McKay, George ORCID: https://orcid.org/0000-0002-7770-0502
(2024)
Was punk DIY? Is DIY punk? Interrogating the DIY/punk nexus, with particular reference to the early UK punk scene, c. 1976–1984.
DIY, Alternative Cultures and Society, 2 (1).
pp. 94-109.
ISSN 2753-8702
McKay, George ORCID: https://orcid.org/0000-0002-7770-0502
(2021)
Further thoughts, and a maniFESTo, on jazz (festivals) and the decolonization of music.
Jazz Research Journal, 14 (2).
pp. 215-223.
ISSN 1753-8637
Cole, Ross and McKay, George ORCID: https://orcid.org/0000-0002-7770-0502
(2021)
Living Archives and Creative Engagement Online:An EIRA-funded Report on Digital Interactivity in the Arts.
UNSPECIFIED, Norwich.
McKay, George ORCID: https://orcid.org/0000-0002-7770-0502
(2021)
Rethinking the Cultural Politics of Punk:Antinuclear and Antiwar (Post-)Punk Popular Music in 1980s Britain.
In:
The Oxford Handbook of Punk Rock.
Oxford University Press, New York.
McKay, George ORCID: https://orcid.org/0000-0002-7770-0502
(2020)
The heritage of slavery in British jazz festivals.
International Journal of Heritage Studies, 26 (6).
pp. 571-588.
ISSN 1352-7258
Whyton, Tony and Mckay, George ORCID: https://orcid.org/0000-0002-7770-0502
(2020)
'Cultural heritage and jazz festivals' special issue editors' introduction.
International Journal of Heritage Studies, 26 (6).
pp. 543-546.
ISSN 1352-7258
Bennett, Elizabeth and Mckay, George ORCID: https://orcid.org/0000-0002-7770-0502
(2019)
Annotated Bibliography:From Brass Bands to Buskers: Street Music in the UK.
UNSPECIFIED.
Bennett, Elizabeth and Mckay, George ORCID: https://orcid.org/0000-0002-7770-0502
(2019)
From Brass Bands to Buskers:Street Music in the UK.
AHRC/UEA, Norwich.
Mckay, George ORCID: https://orcid.org/0000-0002-7770-0502
(2019)
Jazz and disability.
In:
The Routledge Companion to Jazz Studies.
Routledge, London, pp. 173-184.
ISBN 9781138231160
Mckay, George ORCID: https://orcid.org/0000-0002-7770-0502
(2019)
‘They’ve got a bomb’: sounding anti-nuclearism in the anarcho-punk movement in Britain, 1978–84.
Rock Music Studies, 6 (3).
pp. 217-236.
ISSN 1940-1159
Facer, Keri and Mckay, George ORCID: https://orcid.org/0000-0002-7770-0502
(2018)
Series editors’ foreword.
In:
Co-producing research.
Policy Press, xii-xii.
ISBN 9781447340775
Mckay, George ORCID: https://orcid.org/0000-0002-7770-0502
(2018)
Festivals:The History of European Jazz - The Music, Musicians and Audience in Context - Francesco Martinelli.
In:
The History of European Jazz.
Equinox Publishing Ltd, Sheffield, pp. 707-718.
ISBN 9781781794463
McKay, George ORCID: https://orcid.org/0000-0002-7770-0502
(2018)
Skinny blues: Karen Carpenter, anorexia nervosa and popular music.
Popular Music, 37 (1).
pp. 1-21.
ISSN 0261-1430
McKay, George ORCID: https://orcid.org/0000-0002-7770-0502
(2017)
Radical Gardening:Politiche, Utopia, Ribellione nell'Orto e nel Giardino.
Nautilus, Torino.
Webster, Emma and Mckay, George ORCID: https://orcid.org/0000-0002-7770-0502
(2017)
Music From Out There, In Here:25 Years of the London Jazz Festival.
AHRC/UEA, Norwich.
McKay, George ORCID: https://orcid.org/0000-0002-7770-0502
(2016)
Gee Vaucher's punk painting as record sleeves.
In:
Gee Vaucher: Introspective.
Firstsite, Colchester, pp. 64-74.
ISBN 978-1-57027-315-5
Mckay, George ORCID: https://orcid.org/0000-0002-7770-0502
(2016)
Pop Music and the Disabled Body, film of inaugural lecture.
UNSPECIFIED.
Facer, Keri and Mckay, George ORCID: https://orcid.org/0000-0002-7770-0502
(2016)
Series editors’ foreword.
In:
The creative citizen unbound.
Bristol University Press, xv-xvi.
ISBN 9781447324973
McKay, George ORCID: https://orcid.org/0000-0002-7770-0502
(2016)
4WORD:AN.OK4U2@32+1984.
In:
The Aesthetic of Our Anger. Anarcho-Punk, Politics and Music.
Minor Compositions
.
Autonomedia, Colchester/New York, pp. 1-7.
ISBN 9781570273186
McKay, George ORCID: https://orcid.org/0000-0002-7770-0502 and Webster, Emma
(2016)
From Glyndebourne to Glastonbury:The Impact of British Music Festivals.
AHRC/UEA.
McKay, George ORCID: https://orcid.org/0000-0002-7770-0502
(2015)
Punk Rock and Disability: Cripping Subculture.
In:
Oxford Handbook of Music and Disability Studies.
Oxford Handbooks
.
Oxford University Press, New York, pp. 226-245.
ISBN 9780199331444
McKay, George ORCID: https://orcid.org/0000-0002-7770-0502
(2015)
'The pose is ... a stance': popular music and the cultural politics of festival in 1950s Britain.
In:
The Pop Festival.
Bloomsbury Academic, New York.
ISBN 9781623569594
Mckay, George ORCID: https://orcid.org/0000-0002-7770-0502
(2015)
The Pop Festival:History, Music, Media, Culture.
Bloomsbury Academic, New York.
ISBN 9781623568207
Webster, Emma and McKay, George ORCID: https://orcid.org/0000-0002-7770-0502
(2015)
The impact of (jazz) festivals:An Arts and Humanities Research Council-funded research report.
Jazz Research Journal, 9 (2).
pp. 169-193.
ISSN 1753-8637
McKay, George ORCID: https://orcid.org/0000-0002-7770-0502
(2014)
Winifred Atwell and her 'other piano': 16 hit singles and a 'blanket of silence', sounding the limits of jazz.
In:
Black British Jazz: Routes, Ownership and Performance.
Ashgate Publishing, Farnham, pp. 153-172.
ISBN 9781472417565
McKay, George ORCID: https://orcid.org/0000-0002-7770-0502
(2013)
Shakin' All Over: Popular Music and Disability.
Corporealities: Discourses of Disability
.
University of Michigan Press, Ann Arbor.
ISBN 9780472052097
Mckay, George ORCID: https://orcid.org/0000-0002-7770-0502
(2011)
Radical Gardening:Politics, Idealism and Rebellion in the Garden.
Frances Lincoln, London.
ISBN 9780711235380