Items where Research Group is "Film, Television and Media

Hand, Richard and McRoy, Jay, eds. (2020) Gothic Film:An Edinburgh Companion. Gothic Studies, 1 (1st). Edinburgh University Press, Edinburgh. ISBN 9781474448048

Petrie, Duncan, Williams, Melanie and Mayne, Laura, eds. (2020) Sixties British Cinema Reconsidered. Edinburgh University Press. ISBN 9781474443890

Atakav, Eylem (2020) Growing Up Married: Representing forced marriage on screen. Critical Discourse Studies, 17 (2). pp. 229-241. ISSN 1740-5904

Atakav, Eylem (2020) Lifeline. UNSPECIFIED.

Atakav, Eylem, Jarvis, Lee and Marsden, Lee (2020) Researching "British [Muslim] Values": Vernacular politics, digital storytelling, and participant researchers. International Journal of Qualitative Methods, 19. pp. 1-11. ISSN 1609-4069

Atakav, Eylem, Velody, Rachel and Daniels, Jill (2020) Against the Grain: Women Film Practitioners and Theorists Talk Creative Practice and Theory. In: Creative Practice Research in the Age of Neoliberal Hopelessness. Edinburgh University Press, pp. 19-33. ISBN 9781474463560

Aveyard, Karina (2020) Screen Adaptation and Australian Literature. In: The Routledge Companion to Australian Literature. Routledge, pp. 401-409. ISBN 978036764356

Balzar, Jesse, Johnston, Keith M. and Pearson, Erin (2020) Talking Trailers: Promotional materials, and the value of the paratextual turn. Cinephile: The University of British Columbia's Film Journal, 14 (1). pp. 40-45.

Barrow, Sarah (2020) Cinema and Latin American Studies: Sites of Interdisciplinary, Transnational Enquiry. New Area Studies, 1 (1). pp. 10-24. ISSN 2633-3716

Barrow, Sarah (2020) Cultural Encounters in Contemporary Latin American Cinema:Intersections of Transnationality. In: The Cambridge Handbook of Intercultural Communication. Cambridge Handbooks in Language and Linguistics . Cambridge University Press, Cambridge, pp. 432-445. ISBN 9781108429696

Chatzidakis, Andreas, Hakim, Jamie, Littler, Jo, Rottenberg, Catherine and Segal, Lynne (2020) From carewashing to radical care: the discursive explosions of care during Covid-19. Feminist Media Studies, 20 (6). pp. 889-895. ISSN 1468-0777

Clayton, Stephanie, Johnston, Keith M and Williams, Melanie (2020) Invisible Innovators:Making Women Filmmakers Visible Across the UK Film Archives. UNSPECIFIED.

Cornea, Christine (2020) Food from the Forest:Aat Aser. UNSPECIFIED.

Cornea, Christine (2020) Food from the Forest:Kanthe Ara, Huter Baha, Kaath Oo. UNSPECIFIED.

Cornea, Christine (2020) 'For Queen. For Country. For Kicks.': Post-apocalyptic patriotism, youth and gender in Spooks: Code 9 (BBC Three, 2008). Refractory: a Journal of Entertainment Media, 34 (2020).

Cornea, Christine (2020) Mahula Flower. UNSPECIFIED.

Cornea, Christine (2020) Microplastic Analysis Kit:Video Guide. UNSPECIFIED.

Cornea, Christine (2020) Youth and the Post-Apocalyptic in Film, Television, and Video Game. Refractory: a Journal of Entertainment Media.

Cornea, Christine, Smith, Alexandra, Ravidas, Tuplal, Hansda, Suman Kumar and Purti, Atul Jiwan (2020) Food from the Forest:Ortua Oo. UNSPECIFIED.

Denison, Rayna (2020) Anime is (not) Cult: Gainax and the Limits of Cult Cinema. In: The Routledge Companion to Cult Cinema. Routledge, London, pp. 121-130. ISBN 9781138950276

Feldman, Zeena and Hakim, Jamie (2020) From Paris is Burning to #dragrace: Social media and the celebrification of drag culture. Celebrity Studies, 11 (4). pp. 386-401. ISSN 1939-2397

Frith, Paul (2020) Wholesome rough stuff’: Hammer Films and the ‘A’ and ‘U’ Certificate, 1959-65. In: Sixties British Cinema Reconsidered. Edinburgh University Press, Edinburgh. ISBN 9781474443883

Frith, Paul and Johnston, Keith (2020) Beyond place: Rethinking British amateur films through gender and technology-based perspectives. Screen, 61 (1). 129–137. ISSN 0036-9543

Frith, Paul and Johnston, Keith M. (2020) Talking Colour: Rememering the Eastmancolor Revolution. Frames Cinema Journal (17). ISSN 2053-8812

Hakim, Jamie (2020) Barker, M-J., Gill, R., and Harvey, L. (2018). Mediated intimacy: Sex advice in media culture. Cambridge: Polity Press. Communications: The European Journal of Communication Research, 45 (4). pp. 509-512.

Hakim, Jamie, Chatzidakis, Andreas, Littler, Jo, Rottenberg, Catherine and Segal, Lynne (2020) The Care Manifesto. Verso Books. ISBN 978-1839760969

Hand, Richard (2020) Henry VI Part 1. [Performance]

Hand, Richard (2020) Henry VI Part 2. [Performance]

Hand, Richard (2020) Henry VI Part 3. [Performance]

Hand, Richard (2020) The Innocents. [Performance]

Hand, Richard (2020) Reflected Anxieties and Projected Dystopias:Black Mirror, Domestic Media and Dark Fantasy. In: The Moral Uncanny in Black Mirror. Springer, pp. 19-39. ISBN 9783030474942

Hand, Richard (2020) This Isolation. [Performance]

Hines, Claire and Jones, Stephanie (2020) Loaded Magazines: James Bond and British men’s mags in the Brosnan era. In: From Blofeld to Moneypenny. Emerald Group Publishing Ltd., pp. 153-166. ISBN 9781838671631

Hollows, Joanne and Jancovich, Mark (2020) ‘Dwelling at Peace’: Europeanization and the marketing of Alpine tourism in post-war Britain. International Journal of Cultural Studies, 23 (3). pp. 385-400. ISSN 1367-8779

Holmes, Su (2020) ‘Why hadn’t I come across this sooner?’ Exploring the relationships between ‘feminism(s)’ and ‘eating disorders’. Feminist Review, 46 (2). pp. 371-397. ISSN 0141-7789

Jarvis, Lee, Marsden, Lee and Atakav, Eylem (2020) Public conceptions and constructions of 'British values': A qualitative analysis. British Journal of Politics & International Relations, 22 (1). pp. 85-101. ISSN 1369-1481

Johnston, Keith and Hill, Sarah (2020) Making women amateur filmmakers visible: Reclaiming women’s work through the film archive. Women's History Review, 29 (5). pp. 875-889. ISSN 0961-2025

Johnston, Keith M (2020) The look of the con: Eleven thoughts on the historical absence of subtitles in film analysis. Perspectives: Studies in Translatology, 28 (6). pp. 910-919. ISSN 0907-676X

Johnston, Keith M. and Rickards, Carolyn (2020) The spectacle of realism: special effects at Ealing Studios, 1940-45. Screen, 60 (2). 261–279. ISSN 0036-9543

Jurkovic, Tanja (2020) Grand Guignol, Inside Showtime’s Penny Dreadful Demimonde. In: The Palgrave Handbook of Contemporary Gothic. Palgrave Macmillan, pp. 865-877. ISBN 978-3-030-33136-8

Jurkovic, Tanja (2020) The Horror Genre in Balkan Cinema. In: The Palgrave Handbook of Contemporary Gothic. Palgrave Macmillan, pp. 711-724. ISBN 978-3-030-33135-1

Litherland, Benjamin, Phillips, Thomas and Warden, Claire (2020) Is this Progress? Punk, Participation and the (Potential) Radical Politics of British Professional Wrestling. In: Professional Wrestling. Seagull Books, pp. 119-139. ISBN 9780857427946

Little, Ben and Winch, Alison (2020) Patriarchy in the digital conjuncture: An analysis of Google’s James Damore. New Formations, 102. pp. 44-63. ISSN 0950-2378

McKay, George (2020) The heritage of slavery in British jazz festivals. International Journal of Heritage Studies, 26 (6). pp. 571-588. ISSN 1352-7258

Qureshi, Kamran (2020) Portrayal of Intersex Characters in Indian Cinema.

Rimmer, Mark (2020) Too big to fail? The framing and interpretation of ‘success’/‘failure’ in cultural participation policy: a case study. Conjunctions, 7 (2). ISSN 2246-3755

Rimmer, Mark (2020) Trans-Actions in Music. In: John Dewey and the Notion of Trans-action. Palgrave Studies in Relational Sociology (1). Palgrave Macmillan. ISBN 978-3-030-26379-9

Rimmer, Mark (2020) The art of survival: community-based arts organisations in times of austerity. Community Development Journal, 55 (2). 295–312. ISSN 0010-3802

Snelson, Tim and Macauley, William (2020) The influence of ‘psychiatrist friends’ on British film censorship in the 1960s. Journal of British Cinema and Television, 17 (4). pp. 473-500. ISSN 1743-4521

Vich, Cynthia and Barrow, Sarah (2020) Peruvian Cinema of the Twenty-First Century:Dynamic and Unstable Grounds. Palgrave Macmillan, New York. ISBN 978-3-030-52511-8

Whyton, Tony and Mckay, George (2020) 'Cultural heritage and jazz festivals' special issue editors' introduction. International Journal of Heritage Studies, 26 (6). pp. 543-546. ISSN 1352-7258

Williams, Melanie (2020) Girl on the edge: Rapture (1965). In: John Guillermin. Precocity Press. ISBN 978-1735292151

Williams, Melanie (2020) Her Word Was Her Bond:Johanna Harwood, Bond’s First Woman Screenwriter. In: From Blofeld to Moneypenny. Emerald Studies in Popular Culture and Gender . Emerald Group Publishing Ltd., pp. 117-127. ISBN 978-1-83867-163-1

Williams, Melanie (2020) Interview for Indicator Bluray Hammer boxset volume five. Indicator.

Williams, Melanie (2020) Interview for StudioCanal Bluray/DVD release of Yield to the Night (1956). Studiocanal.

Williams, Melanie (2020) The hidden history of women's filmmaking in Britain. The Conversation.