Items where Author is "Mckay, George"

McKay, George ORCID: https://orcid.org/0000-0002-7770-0502 (2024) Was punk DIY? Is DIY punk? Interrogating the DIY/punk nexus, with particular reference to the early UK punk scene, c. 1976–1984. DIY, Alternative Cultures and Society, 2 (1). pp. 94-109. ISSN 2753-8702

McKay, George ORCID: https://orcid.org/0000-0002-7770-0502 (2024) Πανκ Ροκ και Αναπηρία:Το Πανκ ως μια Αναπηρική Υποκουλτούρα. In: Merlin's Music Box. UNSPECIFIED, Athens.

McKay, George ORCID: https://orcid.org/0000-0002-7770-0502 (2021) Further thoughts, and a maniFESTo, on jazz (festivals) and the decolonization of music. Jazz Research Journal, 14 (2). pp. 215-223. ISSN 1753-8637

Cole, Ross and McKay, George ORCID: https://orcid.org/0000-0002-7770-0502 (2021) Living Archives and Creative Engagement Online:An EIRA-funded Report on Digital Interactivity in the Arts. UNSPECIFIED, Norwich.

McKay, George ORCID: https://orcid.org/0000-0002-7770-0502 (2021) Rethinking the Cultural Politics of Punk:Antinuclear and Antiwar (Post-)Punk Popular Music in 1980s Britain. In: The Oxford Handbook of Punk Rock. Oxford University Press, New York.

McKay, George ORCID: https://orcid.org/0000-0002-7770-0502 (2020) The heritage of slavery in British jazz festivals. International Journal of Heritage Studies, 26 (6). pp. 571-588. ISSN 1352-7258

Whyton, Tony and Mckay, George ORCID: https://orcid.org/0000-0002-7770-0502 (2020) 'Cultural heritage and jazz festivals' special issue editors' introduction. International Journal of Heritage Studies, 26 (6). pp. 543-546. ISSN 1352-7258

Bennett, Elizabeth and Mckay, George ORCID: https://orcid.org/0000-0002-7770-0502 (2019) Annotated Bibliography:From Brass Bands to Buskers: Street Music in the UK. UNSPECIFIED.

Bennett, Elizabeth and Mckay, George ORCID: https://orcid.org/0000-0002-7770-0502 (2019) From Brass Bands to Buskers:Street Music in the UK. AHRC/UEA, Norwich.

Mckay, George ORCID: https://orcid.org/0000-0002-7770-0502 (2019) Jazz and disability. In: The Routledge Companion to Jazz Studies. Routledge, London, pp. 173-184. ISBN 9781138231160

Mckay, George ORCID: https://orcid.org/0000-0002-7770-0502 (2019) ‘They’ve got a bomb’: sounding anti-nuclearism in the anarcho-punk movement in Britain, 1978–84. Rock Music Studies, 6 (3). pp. 217-236. ISSN 1940-1159

Facer, Keri and McKay, George ORCID: https://orcid.org/0000-0002-7770-0502 (2018) Series editors’ foreword. In: Co-Producing Research. Policy Press, xii. ISBN 9781447340775

Mckay, George ORCID: https://orcid.org/0000-0002-7770-0502 (2018) Festivals:The History of European Jazz - The Music, Musicians and Audience in Context - Francesco Martinelli. In: The History of European Jazz. Equinox Publishing Ltd, Sheffield, pp. 707-718. ISBN 9781781794463

McKay, George ORCID: https://orcid.org/0000-0002-7770-0502 (2018) Skinny blues: Karen Carpenter, anorexia nervosa and popular music. Popular Music, 37 (1). pp. 1-21. ISSN 0261-1430

McKay, George ORCID: https://orcid.org/0000-0002-7770-0502 (2017) Radical Gardening:Politiche, Utopia, Ribellione nell'Orto e nel Giardino. Nautilus, Torino.

Webster, Emma and Mckay, George ORCID: https://orcid.org/0000-0002-7770-0502 (2017) Music From Out There, In Here:25 Years of the London Jazz Festival. AHRC/UEA, Norwich.

McKay, George ORCID: https://orcid.org/0000-0002-7770-0502 (2016) Gee Vaucher's punk painting as record sleeves. In: Gee Vaucher: Introspective. Firstsite, Colchester, pp. 64-74. ISBN 978-1-57027-315-5

Mckay, George ORCID: https://orcid.org/0000-0002-7770-0502 (2016) Pop Music and the Disabled Body, film of inaugural lecture. UNSPECIFIED.

Facer, Keri and Mckay, George ORCID: https://orcid.org/0000-0002-7770-0502 (2016) Series editors’ foreword. In: The creative citizen unbound. Bristol University Press, xv-xvi. ISBN 9781447324973

McKay, George ORCID: https://orcid.org/0000-0002-7770-0502 (2016) 4WORD:AN.OK4U2@32+1984. In: The Aesthetic of Our Anger. Anarcho-Punk, Politics and Music. Minor Compositions . Autonomedia, Colchester/New York, pp. 1-7. ISBN 9781570273186

McKay, George ORCID: https://orcid.org/0000-0002-7770-0502 and Webster, Emma (2016) From Glyndebourne to Glastonbury:The Impact of British Music Festivals. AHRC/UEA.

McKay, George ORCID: https://orcid.org/0000-0002-7770-0502 (2015) Punk Rock and Disability: Cripping Subculture. In: Oxford Handbook of Music and Disability Studies. Oxford Handbooks . Oxford University Press, New York, pp. 226-245. ISBN 9780199331444

McKay, George ORCID: https://orcid.org/0000-0002-7770-0502 (2015) 'The pose is ... a stance': popular music and the cultural politics of festival in 1950s Britain. In: The Pop Festival. Bloomsbury Academic, New York. ISBN 9781623569594

Mckay, George ORCID: https://orcid.org/0000-0002-7770-0502 (2015) The Pop Festival:History, Music, Media, Culture. Bloomsbury Academic, New York. ISBN 9781623568207

Webster, Emma and McKay, George ORCID: https://orcid.org/0000-0002-7770-0502 (2015) The impact of (jazz) festivals:An Arts and Humanities Research Council-funded research report. Jazz Research Journal, 9 (2). pp. 169-193. ISSN 1753-8637

McKay, George ORCID: https://orcid.org/0000-0002-7770-0502 (2014) Winifred Atwell and her 'other piano': 16 hit singles and a 'blanket of silence', sounding the limits of jazz. In: Black British Jazz: Routes, Ownership and Performance. Ashgate Publishing, Farnham, pp. 153-172. ISBN 9781472417565

McKay, George ORCID: https://orcid.org/0000-0002-7770-0502 (2013) Shakin' All Over: Popular Music and Disability. Corporealities: Discourses of Disability . University of Michigan Press, Ann Arbor. ISBN 9780472052097

Mckay, George ORCID: https://orcid.org/0000-0002-7770-0502 (2011) Radical Gardening:Politics, Idealism and Rebellion in the Garden. Frances Lincoln, London. ISBN 9780711235380