T

Tasker, Yvonne (2012) Bodies and Genres in Transition:Girlfight and Real Women have Curves. In: Genre and Gender: Cross-Currents in Postwar Cinema. University of Illinois Press.

W

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2012) Dawn of the Kitchen Sink. Sight and Sound, 22 (8).

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2012) A Feminine Touch? Ealing's Women. In: Ealing Revisited. British Film Institute, London. ISBN 9781844575107

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2012) Mamma Mia!'s female authorship. In: Mamma Mia! The Movie: Exploring a Cultural Phenomenon. I B Tauris. ISBN 9781848859418

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2012) 'Women in the British film industry', 'The Seventh Veil', 'Bhaji on the Beach' and 'Fish Tank'. In: Directory of World Cinema: Britain. Directory of World Cinema Series (14). Intellect. ISBN 978-1841505572

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X, Duguid, Mark, Freeman, Lee and Johnston, Keith M ORCID: https://orcid.org/0000-0002-1989-8549 (2012) Introduction: Revisiting Ealing. In: Ealing Revisited. British Film Institute, London. ISBN 9781844575107

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