Items where Research Group is "Media Equality

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Amatmoekrim, Karin and Timmer Harvey, Sarah (2020) Reconstruction (Verzet): 1. Strangers Press. ISBN 978-1-911343-27-1

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Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2020) Cinema and Latin American Studies: Sites of Interdisciplinary, Transnational Enquiry. New Area Studies, 1 (1). pp. 10-24. ISSN 2633-3716

Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2020) Cultural Encounters in Contemporary Latin American Cinema:Intersections of Transnationality. In: The Cambridge Handbook of Intercultural Communication. Cambridge Handbooks in Language and Linguistics . Cambridge University Press, Cambridge, pp. 432-445. ISBN 9781108429696

Black, Sharon ORCID: https://orcid.org/0000-0001-8123-4383 (2020) Why children should be watching TV with the subtitles on. The Conversation.

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Cann, Victoria ORCID: https://orcid.org/0000-0002-7858-4283 (2020) Negotiating identities: Being “Boy”, being “Filipino”, being “Other”. Boyhood Studies, 13 (1). 23–42. ISSN 2375-9240

Cann, Victoria ORCID: https://orcid.org/0000-0002-7858-4283, Madrid, Sebastián, Ratele, Kopano, Tarrant, Anna, Ward, Michael and Connell, Raewyn (2020) The Men and the Boys, Twenty Years on: Revisiting Raewyn Connell’s pivotal text. Boyhood Studies, 13 (2). pp. 1-8. ISSN 2375-9240

Clayton, Stephanie, Johnston, Keith M ORCID: https://orcid.org/0000-0002-1989-8549 and Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2020) Invisible Innovators:Making Women Filmmakers Visible Across the UK Film Archives. UNSPECIFIED.

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Elder, Chi-He ORCID: https://orcid.org/0000-0002-3702-5397 (2020) Trump vs. Clinton: Implicatures as public stance acts. In: Positioning and Stance in Political Discourse. Vernon Press, pp. 71-92. ISBN 978-1-62273-885-4

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Heerma van Voss, Thomas and Gilula, Moshe (2020) Thank You For Being With Us (Verzet): 2. Strangers Press. ISBN 978-1-911343-28-8

Hofstede, Bregje and Tetley-Paul, Alice (2020) Bergje. Strangers Press. ISBN 978-1-911343-29-5

Holmes, Su ORCID: https://orcid.org/0000-0003-4243-8337 (2020) ‘Why hadn’t I come across this sooner?’ Exploring the relationships between ‘feminism(s)’ and ‘eating disorders’. Feminist Studies, 46 (2). pp. 371-397. ISSN 2153-3873

Hopkinson, Amanda and Marsh, Hazel ORCID: https://orcid.org/0000-0003-1633-6484 (2020) ‘Activist Narratives: Latin American Testimonies in Translation’. In: The Routledge Handbook of Translation and Activism. Routledge, UK.

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Marsh, Hazel ORCID: https://orcid.org/0000-0003-1633-6484, Armijos Burneo, Teresa ORCID: https://orcid.org/0000-0003-1020-6056 and Few, Roger (2020) “Telling it in our own way”: Doing music-enhanced interviews with people displaced by violence in Colombia. New Area Studies, 1 (1). pp. 132-164. ISSN 2633-3716

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Ouariachi, Jamal and Emblen-Jarrett, Scott (2020) The Tourist Butcher (Verzet): 4. Strangers Press. ISBN 978-1-911343-30-1

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Peek, Gustaaf and Monaghan, Brendan (2020) Resist! In Defence of Communism (Verzet): 5. Strangers Press. ISBN 978-1-911343-31-8

Pett, Emma and Warner, Helen (2020) The invisible institution? Reconstructing the history of BAFTA and the 1958 merger of the British Film Academy with the Guild of Television Producers and Directors. Journal of British Film and Television, 17 (4). pp. 449-472. ISSN 1743-4521

Pitchford-Hyde, Jenna ORCID: https://orcid.org/0000-0002-6677-6114 and Parry, Katy (2020) Veterans and the Media:A pilot survey report on how UK veterans perceive media representations about military and post-military experiences. White Rose University Press, Leeds.

Polak, Nina and Rault, Emma (2020) The Dandy (Verzet): 6. Strangers Press. ISBN 978-1-911343-32-5

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Snelson, Tim ORCID: https://orcid.org/0000-0002-8282-2432 and Macauley, William (2020) The influence of ‘psychiatrist friends’ on British film censorship in the 1960s. Journal of British Cinema and Television, 17 (4). pp. 473-500. ISSN 1743-4521

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Van Hassel, Sanneke and Guinan, Danny (2020) Shelter (Verzet): 7. Strangers Press. ISBN 978-1-911343-33-2

Vich, Cynthia and Barrow, Sarah ORCID: https://orcid.org/0000-0001-8221-0885 (2020) Peruvian Cinema of the Twenty-First Century:Dynamic and Unstable Grounds. Palgrave Macmillan, New York. ISBN 978-3-030-52512-5

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Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2020) Girl on the edge: Rapture (1965). In: John Guillermin. Precocity Press. ISBN 978-1735292151

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2020) Her Word Was Her Bond:Johanna Harwood, Bond’s First Woman Screenwriter. In: From Blofeld to Moneypenny. Emerald Studies in Popular Culture and Gender . Emerald Group Publishing Ltd., pp. 117-127. ISBN 978-1-83867-163-1

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2020) Interview for Indicator Bluray Hammer boxset volume five. Indicator.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2020) Interview for StudioCanal Bluray/DVD release of Yield to the Night (1956). Studiocanal.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2020) The hidden history of women's filmmaking in Britain. The Conversation.

Wortel, Maartje and Van Der Voort, Jozef (2020) Something Has To Happen (Verzet): 8. Strangers Press. ISBN 978-1-911343-34-9

Wright, Kate, Scott, Martin ORCID: https://orcid.org/0000-0001-6744-443X and Bunce, Mel (2020) Soft power, hard news: How journalists at state-funded transnational media legitimize their work. International Journal of Press/Politics, 25 (4). pp. 607-631. ISSN 1940-1612