Ashman, Nathan ORCID: https://orcid.org/0000-0002-4065-6253
(2019)
"Death itself shall be deathless”: Transrationalism and eternal death in Don DeLillo’s Zero K.
Critique: Studies in Contemporary Fiction, 60 (3).
pp. 300-310.
ISSN 0011-1619
Devine-Wright, Patrick, Smith, Jos ORCID: https://orcid.org/0000-0002-3826-6416 and Batel, Susana
(2019)
“Positive parochialism”, local belonging and ecological concerns: Revisiting Common Ground's Parish Maps project.
Transactions of the Institute of British Geographers, 44 (2).
pp. 407-421.
ISSN 0020-2754
Gooding, Paul, Smith, Jos ORCID: https://orcid.org/0000-0002-3826-6416 and Mann, Justine
(2019)
The forensic imagination: Interdisciplinary approaches to tracing creativity in writers’ born-digital archives.
Archives and Manuscripts, 47 (3).
pp. 374-390.
Noel-Tod, Jeremy (2019) Boring Auden. Poetry Review, 109 (4). ISSN 0032-2156
Noel-Tod, Jeremy (2019) 'Campaign in bad poetry—govern with the consequences':[on poetry and political rhetoric]. Prospect Magazine.
Noel-Tod, Jeremy (2019) An Iraqi Poet in London: on Fawzi Karim. Poetry Review, 109 (3). ISSN 0032-2156
Nowell Smith, David ORCID: https://orcid.org/0000-0001-9840-2507
(2019)
W.S. Graham's three-accent line: "The Gradual Construction of a Timbre".
Modern Philology, 116 (3).
pp. 235-261.
ISSN 0026-8232
Nowell-Smith, David ORCID: https://orcid.org/0000-0001-9840-2507
(2019)
Historical poetics and the register of history.
Critical Quarterly, 61 (1).
pp. 82-98.
ISSN 0011-1562
Potter, Rachel ORCID: https://orcid.org/0000-0001-5508-000X
(2019)
CQ and the invention of modernism.
Critical Quarterly, 61 (2).
pp. 32-37.
ISSN 0011-1562
Rau, Petra ORCID: https://orcid.org/0000-0001-6425-1253
(2019)
Don't mention Brexit:Wie wir jetzt nicht mehr miteinander reden.
literaturkritik.de, 2019 (4).
ISSN 1437-9317
Smith, Jos and Ferraby, Rose (2019) Warpland, Holderness. Archipelago.
Taunton, Matthew ORCID: https://orcid.org/0000-0002-9764-7809
(2019)
Critical Quarterly, Leavisism and UEA.
Critical Quarterly, 61 (2).
pp. 5-14.
ISSN 0011-1562
Connors, Clare (2019) Traces of grace in contemporary fiction: Ali Smith’s 'There but for the…'. In: Gravity and Grace. Legenda. ISBN 978-1-781887-87-5
Connors, Clare (2019) Creative Criticism: A Histori-Manifesto. In: French Thought and Theory in the UK. Routledge.
Donnell, Alison ORCID: https://orcid.org/0000-0001-8722-6974
(2019)
Looking Back, Looking Forward:Revisiting the Windrush Myth.
In:
Cambridge History of Black and Asian British Writing.
Cambridge University Press, 195 - 211.
ISBN 9781108164146
Fernandez Campa, Marta (2019) Various entries in A to Z of Caribbean Art. In: Robert and Christopher Publishers. Robert and Christopher Publishers, Canada. ISBN 978-976-95344-9-0
Kohlmann, Benjamin and Taunton, Matthew ORCID: https://orcid.org/0000-0002-9764-7809
(2019)
Introduction:The Long 1930s.
In:
A History of 1930s British Literature.
Cambridge University Press, Cambridge, pp. 1-14.
ISBN 978-1-108-47453-5
Nowell-Smith, David ORCID: https://orcid.org/0000-0001-9840-2507
(2019)
Figures of/for voice.
In:
Oxford Encyclopedia of Literary Theory.
Oxford University Press.
Nowell-Smith, David ORCID: https://orcid.org/0000-0001-9840-2507
(2019)
What is called rhythm?
In:
Critical Rhythm.
Fordham University Press.
ISBN 9780823282036
Potter, Rachel (2019) 'Nightwood's' Humans. In: Shattered Objects. Penn State University Press, Pennsylvania. ISBN 9780271082202
Rau, Petra ORCID: https://orcid.org/0000-0001-6425-1253
(2019)
Fiction and Film, 1980 -2018.
In:
The Cambridge Companion to British Fiction: 1980 - 2018.
Cambridge University Press, Cambridge, pp. 185-198.
ISBN 978-1108704922
Rau, Petra ORCID: https://orcid.org/0000-0001-6425-1253
(2019)
'The sights are worse than the journeys': travel writing at the mid-century.
In:
British Literature in Transition, 1940–1960: Postwar.
Cambridge University Press, Cambridge, pp. 353-369.
ISBN 9781107119017
Taunton, Matthew ORCID: https://orcid.org/0000-0002-9764-7809
(2019)
Literature and Education in the Long 1930s.
In:
A History of 1930s British Literature.
Cambridge University Press.
ISBN 9781108565592
Williams, Nonia (2019) Ann Quin: ‘infuriating’ experiments? In: British Avant-Garde Fiction of the 1960s. Edinburgh University Press, pp. 193-214. ISBN 9781474436199
Mitchell, Kaye and Williams, Nonia, eds. (2019) British Avant-Garde Fiction of the 1960s. Edinburgh University Press. ISBN 9781474436199
Kohlmann, Benjamin and Taunton, Matthew, eds. (2019) A History of 1930s British Literature. Cambridge University Press. ISBN 978-1108474535
Breidenbach, Birgit ORCID: https://orcid.org/0009-0003-3125-6789 and Docherty, Thomas
(2019)
Mood:Interdisciplinary perspectives, new theories.
Taylor and Francis.
ISBN 9780367200664
Riley, Denise (2019) Selected Poems 1976-2016: Denise Riley. Picador, London. ISBN 978-1-5290-1712-0
Riley, Denise (2019) Shantung:Szantung. Wydanie 1, LODZ, Poland. ISBN 978-83-66318-04-05
Riley, Denise (2019) Time Lived, Without Its Flow. Picador, London. ISBN 978-1-5290-1710-6
Smith, Kirstin (2019) Stunts of Late Nineteenth-Century New York:Aestheticized Precarity, Endangered Liveness. Routledge, London. ISBN 9780429031007
Taunton, Matthew ORCID: https://orcid.org/0000-0002-9764-7809
(2019)
Red Britain:the Russian Revolution in Mid-Century Culture.
Oxford Mid-Century Series
.
Oxford University Press.
ISBN 978-0198817710