Arribas-Tomé, Marián and Kirjavainen, Heikki (2007) 'I want to say the nude': The Philosophical Contribution of Cubism. SATS - Northern European Journal of Philosophy, 8 (1). pp. 45-73. ISSN 1869-7577
Baines, Roger ORCID: https://orcid.org/0000-0002-3016-6533
(2007)
Gender identity and perceptions of insult performance in contemporary adolescent French.
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The French Language and Questions of Identity.
Legenda, pp. 129-139.
ISBN 1904350682
Baines, Roger ORCID: https://orcid.org/0000-0002-3016-6533 and Dalmasso, Fred
(2007)
A text on trial: The translation and adaptation of Adel Hakim's Exécuteur 14.
Social Semiotics, 17 (2).
pp. 229-257.
ISSN 1470-1219
Filipovic, Luna (2007) Language as a witness: Insights from cognitive linguistics. International Journal of Speech, Language and the Law, 14 (2). pp. 245-267. ISSN 1748-8893
Filipovic, Luna (2007) On the nature of lexicalization patterns: A cross-linguistic enquiry. In: On Interpreting Construction Schemas. Mouton de Gruyter, Berlin, pp. 307-329.
Filipovic, Luna (2007) Talking about Motion: A Crosslingual Investigation of Lexicalization Patterns. John Benjamins Publishing Company, Amsterdam.
Garton, Janet (2007) After the Door Slams – the Depiction of Divorce in Nineteenth-Century Scandinavia. In: After Intimacy: The Culture of Divorce in the West since 1789. Peter Lang Publishers, pp. 93-113. ISBN 3039101439
Garton, Janet (2007) Amalie Skram: Constance Ring. Working Paper. Borgen.
Guillot, Marie-Noëlle ORCID: https://orcid.org/0000-0002-4382-8006
(2007)
Oral et illusion d'oral: indices d'oralité dans les sous-titres de dialogues de film.
META, 52 (2).
pp. 239-259.
ISSN 1492-1421
Guillot, Marie-Noëlle ORCID: https://orcid.org/0000-0002-4382-8006
(2007)
Research Corpus - Corpus of oppositional mulit-party verbal interactions in native and non-native French and English. Recorded and Coded Transcription.
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Kenning, Marie-Madeleine (2007) ICT and Language Learning: From Print to the Mobile Phone. Palgrave Macmillan. ISBN 0230517072
Marsh, Hazel ORCID: https://orcid.org/0000-0003-1633-6484
(2007)
Black Rhythms of Peru: Reviving African Musical Heritage in the Black Pacific. Heidi Carolyn Feldman. Wesleyan University Press: Connecticut.
Popular Music, 26 (3).
pp. 513-514.
ISSN 1474-0095
Marsh, Hazel ORCID: https://orcid.org/0000-0003-1633-6484
(2007)
The Resisting Muse: Popular Music and Social Protest. Ed. Ian Peddie. Ashgate.
Popular Music, 26 (2).
ISSN 1474-0095
Marsh, Hazel ORCID: https://orcid.org/0000-0003-1633-6484 and Papanikolau, Dimitris
(2007)
Singing Poets: Literature and Popular Music in France and Greece. Dimitris Papanikolau. Legenda: Oxford.
Popular Music, 27 (2).
ISSN 1474-0095
Musolff, Andreas (2007) Is there such a Thing as Discourse History? The Case of Metaphor. In: Cognitive Linguistics in Critical Discourse Analysis: Application and Theory. Cambridge Scholars Publishing, pp. 1-27.
Musolff, Andreas (2007) Popular science concepts and their use in creative metaphors in media discourse. metaphorik.de, 13. pp. 67-85.
Musolff, Andreas (2007) What role do metaphors play in racial prejudice? The function of antisemitic imagery in "Mein Kampf". Patterns of Prejudice, 4 (1). pp. 21-43. ISSN 0031-322X
Pagani, Giulio (2007) Expressions/representations of the relationship between the 'state' and the 'citizen': register analysis of local government discourse. Critical Approaches to Discourse Analysis Across Disciplines, 1 (1). pp. 1-18.
Sato-Rossberg, Nana (2007) Mashiho Chiri and Poets, Part I – Kunio Oda and Yukar Appreciation. CoreEthics, 3. pp. 1-22.
Sato-Rossberg, Nana (2007) The Translations of Ainu Chanted-Myths by Mashiho Chiri and Yukie Chiri – Dancing with Onomatopoeia. In: The Death on Foreign Soil – About ‘Ainu Chanted-Myths’ by Yukie Chiri. Jinbun, Kyoto.
Tomatsuri, Akiko (2007) ‘I do not know how to play the lyre’: Aristophanes and the practice of mousike. In: The Australasian Society for Classical Studies Conference, 2007-02-04 - 2007-02-08, The University of Newcastle.
Tomatsuri, Akiko (2007) The Use of Silence in Tadashi Suzuki’s Electra. In: Staging of Classical Drama around 2000. Cambridge Scholars Publishing, pp. 71-82. ISBN 978-1-8471-8318-7