Rimmer, Mark
ORCID: https://orcid.org/0000-0001-6916-6795
(2024)
Beginning at the beginning: towards a trans-actional music sociology.
Cultural Sociology, 18 (1).
pp. 3-23.
ISSN 1749-9755
Rimmer, Mark
ORCID: https://orcid.org/0000-0001-6916-6795
(2020)
Too big to fail? The framing and interpretation of ‘success’/‘failure’ in cultural participation policy: a case study.
Conjunctions, 7 (2).
ISSN 2246-3755
Rimmer, Mark
ORCID: https://orcid.org/0000-0001-6916-6795
(2020)
The art of survival: community-based arts organisations in times of austerity.
Community Development Journal, 55 (2).
295–312.
ISSN 0010-3802
Rimmer, Mark
ORCID: https://orcid.org/0000-0001-6916-6795
(2018)
Harmony or Discord? Understanding children’s valuations of a Sistema-inspired initiative.
British Journal of Music Education, 35 (1).
pp. 43-55.
ISSN 0265-0517
Rimmer, Mark
ORCID: https://orcid.org/0000-0001-6916-6795
(2017)
Music, middle childhood and agency: The value of an interactional-relational approach.
Childhood: A Global Journal of Child Research, 24 (4).
pp. 559-573.
ISSN 0907-5682
Rimmer, Mark
ORCID: https://orcid.org/0000-0001-6916-6795
(2015)
‘Doing what needs to be done’: Understandings of UK-based Community Music – reflections and implications.
International Journal of Community Music, 8 (2).
pp. 179-195.
Rimmer, Mark
ORCID: https://orcid.org/0000-0001-6916-6795, Street, John
ORCID: https://orcid.org/0000-0001-9650-063X and Phillips, Tom
ORCID: https://orcid.org/0000-0003-1732-4514
(2014)
Understanding the Cultural Value of 'In Harmony-Sistema England'.
pp. 1-57.
Rimmer, Mark
ORCID: https://orcid.org/0000-0001-6916-6795
(2013)
Can you hear me now? Musical values, education and 'voice'.
Media International Australia, 148 (1).
pp. 135-144.
ISSN 1329-878X
Rimmer, Mark
ORCID: https://orcid.org/0000-0001-6916-6795
(2012)
The participation and decision making of ‘at risk’ youth in community music projects: an exploration of three case studies.
Journal of Youth Studies, 15 (3).
pp. 329-350.
ISSN 1367-6261
Rimmer, Mark
ORCID: https://orcid.org/0000-0001-6916-6795
(2011)
Beyond omnivores and univores: The promise of a concept of musical habitus.
Cultural Sociology.
pp. 299-318.
ISSN 1749-9763
Rimmer, Mark
ORCID: https://orcid.org/0000-0001-6916-6795
(2010)
Listening to the monkey: Class and youth in the formation of a musical habitus.
Ethnography, 11 (2).
pp. 255-283.
Rimmer, Mark
ORCID: https://orcid.org/0000-0001-6916-6795
(2010)
Harte Musik und weiche Jungs, Kulturaustausch: Großbritannien.
Kulturaustausch, 1.
Rimmer, Mark
ORCID: https://orcid.org/0000-0001-6916-6795
(2009)
Instrumental' playing? Cultural policy and young people's community music participation.
International Journal of Cultural Policy, 15 (1).
pp. 71-90.
ISSN 1477-2833
Rimmer, Mark
ORCID: https://orcid.org/0000-0001-6916-6795
(2020)
Trans-Actions in Music.
In:
John Dewey and the Notion of Trans-action.
Palgrave Studies in Relational Sociology
(1).
Palgrave Macmillan.
ISBN 978-3-030-26380-5
Rimmer, Mark
ORCID: https://orcid.org/0000-0001-6916-6795
(2018)
Community Music and Youth: Delivering Empowerment?
In:
The Oxford Handbook of Community Music.
Oxford University Press.
ISBN 9780190219505
Mills, Brett and Rimmer, Mark
ORCID: https://orcid.org/0000-0001-6916-6795
(2017)
Pure and Simple: Music as a Personal and Comedic Resource in Car Share.
In:
Music in Comedy Television.
Routledge.
ISBN 978-1138193581
Rimmer, Mark
ORCID: https://orcid.org/0000-0001-6916-6795, Higham, Ben and Brown, Tony
(2014)
Whatever Happened to Community Music?:AHRC Research Network Project Report.
Working Paper.
UNSPECIFIED, Norwich.
Rimmer, Mark
ORCID: https://orcid.org/0000-0001-6916-6795 and Phillips, Tom
ORCID: https://orcid.org/0000-0003-1732-4514
(2013)
Community Arts: Sustainability in Austerity.
Working Paper.
University of East Anglia, Norwich.