Items where Research Group is "Film, Television and Media

Article

Fitzhugh, Helen ORCID: https://orcid.org/0000-0002-4135-8960, Woodard, Ritchie and James, Andrea (2026) Critical reflection on strategies for widening acceptance to emancipatory sociology engaging with employers and workers in The Good Jobs Project. Critical Sociology, 52 (6). pp. 1491-1506. ISSN 0896-9205

Hines, Claire ORCID: https://orcid.org/0000-0002-9130-6325 (2026) Under the Spell of Fantasy: The Sword and Sorcery Production Cycle in British Popular Cinema of the Early 1980s. British Fantasy Society Journal (28). (In Press)

Snelson, Tim ORCID: https://orcid.org/0000-0002-8282-2432 (2026) Reel worlds: reconstructing the history of postwar child psychotherapy through fiction film. History of Psychiatry. ISSN 0957-154X

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2026) ‘A difficult film to sell and a difficult film to appreciate’: MGM’s Alfred the Great (1969) and the challenges of promoting historical epic in the late-1960s. Historical Journal of Film, Radio and Television, 46 (2). pp. 375-399. ISSN 0143-9685

Book Section

Bailey, Matthew and Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2026) Leading the Sixties: Masculinities of Party-Political Leadership in 1960s Britain. In: Male Icons and Identity in 1960s Britain. Routledge Taylor & Francis Group, pp. 46-61. ISBN 9781032863092

Hand, Richard ORCID: https://orcid.org/0000-0002-2076-1435 (2026) Afro-Gothic; Get Out; Games; Stage; Cosmic Horror; Modern Art; Radio; Blacula; Grand-Guignol. In: A History of Horror, Fear, and the Uncanny. Dorling Kindersley. ISBN 9780241777442

Hand, Richard ORCID: https://orcid.org/0000-0002-2076-1435 (2026) Conrad, the English Literary Theatre and Grand-Guignol. In: Joseph Conrad and the Arts of his Time. Edinburgh University Press, pp. 187-205. ISBN 9781399523738

Hand, Richard ORCID: https://orcid.org/0000-0002-2076-1435 (2026) “It all seems too real”: Herschell Gordon Lewis and Theatres of Horror. In: The Films of Herschell Gordon Lewis. Edinburgh University Press, pp. 94-109. ISBN 9781399536042

Hines, Claire ORCID: https://orcid.org/0000-0002-9130-6325 and Holmes, Su ORCID: https://orcid.org/0000-0003-4243-8337 (2026) “I think the starting point is fundamentally… why are we doing this?” Producing True Crime Television (UK). In: Televising True Crime in the Digital Age: Critical Feminist Perspectives. Routledge, London. ISBN 9781003475781 (In Press)

Johnston, Keith M ORCID: https://orcid.org/0000-0002-1989-8549 and Arnold, Sarah (2026) Valuing the labor of women amateur filmmakers and the archivists who preserve their works. In: Cultural Heritage Data and Power. Meson Press.

Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549, Tepperman, Charles, Mariani, Andrea and Schneider, Simona (2026) Moving Amateur Movies:The International Amateur Cinema Network in the 1930s. In: A Century In 16mm. Oxford University Press, pp. 221-240. ISBN 9780197687178

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2026) Lynda Baron (1939-2022). In: Oxford Dictionary of National Biography. Oxford University Press. (In Press)

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2026) Surviving a Time Without Pity: Howard Koch, Ben Barzman, Adrian Scott. In: Red and Black: Hollywood Left and the Blacklist. Les Éditions de l’Œil. ISBN 978-2-35137-406-1

Performance

Hand, Richard ORCID: https://orcid.org/0000-0002-2076-1435 (2026) Black Shuck Investigations:Two Plays: Mr Turnpenny Investigates... Black Shuck! and The Pageant. [Performance]