Items where Author is "Barrow, Sarah"

Article

Barrow, Sarah, Atakav, Eylem, Pelikan, Karoline, Ulfe, Maria Eugenia, Vergara, Roxana and Chicmana, Victoria (2024) Indigeneity, Community and Participatory Practice:Methods, Concepts and Perspectives from the Global South. New Area Studies, 4 (1). ISSN 2633-3716

Barrow, Sarah, Atakav, Eylem and Ulfe, Maria Eugenia (2024) Introduction: Indigeneity, Community and Participatory Practice:Methods, Concepts and Perspectives from the Global South. New Area Studies, 4 (1). ISSN 2633-3716

Barrow, Sarah, Ulfe, Maria Eugenia, Atakav, Eylem, Vergara, Roxana, Chicmana, Victoria and Pelikan, Karoline and The young women of OMIAASEC (2024) Women of Influence: Interdisciplinary participatory approaches to understanding female leadership in the Peruvian Amazon. New Area Studies, 4 (1). ISSN 2633-3716

Barrow, Sarah (2020) Cinema and Latin American Studies: Sites of Interdisciplinary, Transnational Enquiry. New Area Studies, 1 (1). pp. 10-24. ISSN 2633-3716

Barrow, Sarah (2016) Latin American Cinema by Stephen M. Hart. Viewfinder.

Barrow, Sarah (2016) Cynthia Tomkins, Experimental Latin American Cinema: History and Aesthetics. Screen, 57 (1). pp. 109-111. ISSN 0036-9543

Barrow, Sarah (2016) Constraints and possibilities: Lima Film Festival, politics and cultural formation in Peru. New Review of Film and Television Studies, 14 (1). pp. 132-148. ISSN 1740-0309

Barrow, Sarah (2015) Made in Peru: Lima Film Festival comes of age. NECSUS. European Journal of Media Studies. ISSN 2215-1222

Tadeo Fuica, Beatriz and Barrow, Sarah (2015) (In)visible cinemas: Reusing archival footage in Latin American cinema. New Cinemas, 13 (1). pp. 3-8. ISSN 1474-2756

Barrow, Sarah (2015) Reframing transitions and contesting memories: The archive and the archival object in Peruvian cinema. New Cinemas, 13 (1). pp. 23-36. ISSN 1474-2756

Barrow, Sarah (2014) Out of the shadows: ‘New’ Peruvian cinema, national identity and political violence. Modern Languages Open. ISSN 2052-5397

Barrow, Sarah (2013) New configurations for Peruvian cinema: The rising star of Claudia Llosa. Transnational Cinemas, 4 (2). pp. 197-215. ISSN 2040-3526

Barrow, Sarah (2012) South American Cinematic Culture: Policy, Production, Distribution and Exhibition, Miriam Ross (2010). Studies in Hispanic Cinemas, 8 (2). pp. 203-208. ISSN 1478-0488

Barrow, Sarah (2012) Deconstructive humour: Subverting Mexican and Chicano stereotypes in “Un Día Sin Mexicanos”. Interdisciplinary Mexico, 2. pp. 31-45. ISSN 2193-9756

Barrow, Sarah (2011) The British film industry: creativity and constraint. British Politics Review, 6 (1). p. 9. ISSN 1890-4505

Barrow, Sarah (2010) Transnational Financial Structures in the Cinema of Latin America: Programa Ibermedia in Study, Libia Villazana (2009). Transnational Cinemas. pp. 101-102. ISSN 2040-3526

Barrow, Sarah (2009) Exilio y encuentro cultural en Cosas que dejé en La Habana. Iberoamericana, 9 (34). pp. 117-126. ISSN 1577-3388

Barrow, Sarah (2007) Cinema and the Sandinistas: Filmmaking in Revolutionary Nicaragua by Jonathon Buchsbaum. Scope. ISSN 1465-9166

Barrow, Sarah (2006) The New Brazilian Cinema edited by Lúcia Nagib. Scope (5). ISSN 1465-9166

Book Section

Barrow, Sarah (2024) Pathbreakers of Peruvian Fiction Cinema. In: Female Agency in Films Made by Latin American Women. Global Cinema . Palgrave Macmillan, pp. 357-378. ISBN 978-3-031-72599-9

Barrow, Sarah (2020) Cultural Encounters in Contemporary Latin American Cinema:Intersections of Transnationality. In: The Cambridge Handbook of Intercultural Communication. Cambridge Handbooks in Language and Linguistics . Cambridge University Press, Cambridge, pp. 432-445. ISBN 9781108429696

Barrow, Sarah (2018) Peruvian wounds: Children and violence in the fiction cinema of the Chaski Group, Gregorio (1984) and Juliana (1988). In: The Feeling Child. Lexington Books, pp. 125-144. ISBN 978-1-4985-7440-2

Barrow, Sarah (2018) Negotiating Neoliberal Demands on Contemporary Cinema: The Role and Influence of the Socially Committed Film Producer in Peru. In: Contemporary Latin American Cinema. Palgrave Macmillan, pp. 119-134. ISBN 978-3-319-77009-3

Barrow, Sarah (2018) Growing Pains: Young People and Violence in Peru’s Fiction Cinema. In: New Visions of Adolescence in Contemporary Latin American Cinema. New Directions in Latino American Cultures . Palgrave Macmillan, pp. 165-181. ISBN 978-3-319-89380-8

Barrow, Sarah (2018) Portfolio Careers and a New Common Cause:The Conditions for Screen Workers in Peru. In: The Precarious in the Cinemas of the Americas. Palgrave Macmillan, pp. 163-181. ISBN 978-3-319-76806-9

Barrow, Sarah (2017) Through Female Eyes:Reframing Peru on Screen. In: Latin American Women Filmmakers. I B Tauris, pp. 48-69. ISBN 9781784537111

Barrow, Sarah (2017) Morality Tales? Visions of the Past in Spielberg’s History Plays. In: A Companion to Steven Spielberg. Wiley, pp. 307-319. ISBN 978-1-118-72691-4

Barrow, Sarah (2016) The Impossible Constellation: Practice as Research as a Viable Alternative. In: The Academic Book of the Future. Palgrave Macmillan UK, pp. 24-30. ISBN 978-1-349-88797-2

Barrow, Sarah (2013) Transnational Film Financing and Contemporary Peruvian Cinema: The Case of Josué Méndez. In: Contemporary Hispanic Cinema. Tamesis, pp. 137-154. ISBN 9781855662612

Barrow, Sarah (2009) Mildred Pierce (1945). In: Fifty Key American Films. Routledge. ISBN 9780415772969

Barrow, Sarah (2009) Bonnie and Clyde (1967). In: Fifty Key American Films. Taylor and Francis. ISBN 9780415772969

Barrow, Sarah (2008) The Third Man (1949). In: Fifty Key British Films. Routledge. ISBN 9780415433297

Barrow, Sarah (2008) The Lodger (1926). In: Fifty Key British Films. Routledge. ISBN 9780415433297

Barrow, Sarah (2008) Ratcatcher (1999). In: Fifty Key British Films. Routledge. ISBN 9780415433297

Barrow, Sarah (2008) Pressure (1975). In: Fifty Key British Films. Routledge. ISBN 9780415433297

Barrow, Sarah (2008) London (1994). In: Fifty Key British Films. Routledge. ISBN 9780415433297

Barrow, Sarah (2008) Listen to Britain (1942). In: Fifty Key British Films. Routledge. ISBN 9780415433297

Barrow, Sarah (2008) Drifters (1929). In: Fifty Key British Films. Routledge. ISBN 9780415433297

Barrow, Sarah (2008) Bhaji on the Beach (1993). In: Fifty Key British Films. Routledge. ISBN 9780415433297

Barrow, Sarah (2007) Peruvian Cinema and the Struggle for International Recognition: Case Study on El Destino no tiene favoritos. In: Contemporary Latin American Cinema. Rowman & Littlefield Publishers. ISBN 978-0-7425-3914-3

Barrow, Sarah (2007) Allegories of Identity in Bajo la piel (Francisco Lombardi 1996 Peru). In: A World Torn Apart: Representations of Violence in Latin American Narrative. Peter Lang. ISBN 978-3039113354

Barrow, Sarah (2006) Political Violence, Cinematic Representation, and Peruvian National Identity: La Boca del Lobo (Francisco Lombardi, 1988) and La Vida es una Sola (Marianne Eyde, 1993). In: Political Violence and the Construction of National Identity in Latin America. Palgrave, pp. 131-148. ISBN 978-1-4039-7388-7

Barrow, Sarah (2005) Images of Peru: a national cinema in crisis. In: Latin American Cinema Essays on Modernity, Gender and National Identity. McFarland & Co Inc. ISBN 978-0-7864-2004-9

Barrow, Sarah (2003) Stretching the limits: hybridity as cultural and artistic strategy in contemporary British cinema. In: European Cinema: Inside Out. Universitätsverlag Winter GmbH Heidelberg. ISBN 978-3-8253-1474-3

Book

Barrow, Sarah and Vich, Cynthia (2021) Cine peruano de inicios del siglo XXI.:Dinamismo e incertidumbre. Universidad de Lima, Lima. ISBN 978-9972-45-578-0

Vich, Cynthia and Barrow, Sarah (2020) Peruvian Cinema of the Twenty-First Century:Dynamic and Unstable Grounds. Palgrave Macmillan, New York. ISBN 978-3-030-52511-8

Barrow, Sarah (2017) Contemporary Peruvian Cinema: History, Identity and Violence on Screen. I B Tauris. ISBN 9781784538217

Other

Barrow, Sarah (2006) Kukuli (Luis Figueroa 1961 Peru). University of Cambridge.

Barrow, Sarah (2004) Duck Season (Fernando Eimbcke 2004, Mexico). UNSPECIFIED.

Barrow, Sarah (2003) Maria Full of Grace (Joshua Marston 2003 Columbia/US). UNSPECIFIED.

Barrow, Sarah (2003) The White Train (Nahuel García 2003 Argentina/Spain). UNSPECIFIED.

Barrow, Sarah (2002) Suddenly (Diego Lerman 2002). UNSPECIFIED.