Items where Author is "Barrow, Sarah"

In Press

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2024) Pathbreakers of Peruvian Fiction Cinema. In: Female Agency in Films Made by Latin American Women. Global Cinema . Palgrave Macmillan. ISBN 978-3-031-72599-9 (In Press)

Published

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885, Atakav, Eylem ORCID: https://orcid.org/0000-0001-5718-5614, Pelikan, Karoline, Ulfe, Maria Eugenia, Vergara, Roxana and Chicmana, Victoria (2024) Indigeneity, Community and Participatory Practice:Methods, Concepts and Perspectives from the Global South. New Area Studies, 4 (1). ISSN 2633-3716

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885, Atakav, Eylem ORCID: https://orcid.org/0000-0001-5718-5614 and Ulfe, Maria Eugenia (2024) Introduction: Indigeneity, Community and Participatory Practice:Methods, Concepts and Perspectives from the Global South. New Area Studies, 4 (1). ISSN 2633-3716

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885, Ulfe, Maria Eugenia, Atakav, Eylem ORCID: https://orcid.org/0000-0001-5718-5614, Vergara, Roxana, Chicmana, Victoria and Pelikan, Karoline and The young women of OMIAASEC (2024) Women of Influence: Interdisciplinary participatory approaches to understanding female leadership in the Peruvian Amazon. New Area Studies, 4 (1). ISSN 2633-3716

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 and Vich, Cynthia (2021) Cine peruano de inicios del siglo XXI.:Dinamismo e incertidumbre. Universidad de Lima, Lima. ISBN 978-9972-45-578-0

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2020) Cinema and Latin American Studies: Sites of Interdisciplinary, Transnational Enquiry. New Area Studies, 1 (1). pp. 10-24. ISSN 2633-3716

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2020) Cultural Encounters in Contemporary Latin American Cinema:Intersections of Transnationality. In: The Cambridge Handbook of Intercultural Communication. Cambridge Handbooks in Language and Linguistics . Cambridge University Press, Cambridge, pp. 432-445. ISBN 9781108429696

Vich, Cynthia and Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2020) Peruvian Cinema of the Twenty-First Century:Dynamic and Unstable Grounds. Palgrave Macmillan, New York. ISBN 978-3-030-52511-8

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2018) Peruvian wounds: Children and violence in the fiction cinema of the Chaski Group, Gregorio (1984) and Juliana (1988). In: The Feeling Child. Lexington Books, pp. 125-144. ISBN 978-1-4985-7440-2

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2018) Negotiating Neoliberal Demands on Contemporary Cinema: The Role and Influence of the Socially Committed Film Producer in Peru. In: Contemporary Latin American Cinema. Palgrave Macmillan, pp. 119-134. ISBN 978-3-319-77009-3

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2018) Growing Pains: Young People and Violence in Peru’s Fiction Cinema. In: New Visions of Adolescence in Contemporary Latin American Cinema. New Directions in Latino American Cultures . Palgrave Macmillan, pp. 165-181. ISBN 978-3-319-89380-8

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2018) Portfolio Careers and a New Common Cause:The Conditions for Screen Workers in Peru. In: The Precarious in the Cinemas of the Americas. Palgrave Macmillan, pp. 163-181. ISBN 978-3-319-76806-9

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2017) Contemporary Peruvian Cinema: History, Identity and Violence on Screen. I B Tauris. ISBN 9781784538217

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2017) Through Female Eyes:Reframing Peru on Screen. In: Latin American Women Filmmakers. I B Tauris, pp. 48-69. ISBN 9781784537111

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2017) Morality Tales? Visions of the Past in Spielberg’s History Plays. In: A Companion to Steven Spielberg. Wiley, pp. 307-319. ISBN 978-1-118-72691-4

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2016) Latin American Cinema by Stephen M. Hart. Viewfinder.

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2016) Cynthia Tomkins, Experimental Latin American Cinema: History and Aesthetics. Screen, 57 (1). pp. 109-111. ISSN 0036-9543

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2016) Constraints and possibilities: Lima Film Festival, politics and cultural formation in Peru. New Review of Film and Television Studies, 14 (1). pp. 132-148. ISSN 1740-0309

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2016) The Impossible Constellation: Practice as Research as a Viable Alternative. In: The Academic Book of the Future. Palgrave Macmillan UK, pp. 24-30. ISBN 978-1-349-88797-2

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2015) Made in Peru: Lima Film Festival comes of age. NECSUS. European Journal of Media Studies. ISSN 2215-1222

Tadeo Fuica, Beatriz and Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2015) (In)visible cinemas: Reusing archival footage in Latin American cinema. New Cinemas, 13 (1). pp. 3-8. ISSN 1474-2756

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2015) Reframing transitions and contesting memories: The archive and the archival object in Peruvian cinema. New Cinemas, 13 (1). pp. 23-36. ISSN 1474-2756

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2014) Out of the shadows: ‘New’ Peruvian cinema, national identity and political violence. Modern Languages Open. ISSN 2052-5397

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2013) New configurations for Peruvian cinema: The rising star of Claudia Llosa. Transnational Cinemas, 4 (2). pp. 197-215. ISSN 2040-3526

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2013) Transnational Film Financing and Contemporary Peruvian Cinema: The Case of Josué Méndez. In: Contemporary Hispanic Cinema. Tamesis, pp. 137-154. ISBN 9781855662612

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2012) South American Cinematic Culture: Policy, Production, Distribution and Exhibition, Miriam Ross (2010). Studies in Hispanic Cinemas, 8 (2). pp. 203-208. ISSN 1478-0488

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2012) Deconstructive humour: Subverting Mexican and Chicano stereotypes in “Un Día Sin Mexicanos”. Interdisciplinary Mexico, 2. pp. 31-45. ISSN 2193-9756

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2011) The British film industry: creativity and constraint. British Politics Review, 6 (1). p. 9. ISSN 1890-4505

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2010) Transnational Financial Structures in the Cinema of Latin America: Programa Ibermedia in Study, Libia Villazana (2009). Transnational Cinemas. pp. 101-102. ISSN 2040-3526

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2009) Mildred Pierce (1945). In: Fifty Key American Films. Routledge. ISBN 9780415772969

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2009) Bonnie and Clyde (1967). In: Fifty Key American Films. Taylor and Francis. ISBN 9780415772969

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2009) Exilio y encuentro cultural en Cosas que dejé en La Habana. Iberoamericana, 9 (34). pp. 117-126. ISSN 1577-3388

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2008) The Third Man (1949). In: Fifty Key British Films. Routledge. ISBN 9780415433297

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2008) The Lodger (1926). In: Fifty Key British Films. Routledge. ISBN 9780415433297

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2008) Ratcatcher (1999). In: Fifty Key British Films. Routledge. ISBN 9780415433297

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2008) Pressure (1975). In: Fifty Key British Films. Routledge. ISBN 9780415433297

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2008) London (1994). In: Fifty Key British Films. Routledge. ISBN 9780415433297

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2008) Listen to Britain (1942). In: Fifty Key British Films. Routledge. ISBN 9780415433297

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2008) Drifters (1929). In: Fifty Key British Films. Routledge. ISBN 9780415433297

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2008) Bhaji on the Beach (1993). In: Fifty Key British Films. Routledge. ISBN 9780415433297

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2007) Peruvian Cinema and the Struggle for International Recognition: Case Study on El Destino no tiene favoritos. In: Contemporary Latin American Cinema. Rowman & Littlefield Publishers. ISBN 978-0-7425-3914-3

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2007) Cinema and the Sandinistas: Filmmaking in Revolutionary Nicaragua by Jonathon Buchsbaum. Scope. ISSN 1465-9166

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2007) Allegories of Identity in Bajo la piel (Francisco Lombardi 1996 Peru). In: A World Torn Apart: Representations of Violence in Latin American Narrative. Peter Lang. ISBN 978-3039113354

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2006) The New Brazilian Cinema edited by Lúcia Nagib. Scope (5). ISSN 1465-9166

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2006) Political Violence, Cinematic Representation, and Peruvian National Identity: La Boca del Lobo (Francisco Lombardi, 1988) and La Vida es una Sola (Marianne Eyde, 1993). In: Political Violence and the Construction of National Identity in Latin America. Palgrave, pp. 131-148. ISBN 978-1-4039-7388-7

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2006) Kukuli (Luis Figueroa 1961 Peru). University of Cambridge.

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2005) Images of Peru: a national cinema in crisis. In: Latin American Cinema Essays on Modernity, Gender and National Identity. McFarland & Co Inc. ISBN 978-0-7864-2004-9

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2004) Duck Season (Fernando Eimbcke 2004, Mexico). UNSPECIFIED.

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2003) Stretching the limits: hybridity as cultural and artistic strategy in contemporary British cinema. In: European Cinema: Inside Out. Universitätsverlag Winter GmbH Heidelberg. ISBN 978-3-8253-1474-3

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2003) Maria Full of Grace (Joshua Marston 2003 Columbia/US). UNSPECIFIED.

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2003) The White Train (Nahuel García 2003 Argentina/Spain). UNSPECIFIED.

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2002) Suddenly (Diego Lerman 2002). UNSPECIFIED.