Items where School is "School of Film and Television Studies (former - to 2012)

Published

(2011) Cinema-going, Audiences and Exhibition (Guest Editor). Media International Australia, 139. pp. 73-158.

Holmes, Su and Negra, Diane, eds. (2011) In the Limelight and Under the Microscope: Forms and Functions of Female Celebrity. Continuum, New York. ISBN 978-0826438553

Atakav, Eylem ORCID: https://orcid.org/0000-0001-5718-5614 (2011) Savas Arslan, Cinema in Turkey: a New Critical History. Oxford: Oxford University Press, 2011, 319 pp. Screen, 52 (4). 535–537. ISSN 1460-2474

Atakav, Eylem ORCID: https://orcid.org/0000-0001-5718-5614 (2011) ‘There are ghosts in these houses!’: on New Turkish Cinema: Belonging, Identity and Memory. Inter Asia Cultural Studies, 12 (1). pp. 139-144.

Aveyard, Karina and Moran, Albert (2011) Cinema Going, Audiences and Exhibition (Special Edition - Guest editor). Media International Australia, 139. ISSN 2200-467X

Aveyard, Karina and Moran, Albert (2011) Cinema-going, audiences and exhibition. Media International Australia, 139 (1). pp. 73-79. ISSN 2200-467X

Barker, Martin (2011) Playing with Gollum: Uncovering the cultural life and transnational travels of a complex character. Scope, 19. ISSN 1465-9166

Barker, Martin (2011) "America hurting": making movies about Iraq. In: Screens of Terror: Representation of War and Terrorism in Film and Television since 9/11. Abramis, London, pp. 37-50.

Barker, Martin (2011) A 'Toxic Genre': The Iraq War Films. Pluto Press, London.

Barker, Martin (2011) Watching Rape, Enjoying Watching Rape... How Does a Study of Audiences Cha(lle)nge Film Studies Approaches? In: The New Extremism in Cinema: from France to Europe. Edinburgh University Press, Edinburgh, pp. 105-16.

Cornea, Christine (2011) British science fiction television in the discursive context of second wave feminism. Genders Journal, 54 (Summer).

Cornea, Christine (2011) Frankenheimer and the Science Fiction/Horror Film. In: A Little Solitaire: John Frankenheimer and American Film. Rutgers University Press, pp. 229-243. ISBN 9780813550602

Holmes, Su ORCID: https://orcid.org/0000-0003-4243-8337 (2011) 'Whoever heard of anyone being a screaming success for doing nothing?': 'Sabrina', the BBC and television fame in the 1950s. Media History, 17 (1). pp. 33-48. ISSN 1368-8804

Jancovich, Mark (2011) "The English Master of Movie Melodrama": Hitchcock, horror and the women's film. Film International, 9 (3). pp. 51-69.

Jancovich, Mark (2011) Realistic Horror: Film Noir and the 1940s Horror Cycle. In: Billy Wilder, Movie-Maker. McFarland, pp. 56-69. ISBN 9780786442119

Jancovich, Mark (2011) Time, scheduling and cinema-going. Media International Australia, 139 (1). pp. 88-95. ISSN 2200-467X

Jancovich, Mark (2011) 'Vicious womanhood'; Genre, the 'femme fatale' and postwar America. Canadian Journal of Film Studies, 20 (1). pp. 100-114. ISSN 0847-5911

Jancovich, Mark and Johnston, Derek (2011) Genre, Special Effects and Authorship in the Critical Reception of Science Fiction Film and Television during the 1950s. In: It Came from the 1950s. Palgrave Macmillan, pp. 90-107. ISBN 9780230272217

Johnston, Keith ORCID: https://orcid.org/0000-0002-1989-8549 (2011) Science Fiction Film: A Critical Introduction. Berg Publishers. ISBN 978-1847884763

Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549 (2011) Now is the time (to put on your glasses): 3-D Film Exhibition in Britain, 1951-55. Film History, 23 (1). pp. 93-103. ISSN 1553-3905

Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549 (2011) 'An intelligent and effective use of the rival screen': Re-discovering early British television trailers. Media History, 17 (4). pp. 377-388. ISSN 1368-8804

Kramer, Peter (2011) A Clockwork Orange (1971) and American Culture. In: ZeitRäume: Potsdamer Almanach des Zentrums fur Zeithisthorische Forschung. Wallsteinverlag, Gottingen, pp. 96-106. ISBN 9783835309388

Kramer, Peter (2011) A Clockwork Orange. Palgrave, Basingstoke. ISBN 9780230302129

Kramer, Peter (2011) Hollywood and Its Global Audiences: A Comparative Study of the Biggest Box Office Hits in the United States and Outside the United States Since the 1970s. In: Explorations in New Cinema History: Approaches and Case Studies. Wiley, Oxford, pp. 171-84. ISBN 9781405199490 (hbk) 9781405199506 (pbk)

Kramer, Peter (2011) 'Movies that make people sick': Audience Responses to Stanley Kubrick's A Clockwork Orange in 1971/72. Participations: Journal of Audience and Reception Studies, 8 (2). pp. 416-430.

Phillips, Tom ORCID: https://orcid.org/0000-0003-1732-4514 (2011) When film fans become fan family: Kevin Smith fandom and communal experience. Participations, 8 (2). pp. 478-496. ISSN 1749-8716

Shiau, Hongchi and Aveyard, Karina (2011) Private sponsorships and independent film exhibition in Taiwan. Media International Australia, 139 (1). pp. 133-139. ISSN 2200-467X

Tasker, Yvonne (2011) Dynamic Erections on the Road to Nowhere? Lead essay for booklet accompanying DVD release of Little Malcolm and his Struggle Against the Eunuchs (1974). BFI Flipside.

Tasker, Yvonne (2011) Enchanted by Postfeminism. In: Feminism at the Movies: Understanding Gender in Contemporary Popular Cinema. Routledge.

Tasker, Yvonne (2011) Haunting Crime: the Gothic, the Grotesque and the Paranormal. Flow, 13 (7).

Tasker, Yvonne (2011) Permissive British Cinema? Essay for booklet accompanying DVD release of Deep End (1970). BFI Flipside.

Tasker, Yvonne (2011) Soldiers' Stories:Military Women in Cinema and Television since WWII. Duke University Press.

Warner, Helen (2011) 'Be Sleek, be stylish, be yourself': Identity, Interactivity and Mad Men. In: Previously On: Interdisciplinary Studies on TV Series in the Third Golden Age. FRAME, Revista de Cine de la Biblioteca de la Facultad de Comunicación.

Warner, Helen (2011) Tracing patterns: Critical approaches to on-screen fashion. Film, Fashion and Consumption, 1 (1). pp. 121-132. ISSN 2044-2823

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2011) Entering the paradise of anomalies: Studying female character acting in British cinema. Screen, 52 (1). pp. 97-104. ISSN 1460-2474

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X and Wright, Ellen (2011) Betty Grable: an American icon in wartime Britain. Historical Journal of Film, Radio and Television, 31 (4). pp. 543-559. ISSN 0143-9685

Unpublished

Manley, Sebastian (2011) The cinema of Hal Hartley: place, cultural identity and indie authorship. Doctoral thesis, University of East Anglia.

Powell, Elizabeth (2011) The trauma aesthetic: (re)mediating absence, emptiness and nation in post-9/11 American film and literature. Doctoral thesis, University of East Anglia.